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Showing content with the highest reputation on 16/10/21 in Posts

  1. Sounds like you’ve made yourself a reggae cable , can you let me know what you did 😁
    9 points
  2. I can absolutely help with your question, lowdowner. I was fortunate enough to acquire Pino’s 79 stingray fretless sunburst backup bass, direct from Pino on commission via bass gallery a good few years ago. A magnificent bass in all respects. Sadly, it failed to endow me with any godlike chops or groove and unbelievably, when recently sold on, my ownership was not deemed sufficiently relevant to be mentioned in the gallery’s online description, only the former keeper’s.
    7 points
  3. Up for sale after considerable pondering goes my lovely 2020 Dingwall Super P4 in Fiesta Red, Wenge neck, owned from new and in as-new condition along with probably the best gig bag I've ever seen. I waited a long time for this to come in and snatched it up as soon as it landed and it plays as good as you'd expect. Truth be told, it's just not getting the play because I already have a Super J5 that I love and which it hasn't displaced. Funny how things work out sometimes. I'd prefer collection but travelling for a meet up is negotiable as I'm centrally located. A sale is greatly preferred but I might consider a trade involving a lined fretless.
    6 points
  4. But you have to live with these political decisions, no matter how deep you put your head in the sand.
    6 points
  5. My latest additions…. First up a beautiful Roger Waters sig. The B/W/B plate was already fitted to the bass (I have the original single ply black one too) but it’s now also sporting a Gotoh 201 bridge, chrome flat topped knobs, a Kiogon loom and my favoured Custom Shop ‘62 pickup. It sounds superb and plays beautifully. The big, chunky necks on these really do suit me. Next, as I had a Status P neck loitering in the corner of my man cave, I snapped up this first series Squier Classic Vibe body in Sonic Blue (the holes for the bridge have been redrilled to take a std BBOT). Again it sounds great and plays really well straight off the bat with no neck adjustment, shims etc required. Ordinarily I would’ve put a black plate on it by now, but I think it looks great as it is. I’m loving the colour contrast between the neck and the body. All in all, very pleased. 😁
    6 points
  6. AND GONE Up for sale or trade is my excellent condition Yamaha TRB6P. This is the legendary six string bass adopted by John Patitucci when he made the move from Ken Smith basses to Yamaha. This is an unusual one in that it is unmodded, in virtually new condition (except for the covering on one of the tuners, see pics. Totally cosmetic and the tuner works fine) and it comes in a very unusual factory sunburst that was only featured on the later models. The maple wings are irridescent and very tiger striped (see pics). It's a beautiful bass. Specs are Maple neck with mahogany stringers/ neck through construction Flame maple wings Ebony fretboard 33 7/8" scale length 24frets (in very good condition) "Tequila sunrise" finish Yamaha 2 band active EQ Piezo sensors in bridge and piezo balance in the preamp (heaps of dub bass or top end sheen etc) Removable ramp Wide fingerboard and 19mm spacing at bridge Rosewood facing on headstock It's an utterly fantastic bass that I would love to keep (I'm always bringing a great six string into the fold and then moving it on as I don't play in bands that need them...a familiar tale). Right now though, I need a different flavour in the band to the Stingrays I tend to use....all my other basses are 4 string Stingrays ;)...something 'Fendery' or a variation on that theme with 4 or 5 strings...possibly passive? Hence the quite broad trade list above... Balance is excellent and the construction is rigid and resonant. It sustains forever. It weighs in the region of 10 1/2 pounds and is not a bass for those who like a light bass. It's the most responsive, stable bass I've ever owned due to the maple/ebony etc but that feel comes with a bit of heft. Comes with original case. Not so keen on shipping so would prefer a meet up...
    5 points
  7. Simply the best Fender I had in my hands in 30 years. All perfect; neck, truss rod, pickups and electronics. All original and very well kept. Original case included.
    5 points
  8. 5 points
  9. Played the intonation game with some old strings. Before that, I also cut the nut slots. But the nut came out kinda ugly, I'll probably make new one later. Works now for setup testing. Had to reposition the bridge. It was not terrible, but 5mm further to the rear leaves me with more adjustability. And when intonated, the saddles land nicely along the middle area of the adjustment. Before: After:
    5 points
  10. 5 points
  11. The worst night playing covers you don't particularly care for beats the hell out of sitting in front of the TV, or most desk jobs.
