Leaderboard

Reverends are really cool. As a big Mike Watt fan, I'd love to get a Wattplower one day! Has anyone used one?

A lovely Jazzer just popped up over at BB https://bassbros.co.uk/product/1965-fender-jazz-bass-2/

To me, @ChrisDev (as well as @tomread) writes the song including repeats etc. I also like the key signatures, as they turn my head to the right direction from the start. @Bilbo, your score is more like, as you said, a road to somewhere. Chris' charts are compact and economical. [I was trained classically (piano, ages 5 - 18), and after that I went to play bass to a jazz and popular music school (found my instrument!) for four important years. I can read and play somewhat nowadays, but am far from an expert, because I make my living from technical R&D stuff (an engineer). I got tired of working strange hours, and so little money. I'm just a player, while you both are musicians.] I play in few bands (5 to 12 players), and the need for notes and arrangements is important. I do not remember every song by heart: one of the bands played 118 different songs last spring. There were maybe dozen gigs only. Quick changes in set lists also require the ability to read. All in all, I love your work and cordially thank you for your effort in helping this bass playing community to play lots of different music.

More progress: ALL BUILD PICS NOW IN POST DATE 01/11/2025

Too pricy for me, i think.

Absolutely not. I wish I had had those when I was learning to read music.

I think it is in this case, Chris. The point I was making is that, because I do a lot of transcribing where the details change on every chorus, I get out of the habit of using the repeats and codas etc. and I often don't even consider it, even when it would be helpful. As a result, some of my charts are 10 pages long which is ridiculous!

Unless it says Rickenbacker. In this eventuality I suggest you move on and look at something else

No such reason makes it worth learning slap

We had our final rehearsal before Rebellion Festival - we're playing on Sunday twice... I was a bit worried before that we lacked practice, and this would result in sloppy, missed or messed up changes (we have quite a lot!), or songs would be started at dirge-like pace when they're meant to be punkfunk stompers. However, if it goes like last night we'll have no problem at all; Knockout stopped on 3 as it should, there was distinct variation between the funky chorus, punk verse and funkabilly middle 8. All 9 changes in Reaper were perfect, Conspiracy had a millisecond tight ending, and I'd managed to download the filthiest bass tone from Line6 which worked surprisingly well with my Parker bass. However, after some solo fiddling this morning (Keep your filthy minds out of the gutter!) I've decided to use my Sandberg through a tube driven Aguilar sound with a spot of reverb and chorus which clanks'n'danks like a Sherman tank dragging a chain over a steel pontoon bridge. I'll probably change my mind again though!

A little update to my board which is mostly for fretless. A new addition is the Fender Bassman Driver which just adds a bit of grit. It's an awesome pedal and is perfect to cut through at certain points. The pedalboard is tight for space and not sure what I'm going to do when I get my hands on a MXR Bass Synth pedal. From right to left. 1. TC Electronic Tuner 2. Boss OC5 Octave 3. Fender Bassman Driver 4. Harley Benton CH5 Chorus (Best chorus I've ever had) 5. Walrus Audio Slo Reverb 6. Mooer Ambience A7 Reverb 7. Ampeg Opto Compressor 8. Sansamp BDDI v2 Preamp

Sorry, no pics as I was still setting up until three (as in the three in 1,2,3,4). The Rebbels had a very good gig at my local Legion, in front of all my friends. People that have seen us many times said we had the sound we ever have, although we had to run without on stage monitoring, due to feedback problems. Legion in the next Village next Saturday.

Some promoters are morons. We were playing a well known pub chain and the manager had to fight his way across the heaving dance floor to tell us he wanted us to play more danceable music!!! The dance floor was full, so we carried on with the set and everyone had a great night. . . . and we didn’t get rebooked!

In my old punk covers band The Daves we played a local venue where we went down amazingly. Unfortunately a lady and her husband that we knew had come to see us, she was very drunk and started a fight with him, yelling at him very loudly in the middle of the pub. When he left she started yelling at anyone who made eye contact she would fight them too. Her broad German accent made the behaviour even more noticeable in rural Watford. We could hardly say we didn’t know her as she had a Daves tee shirt on. No matter how many times we tried to get gigs they were always fully booked…..

I think that's it 100% 👍

Adam and the Anus

Pretty much what @Woodinblack said. He mainly used the 62 sunburst Jazz that he bought as a teenager, but he also had a red jazz bass, a 50s precision and a fretless P bass. Towards the end of Zeppelin he had an 8 string Hagström and an Alembic. Post Zep, he generally used Manson basses, although I have seen him playing a more recent sunburst Fender Jazz. https://www.guitarworld.com/features/the-10-most-famous-bass-guitars-of-led-zeppelins-john-paul-jones Now that's a bit of a sore point! A couple of us have been on about that for ages, and it is one thing that is definitely stopping us getting more of the top gigs on the circuit. A guitar player that I play with in another band, also plays in a Police / Sting tribute who are very busy - basically some of the bigger places we play are some of the smaller gigs that they do. When they got a pretty serious agent behind them, the first thing he did was get some high quality promo videos done, which led to them getting bigger and better gigs. If you search on YouTube (and I would rather you didn't), you get all sorts of cr*p come up, mostly with a different singer and before I was in the band. The best of a bad lot is probably this clip that a punter did on a phone at the excellent Cluny in Newcastle (not too bad for a video on a mobile). This was the first gig that Didge (keys player) did with us, but he's hardly featured on the clip for some reason.

