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  1. The RM500 is my favorite . I want the RM800 when it is available.
  2. It has a high frequency horn , like an Ashdown ABM 810 . It is ported ? Celestions ?
  3. I have a yellow Melody Maker (not glossy). Your bass looks great ! What about a Thunderbird pickup right in the middle ?
  4. EV speakers have nice clean treble.
  5. The glow is most effective when the color changes as you play a good loud note.The blue is a beautiful vision indeed ! Not little tubes - I mean the big output tubes like my first amp , a 50w Bassman .All I had to do is turn out the house lights and stand behind the amp !
  6. She taught grammer school back in Canada . So she's got some book learnin' too ! If my school teachers looked like her and played bass I might recall their names ! " Miss Crow, may I go to the bathroom please ??? "
  7. My first Ashdown was a wide Mag 300. My Mag 600 also does not seem extra loud . I think you might need about 1/2 of the input meter and a 4ohm cabinet for more volume.
  8. My Precision Deluxe has a Jazz-width nut. (Mexican) Doesn't the American Performer have a regular Precision neck ?
  9. A SG will be more percussive than a LP and chords die out a lot quicker too.
  10. I like the idea of "splitting" a note so you get a second sound going. Also to hum a note while playing a harmony note. Open holes ? Offset G ?
  11. No Ashdown head looks bad, but a classy wooden sleeve beats a naked rack mount always !
  12. I already had a blue 'Stang so I got another one . I call it "Pinkie".
  13. Fender used a dye injected into a living tree to make the Wildwood colors. That is what a catalog said. Have you seen one ever ? They did make a pretty picture.
  14. Some fret buzz was something he could control better than most players. Notes were never choked out.
  15. I saw pictures of colored Rootmaster cabinets somewhere . Are they still made ? I would like the light blue or surf green color on some RM 410 cabinets.
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