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I missed my second-ever gig on Saturday for reasons explained a couple of weeks ago. Some of you asked to be updated, so today is as good as any. I had a CT Prep scan on Friday to map out the affected area for radiotherapy and give you a few pretty tattoo dots (my first ever tats - not that I wanted any) so they can line you up in the machinery consistently every time they blast you with radiation. Radiotherapy and oral chemo start on Monday, 5th Jan, so at least we get to have a relatively normal Christmas with the family. In the meantime, I need to make a few new habits in preperation of a 5-week, near-daily slog of hospital visits. I need to hydrate more, and turn up to sessions with a full bladder - so I'm trying to drink a pint of water first thing in the morning (easier said than done) and keep a water log with an app. Using hand cream daily, which I've never had to before, to mitigate the chances of neuropathy. And my diet has to change again to low fibre and low gas (to avoid trapped wind), which will make for a boring few weeks of food, certainly a challenge for a couple of food lovers such as me and my chef wife. Good news is we have a gig next week that I fully intend to do. I just need to be sensible when it comes to mixing with people. The last thing I need is to catch a cold the week before starting treatment.

Hexham Abbey last night - last gig of the year for my Eagles trib, and our first 'Unplugged and candlelit' show. As you can imagine, it's a spectacular location with 'acoustic challenges'. We're lucky to have an amazing engineer - we kept the volume down, had speakers all around the audience with delays, and apparently it sounded spot-on. Lots of new arrangements, and I'm continuing to wean myself on to IEMs, so it took me a couple of songs to fully settle into it. I used my usual Handbox head, my 66RI Jazz, and my little TKS cab, just to move a bit of air around the back of my legs. It's been a great year for this band. They're an absolutely champion bunch of lads. Looking forward to a mix of electric and acoustic shows in 2026. \

Well, this was a bit of a change. We had our last gig before christmas today, a short 2 hour one on a sunday afternoon at one of our local pubs, a pub owned by the guy who gives us our free practice space. We were going to get the other christmas song sorted but the guitarist was ill on thursday, so we didn't. I was looking forward to it - short, in the evening and local. The last two gigs hadn't been great, the one before last I had covid (didn't realise at the time, but felt really bad), then the last one my wife had a heart attack while I was away and ended up in A&E until 2 and visiting every day of the next week, still dealing with the fallout from that. So a chance for a gig that didn't have that would be great. 2 hours before we were ready to go and setup for the gig, got a message from the guitarist, who had said yesterday he was good for both christmas songs that he was too ill to come. Quick panic, not enough time to arrange anything. Asked the drummer who is in another group, but they couldn't cover - we really didn't want to let this landlord down at this short notice. The singer contacted the keyboard player who left about a year ago and he agreed to cover, so we quickly packed and headed down there, huddled over an iPad working out what we could play without the guitar. Turns out as it is only a 2 hour gig, we had more than enough songs we thought we could do ok. The pub was heaving, wasn't really expecting that. Set up, the first 2 songs went through fine so got a bit more confidence and after about 5 songs people came to the front dancing. Had a brief 10 minute break and back on. Some of the songs were a bit.. creative and we did moondance and I think he was a fifth out from where i was, but you know, jazz! Some of the songs however went really well, and the last run of 5 (ie, last song and 2 encores) songs was just solid dancing from everywhere and we did nail them. Packing up and the landlord came over, really happy with how it went, and loads of people thanking us for a great evening, so came away happy. And honestly even when things were going wrong in some songs, I enjoyed it just fine. In fact, I haven't enjoyed a gig as much for a while, it was just fun. Although maybe if i am going to play guitar on a song I should run through it at least once beforehand! Oh - I played the bongo 5, the light up acrylic bass, a indie tribal guitar, all through the dwarf and a bam200 to the PA. Shoes provided by solivair, my old pair that are broken, as my feet are still sensitive for how ripped apart they got trying to walk in my new pair!

