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Showing content with the highest reputation on 18/01/18 in Posts

  1. I feel I just have to share, the excitement is growíng So, after 20 long months of waiting my Wal MK1 is finished and soon to be on the way. Update photo from Paul.
    4 points
  2. I normally don’t post these but today is a bit different. Oh yes, Moog phatness! @CameronJ, @Al Krow, @GisserD, @lee650, @Bo0tsy, @tonyxtiger
    3 points
  3. Sold sold sold! 1998 Warwick Thumb bolt on 6 string bass Basslines pickups fitted in factory Built in Germany Active/passive push pull volume knob Pickup blend knob Stacked bass/treble knob Warwick strap locks recently replaced - they’re very secure Weight: approx 6 kg Comes with Warwick hard case Neck: wenge Fretboard: wenge Body: ovangkol Frets: 24 brass Nut: Just-A-Nut II Condition: great. There are a few dings but nothing major. I tried to show them in pictures as much as possible. Location: Brighton I would prefer collection only, but we can arrange something if you’re far away. UK only. £1150! I’ve decided to go through the painful decision of parting ways with my lovely ‘98 6 string Warwick Thumb BO. The only reason why I’m letting this go is to help fund a new Vigier, and I simply can’t justify hanging onto too many basses nowadays. I’ve owned it since 2007 and it’s served me very well in that time. It’s only been gigged a few times, so most playing has been at home - in a smoke free house. It's just had a set up, clean and new set of strings, the frets are now super shiny. I used a few different Music Nomad products on it, it's come up really nicely. Tone on this beastie is great, it’s got that classic Warwick sound that I love, with a nice broad range of dynamics. For tappers and such, the action is nice and low making it a nice and easy to play. It’s not too low to cause any buzz, and it still allows you to really dig in when playing finger style - I’m quite an aggressive player so really appreciate being able to really get some good attack on the strings without any farting or buzzing. There are a couple of dings but nothing major, I’ve tried to highlight them as much as possible in the pictures. I can give you my strap if you want it, it’s an old leather one. If not, that’s all good!
    2 points
  4. I have both and they’re both well worth the money. Get The Meters one too, thank me later.
    2 points
  5. This is where my GAS is directed:
    2 points
  6. Just a two word review...
    2 points
  7. I’ve lived in Scotland for 20 years; when should I expect the rainy season to end?
    2 points
  8. Chuck’s the bassist on this track:
    2 points
  9. My band has been struggling to break into local venues and we played two gigs last year. By chance we got ourselves an agent (our guitard met her when seeing a band she represented at a local pub). We played a gig last week (arranged by her) where she saw us for the first time, and we now have eight gigs lined up so far this year. Although she is taking a small cut, she is arranging a fee that incudes her payment so there is no downside for us at all. Result!
    2 points
  10. You have to teach yourself. The 'learning how' is quite simple: notes, note values, accidentals, key signatures and rhythm. Could teach it in a couple of sessions. Learning to actually DO it is just sitting at home in a room banging away for years!.
    2 points
  11. Markbass 151RJ box, like new, original packaging. Comes with Roqsolid cover. Barely played, mint condition. Awesome box! Spec: Speaker: 1x15” Tweeter: 1.25” compression driver Bass ports: rear-ported Impedance: 8 ohms Power Handling: 400W RMS Size (W/H/D): 450 x 591 x 444 mm / 17.72” x 23.27” x 17,48” Weight: 17,1 kg / 37.70 lbs No trades. 440 GBP, shipping included.
    1 point
  12. Buy it and 'flip' it on the Bay. I can't use eBay, it makes me cry.
    1 point
  13. Thanks! I've currently got my mitts on a 4 string Excess, and I'll be taking delivery of a sexy new 5 string Excess next month! Oh don't you worry, I will indeed!
    1 point
  14. Thanks for sharing that; lots of innovative new products including a 3x10 combo!
    1 point
  15. 1 point
  16. My guitarist has one. Ideal for sound checking. I think you'd need to invest in some decent rechargeable batteries. He hasn't had a single drop out though and no interference either. I'm going to switch too.
