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Showing content with the highest reputation on 19/08/18 in Posts
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7... at this moment!5 points
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I am finally there and 100% happy. Barefaced 6x10 is mighty sounding and super light. Aguilar DB751 same but not light. Fender P ‘69 or ‘64 depending on rotation. Incredible sound and people always comment how good it is, so must be doing something right.4 points
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Actually - first gig with a new bass day. I've been prowling the site for ages for a Warwick Fortress. I love the build, sound and general vibe of Warwick but often struggled with the ergonomics. I've already got a Standard Bubinga Corvette and a gorgeous 89 Thumb Neck Through, but I seldom take these out when I'm fronting a band as the short top horn moves the neck to the left and throws me out position wise when I'm singing. Anyroadup, a couple of weeks ago this beauty appeared in the 'Basses for Sale' section for a fair price and I snapped her up. She's a Fortress One, Two piece maple body, three piece Wenge neck (not as slim as my Corvette or Thumb but comfy nonetheless) and Wenge fretboard. MEC PJ pups and two band EQ. Had a bit of a fright when setting her up as the D string wouldn't intonate and buzzed like mad resulting in a huge action - turned out to be a duff string. Also had an intermittent electrical fault which turned out to be the push/pull on the volume pot that was solved with a bit of switch cleaner. Eventually set up with a 2mm action at the 12th fret (a smidge over on the E string) and feeling good. It's a bright sounding bass and i was worried it would sound bass light when gigged. I needn't have worried - played a pub gig last night - GK MB500, Barefaced BB2 and Zoom B1xon and wow. The long top horn makes it ergonomically perfect - sits just right. The tone with Warwick Red Labels was deep, tight and authoritative. Plenty of snap, body and growl as you'd expect from the wenge neck. More than enough depth in the bottom end and a 'Jazz on Steroids' tone from the bridge pickup. Wow am I one happy bunny, I think I've found 'the one'!3 points
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Careful guys - with these attitudes to punters. It's something I used to be very guilty of myself in the arrogance of my younger gigging days - regarding any customers as 'dim punters' if they didn't react favourably to your playing or ignored you. It's better to try and engage with these people - so if you're going to put a PA speaker 12" from their faces when you're setting up then you could at least suggest with a smile on your face that they might like to move tables "as it might get a bit loud and we don't want to deafen you" or something like that. OK, they may not be the sharpest tools in the box but they're still human beings and people usually respond favourably to someone taking even the slightest interest in them and their wellbeing. And then it all helps create a good atmosphere in the place which is beneficial for all. Just a thought, nothing personal.3 points
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Which is exactly what I, as previous owner, wore whenever I played it old boy.3 points -
Sure no probs to snap some pics! The outer polycarbonate shell is about 3-4mm. I had assumed there was a wooden solid centre block, but I was routing in acoustic foam and polycarbonate mainly. This really surprised me Anyway, I decided to go with a straight knob layout to stay in the TB theme. Scratchplate finished, holes drilled so getting closer to completion. Since I made the pic I installed the pots etc. Forgot to buy pickguard screws and shielding so will need to buy that tomorrow. I’ll be fully done next weekend,3 points
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My Laki is a 55-02 Deluxe3 points
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Result! I convinced my mrs to take the kids out for the day so was able to make some progress. Routing done, scratchplate cut and routed but still needs some sanding/finishing/screw holes etc. Notice the control cavity (freehand route), the acoustic foam is clearly visible. Amazing stuff, it is incredibly dence and even behaves like wood when routing. Plastic is still on the scratchplate in case you are wondering why it looks “dirty”3 points
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Thinning down the herd, so selling the basses I don't use. FOR SALE OR (PARTIAL) TRADE BASED ON THE NEW RETAIL PRICE ($8000 USD) : Very nice MTD 635-24 Fretless with new Bartolini/Tobias preamp installed and fretboard fixed because of slight default. The specifications : Body : two pieces poplar Top : bookmatched maple burl Neck : bolt-on one piece wenge Fretboard : ebony Headstock : reversed glued with maple burl veneer Tuners : Hipshot USA Frets : none, fretless, 24 positions with only side dots Trussrod : 1 fully working Bridge : brass Hipshot B Style Pickups : 2 Bartolini/Tobias humbuckers Preamp : (new) Bartolini/Tobias 3 bands EQ (+/- 9 Volts, so 2 batteries) with volume, blend, treble, mids, bass and 3 positions swith for the mids frequency Strings spacing at bridge : 18 mm Strings spacing at maple nut : 9,5 mm Action at 12th fret : from 1,5 mm under the C to 2 mm under the B Scale : 35 inches Finish : hand finished with an epoxy base coat and catalyzed urethane topcoat (satin seethrough Andrew GOUCHÉ red) Weight : 4,4 kilos Case : original unbranded MTD Serial # : 878(120202) Year : 2002 (early bird) Strings : D'Addario Nickel EXL 170-6 (32-130) Todays price for a similar bass with all the options : $8000 USD or around £6300 GBP ! The bass has been fully revised, fixed and set up last year by Christophe LEDUC who did a differential fretboard dressing after fixing the slight uptlifting end of this very fretboard on the treble side. This was done with the guiding help of Mike TOBIAS himself as they are friends. The bass is now perfect and also received a new preamp exchanged by Mike TOBIAS as the original was defective. Note that this bass seems to have been orderd by Andrew GOUCHÉ himself as there is GA written (see pictures) on the back of the battery plate, neck and in the neck pocket, but unfortunately Mike TOBIAS has no record for that fact, but maybe Andrew GOUCHÉ could confirm this... Non smoking environment, as usual. Asking price is £3150 GBP due to the rarity and now fixed problem, but very good condition of this bass. MTD price list link : http://www.mtdbass.com/price-list/ Having questions about the real colour, it's somewhere between my pictures and these : http://www.bassclubparis.com/index.php/mtd/535-signature-andrew-gouche-detail https://www.basscentre.com.au/products/used-mtd-andrew-gouche-6-string-with-hard-case The pictures to see the real condition (under different lights to try to capture the real colour), which shows only some little wear with a very few dings and scratches plus the satin finish going away over the MTD logo, so all in all absolutely nothing serious :2 points -
Snowflake alert! He gets a hard time because his conversions are bodged and pointless. Guitarists must be wringing their hands over this one - 'shall I buy a six string guitar or a 7-string conversion to um... a six string guitar?'2 points
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Its the Bison they use inside2 points
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Ha - I think some Warwick fanbois pricing ideas are similar to HP Wilfers!2 points
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I got a little done today, just prep work. Ripped up the neck laminates and took a bit of wood off the wing blanks with the planer/thicknesser. There are a couple of patches on the wing wood that are a bit plain looking so they will go into mine as that will be veneered so it will never be seen. I've stacked them on sticks to breath and settle for a few days until the constructional veneers arrive (which I'll order tomorrow) I did re stack the wing blanks better than that, I just laid them out like that to show you2 points
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Nice looking bass...feel sorry for those who missed it.2 points
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Public transport? hahah - you in london or something?2 points
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I've been quite busy in the last month or so. Started a new job, been on holiday for a couple of weeks and been having to keep the two small inhabitants of the house occupied during the school holidays. I have got a few tasks completed on these two builds though. Firstly I decided to make the bridges. As usual, I stated off by making some templates. The template I made for the original semi-hollow build was okay for the bridge outline but the piezo will be a different size so a new template for the slot needed to be made. Small pieces like these bridges can be a bit trickier with a router and need to be well clamped to prevent them being ripped to bits and thrown across the room when the router is angry.... Firstly, the ebony for the bridges was cut roughly to size and the mounting holes drilled. These holes will also be used to hold these still whilst they are being routed. The bridge blank was then clamped under the template and a surround made to support the router whilst cutting to size and rounding the edges. The edges were then trimmed to make the blank the size of the template. I then cut a slot the size of the piezo into some more mdf to use as the slot template. The bridge was then mounted behind the slot template and the slot was cut. The blank was then put back on the original template and the edges were rounded. A bit of filing to slope the long edge a bit and some sanding and that's the bridges made.2 points
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These should be available on prescription from the National Elf Service 😎🎸2 points
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You are not being unreasonable from my POV - its up to the seller to get the thing to you or return your money.2 points
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Does it matter if it’s legal or not if you can’t get PayPal to refund you? And in answer to the specific question, yes, I have heard of fake money etc, but I have never heard of anyone being scammed by it in real life, wheras I have not only heard of but know people who have been scammed by local paypal pickup. Anyone can do that, the fake money is harder to do. If you are not worried about it happening, you carry on doing it, but I wouldn't do it. Cash on collection or no deal for me.2 points
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With the main structural braces secure, I now am adding the side braces. Although these also help to maintain the spheroidal shape, their main function is to transfer the vibrations to the various parts of the top. These are the ones that will be tweaked during the tap tuning process. First thing after the glue is set, however, will be to slim down the cross sectional profile of the braces into the familiar arch shape.2 points
