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Showing content with the highest reputation on 26/07/25 in Posts
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So last night we headlined a 5 band charity fundraiser for Wilts Air Ambulance at The Lamb in Marlborough. We’ve been working on our new original material recently and I think it’s fair to say that other aspects of the band have taken a backseat. A couple of you may recall that we go out in different formats, across a range of instruments. I have decided recently to upskill on the mandocello and have spent the last couple of weeks practicing on it. Always beneficial. When Nick and I sat down yesterday to rehearse, we may have been the worst we have ever sounded! To the point that we regrouped at mine to go through everything again and wound up being the best we have ever sounded. We got to the gig and there was a green room with drink and food laid on for the band. Enjoying alcohol-free irresponsibly! I resisted the urge to have a Nigel Tufnel moment! All the acts were excellent but everyone overran. We wound up hitting the stage at 10.55pm and I really thought we might be doing the world’s shortest set. However, we went on with a real focus and determination, playing a really charged set. We did a full show. I am resplendent in green here! Backstage, the camaraderie between bands was superb. We talked about men’s health (& mental health) which I always think is really positive. We then talked about first gigs and young Josh (our resident cool youngster) coughed to his being Chico (“It’s Chico Time” fame!). Sadly I don’t think we can let that go! Oh, I came home to discover that aside from my band being nominated for best act in multiple categories of the Wiltshire Music Awards, I have picked up a nomination for best bassist and best multi instrumentalist too! A near perfect day.12 points
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Warwick Streamer Stage I Year – 1991 Colour – Purple sparkle/metallic Body Finish – Gloss Body Wood – Maple Neck Finish – Gloss Neck Wood – Maple Fretboard – Wenge Frets – 24 Scale Length – 34″ Weight – 9lbs (exact) Electronics – Active 3 band MEC Pickups – MEC PJ Condition - excellent with no visible marks of note and all electronics work fine. This was a custom finish (factory) and on the rear of the bass under the clear lacquer to coat is the legend ‘This instrument is a property of Warwick, Germany’. It was used at NAMM and also as a demo bass for Warwick artists/endorsers. The sound is just about as big and clear as you can get! Only trade might be a light weight Sandberg 34".10 points
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Two lunch time shows on consecutive days that couldn’t have been different. A show in a church… which garnered a lot of interest. Our new singer impressed a whole lot of fans, which was great. All is well once more, after a period of uncertainty about our new direction. Sandberg VM4 through Elf and Barefaced One10. Sandals. And a festival gig which didn’t! By showtime (12 noon) it was pouring, the guitarist and drummer hadn’t shown and we looked sunk. Half an hours grace saw the guitarist show up (he thought it was at 1pm) and the drummer pulled out (he thought it was this evening). We soldiered through as a trio and miraculously got our full fee! 😄 Flea Jazz through Elf and Barefaced Two10 (nicely visible, I am sheltering from the storm). Wet loafers.10 points
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This arrived this week at PS towers Ampeg V4B. It is simply incredible 100 watts. Simple to set up Absolute ampeg delight. I just didn't know this model existed or I would bought one ages ago It looks cool and isn't remotely back breaking at 18kg Gets its first Policed gig next week Then a blues/rock gig Then a ska/new wave gig7 points
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Excellent condition with no issues. I'm just not playing short scale basses any more. I also have the unused string mute. 780mm scale (about 30.7”) 17mm spacing at bridge 1.4” wide nut Alder body with Indian Rosewood fingerboard Tortoise pick guard options 2 Nordstrand single coil chrome cover pickups 4 push button pickup selector switches (including “all in” series mode) 4 tone selections including flat, traditional tone roll off, heavy tone roll of, and mid notch Very light weight – 3.18kg / 6lb 15oz 2 way spoke wheel truss rod adjustment Compound radius for excellent playability D’Addario Nickel Round Strings Proprietary custom US Hipshot bridge Proprietary custom licensed Hipshot oval tuning machines.7 points
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Decided there are far too many questions about this - even at 1500 quid + auction fees which bidding is now at. So going to pass. Thanks for all the info chaps, you have been most helpful!7 points
