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Showing content with the highest reputation on 18/01/23 in Posts
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Our Andyjr1515 built this to the same spec as my main gig bass (also built by Andy) as a backup. I've never had to use it in anger though as my other AR bass has been 100% reliable so I've decided to turn it into GAS vouchers 🙂. Compact, lightweight and a one-off in design terms, this bass is in top condition. Strap balance is perfect and the fast, slim neck makes it a sweet player. Functionally it's hugely versatile thanks to the 3 'lippy' pickups plus 7-way switching* that allows all pickups to be selected individually or in any combination. Each position gives you a distinctly different, totally useable voice, and I use all 7 on gig bas number 1 to suit various numbers in our covers band. Price includes a mint Gator shell case and a white-pearloid scratch-plate alternative to the ebony one fitted if you want to bling things up a bit. Strings are virtually unused La Bella flats. I'm happy to meet for mutually convenient handover within an hour's drive from Taunton or pack for shipment provided buyer arranges and pays for delivery. * Via 5-way slider switch and push/pull volume knob15 points
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Played a couple of gigs at the end of last week in Weston Super Mare and then Wimborne in Dorset. Both theatres sold out, which always makes for more atmosphere. A long journey in torrential rain but still well worth it. Absolutely knackered the next day though! 😫8 points
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For sale is my Alleva-Coppolo Bass LM5. (Empress/Maple) purchased in the USA at Bass San Diego in 2020. Everything is original and nothing has been changed. This is an extremely rare bass, built by Jimmy Coppolo. He only built a handful of LM-5 models out of Empress wood. This is one of them. I think this bass really only exists once. The response is superbly even and incredibly clear. The low B-string is clearly defined. This bass is insanely light at just under 3.47 kg and can be carried and played all the time. The Empress basses have the mid-scoop of a 70's style LM/maple jazz bass, but with a slightly "modern sounding" twist. The finish is a throwback to early 80s Fender basses with Di Marzio p/u's (the finish is called "Sienna Burst") and it has nice block inlays and custom "Fender Strat" buttons. It also has white pickups, just like the old Dimarzio pickups in the old Fender models. This bass is both passive and active (bass and treble boost when switched to active). This bass was made in a great time when Jimmy was producing some really incredible work. Everything works flawlessly. No quirks, kinks or dents. Potis work without creaking. Neck is straight and truss rod works flawlessly. The frets are like new with no visible play marks. Of course, it comes with a very high quality original Alleva gig bag. All in all a really wonderful instrument, unfortunately gets too little attention in my house. 😂 That's why I would like to give it away in good hands. No trades please.7 points
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WITHDRAWN FROM SALE : A project has come in where this bass will come in handy, so I’m taking it off the market for the time being. I may re-list at a later date. —————————————————— Olympic White finish with Ash body and Birdseye Maple fingerboard. Comes with original case, paperwork and supplied tools/strap locks. Ordered directly from Fodera and has lived either at home or at my studio, both non-smoking environments. Just checked the body and neck for any blemishes and couldn't find any, so I'm going to say it's essentially mint! Collection from my studio in London preferred, or can arrange meeting at a mutually convenient location in/around London for hand-over. Will only consider international freight if I’ve not been able to sell locally after a month or so. Sorry! More pics/details on request over DM. No trades, thank you. Straight sale only. Official Fodera blurb here : https://fodera.com/collections/standard-instrument-deposit/products/2021-standard-classic-deposit Thanks for looking!6 points
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Really rare 1989 PEAVEY TL-Six, the Tim Landers Signature, a true Custom Shop model ! POSSIBLE TRADE FOR A LEDUC BASS OR OTHER BASSES WEIGHTING LESS THAN 4.5 KILOS, AND FRETLESS PREFERRED ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden : €1550 Euros (£1375 GBP is an approximation and I will only accept payment in Euros) !!! New price was around €2000 Euros back in the day, so 34 years ago... !!! Shipping to United Kingdom is, of course, possible, but with an extra customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In fully working condition and in quite very good overall condition considering it's a 34 years old bass. Here are the specifications : Body (back curved à la Spector) : 2 wings of flamed maple with 2 stripes of purpleheart Graphite reinforced neckthrough : 5 pieces à la old Leduc (3 pieces of rock maple + 2 pieces of purpleheart) Fingerboard : Macassar ebony with pearl side dots and front pearl arrow inlays Frets : 24 in excellent condition (no marks) Headstock : 4 + 2 in line with graphite reinforced peghead Pickups : 2 Peavey frequency tailored (hum-cancelling) reversed P-Bass type (split coil) Controls : volume, blend, active/passive switch, bass, mids and treble acting as a tone control in passive mode Preamp : Peavey Dynabass 3 bands EQ with gain adjustable through an