Leaderboard

I thought my collection was complete. Well, I always had GAS for a vintage Gibson EB-2 but they were way out of my budget. And then I found one online here in NL, for a decent price. Non-original knobs and switch (pots are original), non-original truss rod cover and a non-original case. But boy is this bass amazing. So happy.

Bacchus, blocks and binding? I don't really play 5 strings anymore so decided to move on my beloved 04 Bacchus Standard 5. I love the tone of it, but have just accepted that 4 bangers are where I'm most comfortable. Then I had an idea and found this Woodline in Japan from the same era, when they had the "Handmade" range with the two-piece Deviser bridge. After repairing some things the seller amazingly omitted to disclose, and a thorough clean, this thing is just what I was looking for. I still think I'll install a Bart XTCT preamp I have knocking around to get me exact tone of the 5 string, though, however it is lovely sounding as is. Anyway, here it is. Fitting in with the 4 string members of Team Bacchus

Not sure how you get sacked from a band you started. I’d take everything with me - cancel gig dates, protect the name and logos, the lot.

You soon might be able to hire it out very cheaply.

Not a whole lot of love, there. Sorry, I couldn't stop myself.

I wonder where the venue stands, legally, to impose this? If a photographer or band is hired by the couple, then that's who their contract is with, not the venue. The venue is just another contractor hired by the couple and, as such, should have no right to access information on other contractor's payments details or impose a fee, based on the value of the contract between separate contractors and the couple, surely?

I got a new short scale yesterday, in the ACG flavour. It seems my son has decided to steal it from me already 😫

Hello everyone I introduce myself My name is José Manuel and I live in Seville (Andalusia). I am older. When I was young I was in London 5 times studying English, I took advantage of the holidays in July to go normally, but sometimes I did it in winter. In fact I stayed two months (January and February). I really like the bass and I currently have three: Squier jazz bass affinity 4 strings, squier jazz bass affinity 5 strings and Höfner Shorty White 4 strings. I consider myself a beginner, because I have been many years without playing the bass and I have started again since March of this year. Delighted to be here. Thank you and sorry for my bad English.

This is my thought process too. Buy strings that were built for that bass! Obviously there are other good strings out there but I just use stainless steel Ernie Ball's on mine. Now I've got an ABM600 I'm loving my Stingray more and more. Soich more I treated it to a custom scratchplate today with the band logo on it...

Who thought he was on the Reggae thread then...? Duh.

Saw this on FB market place, and even with the price of petrol, it was well worth a little jaunt up the M5. I love that folk won't touch HB gear, especially when I know just how good it is. The price was ludicrously cheap, the amp a belter. Loud as the apocalypse, built in tuner which works like a dream, silent fans, and a very usable compressor. Everything you want to access on the front of the amp, speakons at the rear. Excited to gig this.

Shaolin Temple is probably one of my favourite albums from Barrington , around 1979 and backed by the roots radics , there’s some great Basslines on the album, which I think might be on YT, this is a great song

Been replaying this lately too

Just to open this up to everyone- Stoneham are interested in making a small-footprint 100W bass valve head. I’ve spoken to a few people today and am gauging interest - it might be that the economies of (small) scale production may assist. May not of course, I might be taking bollocks! FWIW I’m thinking Ashdown Little Bastard size and features but 100W - likely 2x KT88s.

A referral scheme makes sense and isn't a bad idea in principal, plenty of businesses use them. It sounds like they've just thrown that out there as a way of trying to deal with all of the negative backlash though. 'Oh stinky poo, we've made a bad decision. What can we say to get out of it' There's no way that original email was written with the intention of introducing a sort of loyalty scheme with preferred suppliers.

I sold my old T'n'B to a guy in Croatia. I took out all the valves and wrapped them individually in (newly-washed) old socks before packing the thing up. I'm glad I did. On arrival in Croatia the local Customs guys completely dismantled the whole thing looking for drugs. The buyer wasn't even slightly concerned; he'd been expecting that to happen. He re-assembled the amp, fired it up, and away he went.

The funk is in the gunk, but only if it’s tone-gunk .

Hipshot recommend aluminium HVAC tape, at least they did when I sent them an email regarding a similar situation, some time back. I eventually just used masking tape, worked/works fine.

I guess it would have to be Norman Watt-Roy. Why? Here's a clue.

The correct way is of course to fill the holes with a fitting wooden dowel and woodglue, then drill the appropriate size hole.