    1 point
  17. Try to catch the documentary on the making of Steely Dan's album Aja. There's some good stuff on there from Chuck Rainey, particularly when he told Walter Becker he wanted to put a slap riff in Peg. Becker told him not to but he did it anyway and they loved it.
    1 point
  18. Mrs B outdid herself this year - she go me a Mono M80 for gigging duties. Very Chuffed. However, as a complete surprise she also bought me an Electro Harmonix Battalion Preamp/DI pedal. I swapped out my Ampeg SCR-DI on my nano board for it today. Plugged straight into the K10.2 via DI. Compression is pretty good. I'd say as good as onboard amp compression. EQ stage is very good. Responsive, adds some nice colour, and gives a really nice preamp boost. I'd say it's not quite Ampeg SVT, but it has shades of that vintage sound about it. However, the distortion/drive section is so much better than the Scrambler on the SCR-DI that it's actually a bit comical. More control with Level/Blend/Tone/Drive (and a selector so you can set it pre or post EQ or Dry with blend) and a proper level control for the DI out - it's usable. No, scrub that - that's doing it a disservice - it's very very usable. I really liked the warm tone I was getting with about half drive and 50/50 blend and 50% level. Really nice. I actually wasn't expecting much as they are one of the cheaper Preamp/DI pedals but I was more than pleasantly surprised by it. It does what it's supposed to do, and it does it really well. Thumbs up from me - it's staying on my board for now instead of the SCR-DI. I'll rehearse and gig with it and let's see if it stays on!
    1 point
  19. New Year - New Clear Out: Warwick Thumb - 5 String - 1995 £850 - Plus Shipment at cost if required, No Trades. Condition is pretty good indeed for a 22 year old bass. A few scuffs and scrapes as shown in the pics. The E string saddle has rubbed off the black coating back to the brass a little. All is good, honest wear and doesn't affect playability. This really is a great Warwick Thumb Bass. Frets are good, neck is fine. Truss rod works fine. Note this is one of the early ones that has the user replaceable truss rod. Recessed straplocks removed, holes dowelled and replaced with traditional straplocks- the recessed ones I've removed weren't quite securing correctly. I'm in Chorley - Lancashire - any trial or inspection is welcome.
    1 point
  20. A new bass cures GAS like vodka cures alcoholism.
    1 point
  21. I NEED NOTHING! However a Spector lx5 in trans red keeps haunting my dreams.
    1 point
  22. 1 point
  23. looks like i'm killing rock n roll too . The DBR15 is for the rest of the band - i'd be happy with just my IEMs
    1 point
  24. If you are only doing it up to sell then it probably isn't profitable to do much but no harm in getting a quote for a re-cone. Old drivers turn up on ebay from time to time so if you are in no rush then keep looking and an old EV may come up. Or try and sell your old working drivers to someone who has holed their other speakers but has a working 15. There's always a market for old drivers for people who love their vintage gear. If the driver is working you can repair. layer up tissue paper and latex adhesive (Copydex) over the tear as if it is a fibreglass repair on an old rusty car. you might get away with an old Peavey Black Widow as a cheap replacement, it'll be roughly right in a cab of that size, not ideal but I don't suppose the old EV was either. Used they go for £30-40 on ebay
    1 point
  25. I think it's a great investment in time if you mean to perform, and I find it fun , completely absorbing, a bit like sitting down to enjoy reading a book. Also, you never know when you might need it. A few months back I arranged to try out/audition with a jazz orchestra, and I told them beforehand that I could read basic bass clef (i.e. not up the dusty end), if very slowly, but I mainly played from memory having first learnt the parts. No problem they said, just come along and do what you can. When I did turn up, someone plonked a music score on my lap and we were off. As the bass lines were relatively simple, I just about managed to keep up note wise, and also remember the notation symbols, having read a book years ago about how to read scores. It could have been a car-crash two hours, but I managed to leave at the end with at least some dignity...
    1 point
  26. Adding chorus to an 8 string bass will not give you a 12 string bass sound. It will sound like a 'confused' 8-string bass, with the output signal rather messed up. I have a Dean Rhapsody 8-string bass and can attest that it is one of the best basses for all over intonation of its type. My two Hamer 12er's are also excellent for intonation (both are different scales). The sound is 'bigger than the 8-string, especially if you do not tune totally precisely. They are both active. They sound pretty thunderous through my Hartke rig.
