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Showing content with the highest reputation on 23/03/18 in Posts
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'Money probably.' - Nope, I think it's fairly safe to say money isn't a huge concern for Nate or any member of the Foo Fighters these days... Unlike many brands today we don't give any free gear to any Artists and Nate pays for his Ashdown gear the same as any other artist. Pic of their payment for Nates last rig attached for you. As you'll see that's money coming in not out... 'In the studio the bass will be DI'd and tracked via some esoteric vintage valve pre-amp' Nope again. Usually it's a mix of Mic and DI from his ABM 900 Head, an old B-15 combo thrown in once in awhile and his BTA 400 as well. It's been this way for the past 15 years. 'The choice of amp and cabs makes zero contribution to the sound either recorded or live' - Really?!? Wow that's quite a statement, if that's the case then I'm not sure what we're all doing here to be honest.... As for testing gear vs ours... The Foo's do this every touring cycle, as you can imagine being in one of the biggest bands in the world Nate is constantly getting gear offered to him, they usually get all the gear together from a multitude of brands for a week of testing during their pre production, after this Nate will pick what he wants to use for that tour. Always a nervous few days from our point of view to be honest but touch wood we have always come out on top. Not for reasons of money or support or promotional purposes but because that's what Nate chooses...5 points
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Great response from Ashdown, and what it says to me in a nutshell is that he simply prefers the sound of their gear to other brands. Which is the way it should be imo.4 points
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The original text reads: This Limited Edition Fender American Special Precision Bass has a beautiful sandblasted crimson red transparent finish as well as all the acclaimed sound and style of the archetypal American Special Precision Bass. The sandblasted finish is one of the most alluringly unusual treatments yet seen on a Fender instrument, leaving the grain pattern wonderfully textured with parallel ruts and grooves in which the black grain-filler coat shows beneath the blue finish coat. The bass is also finely appointed with American Standard split single-coil Precision Bass pickups, Volume and Tone controls, along with a slim "C" shaped Maple neck with a 20 fret Maple fingerboard. It's undeniably one of the most striking finishes ever seen on a Fender, attracts loads of attention wherever it goes. Light and surprisingly resonant ... or maybe not surprisingly. Just a really lovely thing. Collection from HA1 3RG or WC1E 7BD.3 points
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I'll lend amps, but the list of people I'd lend a bass to is very limited. To 1 person actually. And even then the amp lending will have a receipt and a signature. Bad experience means I'm cautious.2 points
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all photos will be attached in future, to keep things simple for everyone.2 points
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Ha! That was great fun. 😜 For those concerned about power handling, we smashed 530 watts at 8 ohms into it and it didn't compress at quite insane volume especially for a 1x10. Some manufacturers say things continue to get louder as you turn the volume up. Mostly this is just marketing crap. In the case of the One10, that's actually true.2 points
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i'll try and find time to weigh it. its smoother with the sealer, even unsanded.2 points
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Not sure if that question is aimed at me or Josie, so I'll give my answer anyway! I'm a huge Dead fan, and to do their music full justice, the sets need to be long. Some of the songs last 30 minutes plus! There needs to be time and space to allow prolonged improvisation, or it simply won't be a GD experience. Over to Josie...2 points
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For sale is old but great 1992 Sadowsky J-bass. Ash body with quilted maple top and maple neck, black hardware, drop D tuner, no VTC, upgraded with VTC, 4 kg, everything original, really good condition for 26 years old bass, condition 9/10. Comes with Sadowsky soft case. Price is £2450/€2800 (insured EU shipping included).1 point
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Due to recently buying a Wal bass, I have to put one of my Lull basses up for sale. Here is a very cool 2010 Mike Lull T4 in aged white with a light sonic blue tint. White pickguard, black headstock 2 tremendous Lull Thunderbird pickups vol/vol tone controls all passive. A few light scratches and dings consistent with normal gigging wear. light weight at 8lbs/ 3.6 kg Very light fet wear, truss rod works fine. Original G&G fitted case included. Priced to sell, these are around £3,500 plus case new, no trades thanks. Collect from Preston Lancashire or delivery/ meet up within reason Shipping would be extra thanks.1 point
