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Showing content with the highest reputation on 24/11/25 in Posts
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A three gig weekend. Mini tour? A first in a very long while! We were playing with a Belgian doom band. Nice guys, but they need to find a real drummer. Their backing track was bad. Like they thought, we're in a metal band so we need to be loud, lets put the velocity of all of the MIDI drums to 100%. Some of them were clipping in places and they lacked nuance. It's the sort of music where a bit of ebbing and flowing of the tempo can really enhance it and being too rigid doesn't work in your favour. There were also a few times where the bassist seemed to be quite out of tune on his fretless. Gear Dingwall Combustion -> Boss GX-100 -> Laney Digbeth -> Whatever cabs were available. Friday - The Victoria, Swindon We were on second of 4 bands and I think we were a little sloppy due to low stage volume and we probably should have all turned up a bit. It probably would have helped if we'd have had a practice in the week before the run of gigs. Still a good reception. The first band was the new band of a guitarist we'd played with before (Onieromancer). They were really good. The singer had the full range of metal noises that some make and did amazingly well for his first gig. The other band (Boss Cloth) were a real blend of a few different things. A bt punk, a bit metal, a bit indie. Fretless 5 string Yamaha that was in tune. Saturday - The Victory, Hereford This is a cool venue. The whole bar is the side of a ship with cannons above. The back room for the music had lots of rope and nets and other nautical things and a rather unfortunate pole/mast in the middle of the stage. Where we stored gear was up on a balcony that was done up to look like rigging. What was even amazing was that a Wye Valley pale ale was only £3.70 a pint! We played better than the previous night. I was going into a 115 and 210 and we just had more stage volume. The mast was quite annoying for trying to move around a bit though. I was quite conscious of it and didn't want to smack my headstock on it. Very dark stage too. I struggled to see the fret markers at times. I'm starting to consider installing luminlays on my Combustion... At War With The Sun played first and managed to fill a set with about 3 songs. Just the sort of self indulgence I like! And Mudlarker were really good too. Not my favourite style of vocals to listen to, but they were very good. Oh, and we apparently met the entirety of the Hereford metal scene on that night 😂 Sold two t-shirts though! Sunday - Fuel Rock Club, Cardiff This is a fun place to play. We played once before and the sound guy just seems to know how to get the best out of the venue. I think it was my best performance of the weekend. Also the only one where I hadn't had a beer as I was driving. A correlation methinks... It was also the lowest turnout, but when it's a rainy Sunday night and the opening band (Root Zero) already played there on Friday night, how many are you really expecting? They were really good though. As 6 piece, they looked quite snug on the stage! It was a really fun weekend, but I'm very much wishing I'd taken the day off today!15 points
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Just got myself this little beauty today. Had been looking for a 7-pounder (or under) and this came up at exactly 7lbs. Although it’s heavier than my Superlight TT I’m finding that playing full scale basses standing up is becoming a bit of a stretch hence my search. Got it from Guitar Village, my first time of dealing with them which I have to say was excellent. Sounds and plays beautifully, as I’d expect. I’m not really into fake relicing or blocks but somehow these just seem to really suit this bass.14 points
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Trip to Edinburgh with the 9 piece band SHOUT! Played at STRAMASH. Great venue packed with mainly young lads and lassies! It's a student area so no surprise. Stage was ok. There is 9 of us as mentioned so it can get a bit tight at times. I managed to clout one of the singers in the back of the head....but no damage to the bass which was a Godin Classic Shifter. Nice to have some free beer and water as well! Back there in January and looking forward to it! SHOUT! Rescue Me.mp414 points
