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Showing content with the highest reputation on 11/09/18 in Posts

  1. Everyone -- back in January, 2018 myself and a group of musicians decided it was time to freshen up our repertoires with new jazz. We listened to about 200 songs and then, through a double blind review process, agreed that 9 of them were of sufficient quality for inclusion in a book called "Today's Jazz Book". It's a free book, and we did it all through a non-profit. The charts have been transcribed and formatted by a professional arranger, and its' all volunteer. The tunes had to meet certain criteria -- interesting chord changes, killer melodies, suitable for a typical small jazz combo, one page long, or two pages at the very outside. There are MP3's as well that are free. If you would like a copy, let me know and I'll private message it to you -- you don't have to give anything up for it -- not your email, you don't have to register anywhere, no account to set up. Just a bunch of guys trying to create an ever-expanding book of quality jazz tunes. It's a labor of love, not a commercial venture. Think of the Real Book, but legal to share, print, and perform live without royalties due -- you can even record the tunes without royalties due to their Creative Commons license -- they are quality too, so don't let "free" fool you. WE even consulted a lawyer to make sure what we were doing is legally sound. Send me a private message if interested...and I'll shoot a copy over to you. Tunes are in C and Bb, with Eb and Bb almost out of the oven...
    8 points
  2. Unexpected bills mean I’m having to downsize this is a fantastic bass. No issues. Fantastic condition. Comes with status hard case , paperwork and hex keys. Price includes delivery.
    5 points
  3. ...I've ever heard. Obviously for this style of music but the recording is incredible to my ears. Pekka Pohjola (who I confess to having never heard of before) on Bass. Brilliant playing throughout the whole album. I thought it was a Pbass but from what I can gather he almost always played a Jazz...Hope you all enjoy as much as I have.
    5 points
  4. Ed Freidland's latest words of wisdom https://www.bassplayer.com/lessons/r-b-gold-sep-2018
    4 points
  5. I tried this on another forum and no one even posted or commented about the book. I asked one guy on that other site and he said he was afraid of downloading something from a site he didn't know. I post it here and 12 people so far want a copy via. What a big difference! I will send it all out tomorrow. This also helps me gauge interest and see who is truly into this kind of thing. I want to say thanks to everyone so far for your kindness and appreciative comments. It has been a labor of love, emphasis on the word "labor" as much as love, so the kind of encouragement you are all giving is really important to me -- and the army of volunteers I recruited to make it happen so far. We have more tunes in the works, I got a transcription of one today, and will be adding it as soon as its ready. Also having a group of musicians over to master the tunes in Today's Jazz Book so they can be part of our regular gigging repertoire. Also plans for a YouTube Channel with them all... Thanks! OwnHeart
    4 points
  6. I've always preferred playing for the song, and don't have nearly the skill, knowledge or talent (or frankly the desire) to take a solo with confidence so this resonates nicely with my approach. I do appreciate the flamboyance and sheer ability of some other bass players, and I'm genuinely happy that there are people out there pushing the envelope for the instrument, but it just isn't me - and this is a wonderfully eloquent way of stating that there is space for both styles of playing, sometimes all within the same person. We play covers, so I learn my bass parts and put in 100% to make sure the bass helps the band sound good... and that's enough for me.