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Thats what’s paid by pubs because there are bands who will go out for it. Simple as that. If everyone sung from the same hymn sheet, the pay would go up. Si2 points
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I would be lying if I said I fully understood what exactly does what. But when I was considering building my first acoustic I did a huge amount of reading and internet trawlingof what the high end makers do. And then I went to a large guitar store and looked into the soundholes of a large number of steel string makes which bore out many of the things I'd read - that the great, great, great majority of steel strings are built to essentially the same formula I followed every single one of the common features to the letter. I was so pleased to have ended up with an instrument that actually held the tension of the strings that I'd have been chuffed if it had sounded like rubber bands over a baked bean can But it sounded brilliant! Like - better than my mate's Martin D18 brilliant!!!! So how many builders and manufacturers actually understand why these features work - and understand enough to know what to tweak and where to make them even better - is probably relatively few. I certainly don't. But they - and I, now - do know they do work. So, while most of my solid builds often go away from convention - and sometimes in a big way - for acoustics, I follow the formula slavishly. And the elements in that formula?: - Almost all steel strings use a dished top. There are only a couple of makers I know of who make a flat top - The great majority of them use this identical bracing pattern - even down to a tiny sliver you will see me put on top of the x brace joint - Even the position and height of the nodes on the braces are likely to be within a few mm of the same positions - The back and sides makes very little difference to the tone. It pretty much matters not what they are made from as long as they are structurally rigid enough. In many people's view, laminated sides and back makes no tonal or volume difference. - The wood type, grain, stiffness and thickness of the top wood makes a very significant difference to tone - As does the thickness and shape of the braces...which is where the black magic of tap tuning comes in (of which more anon)2 points
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But have you never heard of fake ID? Legal invoice? Countersigned by whom? I know a guy in the local classic car club who lost just shy of £8k to this very scam it DOES happen. Whilst it may not be common why risk being the victim of any scam? It’s not being paranoid it’s being sensible. Any fraud expert or police officer will tell you that the best scams are those that are an inch off being genuine, so much so that people end up falling for them and losing out. If it’s a £5 item then you haven’t lost much (apart from the fact that as Fleabag has correctly pointed out nice old PayPal turn it into a £20 hit) but any item worth a decent amount, no way. And yes you can get fake cash but there are ways to protect against that as well. It’s just about being careful and minimising the risks. And yes you could take PayPal to court if their terms are illegal, but you would have to have far deeper pockets than mine (and I suspect 99% of the population), that doesn’t make it right but it’s the way it is.2 points
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My old 89 was full of Barts.2 points
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And if it goes wrong you could always turn it in to a seat 😁2 points
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We used to play White Rabbit when Jenny Haan was singing with us - one gig we had to play it 3 or 4 times before they'd let us go home!2 points
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LOL Looked at this a few times and I think it has been pretty much nailed! 'Personally' I feel the pre 91 basses were generally made from/of better quality woods and materials (other than the chocolate output jacks... buy a Switchcraft and be done with it). Why W can't role the fingerboard edges on new basses is beyond me mind, that would make such a difference. Electrics are pretty much standard now, though I did prefer it when you could have EMG, MEC, Bart, SD even Alembic. Neck profiles are so personal that it's a case of meat/poison; I have to admit to having some pretty skinny neck Wicks but also possess a very full (maple) necked 07 NT Corvette and I love the feel. I agree the whole catalogue is pretty messed up and dilution of the brand has occurred. Replaceable truss rods were a good thing BUT you shouldn't need to do it anyway and tbh the stories grow bigger in the telling, I've had basses with issues (2 out of 40+... is that good/bad ratio) but all are fixable (unlike some manufacturers). Oh and one shouldn't place 'too' much faith in the official emails/info supplied by Warwick... it may not contain 100% accurate info. Finally, never buy a new Warwick; you may as well drive down your street throwing tenners out the window.2 points
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Better picture with the fake cover 🙂2 points
