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When it's a P-rick? Sorry - as you were...

Just got my hands on a rather splendid Washburn Chicago Series B-80 from around 1989 Superb condition with a very fetching Blue / Pink crackle finish, 2 band active, thru neck with a 'Stephen's Extended Cutaway' amazing condition Had quite a high retail price when new, I got it for considerably less I play in an 80s Rock Tribute show so its ideal www.that80srockshow.co.uk , although not everyones cuppa tea \m/ I can find very little about these basses .... anyone know anything?

Good evening, fellow bass humans. I'm Jam O'Malley, I play in a band called forest of fools, and we are a six-piece festival band featuring bass, melodeon, drums, percussion, vocals and sousaphone. We call the genre Jump-Up Folk, and it's a high-energy mashup of folk, funk, drum & bass and psychedelic. I play a Warwick Thumb BO 4, a Warwick Infinity SN 5 (tuned E-C currently) and occasionally acoustic and fretless if I get carried away... Mostly playing through a Markbass 15" CMD combo - 18kg! - perfect for trudging around muddy UK festivals! I've spent a while gawping at the incredible basses and wealth of knowledge on these pages and I'm excited to be a part of it. Much love, J

Best if just one of us suffers

She's no looker, that's for sure!

Appreciate the advice all. In the end I bought those Glowtech ones. Really easy to apply and work a treat. I bought a keyring UV light to charge em with and they worked great. They feel pretty well stuck on too. problem solved. As for "Why worry about seeing them?......" Why do you think?

That's great that yours was perfect out the box, was no problem tbh for me because I would be setting it up to how I like it and I do love cleaning my instruments as well. It is amazing just how well these basses are and how much bass you actually get for the money

Ooooh, I like that But then again I like fish fingers in gravy.

If this pedal will achieve anything, it will bring this young 'rapper' with his fistful of $1 bills a few more hits on his Youtube channel!

The Plastic Mojo Band played our first real gig this afternoon, and I thought it might be interesting to compare stories. (It's probably been done here before...) We came together as a workshop project a while back, which led to a friends-and-family gig in March with a few peeps drifting in off the street. Decided to stay together as a band, using a practice room over a local pub. The landlady overheard us and asked us to play this afternoon, clear that we would just be background noise - which suited us, as it took some pressure off. Apologised that she could only give us beer and food and not money - we weren't expecting even that! This a completely acoustic gig. (Yes, acoustic bass.) We started inside the pub, which has a decent piano, but the very few customers were all outside in the good weather, so she asked us to play outside, which meant that the keys player had nothing to do for the rest of the afternoon but drink with his friends. (We did drag him up to play hand percussion for a couple of songs.) A new (very good) guitar player who we'd barely met. Our excellent lead singer couldn't be there. Luckily we're a blues band, and can jam most of the standards. We played for three hours (well I did, the others drifted in and out) making up most of it as we went along. We got a bit of applause, and we've been asked back, so we must have been ok. I've been playing om's and jams for a few years now, but it's still sinking in that for the first time I've played a gig that was booked by someone I didn't know, and thanked with food and beer. After 45 years of believing I'd never be able to play at all. I realise this will seem pretty pathetic to many of you, but we all have to start somewhere... So how was the first time for you? :-)

Well, I didn't do much this weekend as it is really hot and everyone was out wanting to enjoy their gardens without the sound of routers. Not that anyone else around here cares but I do. I did actually do a bit of sanding on saturday morning. The shed is almost ready, so won't be a problem for long Anyway, couldn't let the weekend die without any work, so I routed the pickup and neck from the template to the depth of the smallest router I bought (I think half an inch). Did the whole thing by router, what fun that is! Anyway, it is enough to see how it is going and enough so that if I need to change anything I can. The pickups fit well in the holes. A bit too well, ie, if I paint or finish it with anything then it won't fit any more, it is a little snug! Haven't tried the neck yet, but I believe that is a little snug anyway, because it is what I was most concerned about. Anyway, it now seems to be becoming a thing, slowly but surely.

Also message Ashdown to see if this is a fault they`re aware of, and if they can advise as to how to progress. I`ve found them excellent on customer service issues and having their advice to provide the seller with could be a real help.

