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Showing content with the highest reputation on 16/12/23 in all areas
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Played under Concord last Friday for a Xmas bash.. Not all companies are struggling. £250k budget for the staff party.14 points
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Final gig of the year for my blues/rock trio Toredown with our monthly residency at The Shamrock in Ipswich. I wasn't feeling great yesterday, at the onset of a major head cold. Went to bed after lunch for a nap and slept for 3 hrs. Left late, got there 30 mins before kick off. That was actually quite nice as everything was set up and the traffic was lighter. Started off playing to a handful of punters, most of whom decided that our brand of music wasn't their thing and cleared off, leaving maybe a dozen souls. Things steadily improved until the place was packed and buzzing for our second set. Adenaline, caffeine and decongestants must have kicked in as I felt OK and, for the first time in a while, didn't play a single note out of place. The other guys were on the money, too - as a band we were pretty much mistake-free all night. We usually stick a slow tune in half way through the second set. Sometimes it works, sometimes it kills the mood. Last night we decided on 'While My Guitar Gently Weeps' and Alan played his socks off to the massive appreciation of the crowd which was hugely gratifying. Ended up playing 2 encores, punters wanted more but 2.5hrs was enough - certainly I was flagging by then. Got packed down really quickly, virtually empty road on the way home with no closures, home by 1am. We continue our residency there into 2024, with 10 gigs booked, plus one or two gigs elsewhere in diary, but it will be interesting to see what else pops up. My head cold has certainly 'blossomed' today so I'm probably going back to bed soon.9 points
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K, on the right is particularly funpartysilliness boy, though I wear my cowboy hat out occasionally, goes perfectly with my backless leather chaps. But the Weeds are deeply serious, and have many faces...7 points
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James Taylor and the James Taylor Quartet. They sound exactly the same. Apart from the extra word 'quartet', of course.6 points
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No gigs for me until NYE. Daryl6 points
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5 points
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French Fishing in the USA - Debbie Harry5 points
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Here's a Weeds photo... We're not by any means Country or Western, but 2 cowboy hats, a trilby and a fez!5 points
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I've been finding that my Markbass LMIII doesn't like the relatively high gain sounds that I'm throwing at it now that I've found myself in a Hardcore punk band. From what I can gather I've been overloading the preamp which causes it to cut out. Anyway, this ABM 600 Evo iv came up locally on market place, a few messages later a price was agreed and the seller even offered to deliver it as he was passing anyway. It's in basically perfect condition and seems to have only been lightly used. I've only tested it at home so far, I've got to say I'm super impressed by what I've heard at low volumes, but the real test will come in the new year.4 points
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I have a new album called ACID FUNK in production with my guitarist Nick Linnik. We've put out 3 singles so far with the latest one released just this Monday. The bass has an unusual sequence and is maybe a bit "muso" but then again I do describe our music as "Alternative RnB" or "funk fusion" for some tracks. My fellow bassists might like the bass I recorded with my Sandberg California TM5 going through the EICH 500T. Here's a link to choose your platform to take a listen https://distrokid.com/hyperfollow/yolandacharlesprojectph/hey-now I also recorded a playalong of the track for Dingwall today - that'll be out next week on their channel.4 points
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I resemble this remark. Also arranging two hours drives to meet up at a service station, audition each others bass in the car park and then geek about bass over a coffee inside.4 points
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After 7 years, the 2 sisters are reunited.4 points