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First off, big respect for your post and aspirations. I work with a wide range of adults with severe to mild learning disabilities and/or autistic. We are lucky to have a team of music therapists - in a nutshell, they have psychology degrees because they are using music to support people who have communication and emotional difficulties in a therapeutic and clinical way (there is so much more to it than that, but like I said, in a nutshell). However, there are many volunteers who come to our organisation to play music either with or to the people we support. I can’t stress enough how VITAL this is to a large amount of people. Again in a nutshell, a staggering number of people in residential care spend large proprotions of their day disengaged and devoid of opportunities. Generally this is due to the social care finanial crisis affecting community outlets and organisation’s support provisions and also because many services can struggle to convert their values into staff behaviour. People that come in to do music engage people, make their day, and often give them something else to look forward to. I’ve also seen this have a great impact on staff, and act as a much needed stress reliever for them too. Less stressed staff equals happier supported people. I could go on and on, especially as this touches on my professional remit, however I’ll end by saying that by going in and playing with or for people you’ll be making a significant contribution to their quality of life outcomes. A good organisation will have a volunteering person/department, will have a meeting with you, get you DBS checked and will make the most of your kind offer. Just reach out and find the right place. Good luck!2 points
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Now £2200 posted2 points -
Feeler post as I'm still not convinced I should sell it! Mike Lull P Bass in Gold Flake Built as a custom order for Adam Clayton of U2 fame, along with the Purple Flake he uses. I have emails from Mike Lull that confirm this as true and correct. Jazz width nut and light as a feather. Plays like a dream and sounds incredible. Set up and ready to go. Bought on this very parish from Bassfan in exchange for a couple of Shuker Flea builds. Comes with a decent hard case too. Welcome to come and try before you buy! Can ship anywhere.1 point
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**SOLD** Up for sale is my beautiful 1993 Warwick Streamer Stage 1. This stunning instrument from Warwick's golden era features a 3 band 18v EQ. The MEC pups combined with the EQ and active passive switching allow loads of tonal flexibility whilst still retaining the core Streamer snarl these basses are famed for. It is incredibly ergonomic with perfect balance, comfy contours, very low action and lightweight at only 3.8kg! The frets have loads of meat left on them. The frets have been polished and fretboard has been cleaned and oiled. The body and neck have just been cleaned and waxed. There are a few minor marks and dings as you would expect from an instrument of this but overall it is in very good condition. It features the Dunlop recessed straplocks and I will include the matching strap pins. Postage is available and it will be well packaged in a Warwick gigbag packed inside a bass shipping carton.1 point -
Up for sale is my Limelight '57' Precision. The colour is faded Candy Apple Red as appropriate to a '57' which has been around for sixty years. This is the lightest relic job that Limelight has done and it is extremely pretty. All hardware is age appropriate with the pickups being wound by Limelight themselves to replicate a '57' sound. A bonus with this sale is a G&G Fender tweed case which is in excellent condition. The bass is strung with a new set of Thomastik TI flatwounds. This bass plays and sounds superb and will make someone very happy. Price includes shipping to UK mainland. No trades I'm afraid.1 point -
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Beautiful - what did it look like before?1 point
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An argument could be made 😂1 point
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Nice! Ibanez make great basses.1 point
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Got to get them when they first come out, before they get sneezed on or played with!1 point
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Yeah, I live in "that London". Transport links into the centre are excellent obviously for commuting. From my local tube station to Oxford Circus in around 35 mins, about 11 miles. Whereas, some days I need to travel across to North London which involves three buses, leaving my house at 7:30am gets me there around 9:30am, same 11 miles? I bet your journey has some spectacular vistas compared to mine?1 point
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Maybe the landlord was watching on bemused that you didn't think to politely ask them to move to another table, or offer to move theirs, rather than obstinately set up around them with the "it's not my job to ask them attitude". Maybe the people at the table thought if we're in their way they'll ask us to move, but the request never came. Not having a dig, just playing devil's advocate. Different folks see things differently.1 point