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Excellent condition for a 30 year old bass, with no issues. Classic Musicman Stingray style bridge with mutes. One of those basses that is so good that I've owned it twice! Only point of note is the 2 small holes in the pickguard where someone mounted a thumb-rest. Weight is 9lb (exactly) or 4.1kg. The neck is less wide and less 'full' than a Stingray neck and is often compared more to a Jazz profile than say a Precision. This is the earliest version with the metal battery compartment cover. Trades - 34" Sandberg... possibly.5 points
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So new (to me) bass day, a rather nice Sandberg SL. Been looking for one for a while due to back issues and when I saw this up for grabs, in my favoured black/black/maple it just had to be. Just played it for about an hour and even without being set up as I like, and without my favoured Elixirs (currently has Elites steel rounds) it’s simply a dream to play. Not usually a fan of matching headstocks but I think it really suits it, plus - and shows my levels of OCD - it matches our guitarists Ibanez like this so I’m more than happy. I’m giving up gigging so this will be used at home and with my non-gigging classic rock band, this 6lb bass will make 4hr rehearsals a lot easier.5 points
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Hi all, I'm selling this beauty as it's been sat in its case for too long doing nothing. It's been gigged a few times, but not since before 2020. There are a couple of minor dings but you have to go looking for them to see them. I bought it new from PMT Salford in 2015 and still has all the original case and goodies, all included in the sale. I changed the tuners to Gotoh, which still have lollipop keys as the originals, the only difference is the originals had Fender stamped into them. Strap buttons were also changed for locking ones, I'm including the strap locks in the sale too. Currently strung with D'Addario flats. Collection preferred but can courier at buyer's cost. Please let me know if you have any questions or want any more photos. Thanks Tom5 points
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Another Everly's and Friends Live Tribute Show yesterday. This time in Torquay, Devon. On the first weekend after the schools closed for the Summer holidays. You know what's coming... Yep, it took me ten hours to get there from Derbyshire. Every motorway, every junction, every roundabout was a massive traffic queue. Grrr! So finally got to the Babbacombe Theatre, did the gig and then cruised home in 3.5 hours. Better. Friday was a looong day. Wiped out today (Saturday.) Broken. Oh, and I almost forgot, our Duo was out last weekend for the second time. Played outside and the PA sounded awesome. Used my Melvin Lee Davis NU-X Preamp Pedal for the first time, too. Link to short video: https://photos.app.goo.gl/GeM9f1uGyEgiPmpS95 points
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wowser wowser wowser words fail me on just how good it sounds bass flat mid about 10 o clock treble flat ultra bass in ultra hi in mid swith in the middle gain just on the edge with a mark bass club 1x15 cab with my 4003 it's amazing I didn't even spend that long on it and found the sound I have a couple of interesting gigs coming up in August so it'll get a proper work out truly fat5 points
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REDUCED FOR THE LAST TIME. HAPPY TO KEEP IF NECESSARY AS IT SOUNDS INCREDIBLE WITH FLATS!! For Sale, my as new Sandberg California VT in shell pink. This bass was purchased a few weeks ago and is stunning in every respect. I have changed the strings for Labella Low Tension flats which sound fabulous if you like that old school vintage sound. Whilst I haven’t got scales I can assure you this bass is exceptionally light. I guess it’s around 8lbs, maybe even a little lighter. Bass Direct have one in stock at the moment which is almost identical at a little under £2200 and under 8lbs in weight. I have never really been taken with aged looks but this is very subtle indeed, the description ‘soft aged’ is very apt in this case. You may wonder why I am selling this wonderful instrument. Well I am a casual player and already have a custom Alpher bass and clearly having two high quality basses is overkill in my situation. I have no interest in collecting so I have decided to let this one go even though it is only around 6 weeks old. If you like this type of look and want a virtually brand new instrument for a substantial reduction on the new price please get in touch. The bass comes with a quality gig bag but unfortunately I have no box to ship it in so it will have to be a meet up or collection to hand the bass over in person. Will consider trades for short scale basses particularly Hofner Club, Verithin or Violin Bass, Sandberg Florence JMJ Mustang, Serek, possibly a nice 5 string or lined fretless preferably with cash coming my way please. If you have any questions please do let me know. Thanks for looking.4 points
