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Showing content with the highest reputation on 12/09/25 in all areas
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Mint condition Precision bought earlier this year. Daphne Blue. Original hard case. Weight 4.2 Kg (9.3 Ib) Never gigged, just a couple of rehearsals. Now surplus to requirements. Fitted with Hipshot 'A' bridge & D Tuner. Fender w/b/w pickguard, neckplate & Schaller strap lock buttons. All original parts included. Price includes UK shipping. Collection welcome, any questions or more photos please don't hesitate to ask.9 points
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Ibanez Roadstar II 1981 Japanese made bass with original case. This is the early 80’s Ibanez version of a Precision, the difference between this and some Fenders of the same era is that this model doesn’t weigh a ton and costs about a quarter! This is a lovely bass in its own right, simple passive volume and tone, split pickup and a nicely proportioned neck. It weighs 4kgs and is in pretty good condition for its 44 years. It plays very well and sounds like you would expect. It’s all original apart from the strap buttons which were changed years ago for strap lock types. This was prior to my purchase so I’ve no idea what happened to the originals. There are some dings to the body and some small blemishes to the neck. Truss rod is fine and works well, frets are in good order as is also the pickups and hardware. I got this in a trade and it owes me £495. Classic black and maple looks which I love, sadly the slightly wider than a P bass body is uncomfortable for me to play so it’s not seeing any action. I’m getting rid of any basses that aren’t being played regularly that hold no sentimental value. Sorry no trades unless you have a Sterling SB14 or a US Sub Sterling then possibly. It comes with what I was told is the original case. It’s certainly of the same era. One clasp is broken but it still does the job. Great vintage MIJ Precision alternative at a decent price. I’m sure it will bring back memories for some of you. Prefer pickup but can post in the UK only at buyer’s cost.7 points
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Been a couple of years since I last updated the P Bass family pic 78 Siennaburst 78 Olympic White 77 Lake Placid blue 73 Black 21 Am Pro II Dark Night 97 Am Deluxe Trans Crimson Metallic 02 MIM Mark Hoppus mk.17 points
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I've been an afficianado of 1970s WEM combos for many years but my on-going de-clutter requires me to cut down to just a single unit (a Clubman, since you ask) which means that these two lovely things are now on the market. Both are 50-year-old combos that have lived a life so, although they are both in very good condition for their age, neither is pristine or as-new. The Dominator (on the right) is deffo in better cosmetic nick than the Westminster (on the left) but both work perfectly and exactly as their maker intended. Both sound excellent regardless of what you plug through them - bass, guitar, keys, Mongolian nose-flute. WEM DOMINATOR 25, late 70s, £600. Arguably one of the finest products of the British valve-amp industry, the Dominator was always in the running for nearly 20 years straight. Read all about it here: https://www.vintagehofner.co.uk/britamps/watkins/dominator/dom19.html Often described as a 15W amp, this was in fact more nearly 17W (which is why Mo Foster chose that as his title: https://www.amazon.co.uk/17-Watts-British-Musicians-Sanctuary/dp/1860741827). Mine is the truly wonderful Dominator 25, which is also a truly wonderful piece of Marketing tosh. The '25' was neither 25W nor did it sport a 25" speaker ... it was uprated from the standard Fane 12" speaker on a Dommie to a 15" Celestion to make it sound even better for bass. The '25' thing was the WEM Marketing Dept's equivalent of, "yeh, but this goes to 11". Twin inputs means you can plug in two different instruments simultaneously, or come up with all sorts of weird bi-amping scenarios to puzzle your guitarist with. All original and unmolested. So what does it sound like? Well none of Zoom's excellent product range can really capture just how good this sounds in the studio (or live), let alone the gorgeous, creamy valve break-up at very sensible volumes. If you want to experience that then you'll need to come to Harrow and plug in your own bass. But here's a crude approximation ... Maya into Dominator.mp3 Any excuse to show off my God-like abilities on bass, eh? Shafty into Dominator.mp3 WEM WESTMINSTER, 19777/78, £400. The Dominator was top of the range and not everyone could afford one, so the Westminster was always the better seller and went through far more cosmetic 're-fresh' experiences. Mine was a very short-lived variant in terms of looks, only being made for two years. Read about it here: https://www.vintagehofner.co.uk/britamps/watkins/westminster/west13.html Still twin input for all those pub-rock gigs back when that was a new thing, usually starting just after the stripper had finished. Notice the economy measure of a single set of controls, though. Side-mounted carry handle is very practical. Again, all original and unmolested. If I could play guitar then I'd have used that for these sound clips - the Westminster handles bass perfectly well but it's always going to come off second-best when compared to the Dominator 25. Shafty into Westminster.mp3 Put a guitar through this, though, especially something over towards the Les Paul end, and it's something else. Maya into Westminster.mp35 points