Just gigged my Greenboy Fearless Dually 2x15 (built by Tricky Audio) - as always, very easy to load in and out of the car and roll through a crowded beer marquee (or pick up and waddle with for a while where needed!). A lovely tone from the Faital 400s, suits a P in a blues/rock/soul combo beautifully. But most importantly, the colour matches the bass

If you end up using just the Rumble amp sim, may as well save money and just get the Rumble V3! However the SVT and Bassman models sounded pretty damn good to me in the demos.

The 500 will be loud enough for any pub/club gig when paired with an extension cab to get the full power I reckon. Never tried the 800 but it gets some love on here.

Thanks for the review. The comment of 'best in a band situation' was very informative. I have the studio 40 and not in a band. I am really enjoying the 'Rumble' amp sim on it. (Is it weird that a Rumble amp has a Rumble sim on it?) I am pressed between the Rumble 500 and Stage 800 when I upgrade and start looking for bands to join. Thanks again

a good harmony chain and right vocal. nice work. but i don't like voice delay.

Well I’ll be on tour round the UK with my next acting gig from mid-July onwards. Due to be in York in March 2019...by which time I’ll likely already be the proud owner of a Wingbass

The Fender Rumble 100 V3 has served me well. Can't fault it.

AFAIK the Hohners were designed to be contemporary licensed all-wood versions of the L/XL series Steinies (and the guitar versions). I briefly owned a fretless Hohner Jazz copy that was easily as good as a MIM Fender. Never owned a B series but I had a Jack for a while. Really good instruments, even if they did kind of "defeat the object" of the Steinberger at least in terms of construction.

I had one of these, bought mine new in 1994 (for the tidy sum of £139), with the same white pickups, headstock shape and it was a hefty bit of wood. Came in a era-typical metallic 'aged' white... ah, they were innocent times...

If I go fretless, it's pretty much a fretless jazz bass. The majority of ones I've played in the past were Fender Jazz basses (though the Breedlove was rather nice too, hence considering the Warwick Alien). Don't get me wrong though, I do appreciate your input & advice. I'm still very much in 2 minds.

I like fretless basses. I fell in love with the sound of a Rob Allen 4 string fretless bass. It just sounded better than anything I'd heard before. So I bought it and discovered 2 problems. It was fretless and had 4 strings. Although I'm very set in my 5 string ways I'm sure I could have coped with either "issue" on its own but together I just couldn't make it work for me. I used it in the 2 bands that I thought would appreciate the fretless sound. One band leader shrugged his shoulders and said it was OK and the other said he preferred the sound of my Precision! So I sold it. I think the answer for me is a 5 string fretted Rob Allen, but that's a different thread.

I’ll just push him back in, one sec. *gnnnnhhhhghh* OK as you were. Admin stuff etc.

That’s why he isn’t allowed to wear shoes!

I have just looked and i don't have a picture of it all set up sorry! These are the LED cans: https://www.thomann.de/gb/stairville_stage_tri_led_bundle_complete.htm Here are the LED wash bars: https://www.thomann.de/gb/stairville_led_bar_240_8_cw_ww_dmx.htm Disco ball thingy and moving LED can were bought second hand. This video shows the LED wash bars, but don't have anything with all of it in action

My wedding band runs two floor wash lights/bars. We have two sets of 4 LED cans, mounted on poles. A disco ball type of thing, that sits on the floor, and two moving LED cans. Very rarely use all of them together, as i think it can look a bit much. But good lighting goes a long way to making a band look more professional IMO

That looks fine, + to + all the way through. If both speakers are working and there is plenty of bass it's good.

Cracking basses. The Ambrosia Maple (right) weighs 7lb, Bloodwood (left) weighs 12lb. Bloodwood doesn't float in water,that's how dense it is Though Steve-W briefly worked for Ovation Guitars he's always been involved in hillbilly music. That's his market, $200-$300 hand made basses,that they look hand made is intentional. Let's face it a $20K Fodera AJ would look out of place in North Carolina (median family income $48K).