Hi folks! I've had my eye on the Laney Digbeth pre-amp pedal for a while, and having recently joined a new band I had a good excuse to try one out. I've seen a decent amount of positive reactions to this pedal here and there, so I'm just going to cover some of the info that I wasn't able to find out about before buying. If you want to check out photos and the basic specs, head on over to https://www.laney.co.uk/amps/bass/digbeth/db-pre Before I start on the graphs, I'm aware that firing white noise into a pedal isn't the most accurate form of measurement, and obviously we don't listen with our eyes, but I'm happy that it provides some value by demystifying what some of the controls actually do. First off, here's as "flat" as my audio interface will record - no pedal involved at all: Frequency along the bottom; relative dB up the side There's a little roll-off below ~50 Hz and above ~8 kHz, so bear that in mind when looking at the rest of the graphs. Time to plug the pedal in. Before we touch any of the dials, does this pedal have a baked-in tone? Well, the manual says that the EQ controls (bass, lo-mid, hi-mid, treble, tilt) don't have any effect at their detented centre settings, so let's see what happens when you toggle the "bypass" footswitch. Green: FET (clean) channel, all controls at 5-out-of-10 / 12 o'clock / centre position Red: Pedal in "bypass" mode Pretty flat! Bypassed it pretty much looks the same as having no pedal at all. I've read elsewhere that this pedal is buffered rather than true bypass. Switching on the FET channel with everything at noon, it's slightly above unity gain (i.e. a little louder). There looks to be a very mild bump in the mids, and a little roll-off in the low lows. A good starting point to start turning things and seeing what happens... First, the Bass control: Red: minimum Green: maximum Is that a shelf, or just a peak at a low enough frequency that it runs into the limits of what the interface will capture? Either way, you can get around 10 dB boost or cut at about 50 Hz. On to the Lo-mid. This one's got three possible settings, and the manual lists them in the wrong order. With the switch in the upper position, you get this: The manual says: The graph says: 12 dB boost or 8 dB cut at 180 Hz. With the switch in the middle position: From the manual: Yep, that's definitely wider than the previous setting! About 15 dB boost or 14 dB cut at 480 Hz. Finally, the switch in the lower position: A narrower 15 dB boost or 14 dB cut again, this time at 700 Hz. Now the Hi-mid: Looks like 15 dB boost or cut at 1.5 kHz. I'd say this is closer to the "pop / fret noise" zone than the 700 Hz lo-mid setting 🤷‍♂️ And the Treble: Interesting 🤔 The curve's a little different when boosting vs. cutting. Overall it looks like it peaks around 8 kHz, but with a shallow slope right down to the mids. Last but not least, the Tilt control: Red: minimum (most bassy) Green: maximum (most trebly) As most reviews have pointed out, a little goes a long way with this control! 😂 The pivot point is around 830 Hz. I think the idea is to use this to make slight adjustments to the overall sound for live usage, e.g. giving it a nudge to the treble side if you're on a hollow, boomy stage. But it interacts in interesting ways with the rest of the controls, especially with Bass and Treble adjusted in the "opposite" directions to the tilt. For example, you can approximate a 60s cab where there's a bump in the low-mids, but output rolls off a lot below that. Overall, this pedal has a very versatile set of controls. The EQ points are all in sensible places, and the mid controls are focused enough that you can hear what they're adding or removing, rather than just a big old blob of MIDS. I've used it for a few rehearsals with random studio amps, but not live yet. Currently my starting settings are: Lo-mids 7 (with the switch upwards), Hi-mids 7, and Treble 6 - everything else flat. That's giving me some punch in the lows, and some presence and pick attack further up. Other things: The face of the pedal is covered by a ~1mm thick glossy plastic plate with all the control labels on it. This feels like it might be prone to cracking, given that the point of a pedal is to be stepped on. But I could be totally wrong - it's backed by a flat metal surface after all! Time will tell The Digbeth logo is an additional moulded bit of plastic that sits on top of that. I think it looks cool; you may think it's tacky! As a Birmingham resident, I'll admit that the name did sway me a bit towards trying this pedal out 😁 It's a bit taller than your average pedal (i.e. the distance from the floor to the top of the footswitches is greater) - could be awkward if mounted on a thick pedalboard It comes with rubber feet attached, but they peel off cleanly What about the Tube channel? Well, it doesn't involve any actual tubes. But it does sound pretty good! There seems to be some additional low-pass filtering compared to the FET channel, and some mild EQ pre-shaping even with all controls flat: Red: FET Green: Tube (at minimum Drive) I failed to set these to approximately equal volume, but you should be able to see the difference in the EQ. The filtering of extreme highs means that it doesn't get too fizzy when the gain is turned up - it almost acts like a cab simulation. This means the DI signal doesn't sound atrocious with dirt! 😅 I don't have a lot more to say about the Tube channel, as I've not used it much yet. I might record some clips in the future. Well that's your lot. I hope some of it was helpful! 😁 tl;dr Pedal is good!

I mean it literally says: ”Register for FREE now to attend BASS SPACE 2022” Fairly easy to decipher. My further understanding is that once you’ve registered, you can, at your own behest, choose to pay a fee to unlock further features such as VIP Webinars and the recordings of all the content. But the free content is the live classes and the like throughout the weekend. Also with regards to ‘spam’, just unsubscribe if that’s what you want to do, so easy. Si

A certain Mr. Maynard James Keenan with an early version of 'Sober'. Good grief.... 🤪

A bit of Barrington levy , this one is a winner

Back to the early stuff today

I wonder if he charged an extra 10% for the admin?

What drew me to the StingRay was the sound. When I were a nipper and just starting out on bass at the start of the 80s, I noticed that a lot of my favourite artists were playing them and then it clicked what was making that particular bass sound I liked. Typically they were out of production at the time so I couldn't buy a new one, but stumbled across a second-hand StingRay in a shop on Soho Square in 1984 and bought it. Still got it, and it's still my go to bass.