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Rehearsal last night with the latest band that I've been recruited to. We're doing a one hour set at a beer festival tonight and we have a fairly sketchy grasp of the songs, so that should be fun. It's a very odd set list, which sadly includes All Right Now but there's a lot of unusual and unknown (at least by me) songs that should ensure that no follow-on bookings ever happen.5 points
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5 points
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Welcome to BC @DanDoesBass I'm a paid up member of the Mustang Brotherhood - which is weird, because a few years ago I would have laughed at the idea. I bought the '66 Mustang on a whim and fell in love with it, especially with rounds. Since I had it modified with new pickups it's become my favourite bass. I realised that short scale would be really well suited for fretless, given the additional weight afforded to the higher strings. I bought the '72 Musicmaster and a fretless Mustang neck to test that idea, and it's fantastic. Shortly the bass is going to a local luthier who is doing a few other bits such as correcting the electronics, replacing the bridge and possibly epoxy coating the board.5 points
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Lovely Yellow Epiphone Newport bass in great condition. It has had the recommended mods done ie Phase corrected and the neck pickup has been levelled and adjusted so no string pull that causes fret buzz on this normally. Set up nicely and Fitted with flat wound strings, balances well and plays and sounds great -- any trial welcome. No Gig bag or Case so Ideally collect only from me near Selby or can possibly meet up locally.4 points
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Scott's Bass Lessons next vid: "Why Boutique Basses Crush Everything!"4 points
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Here are ten reasons why it's the end for boutique basses. Number six will shock you.4 points
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@SpondonBassed - do NOT respond to this comment in your usual manner. 🤭4 points
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Hey everyone! If anyone’s after info on Blackstar gear, feel free to give me a shout. I’ve got pretty much every Unity amp here at my studio in Milton Keynes, I’m on Blackstar’s artist roster, and I’ve been gigging and recording with their amps for years, happy to share first-hand experience or answer any questions.4 points
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3 points
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Hi , For Sale im great condition really clean working Bass , pedulla Thunder Bass from 1997 with a espectacular quilted Maple top Neck trhu Modell with a ebony Board and 24 frets . Original Case plus exellent condition this one Plays really great Price 3000 Euros plus shipping cost inwould Shop all over Eu Cheers alexis3 points
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3 points
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You’re being very generous, Tim. The only places I would now be considered middle-aged are a care home and an Anglican Church congregation. 😂3 points
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3 points
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Grumpy middle-aged men winging about their First World problems on the General Discussion page of a Bass/music forum? 😂3 points
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My brother had an expensive hike tent in his basket and was uhmming and ahhing over it for weeks. They randomly reduced it to 85% off. Free postage too!3 points
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Thanks for this thread. It’s prompted me to take out my custom build by our own @Andyjr1515. Boutique? Maybe, but if so it’s the only boutique thing I have in my universe. Suit courtesy of Oxfam.3 points
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Any news on the bass yet… I’m very excited to see what Leicestershires most racist luthier has built this time..3 points
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π, although I'm comfortable with the square root of 2. π is just such an awkward number.3 points
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3 points
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Boutique instruments have been around for hundreds of years, Steinway (from 1853), Stradivarius (from late 1600's) etc. Boutique basses will always be in production.3 points
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I worked out that I am currently working on around 65 songs for upcoming gigs, some on bass, some on guitar. Despite that I managed to fit in some build time this evening and wired up the Bass channel:3 points
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A bit late posting but here’s the draw https://fb.watch/C2HTnT-4e_/? The Midas has now gone to its new home and we raised a huge £10890! thanks to those who supported this project3 points
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With eleven tuners on one side of the headstock and one hanging on for life on the other?3 points