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NOW SOLD Reluctantly letting go of my beautiful Spector RST Euro bass. I never thought I’d part with this, but after months of reflection, I’ve realised I reach more often for the jazz-width neck of my Sandberg Superlight, but other than the neck, I prefer everything about the Spector! This lovely Spector RST Euro in Sienna Stain Matte was my first step into the world of ultralight basses, weighing in at only 6.5lbs. If you’ve ever struggled with back or shoulder issues, you’ll know how much of a game-changer that is and despite its featherweight build, it’s packed with quality: Aguilar pickups paired with the OB2 preamp deliver a vast palette of tones. I tried a Sadowsky pre for the passive options, but quickly returned to the OB2 – it just sings. Plays like a dream, with effortless versatility for live or studio work. The first basses I've ever had to raise the action, as it was so buzz-free low. Visually, it really is a stunner – a roasted neck, lightweight Gotoh tuners, a brass nut, MoP inlays, sleek lines, and a premium finish that oozes quality craftsmanship. Like all lighter woods, it’s picked up a few honest gigging dings, but nothing that affects playability or vibe. Bought from BassBro about a year ago for around £1,800, and it's worth every penny. Comes with the official Spector gig bag. Full Spector specifications here: https://www.spectorbass.com/product/euro-4-rst/ In reflection of the used market and the few dings, I'll sell for £1,300 – an absolute bargain for this calibre of instrument, and if it doesn't sell, I won't be too upset! I'm in Plymouth - Devon, and around the Bristol area last weekend of Nov. Happy to discuss courier options if needed, not really interested in trades other than a Markbass M58R 12" @ 8 ohm cab, or the same type M58R cab 2x10" but @ 4 ohm, plus cash my way. ....having just checked back for typos, I may change my mind about this sale 😂11 points
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Having made up my fancy lime green cables, I couldn't fit them without lifting the cabinets & amp which were stacked against a wall. So at the weekend I had a little DIY task... Two layers of 12mm plywood and some PSE: The amp came with a little trolley which wasn't up to much but the castors were worth re-using: Slap on some black paint: Ta da! Now it wheels around easily11 points
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I’ve had an LFSys Monza for a few weeks now. Last Saturday, it finally got to come along for the first time. Every now and then, you plug something in and instantly know: this is right. The Monza gave me that feeling. Yes, bass amplification is evolving, but this cabinet sets an exceptionally high bar for the competition. A bass cabinet can be simple or high-tech; the real art is making it sound natural. An LFSys cabinet must come from a brilliant mind, because creating something like this requires advanced mathematics that almost bends the laws of physics. This is an extraordinary bass guitar cabinet. That said, you can love any well-made cab—or at least find it good enough. It’s not about competition, about what’s better and why; we’ve all moved far beyond that. It’s about what you enjoy and which gear helps you best achieve your specific goal. The Monza does that for me. And then takes it up a notch. How loud and how deep does it go? This is a cabinet that can do everything needed during a loud jam or rehearsal to lay down a solid, well-founded bass. The LFSys Monza is a technical marvel. You wouldn’t expect speaker design to advance so rapidly in this day and age, yet here we are. Compact, lightweight, and astonishingly powerful, the Monza combines cutting-edge engineering with a tonal quality that sets an exceptionally high standard for the competition.11 points
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Played a private members club last night, didn’t know what to expect as they normally have old school R&B and classic rock type acts. Still they seemed to enjoy it and got another booking for next year so all’s good. Had a major faux pas just before soundcheck when I discovered I’d packed the wrong strap, the one without strap locks, had to do a quick dash home (fortunately only 5 miles on this occasion)…..I found out how nippy the go kart mode was on the Mini Cooper S. Starry night shorty stingray and the normal silver converse. Banana between the 2 sets and a post gig Glen Morangie.11 points
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As new BassLab L-Bow V from October 2000 in Maserati Yellow, with a brand new Richter/BassLab 3 bands (with semi-parametric mids and passive tone control) preamp, totally refurbished by Heiko HOEPFINGER, the owner of BassLab (more than 1500 EUR of invoices). I thought I would never sell this bass, but, as I don't play bass anymore, I could use the money for (expensive) piano things. NO TRADES! NON NEGOTIABLE PRICE! Asking price including fully insured shipping with tracking number, to your home, in these European countries (ask for other countries): Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France (excluding French overseas territories), Germany, Hungary, Ireland, Italy, Luxembourg, Monaco, Netherlands, Poland, Portugal, Slovakia, Slovenia, Spain, Sweden and the United Kingdom: €2750 EUR (£2450 GBP is an approximation and I will only accept payment in Euros) and, as it's been asked, the new price is around €5000, with a long waiting period. Shipping to the UK is of course possible and included in my asking price, but with additional customs charges (VAT + other taxes + courier costs), as the UK is now outside the EU, just send me a PM. In perfect working order and in as new condition, with some impossible to photograph super tiny "defaults". Here are the specifications : Body, neck and fingerboard: full carbon Positions: 24 medium frets (plus one) with front F clef inlay and side black square on point inlays Headstock: 3 + 2 Tuners: original ETS at the tailpiece with thrust bearing for smooth tuning Pickups: original 2 x Delano SBC 5 HE/S Controls: stacked volume/tone (tone always on), blend, stacked bass/treble (push-pull active/passive), stacked mids/frequency sweep Preamp: original Richter/BassLab with battery control LED Bridge: original ETS with new saddles Strings spacing at bridge: 18 mm Nut: zero fret (equivalent of 55 mm width) Strings spacing at zero fret : 9 mm Knobs: original MEC/BassLab Scale: 34 inches (863.6 mm) Hardware colour: (satin) chrome with Dunlop Straplok buttons on the bass Truss rod: none (useless) Finish: Maserati Yellow Country of origin: Germany Serial number: none (first generation) Year: October 2000 (first generation of the L-Bow) Weight: 3.445 kg! Action : from 1.3 mm under the G string to 1.5 mm under the B string at 12th position (can even go lower, but was more than perfect for me and it's already super low with a very straight neck). Will be delivered in a brand new semi-rigid Gator GL-Bass case (totally adapted to this bass) as advised by Heiko himself. Non-smoking environment as usual. The bass has been fully set up professionally. It has received a new battery and is fitted with a brand new set of Ernie Ball Slinky 2836 round wound nickel strings (45 - 65 - 80 - 100 - 130), which really serve this bass (it will be delivered with a slightly used set of D'Addario E to C nickel strings). What you see is what you get ! Look carefully at the photos taken from different angles and lights to see the real condition, which is as new. Here is the link to the 21 photos in high resolution: https://drive.google.com/drive/folders/1pbN_y8FJ75dOuT-PyjNZcNLWKjca8w6J?usp=sharing As I've stopped playing bass and focusing on piano only, I'm selling some pieces of my collection, like this one. Don't hesitate to ask for more details, but, please, before asking read my ad first as the answer is certainly already in it! Reminder of the legislation on sales between individuals: Second–hand goods that you buy from private individuals are not covered by EU consumer rules, which means there is no guarantee and no return possible => (https://europa.eu/youreurope/citizens/consumers/shopping/shopping-consumer-rights/index_en.htm#from-private-individual-1)10 points
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There’s plenty on here and elsewhere about how good these things are. I’m a bit gutted at moving it on truth be told, but my left shoulder has recently become a lot more knackered than it was and I’m finding shorties a lot easier and more comfortable to play. As a result this just isn’t getting used of late and that’s unlikely to change unfortunately. Ive had it a couple of years (picked it up via BC) and it’s only had occasional rehearsal room use so it’s in great nick. I’ve switched the knobs out as these look cooler, but the originals are in the case and will be supplied too. Comes in a Gator case that’s both perfectly functional and necessary! Think the RRP for these is at nearly £700 now and the cases an extra ton. Moving it on at the price I paid (as I remember) in the spirit of BC. Not looking for trades on this though. I haven’t got a box to accommodate this and wouldn’t really want to post anyway I’m afraid so will have to limit to collection or fairly local meet-up for now. I’m located just by j7 of the M6. Cheers.10 points
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In my ongoing (ahem) “investigations” of short scale basses, I finally buckled and bought a Sandberg Lionel. It’s a lovely bass. Feels great ergonomically and balances perfectly despite being very light (not much more than 7lbs). Narrower/thinner neck than I’m used to but it’s growing on me. A few thoughts though I’d been keen on hearing other Lionel owners’ opinions on, mainly around tone. I’d read some folk saying the pickup is more modern / less vintage sounding than your average P bass. That may or may not be true, but my overriding feeling tonally is that it sounds much less like a 30” than I was expecting. My experience to date with 30” basses is that you get a more even tone across all the strings, so (for example) in areas like the lower frets of the D string, those notes just sound a bit thicker than they might on a 34”, and conversely, the E and A strings are possibly a little less deep, making the bass seem overall better balanced across the strings. But not on this bass. The E and A strings seem massive and the D and G strings seem thinner sounding. Ie much more like a 34”. Anyone else have that experience and/or any thoughts on why? (BTW I’ve got D’Addario Chromes on it, as I have on most of my other basses).9 points
