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Showing content with the highest reputation on 13/06/23 in all areas
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8 points
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Yeah, well, predictably it wasn't . I got bored with the wood, so paint happened: Lots of masking tape, scalpel blades and swearing.8 points
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Recent rebuild and some new additions. Flow goes: Tuner>Octave>Hamstead>Chorus>Helix (With Pedalnetics footswitches)>Dispatch Master>EP Booster Keeping my sub/synth all grouped together on the left. Helix is the brain, but I use it heavily between sessions. It's been a revelation especially with presets, snapshots and per bass settings. All powered by GigRig. Whilst I've never had any issues, I don't know if I would go with them again. The Helix needs to be the only system on the distributor, otherwise you get a terrible buzzing sound. So I had to buy 2 isolators to stop that. So by the time I bought all of that, I could've afforded a Cioks. I do love customising the size of the power cables though.7 points
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5 points
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This is my much loved Moollon J5 hand built for me by Joon Park in 2017. If you are thinking of ordering one of these its now a 2 year waiting list. It is without question one of the finest bases I have ever played and its been a pleasure to own it. I will regret this. I've been to visit Young Joon Park in Seoul and a finer gent and craftsman you will not meet. I've put some build pics in. The man is obsessed with quality and creating an honest vintage sound and that includes properly integrating an authentic B. If Leo had a five string in the 60's, this is what it would sound like. I've attached pictures of the bass when new. I'll attach some more in a few days showing body wear which is normal in Nitro finishes like this. Otherwise no marks. This is a 60's pick up positioning passive J5. I had this built to match my 62 jazz bass Olympic white with natural head and tort guard. Comes with Moollon hard case. Why am I selling? I guess that after all is said and done I'm lucky to have an original 62 Fender Jazz and for 5 string I'm pretty much on active now. Price excludes shipping & insurance. Body wood Alder Neck wood Hard Maple Fingerboard Wood Macassar Ebony With 7.25\" Radius Frets Medium Size Nickel Silver Bridge Moollon Vintage Style Tuners Moollon Vintage Style Nut Bone Pots CTS Jack Switchcraft Pickups Moollon VJ-60 Inlays Clay dot Finish Nitrocellulose Lacquer Controls Volume/Volume/Master Tone Video of the bass being here:5 points
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I'd never broken a string ever, right up to the point when I did. 😁5 points
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Myself and the lovely @Adee compared a few Mustang variants 3 or 4 years ago, I did write a detailed post summarising my thoughts at the time but I can't seem to find it now, but as I recall the edited highlights were, IMO; Mexican PJ, decent little bass and has those classic Fender sounds. No frills build quality but solid enough in its own right. Slim jazz like neck profile. Limited sounds from the 3 way selector switch but a blend pot mod really opens up the flexibility for only a few £. American Performer, feels better quality in terms of construction, hardware and finish compared to the Mexican but tonally very bland, the Mex had way much more inherent character in its sound. This just sounded like a bass, any bass but with no real personality of its own. At the time I think it was nearly 3 times the cost of the Mexican but not worth it, IMO. Same slim neck profile as the Mexican. JMJ - the king of the hill by a mile. It simply oozes character with its big powerful tone and chunky but comfortable neck. The fake roadworn look is a bit naff and not particularly well done, certainly when compared to something like a Sandberg relic job, but once you plug it in and play it you can forgive the aesthetics. It sounds a feels like a Precision, only smaller and easier to play. Oh, and stick some rounds on it, forget flats! Vintera - we didn't have one to try but I have played one in a shop before and I have no real feelings about it either way, I don't remember anything astounding or underwhelming about it. Squire VM - felt like a cheap option, which it is! Not a bad bass for the money and potentially a reasonable platform to mod to your own preferences. So, IMO, if you like Precisions and a big grin inducing tone, the JMJ is without doubt the one to go for. At the time we compared them the American was way more expensive than the Mexican (£1000 vs £400 at the time, I think?) but I prefered the tone of the cheaper Mexican. The American one felt nice, but not £600+ nicer. The Vintera is a decent enough bass but if you're looking to spend that sort of money, spend a little more and get a JMJ.5 points
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5 points
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Just been told that the venue i played Sat night which had us booked for later in year and had sold 80 tickets was now sold out after our visit on Sat. Holds 130. Quite chuffed with that. Dave5 points