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Marigold gloves are the business for getting rid of unwanted hair and fluff. Just wet the glove first A wet Marigold can sort a lot of problems1 point
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Being a Bauhaus fan, I used to use exclusively Maxell UDXL2. Not that advertising ever worked on me!1 point
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I hope this is allowed outside of the buy/sell forums (if not, please let me know) but following a bit of interest I'm putting an order together for a batch of Helix floor/LT protector screen assemblies. If anyone wants one, they are £20 incl. UK postage - either PM me or email : [email protected]1 point
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For reference, you probably won't get much from Fender UK. When I was looking at the USA Geddy Lee Bass with the wrong neck on it, I was dealing with a guy in the US Consumer relations dept. called Bryce Wells. Email - [email protected]1 point
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Don't get too excited Dave......http://www.elotribute.com/1 point
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The size was in the clue... 8025 = 80 (80mm square) 25 (25mm deep). And it's 12v. Current might vary a little, but shouldn't have much effect. So, it's one of these then: https://www.ebay.co.uk/itm/X-Fan-RDH8025S1-80-x-80-x-25mm-Axial-Fan-12V-Sleeve-Bearing/112777521421?hash=item1a4210690d:g:TfQAAOSwBOlahBNM £7.58, free postage. Bargain.1 point
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Every time you buy a deko instrument from Thomann you take a gamble on whether or not it is actually going to be usable. And while a lot of people have been very happy with their bargain purchases there have also been some instruments that really were for decoration only. If this eBay seller is taking the risk and effort out of buying a deko instrument then what is the problem? If there was something wrong with anything you bought from them then it could be returned for a refund under eBay's "not as described" policy, so there is not risk to anyone buying one of these other than a little wasted time. Since the seller is taking all the risk is it not right that they should also make some money at the same time? I own two deko instruments. One has a design fault with the bridge that means it is less adjustable than it should be, but it does't render it unplayable, and in fact it's been used on a commercially released recording. Also there are plenty of guitars and basses out there with far worse design faults that are sold as perfect new instruments. The only thing wrong with the other deko is the fact that someone has stamped a "D" into the back! To me the whole thing smacks of sour grapes on the part of the OP who seemingly can't be bothered to take the time and effort to grab themselves a bargain directly from Thomann, and want to have a bit of a moan on the internet about someone who is making the required effort and also making some money out of it. Besides we don't know how many of those instruments being sold as dekos are actually only suitable for decoration. It might be that the eBay sellers prices reflect the extra time and money they have to put into making some of the instruments playable and covering their losses on buying instruments that simply aren't worth fixing.1 point
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Great bass! I remember trying one of these out at the Bass Centre in Wapping in the late 80s or early 90s. IIRC, the filter circuit was Overwater's version of the Wal Custom electronics and was very good... I can't remember what pick ups they had, though they look like Kent Armstrong humbuckers to me.. Anyway, have a BUMP from me for a really cool British made, boutique bass! GLWTS1 point
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Love it thanks - tweaked the setup a fair bit - reduced neck relief, adjusted action a little. Mainly going to be a bedroom toy - I don't really have time for being in a band for the next couple of years. My repertoire is also such that local dep jobs would be awkward too! once the kids are old enough to get themselves around and be left unattended I might start looking.1 point
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I'm offering my german made custom le fay pulse steele in like new condition. no ding or dongs, only 3 month old. no stage, only played at home. Its maybe the best fretless bass, i've ever played. i also play or have played some other fretless basses like: wal mk1, a fender jaco model, jcr bass, acg hopper fretless, bogart ... call me crazy for selling this beauty, but unfortunately i have some problems with the halflines. i'm used to play fretless bass with fulllines. that's the only reason for selling. i've payed 4295,- euro (see pic invoice) and i will offer this for 2999,- euro. should be around 2620 gbp. here are the facts: in light silvergrey stainded premium solid ash body (satin finish) padouk neck (carbon inside) covered stainless steel fingboard with halfines and dots at the side of the fingerboard, 34 scale 2 humbuckers 3 pos. toggleswitch (humbucker parallel, single coil, humbucker serial connected) 5 knobs: 2 x vol, one of them with active/passive switch push/pull, active bass & treble, passive treble cut (works in active mode as well) gotho tuners and gotho d tuner the bass is located in munich, germany. now you know why my english is not the best. sorry for that. i need to say, that i'm only interested in trades for 4 string high end fretless basses (wal, pedulla, le fay, zon, etc.) with full fretlines (sidedots should be beetween the lines). here are some videos which i did with this bass: save packaging is for sure:1 point
