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Showing content with the highest reputation on 02/09/25 in all areas
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I actually interviewed Rod for a local newspaper while he was on site. It was hard getting him to open up about the work, when quizzed he said he didn't want to talk about it. Then he said he was only joking and proceeded to explain the house building process. Foundations to begin with and apparently the first cut is the deepest. He said they were making good progress due to the dry weather, I asked if he'd ever seen the rain, to which he replied he'd had to start wearing shorts as his legs were always hot, some guys have all the luck I thought. He asked if I thought his hi-vis vest made him look sexy, ooh la la. I told him he wears it well. I had to leave it there as Rod had to wake up a co worker called Maggie to catch a train downtown to get supplies.7 points
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Spent a lot longer than I should have stripping down the neck today. Made a right old mess!7 points
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Hi everyone. Got together with @warwickhunt, @cd_david and Tim yesterday for a bit of a plunk and natter. Here's some pics.6 points
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Pretty much made my mind up to return my Anagram. The UI is great but, to be honest, I don't spend a lot of time creating and tweaking patches. Once I create a patch that's it done. So the benefit of the great UI is minimal for my use case. I don't use any amps or cabs in my patches and they are one of the big selling points of the Anagram. If you use amps and cabs it's definitely worth a look. There are only a small amount of FX pedals most of which are distortion variants and I don't use distortion. That leaves a few pedals of interest to me such as chorus, octaver, compressor, etc. The octavers are excellent but the chorus is underwhelming as are the compressors. The two things that convinced me to return it are the poor compressor implementation, I can't believe they gave it that beautiful screen but didn't bother to find space for compressor metering and the terrible supplied PSU which causes mains hum forcing the use of a secondary PSU or a USB supply which means you can't have it attached to your computer while powering it. I have contacted Darkglass support through two different means regarding the mains hum but have still to hear back from them. There simply are not enough fx options of good quality for me and I have low confidence that a company of the size of Darkglass will have the software development resources to improve this any time soon. Please don't take the above as a total negative view as I am clearly not the intended user for the Anagram. If you use amp, cab and distortions this pedal will have a lot to offer you.6 points
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A bit of wet sanding then 6 more layers of lacquer. Getting flatter, but I was a bit cautious with the sanding. More tomorrow.6 points
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Rob was true to his word and delivered the bass exactly on time so I could put it all together, with help from Julian Mullen, and gig it the same day! IMG_1990.mov6 points
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Good god, one of those Mullard valves in working order is worth money on it's own and a working Treble and Bass....... Please don't take it to just any old repairer, this needs proper restoration and the choice of components used will affect the value of the restored amp, so money saved on a cheap and cheerful fix is going to be money lost. I'd be hoping to keep the amp and speakers together. Any sixties band is going to want that look. What a find:)4 points
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Not a bad night. Worked through arrangements for two new numbers, one new, the other just as a change of style. The new one took a while but it was all good stuff to sort the ending and work through arrangement of links between verse, chorus, etc.. Then we were looking for a different way of finishing the set for the next gig - landlord (who plays) has the occasional sideways comment of 'always the same songs'. There are certain standards, but we do change the set around and regularly add in new stuff, added to which the guitarist writes the sets and keeps track of what we play and where so things change around. We have, however, been running through variations of: Don't Stop Believing, Don't Stop Me Now, Final Countdown, Living on a Prayer for a while now. Works well, and all bangers for a crowd up for a dance and a sing but it's good to mix it up sometimes. Difficulty is shifting stuff around the set like that in 1) finding equivalents to replace them with, 2) adding some intros; and 3) if they are being moved back in the set not peaking too soon...sticking them into encore options seems a waste. So decisions, decisions that ended up with a suggestion of finishing with the newest song we'd been working on near the end of the evening and quickly sorting tweaks for intros. Runs the risk of falling apart putting it there as its first outing or just being met with blank looks and a killed evening, so fingers crossed!! Good news was that the Tokai Hardpuncher that I acquired recently was bang on it. Sounded great through the studio's Ashdown head / Eden cab combo. Great solid fundamental tone with lovely zing and bite on top of that. It's slightly strange that after years of active 5's I have come back to loving my first J (albeit a FrankenJ with an active pre) and now a P copy with noiseless EMG's. Hipshot d-Tuner/Extender now added to both as I love those.4 points
