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Showing content with the highest reputation on 16/06/18 in Posts
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My local Aldi has fisherman's scales in the central aisle....obviously not as accurate as your kitchen scales but negates the need for entering "the Forbidden Zone"...4 points
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For sale is this beautiful 5 string Krell bass by British luthier ACG. It is in absolutely immaculate condition. It is currently strung E-C (for chordal playing) but sounds wonderful in the conventional tuning B-C. This instrument has a real and unique quality. The workmanship and attention to detail is fabulous. An amazing sounding instrument with ACG pickups. It has a John East pre amp which further adds to the tonal qualities of the bass. Save more than £1000 on the cost of a new instrument.3 points
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What IS the best bass for metal? I thought I'd better get that one out of the way!3 points
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Got some more done on these today and I'm quite pleased with how they are looking so far. I'm also having a variety of thoughts regarding pickups - I'm half thinking of installing just a piezo in the bridge on the burl top. I'm also thinking about making a 30" neck for one of them, though that may follow later. I've done the routing for the neck and bridge on both of these and I've also started rounding the edges. Next task is to route the two neck blanks for truss rods.3 points
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2 points
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Just have to say, in response to the Barefaced naysayers on this thread, that my experience with the Barefaced tens runs contrary to the reservations that are expressed here. I am in New Zealand, yet the communication and customer service from Alex has been superb. I have two One 10s and a Four 10 which I combine with anything from a Mesa Subway 800+ to Orange AD200, Fender Super Bassman, Ampeg V4.....so I have a reasonable experience with these speakers. I also own Bergantino, Fender, Ampeg etc cabs for comparison. I do not want to get into a which is best scenario as that has been done to death, but IME and combined with decent amplification the Barefaced 10s far exceed others in volume and the type of tone that I enjoy. Yes, they are coloured but they are designed to be that way and it suits me. They go very loud without farting out and sit nicely in the mix. So light.... Anyway, it does boil down to opinion and we are all entitled to one, but I was surprised to read some of the comments here so looking to balance them from my own experience over 40 plus years of playing.2 points
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2 points
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This is genius! I love it! You've got my vote man, perfection on every level! 🙌🙇♂️🙌🙇♂️🙌🙇♂️🙏 You are a god among mere mortals. 👏2 points
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OK I'm in a simple affair this time , nothing too complicated but I am very short on time this month, gigs, work and setting up for Lurksalittles 18th birthday bash next weekend ! Enjoy For some bizzarre reason I cant get the picture to upload this time around , I will try Again in the week2 points
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Just a weekend bump, have a great weekend 🙂2 points
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Good luck to both of you. Although i've been thru a few bands in past couple of years i've not gigged since early 2017 and current band is in rehearsals at moment. Only half way thru our set list of Glam Rock covers but that's because guys all have other commitments with other successful bands and are trying to slot this project in the gaps but hopefully will pick up once we start gigging. The talk within the band is that this band will take over as the main band for them all so that's nice.2 points
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We have a gig tonight to which a couple of people who saw the Stones last night are coming. Someone suggested we should drop our Stones numbers because it would be a bit of a stark comparison for those who’d seen them last night, and we wouldn’t want the band to be shown up for playing sub standard versions of the songs. I said sod that, the Stones have had a good enough run - why should we care if we show them up 😎2 points
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So spent quite a bit of time with these ZS10s. Quite a different sound to what I’m used to. Warm, with not a particularly wide soundstage (blocking the port makes this worse) with the recessed upped mids and treble clearly audible. So whilst I don’t particularly dig on them for casual listening of music, this trait could be quite favourable for onstage use as it will keep your ears fresher for longer. Having said that, I do like the warmth of the dynamic but I do find them quite a fatiguing listen generally - but I think that may be down to the mid range bloom. What I will say though, for the money - great. This or a 215? No competition. And if you think that this whole setup is comparable to the cost of an entry level cable from the big boys... not a bad thing to have in the spares bag either!2 points
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S'nothing, first gig since 2016 ; we're just about to start loading the truck.2 points
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2 points
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I re-read that but let me just make sure... wink is the correct spelling isn't it? Otherwise I'd say your doctor is extraordinarily friendly, if a little dodgy with it.2 points