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Who'd have thunk it , I got to share the top step last month with @upside downer and @Baloney Balderdash. As it was a first time for Mr Balderdash , he had the choice of image for us to work on and compose to, thus... "Here is my suggestion to the image for July. A mystic contortionist, admittedly AI generated (but on my intricate description):" This has proved to be a popular image and inspired some cracking entries so have a listen through and choose your favourite 3 tracks 1 @Baloney Balderdash Flip Joint (The Contortionist).... Post Math Rock? 2 @Al Nico The image drew me to imagine a futuristic fairground organ style circus sound. Happy tune with running bass, side snare and clapping. 3 @Chiliwailer Old Age : New Age - the then young contortionist used to perform in the early 90s in ambient beats clubs. Now living off-planet, he’s a midnight street artist in the underground scene. Guitars are kind of ‘synthy contorted’ in his honour. 4 @Leonard Smalls I thought a breakdancing Gandalf deserved something with bass chords and an Ian Dury-style random vocal. Oi oi! 5 @Lord Sausage Listen to Echoes of the Altered by Dreaded Ted & The Nutters on #SoundCloud 6 Lurksalot I was reminded of the whirling dervishes and the noises I produced seem to be consistent with that 7 @Jean-Luc Pickguard was intending to add a vocal to my track, however on re-reading the lyrics I decided it was better left as an instrumental 8 @MoonBassAIpha Inspired by the picture and by a jam at a friend's house over 40 years ago. 9 @upside downer The Sage. Who is he? Where did he come from? What does he want? What does he know? Why has he started breakdancing in the old part of town? Has he got the moves? Can he still do them? Will we have to call an ambulance for the mysterious old coot? Well that drew out some fantastic material, I really enjoyed listening through ... and will do again. Choose your favourite 3 , voting will close at midnight on 31st July Dive in4 points
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Now sold The CFO and I have just come out of a bilateral meeting where a number of topics of mutual interest were discussed. Theses topics included: Balance of payments Import / export regime Tariffs Apparently I have imported quite a few basses and guitars into the house and the number of basses and guitars exported has hit an all time low of zero. This apparently means I am running a significant deficit. Due to this deficit the CFO is looking at imposing tariffs of circa 125%, such that a £500 bass attracts a tariff of £640 payable to the treasury, aka her bank account. She presented a number of options that I apparently have agreed to. Not saying anything anything as it could be taken the wrong way, clearly indicated my consent. She backed this up with leverage of me sleeping in the attic or the spare bedroom, my choice. I have no idea where she got these ideas from, but she has been paying a lot more attention to US news recently. I explained to her basic economic theory re balance of payments and who really pays tariffs, but I only received a stern look in return. This is the Harley Benton Deluxe Series active bass. This is a lovely bass but the neck and I don't get on. My thumbs are knackered from rugby and it's slightly too thick and it's painful after 15 mins. I brought it from a fellow bass chatter a few months ago but I have to recognise I need thin necks. So I've built myself an active Jazz with a Fender neck and a John East pre-amp to take it's place. Again it's a great bass and my thumbs do not do it justice. It's in good nick and as with all Harley Benton stuff its great value for money. I paid £95 but will take £80 for it. There is no case per se for it. The pictures make the neck look grubby , thats just the grain. I'd really, really, really rather not post as the postage costs will be high for what are cheap bass guitars. I am happy to meet people within an hour (ish) of Settle in North Yorkshire, I can Leeds or Manchester if necessary during the week as I work there. York is also possible. More than happy to look at swaps or trades. With cash either way, I'm looking for a decent small 6,8 or 10 channel mixer with USB in and out, or a decent FRFR speaker such as Headrush 112, a Boss Katana 100 MK2 combo amp or similar. Or something else that's interesting. I have enough guitars and basses (according to the CFO), so unless it's a 62 Precision or a Strat, that’s not going to fly. I have more IT than I need so nothing on the IT side at all please Thanks for looking Rob4 points
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I'll be there - with as many LFSys cabs as I can muster. There'll probably be at least one new model to try out.4 points
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Practice, that’s the only way. I’m not a natural singer so the only way I can get my backing vox right is practice them with the band. It’s no good at home volumes, I need to be doing them with the band and those volumes.4 points
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Hi all I've decided to try to sell my Vintera II. I bought it from GAK back in June last year and sadly it has been sat on a stand for the best part of the year, as I cannot get on with the early 60's C profile neck. There is not a scuff, scratch or ding on it as it has hardly been touched. It is an excellent bass, wearing La Bella Low tension flats, that deserves to be played. I'll take more specific close up photo's if requested. Price includes postage.3 points
