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Showing content with the highest reputation on 03/12/20 in Posts

  1. For sale Fodera Custom Monarch Deluxe 5 with rare Dyer Oak top. This bass comes new from Thomann in 2018 (12.100 Thomann price) and it’s in like new conditions. Lightweight ash body, birdseye maple Fb, last generation fodera preamp, wood coverer duncan dual coil pick Up, 34” scale. With fodera Custom case and documents.
    7 points
  2. Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. WOOD & TRONICS Zoid 5 (to me their best design), naturally reliced : some pay huge amounts for this by 7ender, here it's free ! NO TRADES ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £1599 GBP !!! A new one would cost you at least twice the asking price if you order it today with the same specifications and a few months to get it. Shipping to United Kingdom is, of course, possible, but with an extra customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In fully working condition, with some 13 years of use, but no abuse. Here are the specifications : Body : swamp ash wings with quilted maple top (and magnetic electronics lid) Neck : 3 pieces flamed maple through neck Fingerboard : rosewood with brass dots on the side and abalone on the fretboard Frets : 24 mandolin frets in perfect condition Headstock : 3 + 2 with matched quilted maple top Pickups : Nordstrand DC 5 with switch (chrome) working for the both pickups together in parallel / single coil / series (so you have no strange sounds when blending them) Preamp : Aguilar OBP-3 Controls : volume, balance, bass, mid with one switch (chrome) for the 400 / 800 Hz frequency, treble Tuners : Hipshot Licensed Bridge : original two parts Wood & Tronics (ETS) Strings spacing at bridge : 19 mm Nut : brass Strings spacing at nut : 10 mm Knobs : original metal Scale : 34 inches Hardware colour : gold except the switches and the output jack, which are chrome Truss rod : one (real Fodera) Finish : light gloss Land of craftsmanship : Italy Serial number : unknown Year : 2007 Weight : 3.905 kilos Action : from 1.5 mm under the G string to 2 mm under the B string at 12th fret (can go lower, but was perfect for me) Will come with an unbranded hard case. Non-smoking environment as usual. The bass has been fully set up professionally. It has been fitted with a new battery and a (now used) set of Fodera Nickel strings (45 - 65 - 85 -105 - 135). Early hollowed model à la Fodera, totally hand made (look at the lid), with that sweet and detailed sound typical from that period. Lots of wear and a few dings for this player, but don't be afraid, everything is working fine without any electronics scratches (except the usual Aguilar crack when switching the mids) and no hidden issues... The price asked reflects that condition. Link to the old Wood & Tronics page : ZOID Custom Variations Wood & Tronics (wtbasses.net) Here a video by Enrico PASINI himself to give you an idea of how a Zoid 5 can sound : And another one, made by Arnaud MORIN aka @tournesol74 (33 inches scale, ebony fretboard and different pickups, but the "sound" of the Zoid 5 is there) : What you see is what you get ! Look at the photos taken at different angles to see the real condition, the wear and dents. Absolutely no real damage, only wear of time and playing ! All the 36 photos are here : https://drive.google.com/drive/folders/1_xP_ULUN5NmnkamMIseIWb2Gd53RhFDX?usp=sharing Don't hesitate to ask for more.
    7 points
  3. G&L L-2000 1984 made in Fullerton, California. Serial number B014299, swamp ash body and "bi-cut" maple neck with 1 3/4" nut and 7.25" radius (like a good P-Bass); powder-coated aluminum “black crinkle” hardware (only present until 1988). NOS item, with no signs whatsoever. Perfect tuners, perfect original electronics, truss rod absolutely in working order and with plenty of adjustment space. Original G&G hard case included. Weight: exactly 4 Kg. True classic of the late Leo Fender! Please, no trades! Shipment to be paid by the buyer. You will not find another one in these conditions!
    7 points
  4. It interests me particularly because I used to be so angry all the time, and always with other people refusing to adhere to my point of view. Back then if I accused someone of sitting on the fence it was literally the worst insult I could throw. More recently I've been trying to change the way I live and recognise that what other people think is none of my business. To be accused of being a fence sitter myself is wonderful indication that I am succeeding.