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At that price point you really need to get down to your local musical instrument retailer and try everything your friend can afford. The usual suspects will be a good starting point but there's always a chance that there will something in stock that you've never heard of before that turns out to be a bit of a hidden gem. Also you'll get a much better guitar at that price if you don't buy one with a built-in pickup/electronics.2 points
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That’s James Gadson. He was the guy back then, he certainly did a lot of sessions in the 70’s and 80’s. I think he was still gigging locally in the LA area up until a couple of years ago. A nice little read about his career here. http://www.drummerworld.com/drummers/James_Gadson.html2 points
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In order to keep my strings fresher for longer I wash my hands before touching my bass, carry a microfibre cloth to wipe the bass and my hands and point a fan at my hands so that they don't sweat and stick to the strings which would inevitably cause skin particles to end up between the winds of the strings. I get around 9 or 10 wedding gigs out of a set before they get noticably dull. My bass is also the last thing to come out at a gig and the first thing to get put away at the end of the night2 points
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Just got in from the first of a three gig weekend, two more tomorrow, with not much of a break between them. You know that bit when there is some woman in the audience and all her friends are saying 'oh get her to sing' and you just know they are going to be awful, they are always awful. well, she came up when we were going to do all right now and grabbed the singers microphone (he is good with crowds, not me!), and started singing. OMFG was she good! Honestly I can't remember when I last heard as good a singer, a really strong voice, but not forced, perfect timing, great personality. Can we keep her?? Turned out she was a depping singer on a night out.2 points
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Just make sure you don't take it back to the wood - pretty unlikely unless you go mad with a belt sander though. The finish will easily T-Cut back to factory-standard gloss if you want to sell later.2 points
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2 points
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I was only listening to ‘Tin Drum’ in the car today. Agreed, an exceptionally gifted and original musician.2 points
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As folk might be aware, we're putting together a pilot episode for a BC podcast and for one of the segments we're going to do a Q+A. Please post any questions you'd like to throw at us in this thread and we'll try our best to answer as many as we can. (Questions with the most "Likes" will get priority) Because this is the pilot episode I don't want to put any real parameters on acceptable questions other than they have to be Bass/Music related, just go wild and we'll see what happens. At the very least we should get a good giggle out of me and @SpondonBassed trying our best to act like we know things haha! 🤣1 point
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1 point
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EHX's Deluxe Bass Big Muff is fantastic and exceeded my expectations. In the standard setting it's a great big fuzz and with the filters engaged you get some brilliant, clear distortion. What'a more, you can have both as the filters are foot-switchable. I have no need for another fuzz or distortion, which is great from a non-boutique brand1 point
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1 point
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[color=#333333]BNF5 Fretless with nitro finish bought in 2008. Beautiful wood (especially the Flamed Maple centre block) in thin Nitro finish- beautiful tone. Standard F Bass preamp/electronics. Fretboard in excellent shape. Cosmetics a 8/10. I have tried newer F Bass but seriously feel that the older ones are better made (also better wood).[/color] [color=#333333]I am also selling a 2010 F Bass BN5. Special discount if you pick up both basses.[/color] No trades, please, as I need the cash. The bass is located in Oxford, UK. Thanks for looking. Cheers!1 point
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A band that notice how the bass sounds You need to stick with them Discreet.1 point
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Any piece of wood must jump for joy when you buy it Jez, 'cos it knows you're going to make it look stunning!1 point
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Each preset on the 12 step has an associated midi channel, midi parameters and patches and you can set it to send the channel change message, patch change message and other parameters when you change patch. I generally leave my synth set the same but change the midi channel for a different sound, but that I because I have chopped and changed the synth a fair bit.1 point
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I don't change anything. I set it for one sound, manually. Think the intro to Don't stand so close to me. I didn't think it would store different patches but I'm not very techy. Now pass me my mobile phone so I can see what my settings are!! I Photographed the minitaur settings and look at the picture when I use it1 point
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Listening to this Bowie clip, I love the production and his performance.1 point