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I think Wilton Felder is an underrated bassist and deserves more credit with his work from the late 60s when he was given his Fender Telecaster Bass by a club owner in 1968 (which is when he began to learn bass) to playing I Want You Back in 1969 and the amount of musical understanding that he shows throughout everything he played shows that he truly deserves to be credited amongst the session greats such as Chuck Rainey, Carol Kaye, Abe Laboriel, Nathan East etc.3 points
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I've always played Fenders / Squiers, but equally have always had a fascination for Thunderbirds (blame it on Nigel Mogg, Pete Way and Leon Wilkeson), so when this one appeared in the pre-owned stock at @Bass Direct my interest was piqued. As we were away at the time, I decided to leave it until we got home, and see if it was still available then. It was, so... 🤷♂️ It actually arrived yesterday, and I spent a pleasant afternoon swapping the strings to my preferred TI flats, tweaking the setup and intonation slightly, and trying to get used to the, erm, somewhat different ergonomics... 😂 Not had chance to run it though an amp yet, but it sounds wonderful through the Tascam bass trainer + headphones, so looking forward to giving it a proper run out at rehearsal next week. Then I just need to persuade the rest of the band to adopt a new country-goth direction...... 😎3 points
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I'm sure a lot of you have followed the progress of our very own @Silky999's Build Diary of the 'Nitro Cellulose Experiment' Jazz Bass. Well, while on my travels for a theatre gig in Torquay yesterday, I visited Silky999 and picked this up. With so many conversations these days of basses being prohibitively expensive, this is perhaps a different route to a really nice instrument. Now complete, this nitro finish bass is a lot more than the sum of it's parts. The Nitro finish really lets the bass speak and it really does have a voice of it's own. I'd personally rate it much higher playing-wise than a Mexican Fender, and sound wise, it'd give my American Original a run for it's money. Don't expect these to be around the £300 (cost of parts) mark for long!3 points
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Last night, I played for the first time in about a month because of band members' holidays etc. with Nine Lives at The Butchers Arms in Inverurie. Great to get back in the saddle, I've missed it! Anyhoo, it was a really good night, quite busy, lots of folk up dancing, a couple of young bass nerds took a photo of my pedalboard and were chatting to me at half time - about my basses, how long I've been playing etc. Fridays can be so hit and miss so very happy to find the place being reasonably busy. In honour of the Prince of Darkness, we did a little three song Ozzy bit in the second set, Crazy Train, Bark at the Moon then Paranoid. That went down well. Anyway, I played pretty well, I only forgot how one song went in one bit (but we're ditching it soon anyway so maybe I was already subconsciously deleting it from my memory). I think some video was taken so if anything appears I'll be sure and share it. Gear was the Greco triple pickup LP then the DeArmond Jet Star (Wonky Boi) into the yellow and black cubes of doom.3 points
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I've found this approach really helps for my basic attempts at singing. Once I have largely got both parts down in isolation I start identifying which note in the bassline is the cue to start singing a particular word or line.3 points
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If I may make the assumption that you drive a car (or ride a motorbike...), you may remember the very first time in charge. There's the whole process of starting off, then a permanent series of things that the brain and body must coordinate to make it work, safely. At first, there's the notion of braking and holding down the clutch, so as not to stall. Then the rigmarole of changing from one gear to the next, with hand and arm movements and foot control. Doing all of this thankfully becomes second nature, and after some practice, one may do these things subconsciously, with no mental effort, all the while listening to the cd player and holding down a conversation. How did that happen..? Yes, it's just good ol' solid repetition and practice. It comes all the faster if one takes it slowly, a bit at a time, without being too ambitious, too early. The more one does it, routinely, the better it becomes assimilated into one's reflexes. It's not that it's easy; it's as easy as the (small...) effort one puts into it. Anyone, including yourself, can do it, with just a little self-discipline and regular (once a day for a few minutes..?) exercise. Does this help..?3 points
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I've lost gigs because of my inability to sing and play at the same time. TBF my inability to actually sing hasn't helped either.3 points