Our last gig before Christmas was at the Stockingford Allotment Association Pavilion - or the "Piv" for short. We love playing there because it's always a great atmosphere. The place was rammed for our Sunday afternoon 4-6 spot. Stingish bass into GT-6B multi-fx and thence into the trusty Rumble v3 500 combo. Black DMs. I managed to get home in time for an early Christmas dinner in honour of a couple of family members that were passing through - one of them has been working in Australia for ages.

Our carol gig last Friday - this is our biggest gig of the year, with maybe 120-130 people. That's me in the top hat. Sorry, I'm not playing bass, but that was covered admirably my friend and former bass teacher. It went very well, everyone is keen to have us back next year which may be tricky, but not impossible!

I'm going to try to do gear abstinence next year, so I thought I'd have one final swatch at FB marketplace. I was instantly reminded how dangerous it is when this bad boy appeared for a very keen price (complete with a Hiscox Liteflite hard case) and on the right side of England for my purposes. I decided to carpe that diem. 9 hour round trip, but it was definitely worth it. Basically unusued, the only issues were that it was a bit dusty in places, and there was some goop on the headstock where a clearly disintegrating stand had been cradling. Managed to get that cleaned off - it hadn't stained the finish, yay! Gave it a fret polish and oiled the fingerboard and gave it a good old setup. So, how is the "Stingray killer"? Good, as far as I can tell in headphones. My favourite finish for these basses would be Soda Blue, but this natural one is growing on me in its elegant simplicity, and the black pickguard suits it very well. But that's it! No more! I will be striving to make 2026 a fallow year in the gear acquisition stakes, so I guess I was getting one final hit in before the lockdown. FYI - no Stingrays were harmed in the making of this. Merry Christmas to me (and everyone else!)

Last gig before Xmas for BLOCKBUSTARZ Glam covers band at The Dreadnought in Bathgate was another great night of party fun. 110 advanced ticket sales at £10 a pop and quite a few walk-ins took it up to approx 120. 80/20 split to us on ticket sales so a good nights work if you would even call it that. Its just great fun doing Xmas gigs. Great feedback from the audience at the end as always in this venue. Its our singers home town and her local at weekends when not gigging. Fun stories of the night :- #1. Our singer was in loo at start of the evening and a guy asked if he had seen the band before. He replied yes and that he'd seen them at every gig in this venue. The guy was none the wiser that he was talking to the singer. Wigs, make-up and outfits tends to throw them off the scent a bit. #2. My wife and singer wife were sitting at a table with very few seats remaining when 2 guys asked if they could take the 2 spare stools at the table and they both said yes and they then asked if it would be ok for them to sit at same table as it was quite busy. While sitting there they then asked if the 2 women had seen the band before and just like the previous funny story they both said yes but elaborated that one was singers wife and the other the bass players wife. We are already booked in for next year the Sat before Xmas plus a summer gig too. Fingers a bit tender from Fri nights gig but managed ok without any issues. Tiredness was creeping in during 2nd set but managed to enjoy it all right to the end. 45min drive home and home for 1:15am, coffee and biccy then bed cause i was quite knackered TBH. Next gig for us is Hogmanay which should be another busy one and then on 3rd Jan up to Dundee for what should be another great one. Hope you all have a wonderful Christmas guys. Until next year all the best. Dave 🎅