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Hi all, Reluctantly parting with my Squier Classic Vibe Jaguar as I need to free up funds for a camera (another expensive hobby...). I have had this bass about 2 and a half years (bought new from Andertons) but as you can imagine with the pandemic it hasn't had a huge amount of action. It's been gigged once, but the rest of the time it has lived in a padded gig bag and been well protected. As you can see from the photos it's in almost as new condition. Apart from some plectrum wear on the scratchplate you would struggle to know it had been used. It has been my first medium scale bass and I really liked how playable that made it. I am a fan of a Jazz width nut (my P-bass has a Jazz neck) so I took to it immediately. The P/J configuration is great for a variety of tones too. In terms of postage etc I would really prefer to meet / arrange collection as I don't have the box for this anymore so I would really struggle to package it up safely for a courier. I'm Leeds based but travel weekly to Cheshire so can reasonably meet along that whole M62 / M60 area. Overview and specs from the Fender website: The Classic Vibe Jaguar Bass turns up the volume on retro style, combining the iconic body shape of the Jaguar with the massive tone of its Fender-Designed alnico pickups. Player-friendly features include a medium 32” scale length, a slim, comfortable “C”-shaped neck profile with an easy-playing 9.5”-radius fingerboard and narrow-tall frets as well as a vintage-style bridge with slotted barrel saddles. This throwback Squier model also features 1970s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe. Body Material: Nyatoh Body Shape: Jaguar® Bass Body Finish: Gloss Polyurethane Neck Material: Maple Neck Finish: Tinted Gloss Urethane Neck Shape: "C" Shape Scale Length: 32" (813 mm) Fingerboard Material: Indian Laurel Fingerboard Radius: 9.5" (241 mm) Number of Frets: 20 Fret Size: Narrow Tall Nut Material: Bone Nut Width: 1.5" (38.1 mm) Position Inlays: White Pearloid Block Truss Rod: Head Adjust Bridge Pickup: Fender® Designed Alnico Single-Coil Neck Pickup: Fender® Designed Alnico Split Single-Coil Controls: Stacked Concentric Controls Volume 1. (Neck Pickup), Tone 1. (Neck Pickup), Volume 2. (Bridge Pickup), Tone 2. (Bridge Pickup) Switching: None Configuration: PJ Bridge: 4-Saddle Vintage-Style Hardware Finish: Nickel Tuning Machines: Vintage-Style Pickguard: 3-Ply Black Control Knobs: Knurled Chrome/Black Concentric Neck Plate: 4-Bolt Squier® Here are some photos:4 points
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4 points
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4 points
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Seriously impressed with mine... headstock takes some getting used to, and a couple on minor QC issues (blemished scratchplate and blemished tuner) that Andertons were very quick and painless with putting right, and I wouldn't expect to be the normal order. Other than that though, killer bass and one of the best necks I've ever played. Every gig now is a challenge whether I chose this or my Sandberg California II VT4 (which is my ride or die for playing comfort) and the sire comes out on top at least 8/10 gigs. I could've bought 4 of the Sire bass for the cost of the Sandberg, too!4 points
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I'm in full agreement with following the singer, almost all the time. In one former band, the singer would do verses and choruses at random, and was quite likely to start a verse before the end of the guitar solo. The exception was when playing "Maria" with Mrs Zero singing, when somehow she managed to get herself into a loop. About the fourth time round, I started singing what should have come next and extracted us, otherwise we'd still be there.4 points
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This is my other band... Formed nearly 40 years ago with no actual success apart from playing with Mikey Dread at the Warehouse in Leeds back in 1985. However, the drummer went off to form the Utah Saints via MDMA, one guitarist went back to the USA and played with the Rollins Band, other guitarist is now with successful Goth band Cassandra Complex (top 10 record in Germany last month) and keyboard player was Jay Rayner! Only little 'ol me had no stardom! This is what we (unsuccessfully!) produced after reforming for drummer's wedding (we're still playing!) - vid shot in my garden and edited by me...4 points
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Now £450! Bass Centre Guy Pratt Betsy bass up for grabs. The bass is in excellent condition, comes with the original Bass Centre gig bag and has recently been setup with a new set of Jim Dunlop Nickels. Much has been said about these basses offering exceptional build quality and tones for a shockingly low price, and I can only agree. They really take some beating! This bass plays and sounds great well with a very low action if desired. Here's the link to the Bass Centre page for more info for the uninitiated https://www.basscentre.com/british-bass-masters/bbm-betsy.html Collection from Margate or I can box it up if a courier is required.3 points
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I finally took the advice everyone is given and started DB lessons, of course I should have done that in 2015 when I went upright. After weekly lessons since last October I actually got to play my first orchestra gig on Saturday and I am still just floating...what an experience, and it was only being one of several adults filling out the low end of a youth orchestra. I loved it! 😊 Over the years I have played in many groups including large concert bands but never just strings and this is THE BEST. I posted details and photos in the "How Was Your Gig Last Night?" thread in the General Discussion forum. Main point: take the lessons they will improve your playing and you never know where it might lead.3 points