    5 points
  12. It would be nice to be able to say 'you heard it here first'...................
    4 points
  13. 4 points
  14. Am a RHCP fan, but will give this tour a miss. Ticket prices are nuts, particularly when going to these large venues, where IME the chances are I will end up watching the gig on a large screen. Prefer to see some up an coming act in a small venue, having a few beers with some friends. More affordable and more enjoyable IMO.
    4 points
  15. I have two more great Warwicks, a surprisingly good Harley Benton P bass and an 80sfretless Ibanez Roadster that fit that description… Honestly, even if I don’t want to, at least one of those has to go. I’m just waiting for the Yamaha to confirm it really will be that one that will rule them all. I’ve been authorised by the seller to use some of his pics here. So this 5 kg of japanese craftsmanship is what I am waiting for:
    4 points
  16. ! NEW ! 2000£ both basses 1100£ single purchase purchased these via BC 1,5years ago from Grantd + FuNkShUi 26,5" scale 17mm spacing Body: white Limba/fractal Walnut vs Alder/black Walnut Neck: 5piece Maple/Mahogany vs 5piece Maple/Purpleheart Pup´s: ACG frb Humbucker PreAmp: ACG/John East P-retro active/passive Hardware: Hipshot etc Newtones custom 26,5"-Strings ( + 1 set brand new) + Alan´s choice: Fusion double-Gigbag. superb ´real´ bass-feel and full tonal range ergonomics,woodwork second to none condition really good, not mint, but good both beautys to be found on Alan´s page No: 0334 + 0335 ACG Lab | AC Guitars surely, these two belong together as one, BUT actually i like the idea of keeping one of them more & more… basswise all you ever need. wrist issues, transport, downsizing without lacking anything: here is the best you can do. Cheers, Chris
    3 points
  17. Im thinking of keeping this because it really has grown on me. especially the neck and preamp. but one last bump. Atelier Z DAL custom 70's jazz. 9.3 pounds. It was a custom order as I have found out. I emailed AZ and they told me it was made by Mas Hino in 1997. Look up Mas Hino if you don't already know of him. You won't see another DAL custom in black with this weight or specs. This will be my last bump then I will withdraw the instrument. Alder chambered body. Ash top. One piece maple neck with skunk stripe. Atelier Z JBZ 5 pickups, 70,s spacing .Atelier Z EQ/M 2 band preamp... amazingly engineered resolite Gotoh tuners and bridge. A few dings but nothing major. Neck is super comfortable. Very flat. It a 70's jazz bass sounding instrument. The neck is maple with cream binding and goldish pearl block inlays. Its amazingly well made as are all Atelier Z s are with a really tight sounding B string. . 70's pickup spacing. Sounds killer like a 70's jazz does without the weight Trades. Light weight Lakland 55-02 deluxe + cash. Other high end Jazz basses or soapbar basses. 5 string only.
    3 points
  18. I needed a fiver set of double ball Steinberger/La Bella. They all were out of price in the EEC. So, I contacted Mark at BassDirect and he did the Brexit maths. I paid £35.42 GBP shipping included for the set, so far so good as I'm supposed to simply pay the 21% of VAT for these goods. The next day I got a message from the Belgian post asking me €27.93 Euros (£23.57 GBP) as customs fee clearance !?! Not Mark's fault for sure even if the declared value was a bit too high at £40 GBP (shipping fee must be included in the declared value, but it was a grand total of £35.42 GBP), but the "you'll pay the same as the VAT is deducted" slogan you see everywhere is a total lie as you have to add that delirious administrative fee and VAT on everything. Some companies like ToneRider, for instance, give you a real all included price and work with couriers instead of the post, which is better and safer price wise. Thanks Boris is all I can say.