    5 points
  5. The only problem with that is, as soon as the advertisers are the driving force, the quality of programs takes a serious dive. I have no problem with the licence or the programs the BBC puts out. Anything that divorces the program makers from commercial considerations is a good thing in my book. Is this non-payment a new thing? I always got paid by the BBC, but that was rather a long time ago.
    5 points
  6. Whilst getting my ad ready I remember your question Al... My favourite out of the three is the red one the right... My favourite 1200 is the sunburst.
    5 points
  7. If it was a live show I’d be tempted to agree to no dosh, then play So What by The Anti Nowhere League, just to learn ‘em a lesson.
    5 points
  8. I just thought I’d share this little project with you, I bought what Im pretty sure is a late 70s or early 80s Kay cort (please correct me if I’m wrong here 🙂). It was in a pretty grimy condition in an old case, but after a closer look I’d say all original , it didn’t work very well, the jack socket had a few spiders in it 😁 , and there was a broken wire on the pickup selector switch, so I set to work cleaning it up , more pics to follow 🙂
    4 points
  9. The nut polished up really good and the fretboard cleaned up well too , it’s had 2 coats of lemon oil
    4 points
  10. I don't have anything to do with the Army and I'm absolutely certain we don't need a nuclear deterrent, let along a totally modernised one, but I'm still paying for those. . . . and don't get me started on how much our Politicians are costing us!! IMO the cost of the BBC is insignificant in comparison.
    4 points
  11. The bass definitely drives it, which is probably down to my love of bass and why I asked the question...I always want to hear the bass loud in my stuff but have regretted that later more than once. It is too late to mess with this mix as the album is done and out there but the mids/mix is something for the next project. Note: The timing is pretty much as it was from memory Putting bass to one side, the Blue and Hazy album is full of what could be considered "mistakes", most of I am aware of and ignored but I'm sure there are others. I also tried to avoid too much compression. I don't think that will work on the next as it is going to be more electronic and heavier. Your comments are relevant to that. From Blue and Hazy, there is another sinister track on Youtube that is a good example of what I was after. I'm not actually playing the bass on that one (Pete Brownbridge is on double bass) but you can hear all the mistakes, background noise and clicks and bangs. The percussion/shakers are almost random at times. I wanted it to sound as near live as possible so in production tried to leave everything as was. There is even a missing guitar strum where I lost my way heehee. From memory I think that the timing varies too but that kind of suited the track.
    4 points
  12. Having said that.... I'm not sure asking bass players if there's too much bass is the wisest idea! 🤣
    4 points
  13. As @Paul S mentions, JamKazam can be a little tricky to set up if you're not a tech head. Couple of things I would mention is that you definitely want to be hard wired into the internet for JamKazam. Wi-fi won't cut it I'm afraid - it will work, but the latency will render it virtually unusable. Some of the guys just use their wired connection for the rehearsal and go back to wi-fi for day to day use. I've found that using a mains extender does work. Ultimately, it all depends how good your wired connection is. If you have five in your band for example, you'll all be reduced to the slowest speed of the five of you, so it's important for all to use the fastest method possible. If you're using Windows, you will want to check what drivers you are using for JamKazam. I have a Mac which sorts itself out fortunately. From the rehearsals I've had so far, pretty much all the problems that I've heard about have been Windows related in some way. One frustrating aspect for one band member may possibly be the drum kit. I'm fortunate that the drummer @Paul S and I rehearse with has a dedicated drum room with a top of the line Roland electronic kit. I would imagine an acoustic drummer who lives in a flat/terraced property who is a bit tight on space may find it problematical. If anyone chooses to give it a try and gets stuck, give me a shout and I'll try and help.
    4 points
  14. My happy Christmas music moments are all carols. I loved singing in choirs and opera groups as a younger man, and every year the carol concerts were a highlight. When the descant to Oh come all ye faithful or Hark the herald kicks in...yep. Happy memories and Christmassy feelings right there Much nicer than the retail hell memories I have that are associated with the pop stuff. I should add here that I’m not a man of faith, it’s purely to do with nice memories and liking what I like.