    4 points
  7. For Sale. 1x Vanderklay 112MNT Cabinet. £500 In excellent condition, used on 2 gigs. Complete with Vanderklay padded covers. Collection from Birmingham or please contact me to discuss possible delivery as I travel around the U.K generally so may be somewhere neer. I am selling these superb cabs as well as some other items to fund a custom bass that is due for completion very shortly and needs to be paid for. Grab a bargain for what is essentially as new cabs. these are currently retailing at £700 each with the covers I beleive Exquisitely designed high end bass amplification from Europe with the modern bass player in mind. Hand made cabs featuring custom designed drivers and cross-overs. Available exclusively from Bass Direct, we feel that if you are in the market for professional quality cabinets you should put these on your list and come in and try them out. The NeoLite cabinets are loaded with the latest generation custom-made neodymium drivers. The drivers are absolute state-of-the-art; constructed from a cast aluminium frame, neodymium magnet assembly, unique coil and magnet cooling design, waterproof cone material, linear frequency response, high power- and sensitivity-ratings. The tweeters feature a custom-made filter with tweeter protection circuit and a high frequency attenuator on the back panel. Here you will also find two Neutrik® speakon/6.3mm jack-combo connectors linked parallel. These "high efficiency" cabinets are sealed airtight from the inside so the air will only enter or leave the cab through the tuned port-tube mounted on either the front or back or both. Each speaker cabinet is hand-made by Marc Vanderkley, using strong but lightweight void free birch and poplar plywood, dowel joint construction, internal bracing and is covered with high quality black carpet which will protect your cabinet for years to come. With 600 Watts rms on tap, this super high efficiency cabinet is ideal for the player looking for a very high output and lightweight cabinet that provides plenty of controlled volume. Deep low end is perfectly balanced with punchy mid range and detailed, crystal clear high end. A very light cabinet that works for almost any type of bass, including upright and any style of music. We suggest running a pair of these for maximum efficiency. Configuration: 1x12” Neodymium driver + 1" tweeter variable tweeter control from 0 - 10. Power: 600 Watts RMS Impedance: 8 Ohms and 4Ω version for 2015 Freq. response: 40 Hz – 16 kHz Sensitivity: 99 dB 1W @ 1m Size: H x W x D, 41 cm / 16” x 50 cm / 20” x 41 cm / 16” Weight: 16 Kg / 35 lbs Thanks for looking Mark
    3 points
  8. Whatever works! Yesterday's Technology Tomorrow is my creed. "Ebonised' Jatoba. Thoroughly clean fretboard with denatured alcohol. Carefully apply three coats of alcohol based leather dye (USA brand I use is Fiebings) about 5 minutes apart. Let dry overnight and rub with a rough cloth to remove any excess pigment on the surface. Darken dots with Sharpie. 3mm 'Geezer Dots' (1/8" plastruct.rod) My spraygun setup, LVLP using $20 USD siphon guns and 1 pint screw top mason jars. Allows for quick cleaning and no wastage of leftover lacquer. As well as no surprises in the middle of a coat. I use about 25 PSI at the gun maximum for most lacquer base, mid, and top coats . Light 320 grit dry scuff sanding between paint steps only when necessary. Two coats of pure white nitro, about 15 minutes apart. 'Flash Off' flow out solvent, 'No Blush'' additive, and slow thinner makes nitro behave when temp and humidity are this high in the swamp. Better Living Through Chemistry!
    3 points
  9. That's a statement that definitely benefits from the spell check.
    3 points
  10. Who doesn't like a bit of midnight Mingus? One of the best openers on any album! And let's not overlook what happens to be one of the best album titles/covers 🤣
    2 points
  11. I had one and it was stunning for the money. As said, swap out those cheap strings and you'd think you had spent double the money. I only got rid of it as I am 6ft 3 so it looked like a toy on me.
    2 points
  12. The deed is done. Double PBXN jazz bass in sunburst/tort is on the way 🙂 Fateful excuse " I'll sell a couple to make room" along with "need to use those nectar points" was all it took. ETA sometime Thursday 👍
    2 points
  13. I would like the yellow and to sing Yellow by Coldplay. Also Mellow Yellow.neither song is covered much in Alabama...
    2 points
  14. Is this a 'Sue Ryder bass' for our times? How many people here remember the brief but entertaining Sue Ryder feeding frenzy?
    2 points
  15. If someone was having difficulty deciding whether to buy a bass from me I'm fairly sure that going off on one at them would make sure I had just lost a sale.
    2 points
  16. Bass playing - it's so hard getting it exactly right.................
    2 points
  17. I've always enjoyed his critique of films - but was unaware of his other talents. Further confirmation of bass players being the classy ones.