    3 points
  19. All is restored https://www.nme.com/news/music/simon-gallup-confirms-re-joined-the-cure-3071612
    3 points
  20. How can you hear "Darker"? Shirley that describes a visual effect? Crumbs you Egyptian Gods are something else obvz!
    3 points
  21. These topics are too tempting. I had one of these earlier this year and moved it on as it wasn`t getting used. After reading this topic again, I spotted a s/hand one in Richtone Music for £270 with a case. Got it bought and it arrived looking almost as new. There is a lot of space between the bridge and pickup and I have a MFD humbucker kicking about so a trip to Strung out guitars may be in order. But going into the studio on Monday night and will hear how it sounds with the band before modifying the bass.
    3 points
  22. Think we’ve all been in a band with that guitarist……
    3 points
  23. I'll do sound clips when I get the chance. It sounds okay - no massive bottom-end unsurprisingly, but very usable. The construction is a bit shoddy - I'm no joiner as I pointed out, so won't be going into mass production, but I'll draw up scale plans & hinstructions if anyone is hinterested.
    3 points
  24. That looks like tonewood to me 😁
    3 points
  25. It's a good job you're not playing for money then as you'd get your marching orders fairly swiftly for refusing to play songs by a particular artist. I really don't understand this 'hate' of certain music. I can understand not liking artists; I think a few would agree that Liam is a bit of an acquired taste, but refusing to play any Oasis? The songs of theirs that I have played always go down very well indeed. Happy punters = happy hackenbacker. I've not played any Shadows material, but I'd to. I've mentioned elsewhere that I'm not a fan of Marc Almond, but I've played several Soft Cell songs over the years. There might be the odd occasion where I would argue the inclusion of a song wouldn't work with the band configuration or fit in with the existing set, but a refusal because you don't like it vs. everyone else being up for it? You've just got to put your big boy pants on IMHO.
    3 points
  26. 3 points
  27. Have you actually tried learning any of the stuff you don't like? I've learnt loads of stuff that didn't float my boat musically, but they have been fantastic learning experiences and some really great bass lines. I doubt there are many cover bands where every member is happy with every song. AHA, Prince, Abba and Marley sounds great to me.
    3 points
  28. Swapped out my Bright Onions A/B switcher with a Providence Dual Bass Station, which meant a 12V power supply was needed. Added a GigRig Supanova to provide this, and tidied up the wiring underneath at the same time.
    3 points
  29. And with my A width neck 71 Precision
    3 points
  30. Hi SumOne, Have always loved reggae grooves since the days of Trojan… Reggae drumming influenced by Toots & The Maytal’s, Dennis Brown, Richie Spice, Etana, Barrington Levy… Would love the opportunity to jam with some Reggae loving musicians.. Am based in the Watford area. Splitpin
    2 points
  31. Basically, with angled jacks the signal is going along in a straight line then suddenly has to go through an unexpected 90-degree turn. The lower frequencies move more slowly so they make it through the turn, no problem. The faster moving and frankly irresponsible high frequencies just spin out and never make it to the amplifier. Like I say, crack a hazelnut and have a cuppa while the spirit goblin sorts it out.
    2 points
  32. Has the cable got a semiconducting layer? It’s usually a black layer in between the core and the shield and it can be easy to let it touch the core if you aren’t careful. You can end up with a high resistance short between hot and earth and a much increased cable capacitance that can make the cable sound very strange. (look at Van Damme Pro Grade Classic XKE Instrument Cable for an example)
    2 points
  33. Funnily enough, although the new jack hadn't been used before, I've had it for years, I bought a load in bulk probably 10 years or more ago. Still got around a dozen left too. Maybe there was a duff batch at the time?
    2 points
  34. Sitting here suffering in silence while my wife watches a documentary about Jackie Collins and I was suddenly shaken out of my lethargy by the background music - Vitamin C by Can. Unmistakable drumming and bass from my favourite Germans. Only problem was that the people being interviewed kept talking through the music - have they no shame?