As I went down the road to the SE Bass Bash in November I stopped off en route to purchase a bass for the hell of it, a Cort Curbow. I had always been really intrigued about them, what with their use of man made materials and I always thought they looked pretty neat in some finishes. I spied one for sale, a sunburst one and figured "what the hell?" So, I like how it looks, and I like how it feels to play. Unfortunately, whilst sounding fine in headphones, it was utter garbage live with the band. Where are my mids? This thing is so scooped by default that they're barely noticeable. I had to crank the mids on the preamp AND crank them on the amp just to be audible, seriously, it just disappeared. Well, I picked it up for a tasty low price so I figured it was worth modding. I procured a Bartolini Classic Bass soapbar of the appropriate size and shape (MK4CBC) (thanks @Bass Direct) and someone on here sold me a Glockenklang 3 band preamp for a decent price (cheers @Fettsman) and got to work on the mods. Fitting the pickup was a piece of cake, the only thing of note I had to do was accomodate 2 screws on one side instead of one. Then I replaced the stupid "slap switch" (which scoops an already inherently scooped bass some more - WHY?) with a much more useful parallel/single/series switch and fed the pickup into that. However, fiting the preamp was another matter. This body is thin, and to compound the issue, the knobs are sunk into the top. There was no effing way that Glock was going to fit in there as supplied. I mean, I was modding it anyway - don't need a blend control on a single pickup bass after all. First problem - the body of the push pull volume control was just too tall, even if the shakeproof washer was eschewed. So out with the drill and the forstner bit to remove some material from the cavity to sink it down enough so the lid will go down... Just made it! Not a lot of material left, but this luthite stuff seems sturdy so I think it'll be OK. Then onto the main board, which was way too tall. So, to scheming. Thankfully, while the control cavity in the Curbow may be shallow, it is thankfully quite wide. Lots of dead space above where the bass pot would go... So to cut a long story short, I turned it through 90 degrees. The pot legs wouldn't bend enough while it was mounted, so I had to desolder the pot, bend little 90 degree nubs on the ends of the terminals then resolder it thus: >>>>> Did a test fit (the small board attached to the mid pot was able to be bent sufficiently with the pot in situ)... Yas, the lid closed. So I soldered up the rest of the wires... Cheeky little single connector block thing for the myriad ground wires I had to connect together... Great success! It now has mids when the preamp is flat! I took it to a subsequent band rehearsal and praise be, I was able to hear myself with the preamp set flat. MIssion accomplished! I hope you enjoyed this shaggy dog story and if you only take away one thing from this, is that it's usually true what they say - where there's a will, there's a way...

[Let’s try this in the right place this time] Good gig last night at a new venue. Drummer won the reconstituted Cannon Trophy, awarded in the past for the person that had the biggest ‘mare on the night. Local gig for me, he lives 45 minutes away, and forgot his cymbals so had a mad dash home and back to get them…he made it back with 10 minutes to spare, at which point we admitted the potential for a late start was averted 🤣 FrankenJazz -> Darkglass Anagram -> Darkglass Microtubes -> BigBaby2. Started off with the pad switched in, but it was all a bit lost so turned it off and the whole thing came alive. Had one guitarist (both the other side of the kit) look over and say I was a bit loud but from where I was it sounded fine so left it. 😁 Went to a blues jam this afternoon. I’ve been threatening to go for ages but never have before, however I needed to go to get tyres sorted at Kwik Fit, which gave me an excuse to sneak a bass into the car and go down after. Only the house band bass player other than me there so I got called up a few times. Took the Tokai Hard Puncher which sounded nice from a clip I’ve seen on FB. Had someone come up to ask if I was looking for a band, so I may have dropped myself in the c@rp with ‘er indoors by saying maybe 🤦‍♂️

Our male singer couldn’t make the gig on Friday so Laurie our other vocalist sang like a bird for 90 minutes straight. Wish I could do that! cbf49fb4-bd9f-4bfb-be3e-57ae883ac503.mov

Our last one before Christmas was at The Jubilee Club in Ashton in Makerfield. A good friendly and appreciative crowd, lots of dancing, mainly in the second half. They filmed us and have put one song up...

I've put the original bridge back on just to see the difference. I actually prefer it - somehow the D and G strings in particular are warmer and fuller, whereas the Albridge is more treble and more even. Whilst this might be more desirable on fretted bass, for fretless I think the original sounds better - there's more 'cross talk' between strings and overall the whole bass feels more alive, less clinical. Trills, for example, are much more pronounced and there's a thicker more midrangey 'mwah' to the notes, despite the bridge not going as low in terms of action as the Albridge. I really was quite surprised by the difference, it was really clear from the first note. As a result, I might sell the Albridge if anyone in the UK is after one (I'll list it later) There's something about the shonkiness of the original that I like, too. Whilst the D and Gi intonate very well (more by luck than judgement) the E and A are fairly close up to the 9th, close enough for fretless... The Osmo oil finish on the fretboard is holding up perfectly, I am pleased to report. Amazing stuff!