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Looks like a Vox Symphonic Bass to me. https://www.vintageguitarandbass.com/vox/bass/4 points
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... is absolutely not required to replace me as the bass player in long-standing covers band The Junkyard Dogs. Based in Harrow, we've been going a long time (since 2010 in this incarnation) and the line-up has changed occasionally. As part of a serious refresh, I want to move sideways onto keys which of course means bringing in a new bassist. My God-like ability on bass is totally non-existent so any competent player would be perfectly capable of stepping in. We play essentially the hits of 1965-85 so there is no requirement to slap, tap or sweep, and very little call for relentless disco octaves everywhere. Getting all chordal on our asses or playing jazzy bass solos is pretty much contra-indicated. If you can sing then that's a bonus, but not a requirement. If you can play another instrument then that's also a bonus, but not a requirement. We currently play around 20 gigs a year but we're looking to gradually ease back up to our natural home, which is c.30 gigs a year. We go out for £250-£300 a gig, very occasionally £360, so this time next year we won't be millionaires. We try to rehearse every week (usually a Thursday but we can be flexible), not so much because we feel we need to but because we're a friendly bunch who enjoy each other's company. We're all in our 60s but - yet again - that's not a requirement. We have our own excellent rehearsal facility in Sudbury Hill, close to the Piccadilly Line, but for gigging purposes any incoming band member must have their own gear & reliable transport. If you're not up for this yourself but you think you might know someone who'd be a good fit, please feel free to pass on the details. https://www.lemonrock.com/junkyarddogs https://www.facebook.com/junkyarddogslondon https://www.youtube.com/channel/UCTdLOzCAQkvIfkFdnhTLP4Q3 points
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Another fascintating video into the world of an in-demand show bassist at the top level. Ian King covers his gear, preamps, settings, mics for his double bass and a discussion with the show's audio designer. It's not that Overwater bass though, he's got a cool grey one, maybe with a maple neck (?), with black metalwork. The tone he has is fantastic and his playing sublime.3 points
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These days, it seems quite a popular deed, so here is mine. Music Man Stingray EX, ebony fingerboard, originally 3EQ preamp. The latter is now replaced with a 2EQ M05400 (once again, thank you very much @Hellzero). The treble pot is C500k. Strung with Ernie Ball Extra Slinky 40-95.3 points
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I didn't realise how quick that I'd get the bug, and start building a collection even before I am 'gig ready'! I have played a standard guitar on and off for 30+ years, and this year I have started to learn the bass. I'm in love 😁 A mixture of face to face local lessons and also Youtube and as much practice as I can manage (in between work, family etc ..) The 5 string Squier J Bass plays Another Brick in the wall beautifully with the low b. The Yamaha BB434 is just a treat. Gorgeous tones, as is my Epiphone Thunderbird - a beautiful instrument and produces the right low quality sounds. My Ibanez is a light, narrow neck, which suits my hands really well. Thanks for having me!3 points
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Wrong, Chris, it was the opposite, the frets were getting back and forth in the neck/fretboard thanks to a lever. There's was also the Neuser NFS with switchable sitar like saddles allowing for a fretless tone. And the two custom orders Leducs basses, half fretless / half fretted vertically for one and horizontally for the other.3 points
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I really f***ing wish someone had said it to me the day I joined BC 🤣3 points
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MobileSheets Pro user too. I can highly recommend for Android. Very low cost, huge range of features and customisations to get what you need. I've been using it for all my charts for a couple of years and other band members who need one and have seen mine have got it too. I like that I can import PDFs and Images on my fast phone, then do a two-way sync with my tablet in seconds. It works with my page turner has night mode etc. It also excellent documentation and a large active user base (has it's own helpful forum). From my phone (for convenience for this post, when playing I use the table)... Song view (easily filterable to find the songs you want) Setlist list view Setlist view (top song is a PDF from a bassist I depped, the bottom one is a PNG image I added)3 points
