ChrisDev

11th transcription from 1975, 2nd from Harold Melvin & the Blue Notes and 7th with Ronnie Baker Harold Melvin & the Blue Notes - Keep on Lovin' You | Bass Transcription | Ronnie Baker

A classic from 1977 Mother's finest - Baby love | Bass Transcription | Jerry Seay

Cover of a Dionne Warwick song on Luther Vandross' debut album. All songs have Marcus Miller on bass, except this one Luther Vandross - A House Is Not a Home | Bass Transcription | Anthony Jackson From the same album: Luther Vandross - Never too much | Bass Transcription | Marcus Miller

Your weekend dose Nick Hakim - Cuffed | Bass Transcription | Andrew Sarlo

A classic Doobie Brothers - What a Fool Believes | Bass Transcription | Tiran Porter Updated: The Doobie Brothers - China Grove | Bass Transcription | Tiran Porter The Doobie Brothers - Long Train Running | Bass Transcription | Tiran Porter Jimi Hendrix - Hey Joe | Bass Transcription | Noel Redding Brand X - A Longer April | Bass Transcription | John Giblin

Back from traveling. Let's dust this one off

Quick one to start the weekend with

Let's practice some 32nd notes and more sextuplets. With members from Cypress Hill, Public Enemy and Rage Against the Machine Prophets of Rage - Hail to the Chief | Bass Transcription | Tim Commerford

I heard a bass line and thought "this will be fine" Time to freshen up your sextuplets Michelle Williams - Heard a word | Bass Transcription

Another one with Nick Movshon on bass Kali Uchis - Killer | Bass Transcription | Nick Movshon

It all depends on the context of course. But, I like using the guide tones, in the case of C => E & Bb, to resolve in the next chord (if possible) For example _ _ _ C7 [ F _ _ _ Could be played: _ _ _ Bb | A _ _ _ Or simply: _ __ _ E | F_ _ _ Maybe even: _ _ _ E | A _ _ _ or even: _ _ _ Gb | F _ _ _ (substitute dominant is Gb7) But there's nothing wrong with _ _ _ C | F _ _ _

The album "In between" has always been one of my favourite albums. A little while ago someone sent me an email requesting a transcription of this song from the Album "Belle et Fou". I had never heard it before, but loved it immediately. This isn't about technique or complex harmony. Feel is what matters here. Jazzanova (feat. Clara Hill) - That Night | Double Bass Transcription | Paul Kleber

The answer to the question: "How would my bass sound without sustain?" Commodores - Nightshift | Bass Transcription | Ronald LaPread

5th with Davis Hood Kindly shared by Yuval Nov Paul Simon - St. Judy's Comet | Bass Transcription | David Hood