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Showing content with the highest reputation on 11/03/18 in all areas
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Andy is a top guy and I never expected to see the bass again after 2 years - to say it made my week would be an understatement! My lesson learned is always unload the car post practice and gig regardless of whether you're knackered and it's chucking it down and get insured..... the other guitar, an ACG, was returned in similar circumstances a year ago by a great guy in Hebden Bridge As Andy says bass players are a fantastic community of like minded souls - my faith in human nature is reaffirmed! Cheers Justin14 points
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Hi everyone, I'm posting this story because it reinforces what a close-nit community that we musicians, and in particular, bass players are. Some of you might have noticed recently I advertised on basschat a lovely Paul Everson Caiman bass for sale. I acquired the bass through a trade about a year ago with a guy who advertised it on Facebook. We met in a service station. I swapped a very nice 4 string Shuker bass for the Everson, had a nice chat with the fella who bought it and returned home. Whilst we were talking the lad confessed to me that he had found the Everson Bass in one of those second hand chain stores that have 'cash' in the title. He knew next to nothing about basses but had liked the look of it and bought it. He then tracked down Paul Everson on Facebook to get some info about the bass. I loved the bass. It appeared to have been treated quite badly. The electrics were shot and it was covered in a weird thick dust. I had it cleaned, sorted and set up and quickly picked up another Everson that appeared on Facebook. That was around a year ago. I recently decided to sell the caiman. Id always had a little niggle in the back of my head about 'Cash _________' and wondered if I'd been a little naieve in my trust. So to put my mind at ease I contacted Paul (Everson) who told me he had sold the bass through the great British bass lounge. I then contacted Drew who was running the lounge and asked them both if any Everson basses had been reported stolen. They both did some digging and came back with a resounding no. Drew had a record of a sale to a lad called 'Justin' who lived near Bradford (I'm in Macclesfield). So back to present day. After advertising said bass on Facebook and BC I received a message from a lad called Justin who explained to me that this was his bass and that he'd had it stolen in early 2016. I immediately phoned him and we discussed at length what to do. Now the dilemma. Justin hadn't been insured and had lost the bass along with a whole heap of equipment. He had been scouring the Facebook sites to try and recover the bass for the last 2 years. I had essentially swapped a 900 quid Shuker with it. The lad who had bought the bass oringally had moved the Shuker on. We were all victims of crime and it was a difficult puzzle to unravel. Justin had contacted Yorkshire police for advice and they had said it was a civil matter. Anyway the final result is that we met the following week and Justin got his bass back. It was a great end to a saga and needless to say Justin was chuffed! Just a big shout out to Paul Everson and Drew for caring enough about this story to help me with my clumsy detective work and a big shout out to Matthew who contacted me on behalf of (current) BBL. The photo below is of Justin (on the left) recieving his beloved bass back! Moral of the story. Cash ___________ are a store I like even less now and Bass players are awesome folk. Andy12 points
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The OP made a comment in reference to politics, but it does bring up some interesting parallels. On one hand you have uninformed opinion based on 'belief' and a lack of ability to comprehend simple facts (about compression), and proudly shouting about it. Meanwhile on the other you have a rational explanation (of compression) from people who know what they're talking about, which gets completely ignored. It's an interesting reflection of divisions that exist elsewhere.4 points
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I think from a legal perspective you’re okay with that statement unless it’s leopard print2 points
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Sure it's overkill if you only play at home, but if said 800 watt amp is still cool to the touch at bedroom levels, then there's no reason why the cooling system couldn't be designed to be as silent as possible up to a certain temperature threshold, only kicking in the loud fan when it's really needed. I need to store my amp and cab in my room regardless, so I use it for low volume practice instead of having to buy a separate practice amp that takes up more room and doesn't sound as good!2 points
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Oh man I laughed so hard at that, a worthy choice for quote of the week methinks!2 points
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Saw this one for sale in Chichester on Gumtree. Under @Elfrasho's budget and looks like a lot of bass for the money but more importantly has a slimline neck...2 points
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I thought of adding some inlayed swifts instead of the dots but then figured life is too short...2 points
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well, I changed my mind. I'm keeping it. It's just too nice to play. The Yamahas have an interesting look and sound good but they've never felt "right" when I tried them.2 points
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One Control pedals are built by magic elves. I don't know how else to explain how they can cram in so much into a 1590A enclosure and still have room for a 9V battery!2 points