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Here are ten of the best houses Rod Stewart has built. Number six will shock you.3 points
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Listen to the man. It's a very long time since I had to calculate the size of a heatsink for a power amp but every component in your amp comes with detailed notes about the heat produced and needing to be dissipated. Look at the back of any 70's/80's power amp and you'll see huge finned aluminium heatsinks and these had to be carefully calculated to keep the internal temperature of the power transistors down below the temperature at which they would fail. You now have more power packed into pocket sized amps and thought the class D amps are more efficient huge amounts of heat have to be handled by those tiny fans. Every step from the internals of the component to the surface then across the surface to the internal heatsink and out to the fan has been calculated by someone. In a way dropping a new fan into an amp is like dropping an engine into a car, have you checked that the transmission, supension and brakes are up to the task of a bigger engine? Without the calculations I think the question is "do you feel lucky?"3 points
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I wouldn't take it to just any amp tech. You want a proper enthusiast.3 points
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Next ... the Bunsen Honeydew bass. With 'meep' onnthe headstock...3 points
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3600£ / 4200€ 3300£ / 3800€ I'd like to sell my Status S2 Classic 4 String Headless with side red LEDs The specs: Body: Maple / Walnut / Utile Neck: Woven graphite thru-neck Board 302 Status soapbar x 2 Black hardware Side red LED's The bass is in very good condition. There's a bit patina on the headless top-nut. Comes with the Status case.3 points -
Up for sale is this Active Westone Thunder 1A Fresless Bass Guitar. Rare vintage instrument! Made in Japan Comes with a hardcase Collection only! No trades unfortunately...2 points -
Hi all, Haven’t played this in a long time and bills/back to school needs-must. Beautiful Taylor acoustic from 2008 (the 5th one built on 7th July according to the serial number). Excellent condition, a couple of very minor ‘impacts’ which I’ve tried to photograph, but nothing to write home about. The Taylor hard case is in equally good condition with all clasps working perfectly. I don’t have any boxes/packaging to post this, so collection/meet-up preferred. £1000 Part-ex’s considered with at least £700 cash to me. Interested in trad-style 5 strings, a Sire P5R 5 string? Perhaps a Yamaha BB 5? Any other questions, just ask 🙂 Si2 points -
I've recently got into jamming with some friends on weekends and the gas is driving me insane. I haven't played or owned any equipment for almost 15 years, and I'm very out of the loop on what's cool in this neighbourhood as I'm originally from NA. I practice on a harley benton 5 string that I got on a whim 3 months ago, and I jam on my friends veeerrry slick Fender Meteora. I'm hoping to find a nice amp and a good jazz-style bass in the coming months so I have something more practical to practice with, as fun as the 5-string is, it does not prepare me for the thickness (or the quality) of the meteora. Can you guys give me any ideas of how well buyers from Ireland do here? Reverb is like the only used classified I've found so far and they're full of chancers who'll take your left leg if you're not careful. I know it's a trying time for us all but it certainly feels like IE-UK online trade is strong, so hopefully I can make some friends while chilling here. Regardless, it's nice to be here. I'm a real noobie so it'll be a big help even just lurking with you. Cheers! deadshed2 points
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Finally mine should arrive Thursday2 points
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Also some new RST Zebra limited ones2 points
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Evening again. Have just posted in amps section about my dad's old amp here are pics of bass/guitar any information from yourselves would be amazing Ta very much.2 points
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This is exactly the principle of a sitar saddle just as I mentioned it in my post above. 😉2 points
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I had a very similar experience although in my case it was more down to the fact that my parents really didn't approve of pop/rock music. Had they thought otherwise I might have ended up with a Rickenbacker or something with a John Birch logo on the headstock. I ended up making my first electric guitar in the woodwork shop at school when I should have been studying for my A levels and was brought home at the end of the school year as a "fait accompli" much to my parent's disappointment. My first bass was bought out of my university grant money and still required that I eat frugally for month. When I finally had the kind of disposable income needed to fuel my musical instrument habit I went mad and spent a considerable amount of money on a fully equipped home studio and all the toys required to fill it. Most of it's gone now, but as I said it took 50+ years to properly scratch that itch.2 points