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8 points
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Well, I didn't sleep last night and felt terrible today, so that was fine as I had a gig in the afternoon at 2. I felt dizzy and sick. Easy setup but felt very cold and hot and generally unwell. Couldn't get warm in the first half which I think was me as the guitarist was complaining about being hot, but also hands were working like they were cold. We thought at the start it was goimg to be be poorly attended but it wasnt, it was pretty crowded. Second half I had put a fleece on so I was warmer and things were flowing better, but singing was an issue due to feeling sick. It all went well in the end and luckily it was an affternoon gig so we could leave at 4:30. Had a request at the end for surfing USA, but couldn't do that, I would have been sick. Luckily it wasn't very far and it was an easy breakdown and drive home. Came in, had some rice, laid down for 5 minutes, woke up at 10! Glad I got through it!8 points
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7 points
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Nice words 👌 Mani's passing has really thrown me to be honest. I didn't know him, never met him yet the positive influence he had on my life is massive. I saw the Roses live in 1990 before I became a musician and for me, Mani stole the show (no easy feat considering the company he was with). I couldn't take my eyes off him. I decided that day that I was going to be a bass player. I sold my car, bought a bass and amp and stayed in for nearly 2 years going at it. Growing up, none of my family were musicians, my folks didn't even listen to music yet along came the Stone Roses and kind of gave me permission to follow my dreams and be in a band. I can't stress how much that meant. Their interviews were as good as the album and equally inspiring. Right time, right place and I was the right age (17/18). I suppose they were like my generation's Sex Pistols in a way. Everyone who saw them picked up instruments and formed bands. Mani was the everyman firebrand who made the Roses so relatable to so many. It's wonderful to see how loved he is these past few days. Hard to accept that someone that seemed larger than life with so much talent, character and infectious positivity is gone. Right at the time he was planning on making waves again and start getting back out there. Seems so unfair. But such is life... I have been smiling a lot at one memory though... I was right at the front for his first gig in Manchester with Primal Scream, his "homecoming" and comeback all in one. He came out wearing a Man Utd shirt and his Rickenbacker, massive cheeky grin as he started playing the first couple of bars of 'Adored for fun and the place erupted! All chanting Mani! Mani! Mani! for a very long time. He had to tell everyone to calm down so they could start the show! Bloody brilliant! So long superstar x7 points
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From a few weeks ago in Paisley, Scotland. Rocking a Musicman Stingray and a suitable suit!7 points
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Deep sadness, I met him once, one of the loveliest people ever RIP , one of my favourite songs7 points
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Don't know if this belongs here, but it's a Mustang-ish bass so I'll post it anyway. An acquaintance of mine bought a bass for his 12 year old daughter and asked me to set it up and see if the electronics or hardware needed replacement. It was one of these Harley Bentons: He put some Labella Low Tension flats on it himself, and the bass was...magnificent. Finish, fretwork, electronics, setyp, everything was tip top. Not even for the money, just as an instrument. If you need an affordable short scale bass, get yourself one of these. It's only €229 at Thomann and if I didn't have my vintage Mustang, I'd seriously consider buying one.7 points
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Here's the Cort GB Short scale I snagged at the weekend. It's truly phenomenal other than the neck dive :7 points
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Here's a slightly prophetic one I found at my parents the other day... A 16yr old me wearing a T-Shirt that says 'Reuben' on it. 22 years later we now have a 2yr old son called Reuben!6 points
