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Showing content with the highest reputation on 02/05/18 in Posts

  1. No, no, no ... it's tone perspex.
    4 points
  2. I don't think there's any danger in me not doing that, Silvia You know me - I even stop strangers in the street with an 'Excuse me, but have you seen my new build? Here, I've got a few hundred photos. Oh, wait a minute...can you see them properly if you're walking this fast???'
    3 points
  3. Hi Where are you located. And can you tell me nut width and weight? The bass, not you.
    3 points
  4. This weekend just gone. Friday night gig. Singer is giving it her all on the intro to Somebody elses' guy '. Rude silly billy sitting straight in front of the band talking loudly to his mates as if there is no band in the room. Woman from other side of the room strolls up to him and slaps him ( gently but firmly) round the back of the head and pulls his baseball cap down over his face. He looks round somewhat shocked, she indicates that there is a band and puts her finger over his mouth doing "shhhh" thing with her lips. Audience cheers.He shuts up. By end of the number I look up and he and his two mates are gone. Table now full with more enthusiastic punters. Its nice when the audience helps you out.
    3 points
  5. Music seems to attract so many delusional people. Do they imagine it's an easy option? Anything worth doing demands commitment, focus and drive. Music is no exception, though you wouldn't think so given the thousands of deadbeat wannabe nut-jobs making a terrible racket in rehearsal rooms up and down the country...
    3 points
  6. You're clinging onto the band because at least its a band and the' in no band' wilderness is a depressing place to be if you have no immediate direction. These two idiots serve only one purpose in your life right now and that's to make sure you don't get any better at playing bass by restricting every possible positive bass playing experience you could be having elsewhere. Bin them with immediate effect and get on with your life. Use this as a what not to do in bands learning experience.
    3 points
  7. For sale rare Elrick Platinum SC Really mint condition 8/10 35 inch, 24 frets top: buckeye burl body: light swamp ash fingerboard: Wenge Bridge and tuners from Hipshot Electronics: Aguilar OBP-3, 18V, Volume pot is push/pull for active/passive, bass boost/cut at 40Hz, treble boost/cut at 6,5kHz, mid boost/cut at 400&800Hz (push/pull). Two switches serial/parallel/single coil for each pickup separately. pickups: Bassculture Motherbucker in ebony housing 4,1kg Sorry no trade
    2 points
  8. Just recieved this beautiful ACG harlot in a trade. Unfortunately, the shape of this bass is not for me. Playes like a dream with loads and loads of sound possibilities. High quality bass with a very nice asymmetrical neck. New pickup configuration on this bass. Two PB split coils but with the bridge pickup wound with a ceramic magnet and the neck with an alnico magnet. Excellent range of sounds from modern to vintage. • Top Wood:Zebrano • Body Wood:Alder • Body Finish: MLF • Pickups: 2 x ACG PB • Hardware:Hipshot Type B, Hipshot string tree, Gotoh GB720 tuners, Dunlop Dual Design Straplocks, • Pre-amp: East Uni-Pre Weight is 3,2 kg! Bass is located in the Netherlands but can be shipped in a almost new Hiscox case. The last pic shows the colour of the wood in sunlight. Hard to catch in photos. Trades are welcome, especially Fender jazz or p basses but other basses are also welcome.
    2 points
  9. I prefer the one on the right. Why not try a tweed or patterned grill cloth? The black looks like a black box.
    2 points
  10. I've been a novice who plays for fun for the past 30-40 years!
    2 points
  11. Very badly. At this weekends gig, a large middle aged drunk woman was rubbing herself against this 20 year old bloke who looked pretty terrified while his mates were laughing. I said when I described it when I got home if the genders were reversed it would be sexual assault, to which my wife pointed out the gender made no difference, it was still sexual assault.
    2 points
  12. I wish Aria UK had the Selected Wood series! Just look at these two!
    2 points
  13. Disagree - I was 51 when I first picked up a bass and although I know I'm a long way behind the curve, I'm taking it very seriously indeed. It helps that I have played other instruments in the past and can read music, I mustard mitt. But IMHO attitude is more important than aptitude, in that if you practise regularly, play with and be willing to learn from other people and don't think you're awesome from day one, then you will get better. Might take a wee while, but effort will pay off, whether you're sixteen or sixty. But you have to put the effort in in the first place, and from reading the forums here, that seems to be a huge problem - fantasists thinking they're a lot better than they are. Age shouldn't be an issue. Just my 0.02.