He’s always been there hasn’t he, calmly doing his thing. If I was gonna be a rock star, I’d want to be the Chris Rea type of rock star. RIP Chris 🙏

Careful Chris, you are demonstrating that the bridge has an influence on the tone, when the consensus here is more or less the opposite... What's next? Tonewood? 😱🤪

My Thumb NT cost £900 in 1988, which apparently is the equivalent of £2750 in today's money. The equivalent would be a Masterbuilt, €8900 plus shipping. That's wildly outstripping inflation, and shoots past "too f*cking expensive" into "you've got to be f*cking kidding" territory.

I am a bass tart and will go with any bass. This is why I have more than I need. Every bass I pick up makes me think "ooh, this is nice, we could be happy". Absolutely tragic.

Just be to a bit nerdy, it sounds like we could think about how expensive something is as the ratio between: How much someone can afford : how valuable the object is. Affordability : Value So maybe 1:1 is great, 2:1 is a decent deal, 10:1 is super expensive. Both sides are relative, as we all have different incomes/lifestyles etc, and we all perceive value differently. I think the value factor is equally important, in the sense that you might think a £500 bass is expensive, but we all would probably think a £500 car is cheap. For example, my disposable income wouldn't let me spend more anywhere near £500 on a bass right now, but I don't think a £1500-2000 USA Fender is expensive. However, I do think a £1500-2000 luthier custom is expensive. For me, the value of a Fender isn't as much in the component parts or particular build quality; it's in the value of it being a known entity. Sound engineers, other musicians, even some punters - we all know what a Precision bass is about. Engineers like it as it's a familiar/iconic sound. It won't go wrong and no-one worries about it. It'll retain its value pretty well too. The luthier custom would probably be a much better instrument objectively and hopefully fit the specific need, but there's no familiarity factor, it's a risk for a sound engineer, and it probably wouldn't retain its value as well. However if I was in the position to splash out, I'd be more excited about the luthier job than a USA Fender Precision. We're weird creatures.

I've cut the grill to size and used Gorilla tape on the outside of the frame just to keep it clean tidy. I've printed some riser blocks for the outside of the grill that fit in the corners of the cabinet. The ones in the picture are far too large, but they're to check things out and I'll print some better ones shortly. These will be glued to the front of the baffle (NoNails) and will have a M3 nut embedded in them. The hole for the nut is aligned to the holes in the grille. On top of the riser block will be some adhesive rubber, 1mm thick), to stop vibrations. More riser blocks may be needed, but the principle is set now. I have the "advantage" of not gigging at the moment, as there's only me and the drummer, so little chance or marauding fans rushing the stage sadly. It's very, very likely that I'll design some M3 handbolts to screw into the riser block. These will probably have the felt washers that are on the guitar strap buttons to further reduce vibration (or may not). I designed a lot of hand bolts for astrophotography, you can check them out here (https://starclamps.com/), these are all parameterised so I have lots of options. I also have some nice brass ones somewhere which might look nice. The red corner pieces have been redesigned so that they don't protrude as far into the baffle area as before, to give the grill some some space. The hand bolts should allow the grille to be taken off easily, Once I've painted the baffle board matt black, most of the riser elements will simply disappear, well that's the idea. Lets see how it works. but I'm off from tomorrow to London so nothing will be progressing. Have a good Xmas all Rob

Well it would seem I've answered my own question... I ordered a Precision today - the American Professional Classic in faded Sherwood Green Metallic. There's been one in the Gallery in Camden that I've looked at several times, and today I pulled the trigger, so it'll be here in a few days - probably after Xmas. I went for the new model, as [from what I've heard] the new 'Coastline' pickup (apparently derived from the 'Pure Vintage' series pickups) sounds very warm at the bottom, but has clear highs without the nasty nasal honk. Basically quite similar sounding to my previous Am.Professional I. We'll see how it plays after I've set it up...