    4 points
  15. Yep, in Glen Matlocks book (he of The Sex Pistols) he says that everywhere else in the world musicians are treated fairly, even royally, whereas in GB once you’ve finished playing it’s “you’re in the way of the disco, can you eff off now”. Some UK promoters really get it, but they’re few & far in my experience, whereas play in Europe and you’re treated very well indeed, to the point of contacting you before the gigs to establish if any band members are veggie/vegan/have any food allergies. In some places in the UK you won’t even get a bottle of water to go on stage with.
    4 points
  16. Gold fret wire..................... Jescar FW55090 EVO Mark was looking for something different this time, so he asked me to fit some EVO gold frets.
    4 points
  17. Oh dear, are we expecting a 4 disc prog rock concept sometime soon?
    4 points
  18. I've said it before but I'll say it again. The BBC is an utter scumbag organisation from the top to the bottom, and the sooner it's shut down, or at least defunded with public money, the better.
    4 points
  19. Hi, I haven't posted for a while but I finished a solo/singer/songwriter album under lockdown and wonder if I got carried away with the bass. The single and album title track below is an example with 3 (or was it 4) inter-woven bass parts by the end of the track. I'm about to start on a new solo project. I was asking myself, did I get carried away? I mean would it have been better with a simpler bass line and transferring the focus to other instruments or effects? Any thoughts?
    3 points
  20. Very nearly finished with this one. Got the pickups & wiring installed. Just waiting for some pickup covers and a proper bone nut blank now.
    3 points
  21. Well seeing as everyone else has actually answered the question you asked, I will now answer the question you didn't ask. Although it's not a rotor cuff injury for me, I have also struggled with playing bass and back pain for years ... 15 of them, in fact. I ended up owning a variety of VERY light basses (including far more Hofners than was good for me) and that all helped a lot. BUT By far the biggest result came from years of steady, constant Pilates exercises. It's not a quick fix and it ain't spectacular, but By God! is it effective if given time. There are plenty of valid alternatives. Yoga and Alexander Technique spring to mind. In your case, given that your problem is injury-related, a decent program of physio would probably be the best option - though I suspect you've already been down that route? The important thing is to deal not just with the symptoms (by selecting lightweight gear) but also the causes, as far as that is possible. Ultimately, dealing with the causes will do you far more good.
    3 points
  22. £550 £500 Will ship at buyer's expense Photos HERE Fender Classic Series '50s Precision Bass, Honey Blonde Great condition, I have tried to photograph the dinks and where the paint has flaked away around the endpin. Comes strung with rounds and a beat-up old Warwick rockbag gig bag. The pickup covers have been changed as well as the pickguard (pickups themselves are the same) and I don't have the originals. ---- One-piece maple neck/fingerboard “C” profile, 7.25” radius neck 20 vintage-style frets Vintage-style split-single-coil pickup 3 ply cream pickguard Vintage-style four-saddle bridge Reverse open-gear tuners ---- 'For players who prize original-era Precision Bass sound and style, the Fender '50s Classic Series Precision Bass is a must-have instrument. Throughout the 1950s, the Precision Bass was the only Fender bass, and this model gives you the design from later that decade that has been the world's most recognized electric bass guitar form ever since. Delivering powerful punch and great value, this is a great evocation of a profoundly influential instrument, with authentic touches including a honey blonde finish, gold anodized pickguard, reverse tuners and more.' Specification Shape Precision Bass Neck One-Piece Maple Neck Profile C Bridge Vintage-Style Four-Saddle Machine Heads Open-Gear Pickups Vintage-Style Split-Single-Coil Case Fender Soft Case Body Alder Nut Synthetic Bone 1.75" (44.45 mm) Scale Length 34" Finish Honey Blonde Poly.