    2 points
  18. I had a 22 fret neck made by Keisel/Carvin in the USA. It was cheaper than I could get made for me in the UK (even after import duty etc).
    2 points
  19. We'll be there with DV Mark and Markbass. It'll be interesting to see how it compares with the bass show...!
    2 points
  20. Thanks for sharing. "my intention became to fill each note with what I call “life force.” " Brilliant. Ed taught me to play upright bass (via one of his excellent DVDs) - always loved his Bass player magazine articles. This one could have been called Zen and the art of playing bass guitar.
    2 points
  21. You've got sunbursta tortiensis. The only cure is to get your credit card out...
    2 points
  22. "a Texas honky tonk for Chicken-stinky poo Bingo," PS; Hahahahaha! That's a score for the profanity filter.
    2 points
  23. "My first impulse was to dig deeper into the rhythm to find the sweet spot for the groove. It is a continuously moving object, and you ride it much like you would ride a horse—guiding it, knowing full well that it has a life of its own" A wise man has spoken. What a perfect analogy.
    2 points
  24. Thanks for that. Only this very morning I was daydreaming about a Jazz with a P neck and twin split-P pickups, which is something of a coincidence to say the least... uncanny. Of course in my mind it was vintage white with a maple neck, not bloody sunburst and rosewood. Tsk!
    2 points
  25. Do have two Passions, a burgundy red with an original teardrop hardcase (I am the second owner) and a kind of yellowburst with a detuner. Serials told that these ladies were made in 1988 and 1989. I hunted these for ages, saw the first Passion (ROM version) in the 1980's. Fell in love instantly but did not have the money at that time. Now a happy owner of these two. Lovely instruments. If the NT fretless looks somewhat long, it has a 36" scale. Passive, step attenuator, coil switch, hollow, handmade by an incredibly talented Finn, Kristian Ukkonen. Finnish birch, blackwood fretboard and walnut top. Very nice and easy to play. Straps are handmade by lady Katariina Larisuo, both sides shown.
    2 points
  26. Life’s too short. As the late Tony Wilson once said: “Jazz musicians enjoy themselves far more than anyone listening to them”. *Other opinions are available.
    2 points
  27. 1978: Lounging around, playing music for as long as I want, lounging around some more 1998: Demented wage slave scratching a few minutes on bass every couple of weeks 2018: Lounging around, playing music for as long as I want, lounging around some more
    2 points
  28. 2 points
  29. I do think about running an elite courier agency just for the UK, for Basschat sales only. I’d quit my day job, switch the Volvo to a transit connect... it’d be dearer but your gear would arrive in one piece. Man and Van - bass guitar department.
    2 points
  30. Let this be a safe haven for sharing your love of all things jazz-tastic 😎 Just to get it out of the way nice and early, here's the impossible Giant Steps:
    1 point
  31. The latest Bass Collection Nanyo arrived earlier - great basses - I love them but always sell them when I feel I have "too many" basses - they're always the first to go only to be replaced months later when I realise what a schmuck I've been selling the last. This one's Metallic Electric Navy Blue - Ii needed a good clean as it hasn't been used for a while - I plan to take the paint off the neck leaving a natural satin finish, change the strings to a 35-95s and lower the action. Hoping to keep this one - well at least till a high end, series 5 or 6 becomes available. Pics to follow.
    1 point
  32. Jack Bruce live in concert, sky channel 192 CLTV tonight at midnight if anyone’s interested.
    1 point
  33. Big love for Jack Bruce... the man!
    1 point
  34. Sorry, no tab -- it's all standard notation. But it went through a rigorous process from gigging musicians to make sure it met their needs -- such as big chord fonts, chord symbols that aren't easily confused, a kind of active debate that went on for a long time. Page number suitable for individual printing...We like the format as it's our own...Requests are still rolling in for the book. I will be sending it out to everyone in the next couple days. So, if you are interested in getting your own copy, please private message me...