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Finally got these back in stock, still haven't had chance to try one though2 points
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Loving the Venture Series, really versatile amps, sold loads to customers using them for a whole host of different situations2 points
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There's no harm in looking and while there are plenty of things I might like to own I don't actually need any of them. Having said that, it has taken just over 50 years of buying and selling along with several advancements in technology that have rendered many of the instruments I wanted when I was younger irrelevant, to get to this point.2 points
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It's a bass, sell it and move on, if only because you will feel better for doing so. That hope that our lives will somehow be better if only we had the bass/amp/pedal that's just been listed on BC, or that fear that our lives will be worse if we let go of bass/amp/pedal to which we have a sentimental attachment but never use, is best dealt with surgically and with as little deliberation as possible2 points
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Ahh! Happy Days! I had a G18 C. 100w Green Back in a home built cabinet. I gave it away to a fellow Basschatter. It sat in my den for over 30 years and was rarely used. I bought it from Tottenham Court Road, probably from Lasky's. Around about 1966/67, I carried it home by hand (in it's big box) on the underground, bus and pavement to Hornchurch. Even after all this time my arms have never regained their original length! That circular wood plate or a piece of 4 x 4 was the stabdard way to brace the loudspeaker and the rear panel. Check out the "Recommended Amp Techs" part of the forum under the "Repairs and Technical" sub-forum. Best of Luck.2 points
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This'll be my last post. But in the scenario above where someone is already getting electric shocks possibly due to a faulty amp, removing the earth from the mic wire is NOT an acceptable solution. If the fault is in the guitar amp (or the supply feeding it), removing the path to earth means they are still building potential which can easily be earthed through another path, like a different mic or some random bit of stage kit or touching someone else who is earthed. Especially dangerous if it's one where the potential slowly floats up over time. The ONLY safe solution is to stop using that guitar amp/supply. Hum is not necessarily a sign of serious danger. However, an electric shock is a damn good indicator (nylon trousers notwithstanding). The point is not that the fault is definitely lethal, but that you don't know it isn't2 points
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@Hellzero thanks for the list, much appreciated. Hadn’t considered Trickfish - Bass Direct have a Mini500 but looks like it has a fan and is top end of my budget. The Eich would be my choice from that list. @Stub Mandrel yes I’ve been wondering about the separate preamp, poweramp plan as well2 points
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Spitballing here - after what is hopefully the final flatting tonight - an ultra fine Sharpie, then remaining clearcoat over it?2 points
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That was a bass lesson in itself. No stretching to reach notes, a lot of hand movement, even notes, totally relaxed. Ian shows how it's done. Loved it.2 points
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No...it was me... There seems to be a number of celebrities doing good deeds currently and I thought this was genuine.2 points
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I am temporarily popping out of my posting retirement to say, the solution to an untraced fault causing electric shocks via the mic is NEVER to remove more earth connections. This is a potentially (geddit) lethal scenario. If you have any doubts at all about a venue's electrics or your gear, at least plug in through a decent RCD. For god's sake don't try and work around it by removing earths! By the way, a local RCD on your gear is safer than relying on an RCBO back at the distribution board, because RCD effectiveness is influenced by length of a cable run.2 points
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I geddit! It's the ultimate multi-purpose bass. You can play wuffly DB lines with the Novak MudBucker, Classic Rock with the Precision pickup and never dare enter the dusty end where you run out of frets, and if you happen to be the second coming of Jaco, you've got the fretless section for some fanatical runs and general slidy soloing... It's the OEM Fender GAS Killer! Every bass you can imagine, all rolled into one!! Verdict: Nah... I'll take nine of the £1400 chambered Blu DeTiger Signature Jazzes and one Laura Lee Jazz instead, please.2 points
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Holiday with family in the Forest of Dean, Dave. All good.2 points
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A lot of effort (and some expense) goes into making an efficient and quiet cooling system. Cooling is a system, not just a bunch of parts thrown at the problem.2 points
