Leaderboard
Popular Content
Showing content with the highest reputation on 08/03/25 in Posts
-
Maple Road, we're returning to The Twisted Pair this Sunday, 3-6. Daryl9 points
-
9 points
-
First gig tonight since 2nd Jan with the Glam band at Dalkeith. Large venue with big raised stage area, lights and PA all there. Still not sure whether i'm retiring or not. Band were a bit gutted and disappointed when i told them especially weird when we met at a rehearsal. They've asked if i had any doubts whatsoever then hold off and they'll wait until i'm 100% sure before looking for a replacement. I expect i'll know for sure after the gig tonight whether its still for me or not. The extended break since New Year has allowed me to do other hobbies and have really enjoyed the break from it all. Dave8 points
-
You have nothing to sell. The band is going to be very different both in sound, look, personality with every new member. 'Selling' what remains of the previous iteration is moot.6 points
-
Very reluctant sale here of this lovely high end Ibanez GWB1005 Gary Willis Signature fretless bass. Now Withdrawn, but likely to appear soon at a Bass retailer near you! This is a brilliant instrument; ridiculously light for a 5 string (around 3.5kg), beautifully made, ergonomic, comfortable and effortless to play. I’m only selling because it's not getting played as often as it deserves (and I really need to raise some funds for a new car). As you probably know, this is a precision-crafted, high-performance fretless 5-string bass built to Gary Willis' exact specifications. Handmade by master luthiers at Sugi Guitars in Japan, only a limited number are produced each year. Each bass is personally hand-signed by Gary Willis on the electronics cover. There are some nice touches on this bass. I wasn’t sure I would get on with the finger ramp (which is detachable) but I really like what it did for my R hand technique. The tuners are another Gary Willis innovation, as was the bespoke Bartolini pickup which mimics the fingerboard radius. Lovely lined ebony fingerboard too. The action goes very low indeed. This is easily the nicest bass I’ve played / owned. However, I’m generally more of a P bass player, so this doesn’t come out of the case anywhere near as often as it should. The GWB1005 usually retails at between £3.5 – 4K, and there’s a waiting list. The bass is in excellent condition. Being picky, there are just a few very light string indentations to the neck, but nothing affecting playability or sound. She's currently wearing a set of TI flats, but I will include the set of rounds it came with (D'Addario EXL165-5), which deliver more MWAH. Comes with a generic Gator hard case. I’m only listing this for a couple of weeks on Basschat, at what I hope is a reasonable price for such a lovely bass. If it doesn’t sell, it will then be heading to the BG or BB. The bass is located in East Leicestershire. Potential buyers are welcome / encouraged to come over and try it out. I am not keen to post this bass, but if that is a deal breaker, I'm open to discussion. Also happy to consider a meet up. As noted above, I’m having a few transport issues at the moment, but could manage a 20 - 30 mile radius of Leicester. The pictures below were taken in a friend’s photography studio. I’ve included an additional photo I took today with my Basschat name and the date. No trades on this one I’m afraid and the price is more or less firm. (NOW PRICE DROPPED TO £2,100) More information on the GWB1005 The bass features a lightweight, two-piece swamp ash body with a natural finish, it has a 3-piece maple neck, with an ebony fretboard. A specially designed Bartolini bridge pickup, exclusive to this model, ensures a transparent and highly responsive sound. The NTBT active 2-band EQ allows precise tone shaping, with a push/pull volume knob for active/passive switching. Innovative Playability: A key feature is the Gary Willis-designed detachable finger ramp, providing enhanced right-hand control for consistent articulation and fluid playability. The low action and 16.5mm bridge string spacing contribute to its comfortable and ergonomic design. Exceptional Sound: The GWB1005 delivers a natural, "woody" tone with a deep and articulate low B string. Its tonal versatility makes it suitable for a range of genres, particularly jazz, fusion, and