    2 points
  14. Contrary to popular belief sealed cabs do not have higher 'compression' than ported. The reverse is the case. Reducing port area doesn't increase compression, it only lowers the tuning frequency of the cab. There is no characteristic sealed sound, there is no characteristic ported sound. In blind listening tests with cabs EQ'd for the same response one cannot tell if a cab is sealed or ported. Side by side with the same amp and settings they won't sound the same, but that's only because they have not been EQ'd for the same response.
    2 points
  15. You need one of these....
    2 points
  16. This. Myself and an old guitarist were in a 4 piece band with 2 intelligent but flaky individuals (singer and drummer). We used to rehearse in their house but they were always late for rehearsals. Upstairs fannying about/power play. After a year of this nonsense the guitarist and I quit, set up our own band. Within 2 weeks I found our drummer at a New Year's Eve gig playing in a top function band. He just recently played 3 sell out nights at the Royal Albert Hall with Steven Wilson and a singer who was an understudy in the West End playing a young Elvis. We rehearsed like crazy and our first gig (3 months later) was on a TV show and we signed management contracts and later an independent record deal to record singles with Dave Allen (cure's producer) in a top studio. Unfortunately in the end it never happened for lots of different reasons but it goes to show that when everybody is 'committed, focused and driven' anything is possible. This is why amateur bands with amateur attitudes frustrate me so much.
    2 points
  17. Oddly enough I have never chinned anyone, I’m all talk. Do as I say, not as I do as my c*** of a mother used to say *spits*. No issues there then...
    2 points
  18. I know from bitter experience that people are lazy and will try to get away with minimum effort. A mediocre player who imagines they are doing a good job will not improve regardless of how much you want them to. They are just wasting their time, and yours.
    2 points
  19. Thanks @Silvia Bluejay - it’s just been shipped 😁
    2 points
  20. I was once in a similar situation - I was playing with a drummer who I disliked both musically and personally, and no matter how hard I tried, we never seemed to gel, on or off stage. Meanwhile, the narcissistic control-freak singer/guitarist sang badly and his guitar playing was only average at best. However, I liked the material that we were playing, and rather than face the bandless void, I spent over a year trying to make things work, whilst steadily enjoying myself less and less and becoming more and more frustrated and depressed. In the end, a particularly unpleasant racist story from the drummer prompted me to walk out, and it was the best thing that I ever did in that band. Unsurprisingly, I got a lot of abuse for leaving, but a couple of months later I found myself playing in two great bands with lovely, talented bandmates, and right now I'm loving my musical endeavours. Life is too short. If you're not having fun, walk. Remember too that it's possible to improve your bandmate's musically, but completely impossible to fix their personalities.
    2 points
  21. this can be true, I don't think us pub bands should be so far up our own backsides that we should imagine the only reason people are in the pub is to watch us
    2 points
  22. If it is to keep the volume down, what does this do that turning the volume down wouldn't do?
    2 points
  23. This question is very prescient to my current position, as I find myself increasingly frustrated with the way my band operates (I have a thread on this elsewhere, which goes into details). So, as I ponder my predicament I draw ever closer to the conclusion that it might be time to move on. I’m keen to avoid any repeat of the issues I currently face, therefore my next band should (ideally) tick the following boxes: 1. Location: ideally the band or band members should be fairly close to me. I already spend all day in a car wearing a groove in the M40, doing the same at night doesn’t much appeal. 2. I might have to try and recruit members to form a band, but having done this several times before I know what a pain it can be, so joining an existing band or nucleus of an existing band would be preferable. 3. Gigging or nearly gigging. I don’t want to spend months trying to get to a gigable standard. Something that I can just slot into would be amazing. Also, as much as I love gigging I don’t want to do it every weekend. Once a month is satisfactory for me. 4. I’m not interested in playing someone’s songs about how his missus left him and how he really misses her, I want to play covers. Floorfilling, crowd pleasing covers. Even if it’s not necessarily music I’d chose to listen to at home I want to play Saturday night songs that people want to jump about and get drunk to. Entertaininment is the name of the game. 5. No jamming. I hate jamming. Mind numbing nonsense. Rehearsal time is rehearsal time. Do your practising at home and turn up to rehearsal with the song learned, at the right tempo, in the right key. 6. Money split equally after every gig, after any necessary expenses have been deducted. 7. Lastly, I want an excellent drummer. There you go. I’m tired of all the BS, the egos and the politics. That’s what I want. Don’t want much, do I?