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Practice - you’ll spot “anchor points” in the song where this lyric and that bass part match up and make it easier to navigate. Also, worth trying one thing at a time. Learning to sing a song well is a job in itself, so maybe do that as one job and learning the bass line as another job. Once you’ve got them in hand, then start combining them. Good luck.3 points
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Reckon I'll mosey on down..... I'll bring my Spector Pulse 2 with the LHZ preamp, a Warwick Proline custom, an LFSys Monaco cab and a couple of amps (a choice between a Bugera Veyron, Quilter BB800, Mesa Big Block or an Orange 4 Stroke - if anyone would like to have a bash on something let me know your preference)3 points
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I’ve been playing this for a few weeks now and loving it even more! I’ve adjusted the pickup heights slightly, resulting in an improved tone and even volume across the strings and tweaked the relief/action a little. Played a large outdoor festival the other week, through an Ampeg SVT and 4x10 on a big stage with a proper festival PA. My bass sounded great and lots of nice comments about my sound at this gig from the crew, and from my band mates at rehearsals. I couldn’t be more pleased with it. IMG_0668.mov3 points
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That’s a good point. Aside from Sire, I always found that the pickups on cheaper basses lacked depth (bass frequencies) in their pickups. The originator of Sire was an electrician/ engineer, much like the founder of Markbass. My MIM P bass had American standard pups but I improved it a lot by swapping them for Lindy Fralin3 points
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3 points
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... with Japanese pots and mixed American and Japanese wires, mixed parts pre and post 1969 bridge (longer intonation G string screw at the ... E string), totally wrong knobs, really bad refret job with non Brazilian rosewood fingerboard as it's definitely not that wood (maybe already replaced once), questionable stamped neck plate, possibly warped neck, black screws for the control plate, and certainly more surprises under the pickguard and tuners : AVOID THIS!3 points
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That seems like the best decision. A lot of questions about the authenticity of the instrument.3 points
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Here's another gorgeous guitar I finished recently. Price includes insured delivery within the UK Allparts neck finished in thin nitrocellulose lacquer. Dark rosewood fingerboard. Bone nut Gotoh Kluson style tuners with staggered posts. Monteray artwork body with the correct upper horn rose wrapping over the edge of the body. Monteray artwork pickguard Monteray inscribed rear trem cover. Hendrix head neck plate. Replica fabric sticker on forearm chamfer (same as on the Fender Custom Shop models) Custom wound pickups Full size under pickguard shielding plate. CRL 5 way switch CTS pots Switchcraft output jack Vintage era style tremolo Fender parchment pickup covers, switch tip, trem tip, and control knobs. Fender Wrangler Denim covered hard case, with cream plush lining, and pink and blue Paisley on the underside of the case compartment lid. Go on, treat yourself.3 points
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I think it’s worth bearing in mind that if you bought this, and then later decided to move it on, all the questions you’re asking now will get asked by potential buyers. I’d imagine plenty of them would have reservations about the same things we’ve discussed here, so it might not be the easiest bass to sell. If it’s a great player, then you might be ok, but if it’s not (and a warped neck won’t help) then I fear you’d be stuck with a bit of a dog.3 points
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Material is less important than how well a nut is cut and fitted. My '72 J bass is still on its original and none the worse. Perhaps if I used rounds and constantly cranked the tension up and down, it would wear, but I don't and it doesn't.3 points
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Another Wednesday night for me playing rock n roll at a local club. A three piece band ( guitar, bass and drums ) using the house PA for vocals and our own backline. A reasonable crowd all wanting to dance, so we obliged with a good selection of stuff including ‘Flip flop and fly’, ‘Lipstick, powder and paint’, ‘Sea cruise’, and some more recent tunes like ‘I knew the bride’ and ‘Rockabilly rebel’. We ended the evening with ‘Tennessee Waltz’ as a tribute to Connie Francis. I used my P-Lyte into a Hartke 3500 and my old Loud 4x10. Couple of musos commented it didn’t sound as good as my Rumble 500 I used last week, and I have to agree. We get to leave the gear at the club though, and I use the Rumble on other gigs so it’s easier for me to use this set up , but I maybe do need to consider getting another Rumble at some point.3 points