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Interesting reading this thread. I only play in church, if the bass failed it wouldn't be a huge deal except to me so one bass is fine. In a parallel universe where I was paid to gig then I would have to buy a spare bass and take it along, for all the reasons everyone else says. Low chance of failure, but very high impact, and easy to remediate the risk.3 points
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I haven’t broken a string ever. Doesn’t mean I can’t or won’t though.3 points
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The CA glue I tend to use for this kind of job is this: Even if I wasn't drilling any holes, I would still tend to use a precision dispensing tip. They just push over the bottle spout - this size below has an outside diameter of less than 0.5mm and therefore allows you to control quite accurately the amount of glue coming out of the bottle and making sure it is running along the crack line and nowhere else: But, whether using a tip or not, do wear rubber gloves - it can flow very freely and you really, really don't want to get your bass neck stuck to your skin! Option 2 has a fair chance of working OK. However, if you did want to try Option 3 and you have a drill, the only other thing you need is a 1mm or 1.5mm twist drill. This below was a 70's custom that a well-known Notts player of the era hadn't played for decades because of cracks and movement in the set-neck jointing. Here's the drill I used and the CA glue tip I would be using to dispense the glue with: And some of the holes I drilled along the crack lines. Here I am checking that the dispenser tube would go into the hole deep enough: I drilled more holes for the cracks either side too, then - after masking it all up and putting my rubber gloves on - pushed the nozzle onto glue bottle and squeezed a liberal amount of CA deep into each crack, letting the capillary wicking process to suck all the glue into all of the hidden areas of the cracks. When he passed it across to me, you could move the neck in any direction with no effort at all. I passed it back to him after the above and he was gigging with it the following weekend for the first time in 30 years3 points
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Why share this....there's only going to be limited stock and I was thinking about picking one up again. Now I need to accelerate my thinking and make a desiciton dammit!!!! 😂 Ps. Exciting news!!!!3 points
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3 points
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Thank you so much for all of your replies! I will take it all into account and visit some shops and try some out. This forum is amazing! So many helpful people. I will certainly be buying my bass from here if I find what I need. The prices look great and its obviously run by people who care a lot about basses in general. Thank you again.3 points
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Progress on the h/w side. The rendered 3D model of the Trampa enclosure looks like this Patty managed to print it and I'm nearly there with the assembly. Searching around for the 4th OLED display (which is in hiding!). The unsightly wires are there to allow me to use it with the development system to get the code running as desired, when this is complete the wires will be contained in the enclosure. On the right hand side are a USB-C connector (for midi and power) and the jack for an expression pedal. Now ... to get back to the s/w coding side! S'manth x3 points
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I sing lead and do BV when playing with other singers I'm depping with a great band and the drummer does all the obvious harmonies, so I look for different ones. We ended up with 4 part harmonies on I fought the Law, on Friday night. (guitarist sings to). Sounded quite good3 points
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I sing bv’s, enjoy it, and get satisfaction when I can hear myself consistently to stay on pitch in multi-part harmony arrangements. I find in-ears a great help for this. In general, I find the average jo-public to be more aware of the vocal quality of a band than the sound of the instruments. Bass……..what’s that?3 points
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Mistakes are but fleeting moments in time. Back when I was starting out, Mrs. Neepheid had way more experience than me, singing and playing sax in bands. She took a teatowel in her hand and said "See this? This is your mistake", then quickly scrumpled it up and threw it behind her over her shoulder. I'd say one's own personal mistakes on bass - don't dwell on it, just keep going. If it's a bad one, take a breath, join back in at the next phrase/repetition of riff/verse/chorus. In more widespread muckups, if the singer skips to the wrong bit of song, go with them or else it's going to sound daft. I have learned to make light of mistakes - a smile, a nod, a laugh between band members looks way better than scowls and looking daggers at each other. 'Twas not always so - my drummer is still mentally scarred from the Death Stare of '09...3 points
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Sadly not; they were younger than me...if I'm ever called into a police lineup, I'm bringing a bass with me: no-one'll ever pick me out...3 points
