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Mesa corner in the bass cave. Current bass rig till new Mesa TT800 arrives in June. Only at rehearsal until gigs start again.

@Daz39, ive got a few ideas brewing as i mentioned earlier in the thread, a lot of the material choices for this bass were made with the consideration of "if this experiment goes to s***, how much is this going to cost me?" and so most of the wood choices were relatively inexpensive... as such id love to have another stab using some more expensive wood options in the future, and ive got a few changes id make to the pickups and preamps next time round as well. @binky_bass, certainly not too prying, im happy to share if it helps others! The wood costs were broadly as follows: Body wood - Padauk - approx £22 Body veneer laminations + extra veneers for the neck: approx £80 (these are expensive partly because they are thick constructional veneers, and partly because they cost a lot to ship) neck laminations (veneers /oak boards / rosewood) - approx £50 Namibian rosewood block for the neck through - approx £45 other various veneers etc approx £30 macassar ebony fretboard - £40 inlays - approx £100 Flamed redwood top (imported from US, bit of a difficult one to quantify as it came with a couple others) - approx $80 for the top approx $70 for the shipping plus import tax... probably total about £100 for the rest of the parts: Bigsby b500 clone (a good one) - £35 brass parts for customisation - approx £10 Tune - o matic bridge - £21 TUSQ graphite blocks - £12 Sperzel locking machine heads - £91 assorted extra hardware (inserts, straplocks etc) - approx £30 for the electronics: 3D printed pickup covers + switches - £33 truss rod - £16 carbon fibre in the neck - £32 PCBs for pickups, bobbins, preamps - approx £50 spool of 41AWG wire - £26 electrical components (resistors, caps, pots, knobs etc) - approx £40 bits for power supply + custom cable - approx £30 there were many other assorted costs for sanpaper, fresh router bits+jigsaw blades etc, and stuff i already had like the finishing products which i can't total up here. (if id had a swear jar in the garage id be broke) so based on that math, total would be somewhere around £850-900 ish. which is frustratingly expensive really, ive built some nice basses before for less than half of that, but there just arent many cheaper ways to do some of the stuff on this one. as for time, thats a difficult one to say. i think with all of the reworks of various things id hazard a guess around 240 hours, but maybe more than that. hope that is helpful to anyone wondering like i was saying, id like to do the next one with some fancier woods/veneers... just seen this fretboard blank for sale... that sort of gets the cogs turning

I ordered one of those new Charvel PJ's last week and it arrived safely today. Upon opening it however, I was shocked to see that it was the metallic lime green version, not the blue one. The shop had clearly messed up. Well, when I say that, what I mean is I ordered the wrong one...

I just listened to an album by Frank Zappa and The Mothers. First time I've ever done so and do you know what? I don't know if I ever want to listen to anything other than Frank Zappa and The Mothers for the rest of time. Have you ever discovered the perfect band that had been right there, unsuspected, in front of you your entire life?

I fancied another Jazz bass, so headed over to Promenade Music today. I tried a number of basses in my price range, including a Marco N1 TFL, a Markbass MB JP Black Chrome and an Ex Demo, Fender American Pro Jazz. Each one of them shone, in it's own way but the bass that came home with me was a MIJ Fender Limited Traditional 61, Jazz Bass. Yes, it is a very conventional Jazz bass but when done well, that is a very good thing. I particularly liked the 4 knob (2 x dual concentric) controls, with a volume and tone for either pickup. The C profile neck is a pleasure to play and the vintage style pickups sound full and smooth, with a nice growl. The quality of build and finish are excellent and the overall, traditional feel, sound and aesthetic make this a great, passive bass.

He's been found posting in another group called Rockers Reunited looking for bands to rip off and the admin has contacted me (after seeing my post in the Tribute Club about him) to say he's been removed from it. Glad to see the word is spreading about this low life's misdemeanours.