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Mesa Boogie Bass Rig (full stack) incl. 19" Rack Case (GBP 1905/EUR 2200): - M9 Carbine Bass Amp Head (600 Watts @ 4 or 2 Ohms / 320 Watts @ 8 Ohms, Trans-Class™ Power w/ 8 Power MOSFET's & 8/4 or 2 Ohm Impedance Switch, Vacuum Tube Preamp w/ 1x Mesa 12AX7, Active Bass w/Pull Deep, Passive Mid, 5-Position Active Mid-Voice Switch, Active Treble & 9-Band Graphic EQ / Compressor w/Independent Threshold & Ratio Control, Graphic EQ & Mute (Footswitch Included) - Mesa Boogie 2x10"Powerhouse Series Bass Cabinet - Mesa Boogie 4x10" Poerhouse Series Bass Cabinet - 2 x High Quality Speakon Speaker Leads and power lead More photos on request. Delivery would be possible.4 points -
I did the same; many attempts to get a band together, many false starts. I gave up completely and didn't touch an instrument for a few years. I drifted back to playing guitar after a friend persuaded me to jam, but that didn't go anywhere particularly (although we wrote some great songs and had lots of fun playing them), and when it was obvious that it wasn't going to be a long term thing I had a word with myself and thought: what exactly do I want from playing music? It turned out that fame, fast cars and success wasn't what I wanted at all - I just wanted to have fun with my friends, so I did what I thought I'd never do, and formed a covers band at the age of 43, moving to bass as I did so. I've never enjoyed playing as much as I am now. Perhaps tossing it all in is what you need to do, I don't know. What I do know is that until I changed what wasn't working, I was in that endless cycle of starting bands and them slipping through my fingers until it was no fun.4 points
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Not my normal setup but the I know the bassist in one of the other bands on the bill and he offered to share his cab for the show. Sounded amazing!4 points
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Pretty much. When you hit my age you resort to the " cowboy hat". Daryl4 points
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What makes a tube amp sound like a tube amp is the natural soft knee compression of the power tubes. Using a compressor, preferably in the effects loop, will get a SS amp close.4 points
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Aria Pro II SB600 - born 1980 (as per serial number) This is another one of those 1980s basses I covered (think John Taylor - Duran Duran). I managed to get hold of this - a very good example with the case, a few years ago and lived out my 80s memories playing along to tunes at home, it has never been gigged in my time. The bass plays and sounds as good as it looks. Typical sound of the day and very easy and smooth to play.Its aged very well and I've looked after it very well too in the 8 years I have been the custodian.Yet at 62 I need to lighten the load. Comes complete with the original case, set of Rotosound roundwounds which are fitted, and the Allen key for neck adjustment should it need it. POSTAGE - Obviously it would be better if you could travel to play, pay and drive off with it but I understand that this isn't always possible. If you cannot do this, then I am happy to pack very securely and freight Parcel Force 48, as they offer insurance at something of this size and weight. This would be at your expense. To support the sale I have placed the photos up via my phone, but they don't seem to show on my Mac. I have also loaded a few videos of this bass onto my channel Youtube - Peter S. You will find more detail there nut width, weight, over view of bass n case, tones of the instrument etc.3 points -
For sale this beautiful Fbass BN4 (2015) Amazing conditions it has only 2 small dings on body! Body : Ash Neck : Maple Fretboard : Maple Preamp : Fbass Pickups : Fbass Colour Blue transparent Price : 2800€3 points -
3 points
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Got my Baby Sumo in the post today (after paying the carrier £96 in vat and other charges, grrr). I wanted a clean, quiet and punchy back end for my Noble preamp. I've tried it in the studio through a couple of One10s, and so far it's just the ticket, silent, clear and punchy with no colouration, letting the Noble do its stuff unveiled. Rehearsal and gig next week, looking forward to trying it out (trusty Elf in reserve in case it all goes tits up).3 points
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I already have too much clutter. In January I picked up a lightly used Ibanez Talman , with the intent of trying some mods. Dropped a Tbird pickup in the bridge position. Haven’t changed anything since. Then got through most of the year without buying anything until December. Then I bought a Phil Jones BigHead headphone amp , followed by a Barefaced One10 cab to drag off to rehearsals and then my wife suggested that I should buy a big hollow body orange Gretsch. And so I did. up until the last several weeks I was doing pretty good.3 points