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Decided to put up my awesome (and unfortunately no longer made) Spector LT5 in Violet Fade for sale. This has been my main touring bass for the last two years and has seen some action at Glastonbury, Green Man and many more festivals that I can't even remember! Despite being my main bass I have really looked after the bass and it's in excellent condition. No dings or dents just light surface scratches that every guitar gets from being played! The bass has a 3 piece maple neck with alder body wings and a very nice flamed maple top, which is almost holographic and almost impossible to photo! 😂 The bass has a very nice ebony fingerboard, MOP Spector crown inlays, Gotoh lightweight tuners, brass nut, Dunlop straplocks, Custom wound to Spector spec Bartolini pickups and Darkglass preamp, and thr finish is so good it's ridiculously reflective and shiny.. again making it difficult to take good photos! The bass plays very nicely and sounds phenomenal. The bass is 35" scale and the low B is the best I've experienced on a high end bass. Currently strung with Dunlop Super Bright Steels. Sale includes the Spector gig bag. Looking for £1800 due to excellent condition and I think collection is needed. I have the boxes it came in but I don't feel comfortable shipping it without a hardcase. Price drop to £16503 points
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These are amazing. I have one and love it. Admittedly, I've replaced all the patches with Nine Inch Nails-style industrial noise, but that's not the point. Re: your QC comment, do you know if yours is a made in America, or one of the last batch that was made overseas since the InMusic acquisition? I've heard a few people that purchased these brand new in the last 12 months have similar complaints. This was part of the reason that 2nd hand prices rose even before they announced this was being discontinued, because people wanted pay a premium for a unit that was made in the Asheville factory before that stopped being a thing. Once they announced they were being discontinued, the prices jumped again. That said, still worth every penny. If you have a US-made unit with QC issues, I'm really surprised, as they took some real pride in every unit that left the factory, in my experience. I remember when I once had an issue with one of my Moogerfoogers, maybe 12 years ago. I emailed them, and then got a reply from the actual engineer that designed it. He said, "you could send it to the UK repair centre, but if you send it to me, I'll fix it up, and upgrade some parts for you - I can do it on my lunch break next week". I mean, that was service! There is a part of me that is considering selling this to get a 2nd hand US made 37 instead, just because I want more patches to save sounds in. I really love the size and format though. It rocks.2 points
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I think I might need to investigate darker torts. Great - another thread that will cost me money. Thanks a bunch!2 points
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Funny thing: many grunge and indie guitarists of that time started playing Fenders because they were available cheaply. Especially their offset models (Jazzmaster, Jaguar, Mustang) were available at pawn shops all over the US for silly money because they were either deemed too finnicky / complex or silly 24" student guitars that no serious player would ever want to own. Fender USA had stopped building them in 1980 by lack of demand, but it's these artists that set off the Fender offset craze, first fuelled by Fender Japan who started producing them again in the late 1980s and since the late 90s there are many US and MIM models too. Might be the same with the basses: came back in style because influential bands could get their hands on them cheaply when they started out.2 points
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I think, from memory, he’s the guy running the bands. It may be that he’s a nice guy who’s fun to be around and pays well for the band. Confidence criminals can be quite lovely people, it’s the reason they can be successful.2 points
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I'm another potential, no inconvenient gigs at the moment.2 points
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2 points
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Three and a half years break from playing it for me (other than the odd noodle at home). It really has made me appreciate it more. Spurred on by my use of the fretless at the last rehearsal and gig, I carried out a comparison experiment that you can’t achieve under normal gig/rehearsal conditions, just to check if it wasn’t just the different feel and tone of the instrument that was making me feel so good about it (emperor’s new clothes and all that). I copied an old live recording I had from about 10 years ago into GarageBand, sucked out all the bass frequencies and recorded 4 new bass lines, using different basses, both clean and driven. I was surprised by the results. Not only did the fretless sound better in the mix than the fretted bass, both clean and driven, but the driven, fretless tone was the out and out winner.2 points
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The Trace kit is very repairable -- no sanded off IC numbers and parts you can see without having to buy a Mantis!2 points
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2 points
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We're back at The Bend Theatre this Saturday night, opening for Reverend Raven. Catered dressing room and we play a 45 minute set. My type of gig. Maple Road By presenting an eclectic blend of blues, rock, and folk jams, Maple Road is a band that does not fall short of keeping an audience entertained and intrigued. While honoring musical heroes and legends, the group also strives to craft original and memorable tunes that allow each band member and the audience to interpret the music. Reverend Raven + Maple Road Blues Band - The Bend Theater | West Bend, WI https://share.google/vkEznZyOQe7dRBx7y Daryl2 points