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Any fan of the correct dimensions, voltage and air flow should do the job. They are usually pretty standard parts, but to source a replacement you are going to need to know the specifications of the existing fan. If you find those out, I'm sure someone will be able to direct you to a suitable replacement1 point
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I understand you lack confidence, but you don't HAVE to join a band made up of far better musicians than you think you are. Find some others just starting out, then you will all be learning and you won't feel so out of place. But, playing with more advanced players is a great way to improve quickly1 point
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Different than the women I use to come across too Pete. Key phrase, "use to". When I was young there seemed to be plenty of women that went after guys in bands. I blow a lot of opportunities too. Now that I think about it, at our St. Paddy's gig a female fan introduced me to a significantly younger attractive lady/lass as her single friend. I think all I said was; " Hi, how are you." I didn't recognize the opportunity. I think it's what happens to guys when you get older. I don't have any good lines.I was more hopped up over signing CDs and gig posters. Just being "transparent" guys. Blue1 point
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Joe Dart all over it as usual - lots of E7 vocabulary to steal from the solo! The Fearless Flyers - 'Ace of Aces' bass transcription pdf1 point
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If you can play those tupe of bands then youre more than capable of joining a band. Youll never feel ready to join a band, but as soon as you do join one, your playing will improve 10 times quicker than having lessons. Youll naturally push yourself harder, have to play songs you wouldnt neccessarily pick and learn to gel with other band members and what they play - all stuff that you cant get from having a lesson - and far more valuable.1 point
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Iacopo just bought an MXR envelope filter from me. Great comms and quick payment - no probs at all. Would deal with again in a heartbeat. Cheers mate!1 point
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I used to think that I'd like to do that, even if my income came down quite a bit. But then I enjoyed a busy summer, travelling up and down every weekend (not even the full week, but typically Friday lunchtime till Sunday silly late in the am - technically MOnday)... and I changed my mind. The 3 hours or so playing each night were great. I even didn't mind that I didn't always have my own room and had to share with a tractor (that's our guitarist, who snores like one)... but the WAITING AROUND was unbearable. I liked the guys, we got along great, but it felt we were stuck with nothing to do for far too long. Free beers are welcome, especially when it's warm... and coming home with a good wad of notes was great (even if it paid less than my day job, somehow that money seemed more valuable)... but it was BOOOOOOOORING for hours and hours each day. I really admire bands who are out touring all over the place for months at a time. I'd go crazy... I'd have to find a way to bring some kind of activity to my day... bring my bike so that I can cycle in each new place, I don't know... but even then... What I'd like is to be able to play good paying gigs within a 70 mile radius a few nights a week. The kind where I just drive and show an hour an a half beforehand to set up things, play, get money and go...1 point
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I was out with Darren on Saturday night. It's very, very clear that the guy is very passionate about music (although we agree to disagree on when Rush's golden period was) and he metaphorically knows his poop, but t hat said, the station operates a playlist, so he is tied to what the station want played.1 point
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Its the light and WB. They are very close, although the MB is a bit more shiny :-). That's the Italian in me1 point
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Iacopo recently bought reverb pedal from me. Instant payment and great comms. Top basschatter !!!! Deal with confidence1 point
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Hi. Mine is Schecter Stilleto Elite 5. It`s a great bass but I`d like to restorate wood because my music style is realy specific (drone-doom), it requires a deeper sound. Whitch wood is the best for a deep tonal weight? Sorry if there are mistakes. I`m not a native english speaker.1 point