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Posting "I am done, GAS is over" to be followed by selling on/replacing every single bass within days/weeks. And repeat3 points
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Our need to justify our own GAS by encouraging it in others.3 points
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For me, Jaco Pastorious is an incredible musician but I don't really like him as a bass player. His tone is too trebly and gutless, and he plays too many notes - it's like he's continuously trying to climb out of the space where the bass should be, and he leaves an empty hole behind him. I don't think I'm the only bass player that likes bassy bassists - people who sit in the centre of the tune behind and underneath everyone else, holding it all together; drive the rhythm along; provide a rock solid platform for everyone else to do their thing; and whose sound is big, solid, low-down and powerful.3 points
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This G&L Custom Shop L20003 points
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I can't believe it's not sold. A beautiful vintage bass with case...what's not to like. I have 6 basses that l gig and alternate on a regular basis, but if l could warrant spending on another bass l would definitely buy this and just hang it on the wall and admire it like an expensive painting while sipping on a malt whisky....apologies in advance for the ramble l'll get my coat.... Glwts bud.3 points -
Thanks, and thanks for the advice folks, it's helped.3 points
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Ah, but no cure needed for those afflicted3 points
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Selling my 2021 American Ultra. Bass is in very good condition, has a couple of very small marks. One on headstock, one light scratch where the bass sits on your leg (couldn’t get a photograph of it) couple of marks on the scratch plate from being played. Has a great vintage tone and got that precision thump when panned to the neck pickup. The bridge pickup sounds very vintage jazz bass. Works really well as either a passive or an active bass. In passive mode it has a low pass filter. As an active bass has a 3 band boost/cut eq for tone shaping. Has a light flame in the maple of the neck to give it a bit more class! Includes the case and all the original case candy. Case is immaculate. Lovely bass, only selling as I have a number of basses that do a similar job and want to create a bit more elbow room in my studio!! From the Fender website: American Ultra is our most advanced series of guitars and basses for discerning players who demand the ultimate in precision, performance and tone. The American Ultra Precision Bass features a unique "Modern D" neck profile with Ultra rolled fingerboard edges for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. A speedy 10"-14" compound-radius fingerboard with 21 medium-jumbo frets means effortless action, while the Ultra Noiseless™ Vintage pickups and advanced wiring options provide endless tonal possibilities - without hum. The sculpted rear body contours are as beautiful as they are functional. This versatile, state-of-the-art instrument will inspire you to push your playing to new heights. Other features include "F"-stamped lightweight vintage-paddle tuning machines with tapered shafts, chrome hardware and bone nut. Includes premium molded hardshell case. FEATURES Alder or ash body One Ultra Noiseless Vintage split-coil P Bass® pickup; one Ultra Noiseless Vintage single-coil Jazz Bass pickup "Modern D"-shaped neck profile 10"-14" compound-radius fingerboard; 21 medium-jumbo frets HIGHLIGHTS MODERN "D" NECK Slim with wide shoulders, the “Modern D” neck profile works for any style of playing. Ultra rolled fingerboard edges and a silky, smooth Ultra satin finish make the neck effortless to play. 10”-14” COMPOUND-RADIUS Built for speed and easy bending, the 10”-14” compound-radius fingerboard is rounded near the nut, becoming increasingly flatter as it nears the upper register. ULTRA NOISELESS VINTAGE PICKUPS The Ultra Noiseless™ Vintage pickups feature true classic Fender tone without hum. ENHANCED BODY CONTOURS The tapered neck heel allows unparalleled access to the upper registers of the fingerboard, while the sculpted rear body contour is designed for comfort. REDESIGNED ACTIVE/PASSIVE PREAMP Redesigned for the Ultra Noiseless Vintage bass pickups, this 18 volt preamp features sweeter highs, focused mids and more usable bass. An active/passive mini switch allows you to change modes on the fly. HIMASS™ BRIDGE The HiMass bridge delivers rock-solid sustain, intonation and tuning stability. SPECS BODY Body Material Alder Body Finish Gloss Urethane Body Shape Precision Bass® NECK Neck Material Maple Neck Construction 5-Bolt Neck Finish Ultra Satin Urethane