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Ive said it for years - change the names of these pedals from 'compressors' to something like 'sound balancer' and people would get it more and know what theyre aiming for. Ps i know sound balancer is a terrible name, but you know what i mean. The name compressor immediately gives the image of squashing and squeezing the tone, which it doesnt need to be used for.2 points
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Just teamed up with a great vocalist who is also a voice coach. She proudly claimed she could teach anyone to sing and I couldn't resist. No band I've ever been in would let me near a microphone unless there was a fire and we needed to clear the room. I sing like a cow with a throat infection giving birth to a tumble dryer. However she has taken up the challenge. All of the work so far has been around understanding my body, breathing properly, hissing and humming. Not a word has passed my lips in three lessons and I am amazed to find the process fascinating. I'm actually excited to continue and while I still doubt her chances of getting a noise from me which wouldn't startle passers by and cause the dogs to hide, I am enjoying finding out just how a real singer goes about their business. Turns out that they actually practice every bit as hard as we do. The voice really is an instrument which requires work. Who knew? My respect for vocalists will of course never be more than marginally higher than that with which I esteem guitarists, but I do feel slightly less contempt for them.2 points
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same way that a flirty new girl at work makes you horny for your wife again wait, what?2 points
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To this... The new board is already full, so I think (hope?) that should mean this is now going to be a pretty 'final' incarnation. For a little while anyway! (I suspect @Skol303 may be surprised to see a particular type of pedal on both boards; a direct consequence of too much tilting at windmills )2 points
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This vintage & rare bass cab has been carefully relic'd to look like the Barefaced cab of your dreams. The finish has been delicately scuffed to make it look as if it has been extensively gigged, the grille features the very-desirable grazes and streaks which come with only the highest-quality bass playing, one of the corner protectors has been elegantly tweaked to simulate the damage which sometimes occurs when roadies for big-name rock bands get too enthusiastic at the load-out, and - of course - ALL the feet have been lovingly removed in homage to some of the really great Basschat topics of yesteryear. This is, quite simply, the very epitome of a Barefaced Compact. My one concession to practicality is that I haven't removed the handle, which stubbornly refuses to fall off. As with all the very best relic'ing, naturally none of this has any effect at all on the cab's tone, volume or reliability. This is a truly excellent sounding cab which has been fully run-in. I can't imagine that you would need more photos than this, but there's plenty more if you want them. The cab is for collection only from Harrow HA1.1 point
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This came up on my FB feed for some reason. Doesn't quite look the same as the pic to me (control knobs, neck pick up) can't quite manage the reserve... https://www.invaluable.com/auction-lot/frank-zappa-s-customised-1952-53-gibson-les-paul-10-c-08748eda8c?utm_source=facebook&utm_medium=display&utm_campaign=retargeting&utm_content=dpa&gdffi=dca0399140a148a7a30f2232feaa5a73&gdfms=3071FE75C02143D0A901C14816B369D31 point
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Bollocks. its got a volume control. An amp shouldn’t need active cooling when being used at conversational levels. I gig but I play far more at home than anywhere else. I should be able to enjoy my purchases.1 point
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Leave it long enough and conversations always end up being about men and their knobs.....1 point
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I'd favour option one too, option two puts the lower set of knobs too close to the bottom of the body for me. TBH I've no idea why you'd want to mess with it. Buy a pre-amp pedal instead.1 point
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Knob on! (As they say locally) With an oil finish they are going to be like little jewels against the Amboyna top. Would you accept a post as Basschat's full-time knob consultant?1 point
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First Wirebirds gig since November last night, so a little bit rusty, but as soon as we started, it just came naturally. Ended after three (I think - I lost count!) encores and were packing away to calls of 'one more...one more'. Landlord and agent happy, band happy, and that's what it's all about, really.1 point
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I don't know of any D class amps currently on the market that are unreliable or less than well designed. My minimum is 500 watts and my current go-to amp is 700 watts. Lots of headroom is always a good thing. I've used Aguilar TH500 and AG700 amps for a few years now and would replace them if they were stolen. I know a player who uses a Markbass 800 watt amp with an EBS Valve Drive. Sounds as warm as a warm thing!1 point