    2 points
  24. I always make sure to see Jeff when he comes to Milwaukee. The smaller the venue the better. Jeff played the rather small Turner Hall ( an old gym from the 50s). I arrived early, real early walked in on their sound check. Here I am, alone with Jeff, Tal and Vinnie. When I realized what I had done I freaked out , turned around and left before I got the boot. Great night, great show, somehow I ended up standing in front of the stage with Rick Neilson from Cheap Trick. Blue
    2 points
  25. Update: I have gone with my gut and the majority here and sent out a message on our whattsapp to say that I am not happy with our current situation and we need to meet up to talk rather than say nothing and walk away. I have had some responses from the singer who seems worried but nothing yet from the drummer yet.
    2 points
  26. Or, alternatively, chin both of them.
    2 points
  27. I really couldn't be in a band which is named after one member...stinks of narcissism and egotism.
    2 points
  28. Hello, everyone. I'm selling my acoustic-electric Takamine TB10 bass, with on-board "CoolTube CTP-2" tube preamp. Awesome bass: basically a miniaturised double bass (does not have the same acoustic tone, but has the same amplified tone), on a 34 inch scale. I'm selling it because I changed genre and I'm no longer using it that much. Includes hard-case (the handle is a bit damaged but can be repaired). Willing to have you try it (in Genoa) and to ship (buyer incurs costs and risks). Thanks for your interest. Cheers. Pier PS. Video Demo: https://youtu.be/4z8aJKB1_uk
    1 point
  29. I agree, but everyone hates Rickenbacker.
    1 point
  30. Great job. I look forward to hearing how it goes after you've had band rehearsal.
    1 point
  31. Played quite a few gigs for GK pubs int he last year or so, all paid via Invapay. No problems except one where the LL was sacked on the night of the gig - once I found the replacement, we were paid straight away. The small fee (usually about £3.00) is insignificant.
    1 point
  32. I have a SC Harlot - has everything you would want from a bass and plays fantastic (as you'd expect from any of Alan's creations). I do accept that it's not your traditional shape so not everybody's Cappuccino... Even so, if somebody is after a superb bass at a reasonable price, this could be it. GLWTS.
    1 point
  33. You answered your own question. http://www.linkwitzlab.com/rooms.htm Sealed can seem better in room corners because they start off with less low frequency output. Ported can sound exactly the same with appropriate EQ compensation for the effect of the room. There's more than one type of compression. There's physical pressure on the cone from the air mass in the cab. Ported has higher air pressure sourced compression, caused by the Helmholtz effect of the port. That reduces the movement of the cone near the tuning frequency. It also reduces the sound output from the cone near the tuning frequency, but that's recouped by the sound output from the port. That's seen on SPL charts that show independently the cone and port outputs. Another type of compression is the result of the driver reaching xmax in the lows, but not in the higher frequencies. Once xmax is reached in the lows additional power does not give additional low output, but it does give more mids and highs. This compresses the dynamic range of the lows, but not the mids and highs. That's why tone can change quite a bit depending how loud you're playing. Sealed cabs are more subject to this, since they reach xmax at lower levels than ported.
    1 point
  34. That is because I have my Gran's old shitty Hyundai that will never die and I am a big ponce
    1 point
  35. Sorry - I have to disagree with that.
    1 point
  36. 1 point
  37. This, with bells on. Just add on a chinning...
    1 point
  38. Ashdown After Eight packs a punch for around £30 second hand. Nice and compact but with a real bassy sound.
    1 point
  39. I was about to say you can check if a what's app message has been delivered and they've read it. If he's replied by text maybe he hasn't read your message and has just been contacted by the other guy.
    1 point
  40. I used my V4BH last week in the studio, with the matching 115 cab and a Gibson Thunderbird and it sounded absolutely fabulous.. So much so that the studio owner - who was also engineering the session for us - went online to see how much he could buy one for! He was a little crestfallen when he saw the new price for these amps, so I'll let him know about this one when I speak to him tomorrow. GLWTS
    1 point
  41. The Crew Rock Bar in Nuneaton is worth a try. Played there about a year ago.
    1 point
  42. More googling - https://www.aaw.me/products/iem-remolding-modification-service https://nocaudio.com/order/ciem/ https://www.jomoaudio.com/collections/jomo-iem/reshell https://www.earprotech.com/shop/in-ear-custom/reshell/transformer-iem-reshell http://topears.ru/
    1 point
  43. So as to provide closure to my original request I worked that I could go into alternate tunings on the DB to create the harmonic structures I was looking for and therefore the capo became redundant. It was fun while it lasted though!
    1 point
  44. Here's a left field idea. How about back off the bass knobs a bit and tweak the mids a smidge. No?
    1 point
  45. And yet you still went ahead and said it anyway. My kind of bass player!!!
    1 point
  46. 1 point
  47. Haha - I hope not. My wife is working from home today and I was hoping to sneak this one past her!
    1 point
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