Some of mine

As I've been using it for practice and the tree is in the same room, here's a festive one.

I've got a gorgeous 1987 Fender Japan 62RI Jazz that my dad bought me brand new when I was just starting out. It's the best sounding and playing bass I've ever had and is my no.1. I've played this bass at thousands of gigs and pretty much on everything I've done, from tours, TV, 2x John Peel Sessions, Radio 1 roadshows and so much more. Its incredibly sentimental to me as my dad supported me all the way up to getting signed but passed away a few months before I signed. The bass has been fretless for the last 14 years and still gets played at gigs all year. However, I got asked to play Glastonbury this year and it was a fretted gig and I was so torn from putting the original fretted neck back on or use my Fender Japan Precision. I felt so bad for not playing Glastonbury with the bass my dad got me and have that extra bit of history sealed into that bass. In the end I did use my fretted Precision but I felt very guilty for not using my no.1 bass. What it does mean though is I'll never sell my Precision bass as that's the bass I played Glastonbury 🤣

Three very good friends of mine have all toured on Keyboards with Chris at various times. They had nothing but great things to say about him and often spoke fondly about him as a musician and a human being. R.I.P.

... it still sounded like Chris Squire.

Really liked his playing and singing. I discovered him in the late 80's with my first job as the car I was using back then had a cassette player with a Chris Rea album definitely locked in... And as I was driving this car 4 hours a day, I ended up really appreciating his music. Weird way to discover someone's talent, I know. May he rest in peace.

I shall crack an egg in my bath in his honour tonight..... Seriously though, will be sorely missed. I always loved when "Driving Home For Christmas" came on when I would drive home to the North East as a young lad. Holy ground indeed. RIP Chris.

This is my solution, single PUP wired to jack 🙂

Looing forward to finding out if Santa has got anything up his sleeve that's going to make the cut into any of your "best of 2025"?! Have a fab Christmas all!

My question would be, why wouldn't you? I'm guessing that you could afford it and if you had a better instrument then it might make you play better / sound better / enjoy the experience more. Add to that, other musos might take note of your improved sound and more professional quality gear and start to consider you for other projects when they need a bass player, some of which might possibly be a step up from only playing pubs.

Thanks Myke, yeah the sax is great isn’t it, I went through a lot of her stuff and there’s 2 I really like, one is the one above and the other is Bad Guy

yep. they were great.

Another LHZ installation yesterday. This time my first LHZ-04 (it’s a smaller version of the LHZ-03) into a Korean-made NS2000/4. The passive EMGs came out (up for sale here) and some actives went in. This is my very first solderless installation. It came with the pre-wired jack and the EMGs just clip on and away you go. It had a full fret level, and dress yesterday too with a fall off from the 15th fret, new strings and a fingerboard glow-up. It plays and sounds fantastic now. Ideally it should be refretted bt I think I just managed to squeeze one more out of it before having to get the serious gear out.

Expensive or not expensive I would still take the bass out and play it . What is the point otherwise of owning a nice instrument? It's like buying a nice car just to have it parked in the garage

And I'm of the unpopular opinion that they all do the same job. Now, which one will make me look fancy tonight?

I was asked to play this with a few days notice on a gig. Safe to say I didn't get it down by then, but spent another week or so trying to get it nailed down:

I wanted an OD that could go from clean tubelike boost to fuzzy grit and some good videos convinced me to get Earthquaker Devices Blumes, but all the stores in my part of the world had it either unavailable or available with bad shipping cost, so I spent more or less identical amount of money at my favorite local boutique pedalmaker's. Went to Blue Colander and grabbed the almighty Crooked Axis. It's a "Multipurpose Gain Device", it offers a super wide range of clean and unclean sounds. Ultra transparent clean 2-band EQ tone-shaping, clean boost, warm tubelike OD, fat and thick OD, grainy and gritty distortion, brassy fuzz and even a lo-fi destruction with spontaneous sub-octave occurrence. It's all there. Plus an active Bass and Treble control with amazing tone shaping capability. Yet another brilliant pedal by Blue Colander.