original hole in the rear cover Tuners : new Gotoh Res-O-Lite GB-350 Bridge : Kahler 3D bridge Strings spacing at bridge : 16 mm at the moment, but adjustable up to 18 mm Nut : graphite Strings spacing at nut : 9.5 mm Knobs : original Peavey with rubber grip for the volume and blend Scale : 34 inches Hardware colour : gold Truss rod : one, called a torsion rod by Peavey Finish : transparent blue Land of craftsmanship : U.S.A. Serial number : 04163684 Year : 1989 (very first series) Weight : 4.540 kilos Action : from 1.5 mm under the C string to 2 mm under the B string at 12th position (can even go lower, but was perfect for me) Will come with a new generic semi-rigid case. Non-smoking environment as usual. I'm only selling this bass because I'm thinning down the herd for the reasons mentioned above. The bass has been fully set up professionally. It is fitted with a new set of Blacksmith ANW-32135-6-34 nickel-plated steel (Hexa Core) strings with proprietary AOT Nano Carbon Shield coating which prevents oxidation and dirt accumulation on the wound strings (32 - 45 - 65 - 85 - 105 - 135) that really serve the bass. What you see is what you get ! Look carefully at the photos taken under different angles and light to see the real condition, which is used with knocks, scratches and scars from 34 years of use. Link to the original Peavey user manual : https://drive.google.com/file/d/18AAjwZ5_BHR-fQQlrWgC6byYQ3vrD9k-/view?usp=share_link Here is the link to the 28 photos in high resolution and please do watch them carefully : https://drive.google.com/drive/folders/1yKodgNXuqQJNia_Uu32LTFaslcaf4QBx?usp=sharing Don't hesitate to ask for more. Due to severe back problems (67% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 4 years, I will never fully recover), I'm selling all my basses over 4.5 kilos and also the ones I'm not really using as well as some stuff I don't use. I've also considerably lowered the price for a quick sale.6 points
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I bought this last year from a basschatter. (using pics from that post) As you will see i have a bunch of basses up for sale in the hope to fund a bass i have been after for ages. I am selling it for what i paid for it. This is one heck of a bass. So beautifully put together. Manufactured 2007 5 String 24 Frets 35" Scale 9V Active 4.6kg (bass on its own) Volume, Pickup Pan, Bass, Mid, Treble, Push/Pull High End Boost Bolt-On Neck Upgraded Overwater PreAmp by John East (Fitted By Overwater) inter pickup ramp (also fitted by Overwater) Overwater/Hiscox Hardcase Strung B - G String spacing between B-E string 14mm, spacing D-G strings is 16mm just checked again string specing is same across all strings at 16mm.6 points
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My two new additions: Firstly, 1980 BB1200. Bought it from here, and it's in such great condition - even came with the original Yamaha case. Secondly, I just bought this today. BBP34 - beautiful build quality. Puts most of my US basses to shame.6 points
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Given that I've recently passed significant milestone and have owned many (many!) examples of Jazz Basses, the Mrs saw it fitting and appropriate to get me one of these lovely anniversary basses. It's an absolute beauty with it's gold hardware, block inlays, binding and flawless olympic white finish. It would happily sit in the company of guitars costing three-times as much and, in terms of build quality and sound - it may well take the crown of 'best passive Jazz I've ever owned' from the long serving VM model - time will tell! ❤️ I've spent a bit of ime setting it up and allowing it to settle these last few days as it's the first brand-new, unplayed bass I've had since I bought my Warwick (22!) years ago in 2001. Now tweaked to my personal tastes, it's a fantastic piece of kit - can't wait to take to rehearsal. 😃5 points
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A couple of weeks ago, I got hold of a 1980 Yamaha BB1200, and have been absolutely blown away by the quality, sound and how good it is to play. I got it from here (thanks Paul!), and wrote a thread about how ironic it is that after 30 years, I found my perfect Precision, and it even wasn't a Fender. It's in great condition and even came with the original Yamaha case. A few pics: I spend every other month in the US with work, and wanted a cheap bass to plunk about on whilst over there. I didn't really want to bring a bass over from home, so today popped into the local guitar shop (https://www.toneshopguitars.com - ask for Chas!). I'd seen and played a cheap Sterling Ray for $300 in there previously, so thought I'd go in and have a look round. Of course, it didn't work out like that! They'd just taken in a Yamaha BBP34 on part ex towards some 6 string guitar kit (ugh), so I sat down with that. I remember picking one up a year ago in another guitar store, and thought it was nothing special. However, this one had just been set-up and was an absolutely lovely bass. Very resonant unplugged, and a huge sound plugged in. Sounded very warm and vintage to my ears. Anyway, long story short, I walked out with it at a very good price (inc posh Yamaha case, all the case candy and a Levy's strap), along with a little Fender Rumble 40 combo ($160 on special!), and have just unpacked it all. Happy days. A few pics: \5 points