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@casapete beat me to it - Fujigen (the factory which made it) 2407, branded Antoria for UK distributor J.T. Coppock & Sons. We had one turn up a couple of years back & I contributed what little I knew back then. There's a serial number on the bass neckplate - can't quite see it but the second 2 digits are the year, likely '76 or later.2 points
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I remember buying my Flea Jazz. I was tryinh it out along with some modern jazz basses. I couldn't get a tone I liked, the guy at the shop said you prefer a more traditional sound? He plugged me into a rumble 100 and lo! There was the sound I wanted.2 points
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I don't normally contribute to questions like this, I'm not a user of exotic amps and tend to go direct to PA at gigs and use in-ears but I do have a Monza as my back up and a couple of micro amps so here's my 10p worth. The Warwick Gnome and the Trace Elf 130W into the Monza give me plenty of volume for medium sized gigs and as a stage monitor for the whole band. I don't play full throttle bass for a rock band but that isn't what you are looking for. Either of them fit the easy fit criterion. The Gnome in particular sounds hi-fi a really clean sound, the Trace is more err... Trace, with a good dollop of midrange suckout. A really appealing sound out of the box but not neutral. As it happens I also have the Bugera BV1000M. I wonder what "Hi fi " means to you? For me it is that clean open sound, not overwhelmed by bass or worse the boost around 120Hz you get from underdamped speakers. It should also sound light and airy. My initial feeling with the Gnome is that it was just that. We did some frequency response measurements on these amps and it turns out that 'hi fi' and flat aren't the same thing . The Gnome has a quite pronounced boost at higher frequencies and the low bass is largely absent. The Bugera has an almost flat response with the tne controls set flat but sounds 'neutral' rather than 'hi fi' to my ears anyway. On my amps the fan is quieter on the Gnome thatn the Elf. DI on the micro amps is post though so not ideal for you. The last thing is the Monza, it's got a great horn and driver and is crossed over really accurately. It's also designed for you to hear those mids and tops with the clever radiation pattern. Are you just hearing sonds that were therebefore but inaudible from your playing position? I wonder if you could just filter out the unwanted high frequency elecctrical noise and let the Monza concentrate on giving you just the bass sounds you need from that wonderful mid range2 points
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For sale is my Overwater Inspiration 5 string bass. This was made at Overwater UK by Chris May & the team, the Inspiration series were made in small batches (rather than custom order) to a price point with fewer options than the Progess (particular with regards to woods available etc - pickups & hardware etc are the same as any UK Overwater), so that it could be sold cheaper than the Custom Progress basses - a similar idea to the first Japanese MetroExpress basses that Sadowsky Japan did Make no mistake though, this is absolutely still a handmade Boutique bass and absolutely sounds and plays like one too. It is in very good condition, comes with a branded overwater hard case and also with a leather DSLR branded strap that has Schaller strap locks on to fit the bass. It has an Ash body with Flamed maple top, maple neck & maple fretboard, and proprietary Overwater pickups & 3B preamp with push/pull active/passive switching This bass plays absolutely amazingly well as you’d expect and sounds fantastic - full, clear tone which can fit into anything. The neck is amazingly comfortable, thunderous low B with piano like clarity from bottom to top Year - 2015 Colour - Natural Body Finish - Gloss Body Wood - Ash w/ Flame Maple facing Neck Finish - Satin Neck Wood - Maple Fretboard - Maple Frets - 24 Scale Length - 35" Weight - 9lbs13oz I paid £1375 for this a couple of months ago and have used it for a few gigs but I am really using my active Lakland 55/AJ a lot more for the gigs I’m doing, and cannot afford to have this sort of money tied up in a bass that’s not being used all the time: I’ve seen something else I want so I have put this up for sale at very good price - it’s priced to sell (and any trade would have to take that into account when valuing their own bass) Trades: Im looking for a sale really, however trade or PX may be possible (5st only) for the right thing, but not particularly likely. However I would definitely look at a Yamaha BBP35 & maybe a Sandberg VM5 - P flavoured & 5 string preferably, but will look at other stuff - try me I’ve taken a hit on it - it’s in excellent condition and someone will genuinely get a bargain here Price is £1150 - located in County Durham, delivery can be arranged2 points -
And here it is!2 points
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"You've got five seconds to look at this Warwick 6-string. Then draw it from memory."2 points
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Another fun day of basses, brews and biscuits (fig rolls and ginger snaps for the curious) 😋 A few from my phone.2 points