Another classic , can’t resist

Prince Albert Art Blakey & Jazz Messengers

stoned immaculate - dub syndicate

these might be a bit cheaper? (no idea about postage) another option is to find a bearing supplier locally and phone them, i'd expect that they would be a couple of quid each and they would sell you them through the trade counter as a cash sale. just ask for 18mm outside diameter and 16mm inside diameter and make sure the length is right, many of the cheaper options are easily trimmed to length with a stanley knife (nylon or polyamide) I would avoid Oilite beatrings as they are designed to leach oil out slowly which might damge the finish (possible staining of the wood under the finish) Matt

not enought space to display in better ways... but this is may family! - 1963 Fender Precision Bass - 1966 Fender Jazz Bass - 1979 Fender Precision Bass - Fender CS 1959 Precision Bass - Fender CS 1958 Precision Bass - Moollon P Classic - Fodera Custom Emperor 4 koa - Stingray MM with Status neck - Fender assembled reissue '72 jazz - Shecter '80 jazz bass - Ibanez ATK 305 japan 1996 - 1979 MM Sabre Bass - Squier Affinity P Bass - Jacoland mini bass - Harley Benton PB-50

Back on my Ibanez GSRM20 neck + GSRM20B body Mikro Bass, which I named "Dud Bottomfeeder", and which I just added a Jack Skellington (from Tim Burton's "The Nightmare Before Christmas") skull sticker to, and swapped the regular D'Addario XL nickle plated roundwound steel core strings, which was gauge .080 - .060 - .045 - .034, to accommodate the G standard tuning I use for this bass, that is 3 half steps above regular 4 string E standard tuning, for a set of Elixir Nanoweb nickle plated roundwound steel core guitar strings, gauge .080 - .062 - .046 - .036 (using cut off ball ends from old bass strings to thread the strings through in order for them to be able to mount in the bridge holes and not slip through) : Oh, and by the way, as you can see the J pickup has been uninstalled, and instead replaced for a folded piece of matte black cardboard, the P pickup replaced for an EMG Geezer Butler P pickup, wired directly to the output jack socket, which has been moved and replaced from a side mounted barrel type one to a front mounted regular jack socket, installed in one of the redundant pot holes, the remaining 2 knobs being there exclusively for visual decoration, further decorated with green electrical tape (also known as insulating tape), the P pickup also having been decorated with red electrical tape.

The fraudsters are, in all likelyhood, not making strings at all. They are simply supplying dirt-cheap strings in a fake package made to look like the 'real' strings, at a lower price than the real deal. Their only 'skills' are in the use (or abuse...) of Photoshop.

Mate, I’ve been playing for 40yrs, I tried most brands, although Dean Markley are not one of them. EB or D’Addario have been my staple for years, after using DRs before that. Blimey I’ve tried them all….. always hated Rotos, not keen on Warwick black labels either, but most others are cool as long as they’re Nickel.

I used to always say that my Big Four were Jaco, Jeff Berlin, Jimmy Johnson and Percy Jones - each for different reasons. I have also grown to love Anthony Jackson whose work with Michel Camilo and Hiromi Uehara and others can be absolutely thrilling (the whole Camilo album 'Caribe' is a rollercoaster of absolute delight). If I have to say which one of these was the one who had the greatest impact on me personally as a player, it would have to be Jeff Berlin. Our shared love of Jack Bruce, his work with Bruford, Allan Holdsworth's 'Road Games', his solo albums. I have since found flaws in his concept that often make me doubt myself (I have found the same with Jaco and Percy Jones, if I am honest, although I still love both) - his chorus sound I find irritating and his obsession with featuring the bass when it doesn't actually work very well (his Low Standards and High Standards cds are a it icky - I don't think he understands the Art of it as much as he does the Craft), his obsessions over bass pedagogy (just let it go, JB) but I keep going back to his back catalogue of recordings and many of them are just absolutely fantastic. It is appalling how little performance footage there is of JB where the sound is decent (a lot of it is mobile phone footage that sounds terrible). Here is a something I just found that gives a sense of where he comes from - the tune is 'Solar' by Miles Davis. I add a second track (recorded) just to show JB when he is smokin'. The tune is 'Emeril Kicks It UP' from the 2009 CD 'In Harmony's Way' - I also attach a link to a complete transcription I did of the tune. Transcription link - https://bilbosbassbites.co.uk/emeril-kicks-it-up-jeff-berlin/

Well, of my top whatever of bassists Chris Squire, Geddy, ‘Nard and a few others have been namechecked already so I’ll nominate the leader of my joint fave band ever. Philip Lynott.

There's a first. We walked away from a gig without playing a note as the pub thought we had too many amps (we are a 5 piece) and our amps looked "too loud". We hadn't even plugged in or fully set up. When they asked us to lose a band member or play after 10pm when their restaurant was closed, we packed our gear and left. Lord Raglan in Wokingham, for the record. My advice: never accept a gig there

Really getting into some jimmy London lately, this one is growing on me, it’s on the album Welcome to my world