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My first instinct was to say 100% but you need to make allowance for eg personal events happening, so something near 100%. I've never fully understood this thing about being in multiple bands - is it like hedging your bets in case one of them goes bad? Why not just focus 100% of your effort on one band? Social commitments - depends on what this actually means....5 points
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As a professional musician myself, 100% - unless prior agreement has been put in place. My last band hand dep musicians for every member, sometimes multiples of.5 points
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You've answered your own question, I've never put anything other than a right angled jack in that kind of socket, it's asking for trouble.5 points
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No photos but there is a dodgy phone camera recording, does that count? The White Line in Newcastle.5 points
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Specifications to be listed by @Happy Jack when he comes back home - they've changed a bit since he originally got his Ali DB. In the meantime, photos and videos Edit to remind you - click/press on the photos and they will display at full resolution.5 points
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I don’t even do my own pickup swaps! you know instructions on a soldering iron that say “don’t hold the hot end”? That’s my fault!5 points
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I'm rescutating this zombie thread as I've done exactly the same! Sadly, Fretmeister's original pictures are long gone, but using the ice cream stick idea as my starting point, I came up with these: Nope, they're not skinny shoebrushes... The wooden part is from a bit of leftover edging - something like this. The original plan was to make three with different sorts of foam on each, but the superglue I used to attach the "washing up" sponge I tried to use, practically melted it... maybe I'll use two sided tape for that type of foam in the future. The two that survive work really well - one is made with fairly dense foam (the sort that you might find in a fitted case for a drill or similar) and the other one is more spongey. The spongey one gives a slightly better tone - to my ears anyway. The denser foam needed to have slightly wider slots as the notes were choking a little. The hardest part for me was cutting the foam neatly. Maybe I should have watched more episodes of "Blue Peter" as a kid. I rounded the edges of the wooden part a bit and gave it a rub with some wax. I gave it a little handle so I'd know which end is which, although it doesn't seem to make much difference. Neither will get me a job on "The Repair Shop," but they cost me nothing to make and took about half an hour from having the idea to sticking the finished thing on my bass. Now I can get a nice "Carol Kaye" sound quickly and easily. And it looks quite cool.5 points
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I have discovered that Nigel isn’t at all well. He fell, broke a few ribs and punctured a lung back around October and has since been in and out of hospital. He is back in at the moment. Nigel has been a stalwart of this board for many years and interacted with many of us. Please keep him in your thoughts. Edit: Updated with funeral arrangements4 points
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SOLD I’ve decided fretless isn’t for me so am just looking to get what I paid for this in 2022. It’s passive with stacked volume/tone knobs, a 3 way pickup selector and series/parallel switches. Everything works perfectly. Good condition for the age with a little wear to the fretboard from roundwounds. Was set up over the summer by Newcastle‘s very own Bass Doc who reckons it was either a special order from the factory, or was professionally converted to fretless to a very high standard. I’m based in whitley bay. No trades thanks unless you have a G&L. Happy to post - buyer to pay and organise. Will be bubble wrapped then put in an old gigbag and then a bass box. I’ve got a decent feedback thread on here. You’re welcome to try it out if you’re in the area.4 points
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An acquaintance of mine once had his bagpipes blown up by the bomb squad in Bath. On his way home from a night out whilst rather drunk he put them down while he watered the bushes in Queens Square and then forgot to pick them up before staggering home. The next morning in his rush to leave for a climbing trip he forgot all about them but saw the bomb squad had closed the square. When he got home and remembered them he went to the police station to see if they had been handed in as lost property. There was good news and bad. They had them but they were a bit blown up.4 points
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For all the chat about the MM pup it’s important to realise it will not sound anything like a Ray when solo’d because it’s not designed to. It’s not in the Ray position nor is it voiced or does it have the Ray Pre-amp. Its main purpose is to be n adjunct to the P pick up and allow you to cut through and provide clarity. That’s what it is designed for4 points
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Just a heads-up on a very interesting - and highly desirable IMHO - s-s bass I've just posted FS. https://www.basschat.co.uk/topic/473862-andy-rogers-short-scale-custom-build/#comment-48904453 points
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Nope, no exceptions, you let one through and then you’ve set a precedent. Harsh I know, but it’s for the best. Really, how much?3 points