    2 points
  35. It wasn't meant to cause any distress mate and I apologise if it did. It's just all this talk of 'hate' and throwing the toys out of the pram if asked to play something one doesn't like. I just find it ridiculous....laughable in fact. There are few things I actually hate in this world and none of them are pieces of music. It could be that I'm just lucky to be in bands that don't tie themselves up in knots over what not to do. I do remember having a disagreement over a song called 'Cake By The Ocean' some years ago when I was in a function band that has since folded. That had more to do with the person suggesting it than the actual song itself in all honesty. Looking back at it, I should have handled that differently, but he was the band leader and in my view looking for an easy add-on of a song that his kids liked that had (IMHO) a limited lifespan. Life's too short to worry about these things. I'm trying to think of some songs that would provoke the sort of reaction that you have described. I can't. Sure there are plenty of songs that I would question whether they would fit in the sets of the bands I'm part of, but refusing to play something that would fit doesn't really compute with me. Steve H and I regularly have a laugh every single 80's gig about 'Walking On Sunshine'. We would both drop it in a heartbeat, but it's not our call and even it was, it always goes down so well it would almost be criminal to do so. I wasn't really a fan of 'Relax' but have played it for years until it was recently replaced with 'Two Tribes' which I was over the moon about.
    2 points
  36. Why don't we just have a section for whatever it is you're looking for at any particular time?
    2 points
  37. No can do I'm afraid , you definitely lose something with split singles IMO. Been a bit difficult here to make comparisons as only the Fender wears roundwounds. Two with tapes have standard singles . Common ground would be the three with TI flats , snag there is the standard single is a ceramic Peavey . Much as I'd like to claim my massively over wound Bloodstone custom is the best , in truth it's Jess Loureiro's 51 split. Could be the age of the strings or the pickup height , might just be the arrangement of the scatter wind . Whatever it is , the Loureiro sounds fantastic. Still sounds a bit polite compared to the Fender mind but fantastic all the same 😀 @Bassfinger The Bloodstone at 28mm is 9mm taller than a standard single coil.
    2 points
  38. I find this quite a strange attitude, certainly up this way the young ones who go out drinking all seem to like this traditional Scottish music but rocked up. I hate this kind of music but we had to play it because that's what got people in and dancing. If we played music I liked the pub would empty. I hated most of our set but loved to see and hear people enjoying themselves. If we got a massive cheer at the end it was a great buzz. I was told when we first started that you have to play what the public wants. We said nah, we will play what we want. We didn't get many gigs until we changed and played music that got people dancing. Certainly up this way you have to be a musical prostitute.
    2 points
  39. Or Jools Holland. Or Endaf Emlyn, or Geraint Jarman or Myfyr Issac. Pino was active on the Welsh Language scene a long time before he hit the bright lights. We have been enjoying him a lot longer than anyone else. We discovered him. Between him, Gareth Edwards and Aneurin Bevan we have a rightful claim to world domination.
    2 points
  40. If you don’t need huge volume, I’d recommend an AER. These amps are the absolute best out there and sound incredible, however they’re not cheap.
    2 points
  41. Just about to start cutting up loads of wood to build out the inside of my garden music room (starting with 4 vent boxes/silencers), so this will be a parallel endeavor!
    2 points
  42. 2 points
  43. My 100th transcription this year. A full transcription of 'Lien On Me' from the 2004 Jeff Berlin cd, 'Lumpy Jazz'. I went with the ledger lines. If you want a copy with the 8va option, let me know and I will make it happen. https://bilbosbassbites.co.uk/lien-on-me-jeff-berlin/
    2 points
  44. I only emailed G&L yesterday about the prototype single coil MFD's they've been working on. Turns out their still in the test stages but when ready they'll do a press release. Side note, i picked up a 2019 G&L JB standard last week and its probably the nicest jazz ive ever owned. Prototypes pictured.
    2 points
  45. Rehearsing songs you don’t like is a PITA and not enjoyable. However, having ‘been there done that’, those songs are often quite fun to play live, as the audience usually love those songs. My own, personal, bête noire was Madonna’s Holiday, hated it, punters loved it and I channeled their enjoyment into my playing.
    2 points
  46. I’m not that fussy really, I’ll play anything….. as long as it’s reggae 😁
    2 points
  47. I love this! When I play live it's the energy from the crowd that pushes the experience over the top and makes the set up / tear down and playing the same songs all the time worth it. As much as I enjoy playing and creating music with my friends it the live energy that keeps me coming back. Definitely missed it the last few years.
    2 points
  48. At £2.42 it would be a bargain, not so sure about £242, bit steep????
    2 points
  49. Beergut 100 (not mine, was an actual band back in the day)
    2 points
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