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Oo-er, missus. I found that when I used a Zoom B1on as an always-on preamp, I gravitated towards one sound that I liked (consisting of a combination of amp sims, cab sims, SansAmp sim, compression and noise gate) and I used that for everything as it sounded truly great. Do you think the Stage will likely be used in the same way or will people bother to select and change sounds for different songs, or what? If the former, it would seem a bit crazy to have all that capability, find one sound you like, then use that sound exclusively. When this happens with a £40 stomp box it's not an issue, but when you're obviously buying into the Fender modelling-amp thing..? Edit: Re the modelling list, above: I can see myself using one or two of the amp and cab models, but as for Effects, Stompbox, Modulation, Reverb and Delay models? They would remain unused. Which begs the question, would it not be better (in my case) to go for a V3 Combo and (if necessary) use another B1on for anything else I wanted? I really like the baked-in 'tone' of the V3 combos... to buy a Fender modelling combo then select the 'Fender V3 Combo' sim would seem a bit silly. But then if you want the convenience of a light(ish) combo but the sound of a (for example) Ampeg SVT, then I can see the attracton - IF the Ampeg SVT model is convincing enough for the job. I await sound clips with bated trousers...1 point
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Who suggested that you need a flatter fretboard for these techniques? I've seen all these techniques performed on every kind of bass, so I'd question that advice. I'd only change if I found that I actually had a physical problem with my bass.1 point
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Vocal abuse is the misuse or overuse of the voice in an unhealthy fashion Well there's your problem straight away. Vocal abuse is swearing at someone. Vocal misuse is using your voice in an improper fashion. On-line stuff is all very well, and some of it is really very good ... if you can find the good stuff and recognise it. But if you're an absolute beginner, then there is no substitute for a couple of one-on-one sessions with an actual voice coach, who can identify what you're doing wrong and show you how to do it right. No on-line voice coach is going to see that your posture is all wrong, you're not breathing properly, and you're straining too hard for that note. Ultimately, you get what you pay for. And on-line coaches cost nothing. Just saying ...1 point
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In 40 years of playing bass, a BBE Opto Stomp compressor pedal is the only pedal I have ever used. I bought it & used it for a month at 3 gig's. I had no idea how to use it, and couldn't discern any difference in my sound other than when I turned the controls up and got a "squashed" sound. A support band bassist borrowed my rig including the Opto Stomp, and commented how great it was & offered to buy it off me....which he did. I never heard their sound check, but listen to their set. The bass sounded unremarkable (FOH festival rumble). What's my point? No idea... Other than (understatement alert)... perhaps knowing how & why a piece of equipment works, is the way to get the best out of it. I'm pretty sure sound engineers put compression on my signal....I've never asked & don't intend to, I don't care.1 point
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It's not as easy as it looks but like you say, it's fascinating to learn what your own voice is capable of when guided by knowledgeable folk. The MD of Royce's male voice choir assessed me as being bass/baritone. She said that with practice I would tend more towards one or the other as I developed my lungs, breathing and delivery. You've got to be fitter than I realised too. I even took up swimming again to help. I am more baritone now. Years of smoking in the past has the effect of making my voice drop in air conditioned spaces so I can still get right down there on occasion. I don't attempt it for anything other than self amusement though. A word of warning however: If you are giving birth to any more tumble driers try not to deliver a Hotpoint. You'd run the risk of igniting one of your own cow farts and the resulting containment failure would take ages to clean up. Think of the environment, please. Hope the throat infection clears up soon.1 point
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That's a lovely story, its just a shame you ended up being down 1 Shuker I guess! fair play to you sir!!1 point
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STOP spreading the myth that original bands play for free !!! I'm in two now, and have played all originals since the 1980s and we never play for free apart from a festival as our first show with a brand new project.. WHY should a cover band get paid more for bringing the same sized crowd as an original band?1 point
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I do not manufacture or sell speakers, or represent in any way any entity that does. I'm an acoustical engineer, so any comments I may make come purely from an engineering standpoint. I don't have a dog in this fight, but that doesn't mean I can't point out if one or more of them have a decided limp.1 point
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Surely with packing up all that kit it was the longest storming out it could possibly be. Did noone say anything during the packing up? I'm imagining 5 minutes of angry packing while the band looks on in awkward silence...1 point
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FYI an older, regular Model T has appeared on Ebay. Ash, maple neck..looks quite nice. It's in Birmingham which is too far for me but might be worth a look to get an idea of quality etc. I wouldn't have thought It'll go for too much. https://www.ebay.co.uk/itm/Schecter-Model-T-Bass-Guitar/112846248469?hash=item1a46291a151 point