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Nice reminder of why it's good to sound check tonight. Started playing Uprising, lead came in and it just sounded off and I had to pull the plug. Let's try Crossroads instead. I'm convinced I'm out of key. Stumbles to a halt, I say to guitarist "I was sure we play that in A". "Oh shït" he replies "I'm still tuned down to D from last night". Pub gig, not crowded. We played a bit quieter than usual, they loved it, especially the landlord. Our recent rehearsal meant few mistakes and better discipline all round. A good night.6 points
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Fantastic night last night at Edinburgh's Wee Red Bar with the 80s covers band. We were doing a two-hander with a 90s band and the place was packed - we came within 27 tickets of selling out! No, the venue, not the band 😉 People were dancing from the first song, which is always good to see and loudly singing along to the last few numbers. We hadn't gigged since June, because reasons, so it was great to blow away the cobwebs. Bass was my Sterling Stingray V into the venue's Peavey amp - I still don't know the model number. Maybe I'll look when I'm back there next week, if I remember. In the meantime, here's me grinning like a gargoyle while belting out Love Shack:6 points
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Just got myself this little beauty today. Had been looking for a 7-pounder (or under) and this came up at exactly 7lbs. Although it’s heavier than my Superlight TT I’m finding that playing full scale basses standing up is becoming a bit of a stretch hence my search. Got it from Guitar Village, my first time of dealing with them which I have to say was excellent. Sounds and plays beautifully, as I’d expect. I’m not really into fake relicing or blocks but somehow these just seem to really suit this bass.5 points
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Around 15 years ago, I did a stupid thing. I sold my 1978 Gibson G-3. In the intervening years, the prices of second hand Gibson G-3s have gone through the roof, beyond where I was willing to go. So, thank you, Epiphone, for issuing this and helping me right a wrong in a more financially palatable way! You can imagine the smile on my face. It is, quite simply, amazing. It is a tastefully modernised G-3 - it frankly speaking feels better put together than my old Gibson G-3. The same oddly twangy but thick at the same time tone is still there, I reckon these pickups are on the level as far as recreations go. I do low level wish they had done clear covers like the 1975-78 G-3s, but these sound as good as I remember the originals sounding. The pickguard? Don't care, mate - the silverburst disguises it as far as I'm concerned. Because Andertons did individual photographs for most of their stock of these, I deliberately picked one where the burst lined up with the bottom edge of the pickguard, giving it context instead of just floating in mid air. I can't wait to take this to band rehearsals this week. Tonight I have mostly been playing songs I played 15 years ago with my first originals band - well, the ones I remember anyway!5 points
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I did that once with The Skids song Into the Valley where i had to de-tune the E to D for that song and forgot to tune it back up again. Played the next song like that and no-one even noticed. Same song, different night, i had it in my head that i de-tuned to Eb rather than D and once again no-one but me noticed. Just goes to show if you play with absolute confidence everyone will thing you're right. Even when wrong. 😂 Dave5 points
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At Hellfest in Blackpool last weekend with my 60th aniv Roadworn Jazz, best Jazz I have owned.5 points
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Active Cort Arona 4, which was the short-lived bastard child bass spawned of Cort & Sandberg. These things came with Sandberg hardware and electronics (so I was told once) and has an open pore finish complete with genuine road-wear signs of use on the front above the pickups. I'm also led to believe they went to Germany first for checking before hitting the markets. It's a 34" scale bass with a two-octave neck, but looks like a medium or short scale with the reduced body size and slim neck. Very light too at 8lb (3.6kg) and only selling because I'm now so used to a p-bass the 24 frets confuse me 🙂 Price includes postage.5 points
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Just a bit of a shout out for Dawson's guitars as they gave fantastic service. Went there with a mate who wanted to get a Squier precision. Tried one in Dawson's then went over the road and tried the same model but we both agreed that the one in Dawson's just had a better feel to the neck. By the standards of the other instruments in the shop this was a cheap purchase (although a lot for my mate) but they were generous with their time and very helpful, even went to the effort of adjusting the action to suit. Amusingly, as they didn't have a suitable case we went over the road and one of the Dawson guys brought the bass so we could see it fitted. The bass guy in the other shop spotted us and asked why we didn't buy his one, to which we said the other one just felt better, to which he replied he said he would have adjusted the action but I said it wasn't that, it was just the neck felt better. As he wander off back to the basement (why are basses always in the basement?!) I could hear him mumbling in an annoyed voice 'i told them I would have adjusted it'. Quite awkward but also funny! Btw the Squier looks awesome in a flake gold finish and plays superbly. To my ears sounds good too but might benefit from a new pup at some stage.4 points