Good point, and we might do in future. It's not a commercial pub, but run as a non-profit social enterprise community centre (and an excellent pub too), which was why were were there in the first place, and were happy to play to support them. I don't think we'd want to ask for free time at a time when they could otherwise have another band there paying for it, but we might try to negotiate something off-peak next time we play there.

If I was in a function/wedding band, I'd opt for no backline. Just a decent FoH & IEM. Much easier to set up & get everyone balanced properly. May be worth employing a soundy if needed.

̶S̶ LOW HAND fixed it.

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We were in a similar boat and I’ve started to get a basic rig together. I made the classic mistake starting out thinking it was about lighting the band, so have two pole mounted 4 panel LED bars for either side of the stage. We leave them on a basic slow fade from one colour to the next, they’re the same brand so I just set them off at the same time! The best things I’ve bought so far are two LED bars for uplighting the the back of the stage. Thomann jobs, 70 quid for a pair. They make a huge difference, especially if you’re playing in a marquee or up against a white wall, the colour gets soaked up and it’s like you’ve got a screen behind you. I also have two single floor mounted flood panels hooked up to them, lighting the drummer’s silver kit (we call him Ginger Bacofoil) What I’ve since learned however, is that you light live music from the back, going out to the audience. Next step for us is a basic frame and some moving heads running on automatic. Thomann is amazing for lighting gear and it’s easy to carry, small and cool as well- gone are the days of Turkey basting bulb powered lamps. Obligatory photo of our rig in action (also highlighting how hard it is to keep leads tidy on a white floor!)

Why not call their bluff and get everything set up but back off on your bass to the pont where it`s virtually inaudible, then when they tell you it`s still too loud ask them all to stop playing, then you play at your cut volume. At this point you`ll for one no longer have them blaming you for too much volume, and then not have to worry about buying ne "more suitable" gear. I emphasised that as your gear is fine. I think @bertbass may have hit it here, a keyboard player with a busy, heavy left hand.

Not a single problem here I'm guessing. Are you wireless or have a long lead? Take a stroll out front during a sound check and listen for yourself and then decide if your bass is too loud or not. If it's OK out front, which is where it needs to be nicely balanced and you still can't hear what you're playing, you need to get your cabs nearer to your ears or perhaps tilt the cabinet back so you can hear it. Does the keys player have a busy left hand? Your band mates could be hearing that and blaming you. Is the guitarist stealing your frequencies? Too much bass on the guitar can sound an awful lot like bass. Do you cut a lot of mids? This can cause you to not hear what you are playing and to turn up to compensate. It's very unlikely that your gear is at fault.

6th form college, it was a “battle of the bands” (shudder) 4 songs, 15 minutes. Loved every second. Knew I wanted to do it forever.

Excellent. Now to start looking for gig number 2.

It won't at all. We'll all get it. Bravo.

This is gold dust Well done and I hope it keeps going for you

Well, its not good value if it doesn't work Having said that, I doubt it is an Ashdown amp thing specifically, things can and do fail when they are new, from all brands. I would sent it back as faulty, as it is faulty, describe the fault, that after an hour it cut out, so it cuts out when hot, then not accept anything other than a replacement or a refund if they can't replace. No reason you have to worry about how you approach it, if they know it cuts out after an hour they are either going to just send it back to the manufacturer (most likely) or test it for an hour (unlikely).

Absolutely this. I've had a five for a few weeks now and I find it much easier and more intuitive than the four. Having two full octaves over five frets anywhere on the fretboard has made it instinctive to root on the B string whenever I can. And it makes a huge difference to reading too - I'm trying to wean myself off tabs.

Just ordered the paperback from Amazon. Here on Tues 8th just in time for my weeks hols at Loch Ness. The first book was brilliant and from what i've read on the reviews this is just as good. Thanks Dave and here's hoping for a 3rd book in your series soon. Dave

Bought a bass from jflesh and I'm very pleased with our transaction. I'd happily deal with him again. Many thanks Guillaume.

You need one of these....

I am a simple man. I see a Tiny Desk Concert and I press like. There's no sessions from them that I didn't like. They have awesome groups there all the time.

As Wilko Johnson once said "If you make a mistake, just look brash and the audience will think they heard it wrong"