Next Sunday (28th Dec) at 7-15pm. Jah Wobble talks about bass, bass and bass. Sounds good to me. BBC Radio 4 - Illuminated, Bass Notes https://share.google/mAXXaQY45g9XE5spg

An expensive bass is one that is just that bit more than you can afford, whatever your circumstances.

I think I've been fairly lucky with my '25 gigs and had almost forgotten the common reality of being in an originals band; putting in a lot of time, effort and distance only to end up playing to a very select crowd rattling around in quite a big room. Well, 'Mad Friday' was spent 70 miles away doing just that. We were very much reliant on the two home bands bringing a home crowd, but possibly due to the time of year, specific day, general level of circulating illnesses, £7adv/£10door ticket price etc. it just didn't happen. We nipped into another pub on the same stretch of road and that was dead as well, so it wasn't like everyone was just camping out next door. Ho-hum. I've injured my back so the whole thing was a literal pain, but it was fun to slim back the gear to an absolute minimum and see (with a provided house cab) what I could get away with. In the end, it all went in two Mono Vertigos and one Tick bag. Ear protection worked better for being a size larger in the new material they've started making Doc Pro's out of. Footwear was a pair of the wonderfully named Skechers 'Wascana Benen' tac boots. They're refusing to break in and are absolutely eating me alive. RB Vampyre 5 (Streamer LX 5 on the K&M Heli 2 this time) -> Joyo 5GHz bugs -> T21 FlyRig v2 {DI -> PA} -> TC BAM200 -> Hartke 4x10 Have to hand it to the TC BAM - it's a great little amp and I'm just glad that I didn't let my dislike of the TE Elf stop me giving it a try.

That’s right that’s right that’s right that’s right …🙂

The last gig before XMas at the Hilltop club in Dronfield for Glam Viva! last night. This is a great club and was packed to the rafters with enthusiastic dancers. I said on here last week that the silly season gigs can be a bit hit and miss but fortunately this was a hit. Booked back for next NYE with the promise of a mid year gig also. Next Saturday we’re back to pub land, a nice venue we played mid year in Worksop….they’ve asked for some XMas songs so maybe Xmas isnt over band wise just yet.

Yep. You can't take it with you. I would add that expensive doesn't always equal better, depending on what you want/need. In terms of function, the law of diminishing returns kicks in once you get towards £2k and upwards. However, pride of ownership is important. A nicer instrument will make you happier than a giant telly.

Whatever you choose, @bass_dinger, do not underestimate the modest CS505. It's both a magnificent player and a keeper. Mine's from 1982 or so, and probably needs a new belt now. Different models exist with different heads, and I can't be very specific, but if yours is the model with the dedicated cartridges under a non-standard head, it's relatively easy to change the head so it can take standard cartridges. Me, I eventually went for a moving coil (and the arm in that case needed some extra counter-weight), and also exchanged the rubber platter cover with a thicker, softer one.

Thanks. Now maybe we won't have to see any of those ridiculous "Paul McCartney should buy Hofner!" posts.

This is interesting. Apparently in the early years those exported to the uk had the spelling 'Hofner' to downplay their German origin at a time when that was disadvantageous in the UK. In English the nearest equivalent of ö is œ. I posted a link to the German pronunciation above, closer to 'herfner' than 'hoffner' although the latter is almost universal in the UK. Œ is often pronounced as an 'e' in the UK (compare 'Phœbe'), I suspect Hugh Heffner's original family was closer to 'Höfner'.

I ordered the Nano, but ten days later it hadn't arrived. The Bass Centre hadn’t realised it was out of stock 🙄. So we changed it to the Double 4, which I’m very happy with. All’s well that end's well!