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Always worth remembering that a mistake is ancient history the moment after it is made. Never beat yourself up about it.3 points
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so in a slight change to all this, I'm currently depping in a well known local band. Their bass player, Iain (who is on BC but I don't know his user name) has a detached retina and is out for a month (maybe 2). They have an enormous set list, it's all new wave/ska. I did a gig with them 3 weeks ago but now I've done 3 last weekend and have 3 more this weekend and 4 the next. I work full time and am learning the songs virtually. I listen to them at work all day, and work the bass parts out, mostly in my head Yes I am making mistakes during the songs but I am trying to remember which ones are knowledge based and which ones are just hitting the wrong note. I managed to put the knowledge based ones right. EG, I was missing a chord in Lip up fatty. It was an E and a B flat. The keyboard solo in No More Heroes is longer than I think so I keep my eye on the guitarist's left hand. Each gig they try and vary the set, so I have lots to look at between the gigs too. It's great fun working this way and the punters don't really notice the mistakes. No car crashes so far keep smiling, laughing and dancing. It's all about the show3 points
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3 points
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3 points
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2 points
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Hi All Price Update 11/6/23 - Reduced to £900 *Would also consider part trade against a DB751 + cash Thinning the herd! Sad to part with it but I just don't play it anymore so someone else should benefit. It's literally sat in its' case since 2019! For sale is my Fender US Std Jazz from 2014. I bought it new from GAK in Brighton. Comes with the original case, plus all the candy. I fitted a set of Aguilar AG 4J - HC pickups (currently £200 ish) but include the original Custom Shop pickups in case you want to swap back. It also has LOXX strap locks fitted (plus the fitting tool) but I've mislaid the original ones. The neck has been wire wooled down and is very smooth now under the hand (the original finish was quite 'grabby'). It has one major 'bump', as shown in the pictures, on the top edge of the bass. Another guitar fell on it at a gig! Other that that, there's very minor wear. It's a great honest bass, sounds fab and not too heavy at 4.2KG. I'm asking £1000 £900 collected from Tunbridge Wells, Kent where the bass can be played before you buy. Delivery will have to be discussed, as it seems almost impossible to get a carrier to insure a guitar now and I'll not send unless it's fully insured. Happy for the buyer to arrange their own collection, but entirely at their own risk! Cash on collection or PayPal please. Not looking for any other trades*, thanks. Thanks for looking.2 points
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So with gigs back up and running ive plumped on a larger bassman head and as such ill have to let this box of absolute magic go. The tone on these things is phenomenal and kept up at rehearsal in my 60’s american rock band superbly through an ampeg 2x12 - these really are quite loud for their rating. I revalved this around december with some NOS russian EL84’s and it hasnt skipped a beat since. Comes with a hotcovers fitted padded cover. Cant really post this with it being a valve amp, collection would be from Bolton or could potentially arrange a meet up. Excellent cosmetic and working condition2 points
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€1100 EUR: TRICKFISH BullHead 1K, almost new, with user manual, power lead and original box. Basically a Mike Pope FlexCore preamp (Fodera) coupled to a Pascal 1000 Watts power amp without any fan! Again for sale as I got it back in a multi trade, but it really is surplus to requirement... NO TRADES! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Ireland, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden : €1100 Euros (£975 GBP is an approximation and I will only accept payment in Euros) !!! Shipping to United Kingdom is, of course, possible, but with an extra customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In perfect working condition and almost new. Here are the specifications : Power Output: 4 Ohms: 1000W @ 1% THD 8 Ohms: 1000W @ 1% THD Power Amplifier: Class D Power Supply: Switch-Mode Power Supply Pre-Amp: Low noise solid state Input: ¼’ Phone with switchable attenuation and rotary gain control Input Level Indicator: 10 Segment LED Ladder EQ: 4 Band Switchable Shelving Bass and Treble with selectable Hi-Pass frequencies Low-Mid and Hi –Mid -Variable Gain, Band Pass EQ with selectable frequency/ bandwidth options Master Volume: Rotary Control Line In: 1/8” mini jack Headphone Out: Stereo ¼” Phone jack Mute Switch AC Mains Power Switch with LED Indicator EFX Loop: Series/Parallel selectable, w/ground lift Tuner Out: ¼” Phone Jack Mute Footswitch: ¼” Phone Jack, Latching type switch Direct Out: 600 Ohm Balanced, XLR, Pre/Post, Ground Lift and Level control Speaker Outputs: 2 x Neutrik Combi-Connectors accept NL2, NL4 or ¼” Phone Chassis: Aluminium Removable Rubber Feet: Adhesive backed Rack Ears: Optional Size: (H x W x D in.) 3.39 x 15.1 x 8 (H x W x D cm) 8.6 x 38.41 x 20.32 Country of origin: U.S.A. Serial number: 30119 Weight: 6.7 lbs / 3.05 kg Non-smoking environment as usual. What you see is what you get ! Look carefully at the photos taken from different angles and lights to see the real condition, which is almost new. Here is the link to the TrickFish BullHead 1k page: https://www.trickfishamps.com/shop/bullhead-1k/ Due to severe back problems (67% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 4 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using as well as some stuff I don't use. I've also considerably lowered the price for a quick sale. Don't hesitate to ask for more.2 points