with Gloss Headstock Face Neck Shape Modern "D" Scale Length 34" (86.36 cm) Fingerboard Material Rosewood Fingerboard Radius 10" to 14" Compound Radius (254 mm to 355.6 mm) Number of Frets 21 Fret Size Medium Jumbo Nut Material Bone Nut Width 1.625" (41.3 mm) Position Inlays White Pearloid Dot - 7mm Side Dots White Truss Rod Bi-Flex™ ELECTRONICS Bridge Pickup Ultra Noiseless™ Vintage Jazz Bass® Middle Pickup Ultra Noiseless™ Vintage Precision Bass® Controls Master Volume, Pan Pot (Pickup Selector), Treble Boost/Cut, Midrange Boost/Cut, Bass Boost/Cut, Passive Tone, Active/Passive Mini Toggle Switching None Configuration SS HARDWARE Bridge 4-Saddle HiMass™ (Toploaded) Hardware Finish Nickel/Chrome Tuning Machines Fender® "F" Light-Weight Vintage-Paddle Keys with Tapered Shafts Pickguard 3-Ply Control Knobs Knurled Flat-Top Neck Plate3 points -
As you don't play yourself, I'd be wary of buying something expensive on spec'. It's difficult to get it right when buying something for someone's interest that you have little knowledge of. As it's not a main present, I'd keep it simple. Programmable strobe tuners are all very nice, but are a bit expensive/overkill for a young guy with his first instrument and amp. The TC clip on tuner at a quarter the price would be fine and you could add a decent strap and gig bag and still spend less than the the cost of the Peterson suggested above.3 points
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Hope you and yours are all well @RSbassman Assuming no major changes in the meantime, @RSbassman , below is the full spec if it is of any help: - 34" scale - Camphor top; wenge demarcation; chambered alder back - Mahogany/walnut 3-piece through neck - Ebony fretboard - Luminlay side dots - SD 2-band EQ - SD Hot P neck pickup - DiMarzio J bridge pickup - Hipshot tuners including drop D - Warwick brass adjustable just-a-nut - it's light at 7lbs 13oz. Sits on the strap beautifully. The bass won No Treble Bass of the Week in 2016 : https://www.notreble.com/buzz/2016/06/20/bass-of-the-week-ajr-guitars-singlecut-bass And to any prospective buyer - This is an absolute bargain at any level. It was one of my favourite builds and my own bass for a number of years. Grab it!3 points
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Grab yourself a Christmas stocking filler with £1,500 off!3 points
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I concur!3 points
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I'm considering faking an interest just to get to play it........3 points
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Nothin wrong with a Cowboy hat imo3 points
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I know it's been a while. I've got part of a box assembled, going to drill the front panel for t-nuts, cut some drainpipe to length (when I've established the final internal volume), and then finish assembly. Lessons to take on board (I don't think I'll be doing another one of these though): Don't get B&Q to do the cutting. I'm sure I could have done the cutting more accurately myself. Make the speaker cutout only as wide as is needed - don't rely on the specs for that, measure it. Get smaller battens. Make right angles 90 degrees. 88 degrees is not a right angle.3 points
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A Tragic Tale of Love and Loss: In a bittersweet twist of fate, as I bravely leap onto the treacherous housing ladder (pray for me), I must bid adieu to this wonderful specimen. Great conditions in general, and even better for an instrument made in 2006. Aged like fine wine, it has indeed. It's a humanitarian purchase: I have major difficulties getting along with Rays, but this is the one I would have kept: by far the best one I've played, and I think Ernie Ball should make them like this in the factory.If it does not sell, I will not be heartbroken. But then, ladies, gentlemen, I put to you the following proposition: imagine, if you will, a world where this majestic bass gathers dust. The minds reject the notion, as shivers run through the spine. Save it—I beg of you—from a life of solitude and give it the love it deserves. It will feel neglected if you don't. It's a humanitarian act, really. This is the Ray that other Rays tell legends about. It's the Ray that outplays all other Rays. It has a ceramic magnet, but I find that with the right EQ it does the Vintage Ray thing quite well—perfect if you want to channel your inner Donny Benét. Comes with the original OHSC. Comes with the original OHSC, which could not be nicer even if it had been lined with gold. May be tried in North London, in which case tea and biscuits will be provided (though the kettle so long as the kettle still works. For the handover, I work in central London and I have shipped instruments as far as Australia, so shipping far isn't a problem (but Pitcairn I won't do). Please don't tempt me with trades. I have the resistance of a cat to a laser pointer. I want to say no, but I'll probably end up saying yes. I include a couple of cheeky pictures. Also, @lowregisterhead's video below—with the hope that he will not mind me sharing!3 points -