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It always does. Any time a thread with a title such "as are you bothered if you ding your relic bass", it is inevitably hijacked, often in a good natured way, such as here, other times less so, by posters expressing their distaste for relic basses, and passing judgement "sad" etc - often less pleasant on the instruments and those that buy them. It is seemingly not possible to have a discussion about some aspect of relic basses without it, If a thread is on a subject I'm not interested in, I don't bother posting that I don't like it,, because that would seem to me a tedious and oppressive waste of time for those that are and would like to enjoy an exchange of views on it. Further, passing judgement on posters based on the finish they prefer on their bass, as has often happened in other threads on the subject, is sad. It might be described as "bassism" i don't have a relic bass, Im so grateful that by your standards I have a life1 point
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1 point
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You know what they say 2nd times a charm 😁 I've decided to leave a little V-ish shape at the bottom of the headstock (kind of a volute you might call it) just to give it a but more meat on the joint1 point
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Absolutely no prob re. getting audio from the bashes. I usually record almost everything on video, so adding a dedicated, good quality audio recorder will be no problem at all. Looking forward to this!1 point
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Saw this on a tweet earlier and it reminded me of this thread: “Al Cisneros and his @RickenbackerInt electric bass instruments. 5-string maple, 2x 4-string walnut and a 5-string walnut prototype.”1 point
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Age has no influence on if you should do something in life or not, only ability and if you want to do it or not. Being 42 is no age either, only half way through your years. I say stop thinking about it and go do it, you don't know the fun and enjoyment you are missing. As a tip for when you get started, don't pack your bass away in its case with the intention of getting it out to play each time. It won't happen I promise you. Leave it out somewhere where you see it or walk past it all the time. You'll then get the urge to play it more often, usually at weird times like before going to bed, waiting to go out as your other half gets ready, sitting waiting for a courier, waiting for the kettle to boil or the oven to warm up but it means you still get to play it. Pack it away and you'll never play it I promise. Second tip, play everything, literally everything, play along to your favourite advert, genre's you dont like, songs on the radio, literally everything. At this stage, be a sponge so be as open to everything you can and take everything in as there will always be something you can learn from. Final tip, there is no right or wrong, there is music and expression and how you play and express yourself is your choice. Don't be told you are doing something wrong but be open to learning a more efficient way of playing.1 point
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1 point
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And, of course, there's absolutely nothing wrong with being "fine with a Squier". If I played instruments pitched at the level of my playing ability then I'd probably have an Encore and, for me, the Squier would be an aspirational instrument. There is no bassline that I have ever played that couldn't have been played on a £200 bass. The reason I play a Mike Lull T5 (current retail price c.£4500 though that is WAY more than I paid for mine) is simply because I like it, well, love it to bits would be more accurate, and I CAN. "I imagine the sock placement is partly to do with easy of sitting position." And how do you know where Anthony Jackson places his socks?1 point
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Why the LMB3? Well I've used it for years, always does what I need it to and is easy to use, reliable and solid. That makes it a quality pedal for me. And live that is invaluable. There are other more expensive ones out there of course.1 point
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My support regarding Wal orders is usually along the lines of... Do it... go on do it... do it, do it, do it... have you done it yet? I was going through numerous basses a month until my first one landed, chopping and changing, searching for something that gave me the sound I had in my head. I'm down to two basses now and have been for a while, fretted and fretless Wals1 point
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This is looking very tasty Ref the headstock veneer - if I get time tomorrow I'll do a quick A-Z of how I iron on veneer rather than clamp. Great thing is that it gives pretty much instant results and you can see what you're doing. I did a live demo of the technique at the Midlands Bass Bash.1 point
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1 point
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Probably need at least 3 passports to play a bass with that finish1 point
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I like the spalted beech option, the black hardware just seems to blend with the wood better for me..1 point
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1 point
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Still my favourite looking bass. A super rare Hamer Impact neck through, from the 90's..1 point
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And all power leads seperate from the device also need to be PAT tested if you're going to be thorough, this includes extension leads and RCD devices.1 point