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You need sufficient gauge to handle the current without overheating and not cause voltage drop. At 1 meter it doesn't take much. Wire gauges are typically used in the same locales that use inches and feet, mm where they use metric, for the same reason. This is a must read if you don't know anything about cables. It's aimed mainly at the hi-fi crowd, as they tend to be more easily scammed by cable mountebanks than professional musicians, but the physics still apply. http://www.roger-russell.com/wire/wire.htm3 points
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It's great when you find 'your' strings. Personally for me it's Dunlop super bright nickels 45-105. Quite bright at first but they settle quickly, and then stay the same for ages. They're also lower tension than other 45-105's out there that I've tried, which was something I'd been looking for for a long time. Haven't done any proper recording for a while, but when I did I would usually put a fresh set on about a week before, and make sure to play a bit every night on them so they lose the initial over the top zing..3 points
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Agreed - that's why I do such things whilst watching TV. If you are going to burn time in front of the idiot box, you may as well get something productive out of it. For the less than 10 minutes to make a reliable speaker cable (I reckon I could make one in less than 5) - it seems a good investment to support the knowledge that your gear is good to go. But maybe that's just me.3 points
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Wow, that really is a thing of beauty, the finish is extraordinary 👍3 points
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I bought EA Siren cables a while back and have some spare ClearTone cables kicking around. If I have a 1 metre one it's yours. I'll check later today. Why EA? When a guy who can afford anything replaces all his cabling with it, even the wiring in his cabs, then I figure it's worth it. The Reveal cables are brilliant.3 points
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Due to issues with hands I'm having to give up this beauty and switch back to 4s. Ibanez SR1405E in Deep Ocean Flat made in Indonesia. Serial number makes it a January 2015 production, currently fitted with Schiller s-locks but will replace originals for sale, also included is the "soft hardcase" can get pictures if required, also think I've still got the multitool. Pickups are the stock Norstrand Big Singles passive with the 3-way EQ, this older model hides the battery in the control cavity which can be a bit of a pain if not realising it's running low. I've searched it over carefully and can't see any obvious scratches or dings. Really enjoyed playing it and the variety of sounds that it can produce is great. Ibanez Wiki Fandom has a great page for any specs I've forgotten to mention. Looking for £850 offers welcome, possibility of trades for blue J-style 4 strings Based in Chorley and happy to deliver/meet within an hours drive.2 points
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Thank you for the TAG! The best places to find all my videos as well as those on my own channel are here: - This is my current exciting job! https://www.bassgearmag.com/author/dandanveall-com/ YOUTUBE https://www.youtube.com/@BassGearMagazine and here: I used to work for GI and despite having recorded the best part of 400 videos with GI, sadly you'll only find about 150 on YouTube, you'll have to trawl the last ten years worth of back issues to see them all and even then many issues are missing!! GULP!!! https://www.guitarinteractivemagazine.com YOUTUBE https://www.youtube.com/@iguitarmag I've covered some really awesome pieces of kit in great deal over the years, so if you are looking for real world information BassChat, this is a good place to start2 points
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Just checked. I have a 2m ClearTone cable you can have. Van Damme Blue Series 2x1.5mm twin axial (so it says!) cable and Neutrik NL2FC speakon plugs. If you want it, pm your address and I'll send it to you.2 points
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Multitasking with the Pfretzschner https://m.facebook.com/story.php?story_fbid=10157680754269839&id=7427698382 points
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This. I realised after a while in the covers band I was in that none of my suggestions were accepted. The singer had to decide if he could sing it and the guitarist whether he could be arsed to play it. However, the drummer had a right of veto: if he hated a song he'd deliberately wreck it by playing out of time. I, as bass, didn't count. But I did get my own back. The singer loved playing interminable Chicago blues. One of the several we did was a semitone down (B flat, I think). During a gig I nodded off, assumed this was the one we played flat and was a semitone out throughout. At the end we all looked at each other: it had sounded even worse than usual. But no one twigged it was me. For some reason we never played that number again.2 points
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Recent videos (I wasn't on sound for any of these, the festivals had their own sound team)2 points
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Can't you pay someone to do that for you? I just use the dry cleaners.2 points
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Ohhh, I loved the triple Berg stack I had...trouble was, I could never resist bringing all three everywhere...no self-restraint, y'see... 🙁 🙂2 points