    1 point
  35. Once a month I play at an Open Mic ( with a difference). We invite people to sing/play in advance, we agree the material and they either play on their own, with their band or the house band will accompany them. The pros are we don't get many surprises, the cons, one loses a little spontaneity but the laundry bills are less..... The venue is cool restaurant in Langport that is sited in an old wharfe warehouse (Langport used to be a huge trading port with the colonies and USA until the estuary silted up). So we have 2 rehearsals with the material, then a quick soundcheck on the night with the artistes if we are backing them, and away we go. The house band is as per the first enclosed clip and the guest trombone is Helen's dad who is 74 and still playing in the Sherborn Brass Band. https://vimeo.com/288948373 The second clip is us accompanying Sarah Randle, a fellow LIPA graduate of Helen, our singer. https://www.youtube.com/watch?v=CIQZohN7fxE Of all the stuff I do at the moment, this is the most fun, namely it's a regular gig, I get paid and the material changes each month.
    1 point
  36. Shameless plug, if you're interested in recording, we got you covered https://www.ukguitarshow.com/features/guitar-masterclass-with-focusrite Si // Focusrite Media Relations
    1 point
  37. I don't think that's true anymore wrt 1% cf 5% resistors. 1% has become the norm for standard small resistors - thru hole or SMT. (I design with these things and while I'm sure Behringer get better prices than myself that sort of means that the cost of the resistors becomes tiny.) Cost / Reliability issues are much more associated with mechanical elements - pots / sockets / switches / connectors etc as that's where more of the money goes. The footswitch on the BDI is a funny sort of thing. I have two of these - one I intend to mod - and no issues although light use only. I don't know if the casing is shielded internally ?
    1 point
  38. Not Mingus, but I find this a rather good opening as well: https://www.youtube.com/watch?v=fSR1sfaSQE8
    1 point
  39. Done... Mmm... Mango 😀🤣
    1 point
  40. Ignore everybody. Check the for sale section and see what is available near where you live. I'm sure a lot of BCers will not object to a reasonable request to try a bass or two to see what floats your boat. Then you can start the search with some knowledge of what works for you and de-risk the process a bit. If you're near me then feel free to drop in.
    1 point
  41. I'm Teetotal.. I am currently on prescription medication though....
    1 point
  42. Another easy fix is just carry a small passive (transformer) DI box and run from the line out or effects send jack. Radial Stage Bug SB-2 is my current option, £40 from the For Sales on here. Saved me from Behringer boxes more than a few times 😳
    1 point
  43. For someone on a budget, don’t ever buy a new bass when the same thing can be had for half the price second hand. If the budget is £300, that’s a £600 bass, and that’s enough for something pretty decent.
    1 point
  44. I suspect it depended where you were I guess - and older siblings would make a difference - my recollection of Motown (Tamla Motown in the Uk) and reggae was that white male teenagers listening to this would likely be latter day mods or skinheads - and more likely be into the finer points of football hooliganism and 'bovver' as it was known than doing such things as learning an instrument - Motown Chartbusters Vol 2 and 3 and Tighten Up Volume 3 were big albums for those guys at the time. I don't even recall Bernadette and only heard it more recently - although the bass was a little more audible on Motown it certainly wasn't very audible on transistor radio or even a Dansette player - and picking out a Motown bass part would be partially guesswork at the time. The first tracks of theirs which really made my ears prick up was Heard It Through The Grapevine - but that was quite different - and Tears of a Clown (Bob Babbitt on the Uk version).
    1 point
  45. No, only on its own. I may have caused structural damage to venues if I had 😁
    1 point
  46. What I would like to add that the full solid neck is said to contribute a lot to the uniqe sound and endless SUSTAIN of the Vigiers... May be a matter of personal taste: I never played basses which would allow such a low string action. On my Arpege 6str string action at 24th fret is less then a matchstick:
    1 point
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