Yup. A very busy music pub. Apparently we were so loud they got their entertainment licence revoked by the local authority. So really nobody got asked back. That was back in 1993 iirc.

Guy Pratt's "My Bass and Other Animals" is very amusing. EDIT: If you prefer audiobooks, then he reads that one himself and does a great job. Quite nice to hear it in his voice when a particular anecdote brings back happy memories.

Firstly, forget about tone that comes with experience. Agree with everyone else really, purchase the bass that feels right and comfortable and easy to play and not by what it says on the headstock.

UK Subs on Friday evening at Wacken. I was intending to watch Papa Roach but given the swamp in front of the stage and how far back I was I decided to see who else was on and stuck with them. I enjoyed it more than Papa Roach to be honest even though I don't know any of their stuff.

An important piece of the puzzle hath arrived... Existing screw holes lined up and the screws went in good and tight - like I never sold the previous bridge in the first place... Now I can see about setting the neck the appropriate amount into the body - I suspect it'll need to go back towards the bridge a few mm. Might as well do it now whilst the neck pocket is comically oversized anyway...

If you read that quickly, the “do’s” become bigger and the “nots” disappear entirely

I've only just spotted this thread, and I bloody well wish I hadn't. GAS is back with a bang. That sunburst 5-string... ohhhhh lordy. I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I want this bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass I do not need another bass arrrrrgh

A genuine bargain for a brand new Electra for anyone interested

I was recording with my Fatfish 32 recently. Sounded fantastic. Pretty much only using the front pickup. Warm and woody.

Next gig for Hurtsfall is Twisted Firestarter at Rebellion in Manchester on 14th August. This is the Infest warm-up party and in previous years has been extremely popular. I played last year's event with my other band and there were still people queuing to get in after the first band had finished playing, so if you are going to this and hope to see us play I suggest that you get to the venue before the doors open.

Buy a bigger board. Obvs.

Muse-> musk ruined them, just like Elon would

But... is it good for metal?

I found that removing the pickguard, then fitting the control plate, and then re-fitting the pickguard usually works. It took me a while to figure this method out though, as in the past I've ended up sanding the pickguard to get it, and the control panel, to fit snugly.

first gig done last night used both Mark Bass cabs and boy, did it shift the air Amazing Next gig will try my Ashdown RM410 cab

I hadn't been on BC for a while, but caught up on some stuff yesterday, including this thread. You guys inspired me to take my Sandberg out tonight, and what a joy it is to play! Hadn't gigged it for quite a while, but will try to more now. Definitely got plenty of thump and authority out of it, sounded absolutely monster! 😎👌❤️

Must be a new signature prototype - Greg Norton, formerly of Husher Du:

Lots of personal preferences. I also write what works best for me on stage. I like to see the structure of the song immediately. The key signature gives me a basic hand positioning, etc.. I'm pretty sure the repeat is exactly the same here. I will have another listen. I don't use repeats either if there's more than 1 note different.

I do admit that sometimes tabs - even they are complex to read to me - may help with fingerings. It is interesting to see, how someone else is understanding and taming the fretboard.

The TC Electronic Helix Chorus has a Duff Preset IIR, although you could probably use almost any multi knob chorus.

Thanks Martin - those were the days. I was doing similar in the late 80s Marlborough / Pewsey.

I love mine. It's so eady to play and dounds so good it does any gig where I want a stress free time. Suits Fender 7250 nickel plated strings really well. I spent a good while tweaking the relicing to look more natural and checked it with freezer spray. Bought as a cheap way to get a great early-60s style bass. Relic/signature were not sought but aren't an issue, in fact I love the relaxed played-in feel.

The walls of my late-victorian terrace are seemingly made of a mixture of sand and, er, cheese? So I don't hang anything heavier than an acoustic guitar by its neck. I keep my basses and various other household instruments in a big wooden rack that fits into an alcove. It's something my wife designed and made from the remains of a heavy oak table. I'd been looking for a new stand to replace my manky old one, but found they're all designed with guitars in mind – that means basses sit leaning back at an angle, forcing you to either bash them into the wall all the time or make bad use of space by leaving a 30-cm gap behind the rack. Here's the design mock-up in my wife's old workshop with CNC'd dummy versions of my basses.

I just put a normal set on mine(45-105), zero hassles because of the wide capstans not putting an unsustainable strain on the windings.

Surely that should be a monochromatic tuner?

Hi Again, second one is a beautiful Headless bass i think the weight is 3.3kg only