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Dont waste you money firstly. Dont forget if you have no FOH at all, you could buy x100 svts etc to be heard........but then no one will hear the drums. Unless theyre micd up....in which case theres no reason they cant di the bass as well. Youll just end up sounding bad as a band, but also damaging your own hearing getting it that loud so someone half a mile away can hear it. IF, and its a BIG IF, you really wanted to carry on this route, youd be better investing in PA for the whole band to get a good mix, and putting that through the event PA. Either way, the events sound really really clueless.1 point
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Did what has become an annual gig at the Binfield Club - near the bright lights of Bracknell. It's a fairly typical social club, we get a good sized space to play - getting stuff in is a battle, we have to manoeuvre past folks sitting on chairs watching the telly having a drink. It was the last gig with our current drummer which is a pity cos he is a decent drummer and a lovely bloke. We suffer from a lack of practice, some of the new stuff is a bit rough round the edges - despite this we went down well; some really nice comments after both sets - we will be back next year. I am rarely happy with my playing and last night was no different, it was the first gig with my TC BH800 (was using an LH500) I was at least happier with the sound.1 point
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Wow. Beautiful Streamer. Custom shop?1 point
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And in the case of the OP, PayPal F&F is absolutely not the problem. The problem is the lack of insurance by the seller, who must refund you as the contract (buying anything is a contract even if it is not signed, according to the law) as not been fulfilled. I always include insurance in what I'm selling except if the buyer accepts to take the risk. And even though, I prefer to loose a bit of money on a cheap insurance, than all the money of the sale. Think about it.1 point
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Indeed - I expect the tone will be completely wrecked OK - laminates (I prefer to call them scarf joints ) fixed means that the braces, fully shaped, now fit snugly in the radius dish: So with a final scrape of the top to get the harmonics back now the stiffer rosette is in, I can mark the position of the braces on the top: And then get out the SUPER HI-TECH GO-BAR DECK! Yes...your eyes aren't deceiving you...can this really be just two pieces of chipboard held apart by a quartet of threaded rods with the radius dish vaguely plonked on top. Yes it can! What's it for? Well, how else are you going to clamp down a set of different size braces across a .5mx.5m area, with enough force to press the top into the radius dish while securing all ends and middle of the braces for a strong glue joint....other than with something like a bendy dowel??? Aided and abetted by a few more bendy dowels and a herd of bendy fibreglass rods: And to everybody's amazement the first time they try this - it works!1 point
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I work with kids with a range of disabilities and have two very good friends who are music therapists of many years (one our drummer but we don’t hold it against him). I have worked closely with them for two decades now and seen the potential it has to transform the lives of some of our kids for the better, if I can help give me a shout, and I am sure they would be happy to chat to you about the job- both are very enthusiastic about it not surprisingly.1 point
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Never! Never leave home without it. Improved my performance no end.1 point
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I'm like a footy manager with a big squad but no real idea as to his first choice 11. I actually enjoy chopping and changing amps and cab combinations with different basses. It's not a never ending quest for that mythical grail of the perfect sound. I know that being an addict I won't ever understand the concept of 'enough', when I get what I'm looking for I just wonder what's next. So, last gig I matched my trusty old Eden Nemesis with two MB 1X15s and played my 1983 Aria, the one I'd save from the fire, and it sounded ace. Next gig I might try a Behringer head through a single Barefaced cab and put a Harley Benton jazz through it. Who knows? The only certainty is I will never go back to heavy cabs. Heads yes, cabs no.1 point
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Round one completed! Neck shimmed, set up done and got the decals on this morning (obviously the blurred bit isn’t there in real life!) - just waiting for them to dry before I get a bit of lacquer on them for protection. Thankfully the previously stiff tuners have loosened up a lot now so they’re at least useable. Will probably end up replacing them at some point. Couldn’t resist taking it to rehearsal last night to hear it through a proper amp and, well, wow! Great range of tones, plenty of bottom end and the series/parallel mod was definitely worthwhile. Everything feels and plays great, and the rest of the band were impressed too. Got the wiring harness/pups to put in the yellow one today, but not too much more I can do on that until I pick up P bass bitsa number two and swap the hardware and neck over. Still, great fun so far and has kept me thoroughly entertained since being made redundant last week.1 point
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Nooooooooo! As far as I'm concerned, she was the greatest female singer of all time. Her recordings are perfection. We'll never see the like again.1 point
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