    1 point
  27. Oooohhhffffff. That, Sir, is a humdinger!
    1 point
  28. I got one of these a few weeks ago Rabbie. I've taken it out a couple of times and it's been very easy & efficient, but I haven't really put it through its paces. So I can't say much about its longevity, or its ability to handle cobbled streets or festival fields. Based on this limited experience, I'd recommend it, with the caveat that (to me anyway), it seems a fairly hefty price for a pair of plastic wheels with some straps and bungees. That said, it's a good design, and can be adapted to fit basses of all sizes.
    1 point
  29. Fab track, enjoy....i bought a 5 cd box set of Areatha it's chock full of great Basslines...including Chuck Rainey, Jerry Jemmott, Tommy Cogbill ect....also bought 5 cd box set of Wilson Picket aswell also chock full of great Basslines....the 60's RnB scene along with James Jamerson is the reason i picked up a Bass
    1 point
  30. Doesn't sound pretentious at all, it's a great invention. I wish I had more time to dedicate to reading, whenever I practice sight reading I see massive improvements in my playing and I also think it's good for cognitive function in general. I'm off to steam some kale and put on some spandex to get ready for yoga.
    1 point
  31. This looks wonderful! Really like the spec you've chosen.
    1 point
  32. It was a pretty daft idea in the first pace, keeping the 'C' scale as a reference, and ignoring the black notes. Once they became 'allowed' (by the church establishment, I believe..?), the notes should all have been given individual , non-ambiguous, names, so would span 11 notes (A-L...) instead of 7 (A-G...) presently. There are so many instruments that don't have a distinction (guitars, basses, slide trombones, chromatic accordions and harmonicas, plus all the violin family and more besides...). One would need to keep keys as such, for harmonic reasons, but not use sharps, flats or naturals any more, just the unambiguous note name. Too late now, I realise, but it was a daft idea, and a missed trick, I say.
    1 point
  33. 1 point
  34. You get a jam doughnut for the oldest thread exhumation in the histpry of BC
    1 point
  35. You've been using Google translate on Behringer manuals again haven't you?
    1 point
  36. More generally, would anyone claim learning to read language "stifled their creativity"? It's the same with music. A lot of defensiveness around the topic in my experience.
    1 point
  37. yes, having compared the position relative to the second volume, it is indeed correct. I withdraw my scathing criticism,
    1 point
  38. This is without a doubt the single most useful thing I have ever read upon this thing called 'the internet'. Have yourself a biscuit, sir. A choccy one. In foil.
    1 point
  39. Meet the new range, same as the old range...
    1 point
  40. Yay! The angled saddles arrived from Webbteca. They look great.
    1 point
  41. See this is why I like your style. To have the black and gold the other way 'round would just be vulgar. (Retires to flame proof bunker in advance of the Bling Bling Brigade's response)
    1 point
  42. I just bought an old Sei Original from Simisker. Clear, friendly communication. Patient and helpful while I was over at his place trying out the bass. Provided biscuits including jammy dodgers and caramel chocolate digestives. Would trade again.
    1 point
  43. Setting up a PA desk is different. The last thing you want is to have clipping at the input stage, so that procedure would be more or less correct, at least as far as the individual channels is concerned. However, a good desk would not have the 0dB setting the max, either on the individual channels or any of the outputs. 0dB would typically be at least 10dB below maximum. Also, you wouldn't start with both the desk outputs and the power amp attenuators at 0dB. Doing so might result in the input gains being too low for acceptable signal to noise ratio. A knowledgeable engineer uses the input LED readout to be sure that the applied gain puts the signal strength in the Goldilocks zone.
    1 point
  44. The problem with a lot of XLR cable is that whoever makes them tends to cut all three conductors to the same length so any undue strain can snap either of the main signal wires. The secret is to make the signal wires about 2.5cm longer than the screen and fold them back into the shell. This way any strain is taken only by the screen which if properly soldered into pin 1 is much much stronger. I always sleeve the signal terminals with silicon rubber sleeves or heatshrink.
    1 point
  45. And then last week another second hand buy. BB414 Black Sparkle, a lot of bass for € 150,- including a case.
    1 point
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