Maruszczyk Sputnik 6 Olive with Jazzus shaped headstock, Aguilar DCB D4 pickups and Aguilar OBP-3 onboard preamp. Specification: Model; Sputnik (Jazzus shaped headstock) Weight; 10.2lbs (Bathroom scales) Number of Strings; 6-String Scale Length; Super Medium Scale 33'' Number of Frets; 24 Frets Body Wood; Ash Top Wood; Olive Veneer; Walnut Color Type; Natural Body Finish; Matte Neck Construction; Set in Neck Wood; Hard Rock Maple (3-piece) Neck Finish; Matte Neck Profile; Modern C Nut Width; 54mm Carbon Rods; Yes Fingerboard Wood; Ebony Ramp; Ebony to match fingerboard Fretted / Fretless; Fretted Side Dots; Side Dots Fingerboard Inlays; Mother of Pearl Dots Fingerboard Radius; Without Radius Headstock Type; Matching Headstock (Natural) Headstock Finish; Matte Headstock Logo; Abalone Nut; Black Neck Pickup; Aguilar DCB D4 Bridge Pickup; Aguilar DCB D4 Active 3-band; Aguilar OBP-3 Hardware Color; Black Bridge Spacing; 17mm (Adjustable) Bridge Type; Hipshot A-Style (Aluminium) Knobs Type; Dome-Style Tuner Type; Standard Y-Style Security Locks; Dunlop Flush Mount Straplok String Type; Nickel Nickel Strings; M6AN Gigbag; Nylon Gigbag2 points -
So in a PM just now I described the condition Basschatitis. In the interests of medical science, I suspect we - as suffsrers - need to clarify symptoms and define treatments. Feel free to contribute......2 points
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Inside of a violin?2 points
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a groupie for the night2 points
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I’m 63 !2 points
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Customized strap from Pinegrove leather?2 points
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The Kemper does sound good but it looks like a pilots cockpit and needs a lot of fiddling about. Nathan King was talking about it on one of the Andertons bass vids and he broke it down and simplified it and it looked a lot easier to use than you would initially think. Lot of money tho. Not seen much on the Helix. Keep me posted if you go down this route as i am also kind of interested in no backline once i can persuade the drummer who owns the PA that it would be easy and fast set ups on stage. Dave2 points
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Ok I’ll bite - yes 🤓2 points
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I too have bought nothing. Although I rehease most weeks and have done half a dozen gigs, and we made a new album this year, I have not spent a penny on gear ? Not even a string, cable or pick. In fact I sold an unused set of strings for £20 on eBay, so I'm in profit.2 points
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Am I ready to give up? No way. I'll tell you why this is, and bearing in mind, like everyone else, I've had the usual run of let-downs, other musicians unreliability, bad venues / venue owners etc.... I started playing in the early 80's and grew to love playing the bass. I was in a couple of bands - we were all young and had dreams of a future where we would enjoy some unspecified level of "success". But after just a few years, myself and bandmates had moved away, got married, had kids and put our instruments down..... Years on, and by chance, my ex wife gave my teenage son a bass for Christmas. That sparked something in me. I picked up the bass I'd kept in a case under the bed. I couldn't remember much or get my fingers working properly - but it was fun to work out baselines again, and do so with my son. Years later, and I rediscovered the buzz I get from playing music and see and hear people dancing, singing along and just enjoying live music. I love live music myself, and I have rediscovered the joy of playing.... after an absence of almost 25 years. I've had lots of good gigs, and many brilliant gigs. I've met loads of great friends through live music, and since I started my second musical journey, I have never looked back. I cannot now ever envisage a time when I no longer play. And I continue to really enjoy playing.... and long may that continue. Apologies for the long reply - but that's how I feel, and I hope that everyone thinking of quitting, or has a change of heart - maybe even take a short break and try a different style or genre?2 points
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Hello guys count me in the club!2 points
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