Looks good with the pickguard removed

There's a particularly sneaky variation on this where letters from different alphabets that look similar are substituted. Take a look at the following links (but don't click on them!). https://www.basschat.co.uk https://www.bаsschat.co.uk They look the same, right? But the a's in the second one are not the Latin letter a, but the Cyrillic letter а. In many fonts they look very very similar, if not identical. If you're not using a touchscreen, moving your mouse over the second link might show you the Latin-ised URL where you'd actually end up if you clicked on it - some browsers are helpful like that, but not all. Again, please don't click on that second link! I don't know what's at the other end 😅 If an email tries to get you to urgently follow a link, don't - type in the URL yourself. (This is called an https://en.wikipedia.org/wiki/IDN_homograph_attack, if you're feeling geeky 🤓 )

Check out 200 motels, you might change your mind ! !

Had a look at the warp in the top and now understand exactly what it is and where it is - and I can put it to one side for sorting later as it may sort itself. End on - it's like this...and I'd be proud if I'd done it on purpose - it's basically the shape that @TheGreek asked me to do on his Psilos bass : This is an end-on shot looking from the tailstock towards the nut and it is the purpleheart that's doing it. It was glued under clamping, but the moisture from the glue clearly has expanded the pupleheart, the top has glued and is held by the less porous walnut, the bottom has then dried and shrunk and pulled it into a bow. The same sort of thing can happen when you are gluing veneer, but that doesn't have the strength to bend the underlying wood. Now, if I was skilled enough, I would carve the mating surface of the oak to be the same shape, because my cunning plan on reducing weight is to add a touch of this at the back - not as extreme as this (which is @Len_derby 's lightweight Swift) but more like the curve above : "And if I was skilled enough, I would carve the mating surface of the oak to be the same shape..." But I'm not Under clamping, it will flatten - but it is a huge force that I wouldn't want to be sitting in the middle of a bass over the next 20 years or so. But I will, any event, be routing out much of the purpleheart out and that will help. If it doesn't fully sort it, I can cut some stress relief slots along the length of the internal face of purpleheart that will sort is and still be fully invisible. But all of that can wait because it's onto finalising the back weight relief, control chamber, etc, etc, etc

A pleasant surprise today in that Jon sent some more photos from Shuker HQ....

I discovered FZ around 1969, and yes, that was pretty much my reaction. My entire life was a fairly low bar at that time though, I was 16 years old! At some point you might want to check out his son Dweezil's band Zappa Plays Zappa too; it features both some of Frank's longtime band members and some amazing younger players. I'd rate it as the best cover band I've ever heard live, probably. The show I saw had Napoleon Murphy Brock, Terry Bozzio, and Steve Vai onboard. Here's a cut from the Portland show I attended:

It just looks tacky.

The good news is that the mating surface of through-neck and wings are pleasingly flat And to the internal features and chambers - but to do that, I need to know, broadly at least, the external carve. And the carve to me is also an iterative process. The mathematicians amongst you will shake their heads disapprovingly and mutter, "Iterations on top of iterations...it's going to turn out like a camel..." Anyway, camel or thoroughbred, it's the only way I can work. So time to take some of the bulk away that I know needs to go before I can see what might make it look nice too... For roughing out, I ought to buy myself a proper carver's chisel, but this is what I'm starting with - including my trusty Veritas Pullshave...the one example (or maybe the ONLY example) of an impulse buy being exactly what I needed as well as what I wanted All plays havoc with the arthritis, but half an hour later: And another half-hour, a decent start-off point: Bear in mind that this body is still oversize, but just having this done helps me think where to take the back carve next. I would hate to do it CNC...there is no way I could envisage it all first!!

gig battle-scars, adds to the mojo 😎 But to be REALLY cool you need bullet holes. Drag optional...

Rob Allen Mouse.

Someone told him he had to study the bass...