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Either serious concentration creating beautiful music, or trying to let one slip mid song without anyone noticing. You decide.4 points
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4 points
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It's still hard to believe. Something about life I have learned the hard way is that far too often the worst things seem to happen to the best people. Mani always seemed like a very warm and friendly chap and his bass playing was so perfect for whatever music he was making. You can hear him progress as a player from the catchy riffs and grooves on the first album to The Second Coming. Songs like Love Spreads have got really busy bass parts with lots of hooks and turnarounds that drive the music along. Everything in life is a time and a place, and, at a certain time in a particular place, for a while the Stone Roses were the most important band in the world. Mani was a big part of that.4 points
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Squier Sonic Precision in Lime Green (Ltd colour apparently) and all very shiny! Bought new direct from Fender but part of the bass herd thinning and in excellent condition as it was my lounge bass just used at home for noodling on. Frets levelled, nut-groove height sorted and all fully setup with rounds and good to go. I popped a better quality loom in there and Tru-Oiled the neck as the bare maple was just a bit characterless, plus oiled up the fretboard which is rosewood. Weighs in at 8.4lb (3.8kg). Happy to post.4 points
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Had a fantastic gig last night. Small social club but it was packed. First set went well but no one dancing. Plenty of clapping though. 3 songs in to the second set, we played Valerie. Suddenly about 30 people started dancing, and they were up for the rest of the night. A good vibe on and off stage. Now the issue i had. We use an XR18 with an external 5Ghz router. It’s been fine up until the last two gigs. Mixing station on the iPad keeps freezing up, or rather lagging, and it’s hit or miss if we can trust it. The iPad isn’t losing connection, and there wasn’t many WiFi connections showing up at this venue to be causing an obvious issue. My Drummer couldn’t even connect to the XR18 from his phone. The plan is now to use Ethernet from the iPad to the router. We will keep the WiFi going but i feel safer with a wired connection. The XR18 itself was fine, no drop outs etc. I’m tempted to also get a new router but I’ll try the cable first.4 points
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Decided to join in with the pedal riser idea and build a little essentials board. With a bit of judicious wiggling I've managed to get it all flush on three sides, but the DC plugs overhang just slightly at the top. Could be worse. The feet have been harvested from my old Markbass F1 which sadly expired recently. It can be powered from both a standard adapter and also a USB powerbank thanks to an ENGL PowerTap Portable which is the little block under the back edge. As long as the polarity is correct it'll take anything from 5-18v input and send 9v output. For the full wireless whatsit I was considering getting a pair of cheap UHF bugs from the Black Friday sales to go between board and amp. They claim less than 3ms latency, which added to my Fender Telepath on the input claiming 4ms, should still be perfectly acceptable. The yellow sticker is just 'if lost please call' info, but I'm old-school about putting my mobile number all over the Internet so blanked it, in case you were wondering what/why.4 points
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3 points
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3 points
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It is though. And they downgraded the tuners to keep the same cost while upgrading the electronics with a pickup switch and the associated extra labour.3 points
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3 points