    2 points
  23. Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. Superb looking, playing and sounding WARRIOR Dran Michael 4 (DM4) Custom Neck Through Signature with loads of options like wider strings spacing, inlays and higher grade woods. NO TRADES ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £2299 GBP !!! Todays price for a similar bass with all the options : at least $8000 USD or around £6000 GBP ! Shipping to United Kingdom is, of course, possible, but with an extra huge customs fee (VAT + other taxes + courier fee), because U.K. is now outside EEC. In fully working condition. Here are the specifications : Body : 2 wings of swamp ash (DM selected high grade woods) Top : holographic highly flamed maple (DM selected high grade woods) Neck : 3 pieces through neck with holographic highly flamed maple (DM selected high grade woods) Fingerboard : holographic birdseye maple (DM selected high quality woods) with mother of pearl birds inlays, mother of pearl sword inlay and mother of pearl "2005" inlay on the side (black side dots seem to have been added afterwards as there are traces of mother of pearl dots or it's been chosen by the original owner. It is also signed at the back of the headstock by ... Marcus MILLER) Frets : 24 in stainless steel Headstock : 2 + 2 with flamed maple top and mother of pearl inlays Pickups : 2 Warrior/Bartolini humbuckers (Jazz in bridge position and Fatboy in neck position) Preamp : Warrior/Bartolini NTMB-918F 3 bands EQ (18 Volts) Controls : volume, blend, mids (active/passive switch), stacked treble and bass plus 3 positions switch for the mids frequency (Neutrik locking jack) Tuners : Warrior/Gotoh Bridge : brass Warrior/Hipshot A Style Strings spacing at bridge : 22 mm (adjustable) Nut : bone Strings spacing at nut : 12 mm Knobs : original metal with mother of pearl inlays dome Scale : 34 inches Hardware colour : gold and you'll get the Dunlop Straplok® flush mount 24 KT gold that you can see in the case pocket Truss rod : one fully working Finish : high gloss trans orange-stain (see hand writing in the neck pickup cavity) and hand rubbed “Anointed Oil” for the neck Land of craftsmanship : USA Serial number : 04 852 Year : 2005 Weight : 3.785 kilos Action : from 1.5 mm under the G string to 2 mm under the E string at 12th fret (can go lower, but was perfect for me) Will come with the original unbranded fake crocodile skin hard case. Non-smoking environment as usual. The bass has been fully set up professionally. It has been fitted with two new batteries and a (now used) set of D'Addario Nickel EXL165 strings (45 - 65 - 85 -105). A bass in the league of Fodera and the likes. A true high end bass. Link to the old Warrior page : Dran Michael Warrior Bass - Hand Crafted Basses - Custom Bass Guitar - Boutique Bass What you see is what you get ! Look at the photos taken at different angles and under different lights to try to capture the real colour to see the real condition, which show only some little wear with a very few dings, crazy slapper scratches and other light scratches (no rear heavy marks or scratches), the most obvious mark being under the control cavity where the bass is left on a stand. The pickups are marked too, particularly the neck pickup under the E string as they were too close to the strings... All the 46 photos are here : https://drive.google.com/drive/folders/1-efgenTb8UL6FvPLirgy9xZnCUKtiw0K?usp=sharing Don't hesitate to ask for more
    2 points
  24. I was travelling across nevada, and on one of the desert roads was 'the biggest sex shop in <wherever I was>'. I thought it was quite amusing at the time as there were large billboards both sides of the road, one side had about god and repenting, the other had about this sex shop. When we got there it had a really big carpark (it was a barn in the desert) and had a big sign by the car park entrance which said 'No Semi's Allowed'. Almost crashed I did.
    2 points
  25. I have been experimenting with JamKazam and it works very well. I just plugged my mac plus into the router, followed the set-up steps and it worked fine. It does seem to need reasonable upload speed but since I went onto 100Mb FTTP it's been rock solid. I use an old and cheap Presonus Audiobox USB which I picked up second hand on basschat several years ago, so you don't need to spend a lot of money to get something that works.
    2 points
  26. Well I've been offered a gig on Saturday, entertaining the punters at an outdoor Christmas market. A mix of lowest common denominator covers with about half a dozen supermarket Christmas songs thrown in. Of course I do have some pride, so I told the band leader... Hell yes, I'll do it!
    2 points
  27. And........ SOLD!! You have to move fast when bargains on instruments like this make themselves available
    2 points
  28. Not all covers are bad, some bring a lot to the part:
    2 points
  29. Is weight of gear an issue? If not then, as you’ve used Ashdown I’d look at one of the ABM heads and a matching 410. For £700 you’d be able to get the ABM600 which is imo easily their best one so far, and the 410 as well. Plenty enough volume for the types of venues mentioned , reliable, hardwearing and if there should be an issue they’re UK based so easy to get it sorted.