I think it depends on the location... I noticed different values of this rather unknown model of the BB range in the UK and Europe.Japan even more. In Europe (esp Germany for what I can speak in this issue) a very good price would be 300-350 Euros. 400,- -450 Euros would be the usual price without case. Im not interested in cases ('cause over the years...) but very often sellers sell with a case to rise the price a few bucks. Espacially this models are usually not owned by pros or real band players as the instruments often come in a mint condition. I wonder why ... I am playing the 1000ma since it came out and it stood the test of time. It overlived even two 3000ma's because in the end the bolt on neck sounds better to my ears. I highly recommend this model. On the other hand...now that I found a good lacquer guy....don't buy them! I'll take them all! 🙂 (sorry for my English if it sounds weird, I am not a native speaker) Edit: Concerning the pickups... for me it was perfect from the start and now I can't switch back to normal! I had beautiful other BB's but the normal pickup configuration did not sound right for me every time I played them... I just love the neck pickup not to be as boomy as the regular ones. In my eyes (or ears) this is kind of an advantage in the studio or live even more. And concerning studio work... I truely can tell that no other bass has ever gotten the job when the BB1000ma was in the collection of possible basses to record with. Something to rely on ! Maybe it is not a real alrounder. Of course you can play anything you want on it but I think, it's a perfect rock bass. I guess it was planed as a rocker for a bass player of a band like Van Halen 🙂 All the follow up's of Michael Anthony are "the same bass" from a different brand.

I’m very fortunate to have maintained a reasonably robust gigging schedule during the year of the virus. I live in a part of the US that has remained more open than many other places. ive managed over 100 gigs over the past year, even with two months completely locked down. they were not high profile. Touring is still pretty much shut down, but I managed to take many small nightclub and restaurant gigs which kept a roof over my head.

I missed out on one on ebay by a few quid years ago and never saw another. I can't justify the cost of the real thing direct from Status sadly, but this popped up on Facebook marketplace yesterday, good comms with the seller, and today she's mine. Need to work through til 5 now though so can't really get hands on with it, but I'm chuffed so far!

Matt and I are discussing offline the control chamber stuff and then I'll start routing some of the lightening chambers and I have some ideas what I want to do at the back. But that purpleheart is bugging me. It will be easier if I take it off and start with some new. To remove it, I did the same as if taking off a fretboard - a hot iron and lots of patience! The patches are oil coming out of it. Stinks too. Weird when the wood to work on always seems dry as a bone. Anyway, it's off...and the walnut is pretty flat again. Just got to get some more purpleheart - I'm going to try somewhere else than DD's with their leadtimes being so long at the moment...

I like the 760FX Deep Talkin' flats on my P - they are the lightest gauge

I finished my fretless Walnut/Babinga, stereo, heavy contours build. 9.8 lbs Yes, the A string is off in the pic...fixed.

Virtually finished now just the soldering, string up, headstock logo and a set up to do...... 👍🏻

i don't like the way that neck has snapped...

I'm with them through the MU. I've used them once, when I was shunted from behind. There was no damage but their advice was useful in reporting the incident without making a claim. Can't see a catch myself, it's free and the MU would not recommend them if they were not legit.

Fuh real dude. Man, I have not listened to Burning Spear in a long time....time to hit up some youtube I would also dig some remakes. Like this one. Personally, I really like the original song even without the reggae vibes. But this reggae version just always had me wanting to dance with my lady...just puts me in a place (sorry if this was also dropped in this thread, no way I can go through the entire thread for now to see what was posted)...play this on a long drive to the beach, or at volume on a beautiful chilled Sunday morning....yesss....

Do you have a better suggestion for how we should use Tim?