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[Pedantry] Decimalisation in the UK started in 1971, so that would have to be 9d, not 9p (the 'd' stemming from the Roman 'denarius'...), but would more likely have cost 6d (sixpence, or a 'tanner'...) at the time, really; the equivalent in pence would be 2½p. [/Pedantry]3 points
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If you really want a Fender then buy used. I’m of the opinion that they’ve always been massively overpriced anyway.3 points
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Fender Musicmaster Bass 1971 This is the rarer first issue of the Musicmaster bass. This is the baby of the Fender range of this era and has a 30” scale. This early version has the smaller logo and model name with the distinctive hooked R. The tuners are original with the tulip shaped keys, later models had Schaller types. The neck is nice and easy to play, it has a lovely dark rosewood board and 19 frets. Truss rod works as it ought to and the action is low and comfortable. It also intonates very well for a two saddle bridge shorty. The bass had been modded years before I bought it and had been routed for a reversed Precision bass pickup rather than the original rather weedy sounding Strat pickup. I swapped the pickup for a Seymour Duncan Quarter Pounder as the fitted pickup was in poor condition. I also removed the ‘choke’ from the original wiring circuit as this was probably used to make the original Strat pickup sound darker. I will include the choke with the bass. The pots and Bakelite knobs are all original. The scratchplate is one I made. It’s rather rough but does the job. I have the original one but it has been modded to accommodate the P pickup and the original pickup cavity patched. I’ll include this of course. The finish is original with lots of dings, touch ups, crazing and darker patches where stickers have been removed. It has had a long life as a gigged bass. It looks great because it’s been played and loved. I’ve personally used this for all my gigs over the last year. It sounds punchy and has a surprising tonal range. It’s light at around 3.7kgs and very easy to play. I’m selling because I’m getting back to playing long scales. I don’t want trades sorry and it’s UK only. I can post at the buyer’s expense and/or arrangement. I’ve included pictures of the original scratchplate and a template I made, plus the choke and wiring before I removed the choke. All are included. It came with a quirky home made padded bag as pictured. I’ve dropped the price to encourage a quick sale. Vintage Fender at a MIM price.2 points
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This is a great Stentor Elysia bass. It’s a relatively small 3/4 bass, making it ideal for someone smaller of stature or who prefers a smaller bass. It’s in excellent condition and comes fitted with a nearly new set of Evah Pirazzi Weich strings. (Used for about 4 weeks) There’s a superficial scratch on the top rib which has been checked by a luthier (pictured). The bass doesn’t come with a case. It’s a hybrid bass with a carved front and back. Fingerboard is ebony. Sounds fantastic to me. The adjustable bridge works well and can be raised and lowered to give a great action. It’s currently set higher for orchestral playing. The bass is covered in a shellac lacquer which provides a great finish, but is prone to scratches and chips. It’s all character at the end of the day. The price is £1200 with the new set of Evah Pirazzis. With a set of Spriocore Welchs it can be yours for £950. This is a huge bargain for a lovely bass, and is the price I paid on Basschat. It’s advertised elsewhere for a little more.2 points
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As a PJB user, I agree with Bill and others who suggest that a decent 1x10 is probably your best option. There are plenty of quality 10" drivers that work well for bass. If you go the PJB route, even their 2x5 combo will cost you £400 and up, unless you find a used one at a bargain price. Those 5" drivers are great for their size, but if you're planning to jam with friends and do the odd open mic' night, I think 2x5 might struggle, especially against drums, unless the other instruments are all acoustic. I use at least two PJB 4x5 cabs (I have five, so take out as many as I need) for all but the quietest gigs. They are also quite inefficient, so take a bit of driving. I'd add a Barefaced 1x10 and something like a TE Elf to your list of things to consider. That would be light/portable and give a good account of itself. Someone I know uses an Elf with two BF 1x10s and it's surprisingly pokey.2 points
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There's not a bad sound in that amp, just a case of choosing what works best for you. Enjoy!2 points