    2 points
  30. Maybe you could get it repaired..? ...
    2 points
  31. Delivery truck left. I may be unreachable for a while. First impressions are nice, but the SX was built better. There are a couple of minor cosmetic flaws (a tiny bubble on the neck lacquer, some small flaking of the lacquer by the nut) and the nut slot for the high E is a tiny bit too low, so the open string chokes a bit against the 1st fret but fretwork is otherwise good (on the SX I had to level 2-3 frets around the 12th-15th fret area on the treble side). It is beautiful, the neck is really nice, a bit slimmer in profile than the SX... I like both, to be honest. Sounds... the pickups are a bit meatier than the SX, but not substantially better or anything: it's just a slightly different tone. With what I know now, if you just want a cheap but nice Telecaster, I'd pick the SX over the Squier... but the Squier is purple, so... Let's see after I adjust and set it up more to my preferences, balance the pickups etc.
    2 points
  32. Thank you, top advice! Yes I've had physio in the past which has mostly been really helpful. But only so far, I'm always aware of my left shoulder and shoulder blade area. Yoga is something I enjoy, my wife's been a professional yoga teacher for 30 years so I'm in good hands. But there's a fair amount of positions I have to leave out of my routine due to it aggravating my left shoulder and neck area. We've just moved house so I'll try and find a new physio once lockdown is all out of the way. Thank you so much for the advice, really appreciated. Pint for you if you're playing round our way anytime 🍺 Actually the McCartney thing doesn't bother me really. If I was a young nipper in a trendy happening band I'd probably think twice about it, from an image point of view. But I'm old and er, 'road worn' now so I don't have to care about who played what or what basses look like on me. I'd play anything. (if I could lift it up off the stand without my neck and shoulder giving me grief, that is)
    2 points
  33. One of the drawbacks of having to convert analogue to digital and back again. When the method for time travel is cracked it wont matter so much.
    2 points
  34. The ones that seem to work for the people I play with are the Focusrite or the Behringer. I think the two input Behringer is about £30-40. I believe it's what @Paul S has. I was lured by the lovely dark red of the Focusrite. Good job I don't play keyboards any more or I would have a house full of Nord's 😂.
    2 points
  35. Here I am almost naked....cheapest one yet, just an A3 sheet of Perspex, 2mm thick!
    2 points
  36. Nothing much to add to the previous posts, only that after an accident I was in a similar position to yours for a while. The reduction in weight of the bass coupled with a shorter scale worked for me, and enabled me to carry on working. I have a Dano Longhorn (30.5” scale) which weighs nothing and would be my recommendation. Paul’s Dano 56 mentioned above would also be ideal IMO, pretty much the same instrument with a more conventional look if the Longhorn ain’t your thing. They are a lot of bang for your buck, and in the unlikely event you didn’t like it then you would probably recoup your outlay too. Maybe also worth a look is the Ibanez GSRM20B-WNF. Short 28.5” scale length, and marketed as a ‘first’ bass but from some comments on here I believe they are highly regarded. Not sure of the weight though. Hope you find something suitable.
    2 points
  37. I’ve been using JamKazam and it’s great. Bought myself a Focusrite interface and away I went. Been using the Focusrite a lot for recording too. Wondering why I didn’t do it years earlier.
    2 points
  38. Hofners have pretty narrow necks and tight string spacing. OK if you're a pick player, but I find them difficult to play, being so used to Fender style basses. The Danelectros suggested by Maude would probably better suit someone switching from a conventional instrument.
    2 points
  39. First I engrave the font with a CNC milling machinen like this: Then I use powder paint / powder coating. After that I take fine sand paper 320...
    2 points
  40. Lonely This Xmas by Mud. In fact, last year it was so lonely and cold that we had to burn the Xmas tree.
    2 points
  41. Another work in progress. Just feel something is missing but I can't decide what... I call it Fat Larry.
    2 points
  42. Stingray V - 20th Anniversary.
    2 points
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