Mini board for my Pbass. Engineer’s Thumb comp > OC10 > Ginger preamp > Peterson

I'm looking at buying some La Bella flats and was wondering if anyone has any experience with the Deep Talkin set and the Low Tension set? I've got Rotosound flats on my other P and they were pretty stiff and took a bit of getting used to. How low tension are the low tension strings? I don't want to enter Kala rubber string territory!

https://www.infosecurity-magazine.com/news/online-music-marketplace-suffers/

I am not entirely convinced of the accuracy of this one so would welcome any feedback. Jaco's bass part of the live version of 'The Dry Cleaner From Des Moines' from the 1980 Joni Mitchell album 'Shadows and Light'. https://bilbosbassbites.co.uk/the-dry-cleaner-from-des-moines-joni-mitchell/

Tips: - Apostrophe/Overnight sensation - Sheik Yerbouti - Zoot Allures - Them or Us - Man from Utopia - Broadway the Hardway - Roxy and elsewhere - Tinseltown Rebellion - zappa in New York - Lumpy Gravy To name just a few....

Long time Zappa fan here too. My introduction was Live In New York, which is still a favourite. He’s one of the very few artists that I’ll blind buy anything that comes out. Received an e-mail from the ZFT the other day announcing the latest release. Didn’t even bother reading the blurb - went straight to pre-order. I also have a ton of bootlegs, which when you take a deep dive into, it’s just amazing the amount of variation in the sets. Not only that, but when you listen to the songs, they’re not always performed the same way night after night either.

You know what Tandro, I don’t think we’ve had that one, great tune, nice one ☝️

Do NOT rely on a correct email address in an email to confirm who it came from. It is trivially easy to set the from: field in an email to anything you like. I've done this with server applications that genuinely needed to send out email. Basschat itself probably has a setting somewhere in the app for the email address that emails should be from, and I bet you can set it to pretty much anything. There might be some restrictions in what mail relays will handle but it's very easy to set up an outgoing mail server that will handle anything you want. See things like: https://www.google.com/amp/s/www.howtogeek.com/121532/htg-explains-how-scammers-forge-email-addresses-and-how-you-can-tell/amp/ https://www.techlicious.com/how-to/how-to-tell-if-email-has-been-spoofed/ Again, do not trust an email because the email address is correct.

Another band that springs to mind with that description is Third World , if you listen to some of their albums they’ve got everything going on, especially, journey to Addis, I remember when these came out, the first one is still probably one of my favourites, great bassline and this is just timeless

Part of the reason I love Reggae and Dub is that it can seem sleepy and relaxing in some situations but the exact same tune played loud on a soundsystem can also sound really energetic and dancable. And the same tunes can also sound funky and fun while while also having serious political messages. Someone like Burning Spear does the contradictory relaxed/energetic happy/bittersweet thing amazingly well.

Brace yourself. It's a long and sometimes bumpy ride... You'll hear some amazing bass players on your travels, tho'. My favourite Zappa stuff is from the mid seventies to the early eighties, but there's stuff to enjoy in every era of his work. Good luck!

I keep looking at these which are also on the pricey side! https://www.herrickpickups.com/products/split-8-coil-mm-humbucker/ Would do p, reverse p, mm & single coil out of out of the box. But with coil per string which I think probably puts it in completely different tonal territory!

Or you could just contact the hackers and ask them?

These guys are definitely upping their game on several fronts! In terms of some of the multifx seen on that amp, you might be interested in this new offering from them which came out just a short while back: MG-30 - NUX (nuxefx.com) Unusually amongst the sub £300 multifx's, this does parallel routing.

The walnut has black knobs, too. I am not quite sure about the original opamp of the preamp (the type was filed, maybe a 741, or a TL061/071), but it consumes very little energy. I changed it to a NE5534, and the sound became stronger, although the power consumption raised dramatically. Single 9 volt battery. Back plates are plastic with aluminum foil. The pickups are hum-cancelling, coils under GD and AE are in opposite phase. Most of the necks have phenolic resin fretboard, no front markers. My instrument's neck was a bit "soft", it could be bent quite some, but with a 30 - 90 set it stayed in tune pretty well. I used only Rotosound Superwound 606 DBE PSD (double ball-end piano string design) strings. The pots are basic carbon track ones with mechanics in them: blend has a center detent and volume & tone have nice steps. I have seen few special colours (green & white), but I do not know whether they were production models, prototypes, or home/custom made specialities.