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This was donated into the charity I volunteer at. It's a 3/4 size model Yamaha...no idea of the year. I was giving some consideration to keeping this as a travel guitar, but no. I've given it a bit of TLC, oiled the neck, given it a decent clean and put on some newish Martin strings put on (which alarmingly, the hi-E - fresh from the pack - has got a bit of rustiness on it!). There are a few small marks on the thing, but it's not had a hard life. The legacy Yamaha details state it's a spruce top with a mahogany ply/veneered body, mahogany neck. It plays nicely enough, very bright tonally. Stays in tune. Padded gig bag, zips all work. I'll happily sell at £100.00 for pickup or £110.00 shipped in the UK - all proceeds will just go back into the charity. I will consider sensible offers, but come on, it's a charity sale!2 points
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Quite a long clip - some decent footage from about 10 mins in illustrating a variety of sounds and pretty tight tracking.2 points
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I honestly don’t see the point of buying knock off chinese instruments for £200+ plus. There are loads of used instruments on Basschat marketplace that will be loads better for the same price and will still be worth what you pay for them 10 years later. The Ali express knock offs will most likely be firewood.2 points
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Alex at Barefaced wrote a fabulous article on what gives a bass cabinet its bottom end sound. In it he describes that the classic tone that many people like is a bump in the 100Hz region, basically exactly as @Phil Starr has said! https://barefacedaudio.com/pages/what-is-bottom/2 points
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At the risk of being the 5th person with recommendations 9 and 10, I play melodic metal originals using a standard tuned 5 and favour this method.. - Use a compact pedalboard with a preamp at the end to get the DI tone you want to send to the PA, rather than a particular amp/cab - Just take the pedalboard if good foldback or full backline is provided by the venue (or you use IEMs - I personally don't) - Get a simple, light, workhorse of an amp that just makes the pedalboard output loud (mine's a Markbass Nano 2 - highly recommend it) - Use the amp EQ to keep the stage sounding how you need it, knowing it can't inadvertently affect the FoH DI - Use whatever cab is provided by a venue or headline band, as it'll probably be fine for stage monitoring and you don't have to move it - Get a cab based mostly on the weight you can stand to move and the value you can stand to lend (mine's a Barefaced Two10 - my wallet is healthier than my neck/back) - If you need two cabs then get two the same, and if you like to keep your gear clean and presentable in metal venues then avoid carpeted cabs Of course, my free advice is worth every penny you paid, but all the very best of luck with the new band and the gear search! 🙂2 points
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Here's your chance to grab another of my builds. Price includes insured delivery within the UK Allparts neck with rolled fingerboard edges, and smooted fret ends, for a really comfortable playing feel. Finished in ultra thin nitrocellulose lacquer. Gotoh Kluson style tuners with staggered posts. Bone nut Neck plate with same serial number as on David's black Strat. Alder body. Custom wound pickups to match the magnetic types, bobbin colour, wire type, and coil resistance, on each pickup to match the pickupntypes used by David. Gotoh Wilkinson VG 300 tremolo to provide a vintage look, but with greater stability compared to a 6 screw vintage trem. Mini toggle switch, mounted flush to the pickguard surface, to add the neck pickup in any selector position. CRL 5 way selector switch CPS pots Switchcraft output jack Comes with the Gilmour / Hendrix suede leather strap. Comes with deluxe padded gigbag. Go on, treat yourself!2 points
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Having shipped my Head of Doom back to Ashdown I received a call today from the legend who is Dave Green. Turns out she’d popped a capacitor which he has replaced along with its sister, and she is now winging her way back to me, and should be here on Monday. Amazing service again from the Ashdown team.2 points
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Given the style of music I’ll assume it’s originals and therefore venues with proper PAs. Given that I’d look at a rig that can fulfill on stage sound. You can’t always rely on either the gear that’s there or the person operating it, so having a rig that if needed is powerful enough for the whole band to hear on stage is essential imo. As I do similar (tho punk/Oi) I’ve an Ashdown 500 watt RM500 Class D head, and two of their Pro Neo 210s, the whole rig is about 28kg. I’d always look at two of the same cab, for rehearsals use one, for gigs both if needed, plus if one cab blows the sound will be the same whereas with say a 210 & 115 each will have its own sound, so your overall sound always depends on both cabs.2 points
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Very few "2" films are as good as the "1", and most are completely dreadful. I just hope it's a bit more Airplane and less Highlander in that respect. I do have a horrible feeling it's going to blight my favourite ever film though2 points