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G&L JB2 Tribute in pink. Great sounding pickups with a lot of tonal options avilable. In very good condition. Neck feels slightly fuller in the hand from front to back. Balances very and is very lightweight at 3.9kg. I have used this about 3 times on gigs and have been very happy with how easy and comfortable it is to play. Unfortunately I have once again realised I prefer a precision pickup, so no point in it sat here at home when it could be put to good use. Pick up or meet up in the North West but can post if required.3 points
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That's OK. I'd found the Penn Elconn website but the page I found had massive quantities for massive prices. That's a lot more like it, I'll get some black ordered. In order to escape Antiques Roadshow, I did more cab building. Previously I'd got the battens on the side panels so now it was just a case of sticking the side panels onto the bottom, then putting on the top. Then see how well the front and rear panels fit. I tried the rear panel first. It didn't fit in one way up, so I reversed it and it popped straight in. Slight gap but the rear panel is destined to be fixed in place so there will be some filler going in there. Then the front panel - I think I'll be doing as Phil suggests and screwing this in place with 3mm thick neoprene adhesive strip 10mm wide round the joint. The fit was nice and snug. Having done that, I went round the top and bottom panels putting the cross battens in place. To do: cut hole for speaker, fix rear panel, make and fit cross brace, put wadding in, round over edges, fit front panel, paint, add corners, add handle, wire connectors, install speaker.3 points
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Squier Sonic Bronco Bass in Ultra Violet in excellent condition. I swapped the weak pickup out for a Sire D5 single coil and popped in a Varitone tone pot I had laying about, just for something a bit different. This was me looking at short-scale basses as I'd never had one but hardly used so time to move it on. Frets levelled and and all set-up with rounds, plus put some Tru-Oil on the lifeless bare maple neck. Weighs 7.3lb (3.3kg). Happy to post.3 points
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2 points
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I have Dave, fingers crossed the Superlight Lionel when it lands will be even less than 6lbs.2 points
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2 points
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Indeed it should! Each time I needed to move the amp I had to get my partner to help move the cabinets, and it felt like that children's 'Towers of Hanoi' puzzle, lifting the pieces of the puzzle from one place to another. Except each piece is 37kg! Wheels are definitely the way forward2 points
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We took our southern rock covers band to Trillians, a small independent venue in the centre of Newcastle. This venue has in-house PA and engineer. We took our Behringer XR18 to run our IEMs using a passive split. Gearwise, I used my Overwater 5 string jazz, Shure GLXD16+, Empress compressor, Jad Freer Capo, and SushiboxFx Finally DI. I did have my Ashdown ABM 500W 1x15 combo on stage but that was more for show due to the aforementioned in-house PA and our IEMs. Despite being down a fiddle player, we still had a great night and the punters seemed to enjoy themselves with the venue full from the get go. One of those gigs you wish you could play every week 😎2 points
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Nice to see a few have landed 'over there' and folks getting to play them. I got my serial# 14 here in the US the week they were announced. Here is a gig pic, also with my 2025 Wal Mk1 for an 80s gig.2 points
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Bringing the tone down: I did a charity fundraiser with Bandwidth (covers and originals) for the Felbeck Trust at Cley Village Hall last night. It was a ticketed affair with a meal between sets (veggie and gluten free), with a few over 70 there despite the filthy weather. The meal was delicious in fact and we were provided with free drinks. The stage could have been excellent, if it wasn’t for the hundred or so chairs stacked at the back, which meant we were very cramped. It also looked a mess with the curtain tucked into the chairs. Anyway we played 2 x 1:15 sets and got plenty of dancers in the second set. I was really struggling, as I was diagnosed with a chest infection an hour before set up and had just started on antibiotics. I’m not sure how I managed to drive home. Gear was Guild Starfire 1 and custom P/J shorty into Blackstar U700 (via Peterson Strobostomp) and 2 LFSys Monza. DI to the desk. U700 master literally on just over 1, so two Monzas was complete overkill. I should just have connected the top one, as I don’t think the amp was working hard enough. We got loads of good feedback and possibly some follow on gigs🤞. Not a great pic and yes,mChris has to sit through gigs these days. We’re a poor old bunch🫤2 points