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It depends. For me it's a question of how bad the risk is, or rather what are the consequences in case of failure? Wedding gig? Yup, there's a backup (not onstage, 'though). Top tier gig? Yup, there and ready to be used. Generic pub gig? Nah. It doesn't take me that long to change strings etc. Too much hassle. The only times I've had two on stage is when I needed a fretted and a fretless. I don't tend to make a display of them 'though. But nothing wrong with putting guitars on display if that's what you want. Hey, I find guitars pretty and I'd rather look at them than at that drunk guy that for some reason feels I'm his new best friend and can't talk without spitting.2 points
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2 points
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We suffered for a whole year with a singer/harmonica player who despite using a tablet for lyrics and arrangement couldn't or wouldn't follow what was written in front of him. I sang a lot of definite harmonies but stopped when I'd had enough of looking like I was getting it wrong. Sucked all the fun out of a good band. He's now ex of this parish and the new man sings the right words in the right places and we're all smiling again. We still make a mistake occasionally but nothing too noticeable.2 points
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I play mostly 5ers. Have been a Stingray5 guy since forever, but also owned several other 5 strings. Most expensive of them were an EBMM Sterling5 HS (doesn't count, still a Musicman), a Fender Am Dlx P5 (worst "expensive" 5er I've owned) and a Maruszczyk Jake 5a+ (& was indeed about to buy an Elwood 5er a few months ago). Also have played countless Sandberg 5ers, which I find barely OK for their price. I'd take the Sire V3 5er over any Fender/Maruszczyk/Sandberg 5er I've played, no doubt (also I hate DEADlano pickups). Feel really stupid for not getting a Sire years ago.2 points
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It's not as light as the Sandy (which is very light) but it's certainly lighter than the Fender MIM deluxe jazz I had before it! I wouldn't consider it heavy by any means, but it is the 4 string so YMMV. Not majorly exposed to jazz basses, but don't feel the need to change the pick ups. To me it's fatter than the jazz Deluxe in passive mode, but with a gorgeous high mid punch with both Pups on full. Your SR special is a dream bass for me! 🤤 but this will definitely feel a safer bet for gigging for you and it'll still do punk rock perfectly!2 points
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Not for the BF Two10S due to the way they hi-pass one of the drivers in the pair, so the usual comb filtering issues are removed.2 points
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Good BVs and harmonies are what sets a lot of bands apart. Once I was given the confidence and guidance about singing, I enjoyed it more and more. However, some songs were beyond me due to the syncopation of the bass line against the vocals, in these instances I stuck to my principal job.2 points
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2 points
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2 points
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The audience want to see a happy band so never acknowledge a mistake negatively. It can ruin the atmosphere if you come across as annoyed or frustrated. Move on and deal with it later at rehearsal.2 points
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2 points
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Of all the compressors I've owned, the Spectracomp is the best, especially with the toneprints, each one is like a brand new pedal.2 points
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Just acquired a Fender, Made In Japan, Junior Collection, Jazz Bass. Really nice bass.2 points
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A difficult sale this, love the amp but I trialled a Berg forte D and also very smitten with that together with my Bergantino CN112 cab. Would like to keep both but can’t. I have owned it about 3 years tried to get the year of manufacture off Aguilar but they lost records when they merged and moved systems. They were launched in 2017 so certainly no older than that. In ownership used with a cab twice at church where it sounded great and then noodling at home. DI’ed out a few times as well. On all occasions got good reviews for sound etc. The weight and portability is also a great boon. This will be a great addition to someone’s bass rig, they don’t come up very often and are currently £1100 new. So this is a chance to get an awesome amp at a great price. There are loads of reviews out there so check them out. I would much rather someone came and collected so they could try it out, but will consider posting for extra £152 points