modern groove-oriented styles. Premium Hardware: Equipped with Gotoh tuners featuring custom Sure Grip buttons, the bass allows for precise tuning adjustments. The 34" scale length and 45mm nut width ensure balanced tension and comfortable fretting. Built to Gary Willis' exact specifications, the Ibanez GWB1005 is a refined instrument offering superior craftsmanship and attention to detail. With its handcrafted build, custom electronics, and ergonomic features, it is an excellent choice for professional bassists seeking a premium fretless experience. neck type GWB3pc Maple neck top/back/body Swamp Ash body fretboard Ebony fingerboard Off-set white dot inlay fret Fretless bridge Std. bridge string space 16.5mm bridge pickup Bartolini® GWB bridge pickupPassive equaliser Bartolini® NTBT 2-band EQ w/Eq bypass switch (push/pull) factory tuning 1G, 2D, 3A, 4E, 5B hardware color Black NECK DIMENSIONS Scale : 864mm/34" a : Width 45mm at NUT b : Width 67mm at 24F c : Thickness 19mm at 1F d : Thickness 21mm at 12F Radius : 305mmR See it on the Ibanez Web Site…. https://www.ibanez.com/na/products/detail/gwb1005_33_04.html5 points
-
For sale is this gorgeous natural finish Lakland Skyline 55-60. Now £800 as I have seen something I’d like to replace it with! The quality of these basses is well known, and the plek’d neck/fretboard is as good as everyone says it is! Great, punchy low B and a balanced tone across the strings and the ash body has a lovely grain! A couple of minor cosmetic marks, which are no more than surface level (all pictures), and there is a tiny dent in the neck around the 4th fret, which you can just about see in the pic of the back of the neck. It’s never been noticeable when playing. The bass has served me well for around 6 years but ongoing back and neck issues are forcing me to switch to ultra light basses (recently sold a couple of 4 strings to fund a 3kg Vincent Akurrat). At 4.5kg, it’s certainly not heavy for a 5 string, but I need something more comparable in weight to the Vincent (trade offers welcome). Collection from Bovingdon, near Hemel Hempstead, or can ship at buyers expense. I don’t think I have a spare gig bag to sell with this, but I will have a proper look and edit the post if I find one! Open to reasonable offers. Dave5 points
-
If you can source a spherical balloon with a diameter of 6.12 feet, fill said balloon with 162 cubic feet of helium and attach it to the bass, you should find that most, if not all of the weight is relieved.5 points
-
When it comes to spreading the load, it's go wide or go home really. Also, no-one even notices that we're playing bass (or even there, frankly!) - no-one's going to give a monkey's what strap you're wearing, if that's what's fuelling your dislike of wide straps.4 points
-
4 points
-
3 points
-
62 this end mate, I’d like to think gigging keeps me young but at 2am after a crap strip down and load out I’m not so sure 😂😂3 points
-
Think taking on the 2nd band from scratch was just a bit too much but there were other factors that now seem to be poor communication within the band. Just got a bit pissed off with it all and having the extended break since last gig just made it worse. On average we only do 1-2 gigs a month with Nov & Dec being busier. Will see how it goes tonight and on that i better go get started on sorting my gear into car. 👍 PS i think i might be a bit older than you. 65 this month but still feel 30 ish Dave3 points
-
When I started on BassChat i used to obsess about all the technical things but over the years I've realised music making is far more about the human elements. Recruitment is about being positive of course but also about being honest. Recruiting someone who is 'wrong' for the band can be hugely disruptive and can easily loose you six months of hard won progress, equally if the band is 'wrong' for the recruitee then you are wasting their time as well as your own. First of all band dynamics; who is in charge? How do you make decisions? I've tended to be the band leader in most of my bands, a not quite democracy where I've done all the physical things like getting gigs, providing PA, organising rehearsals and puling a set list together but trying to make sure everyone has a say. One of my happiest experiences though was with a band led by a married couple where I was just the bass player. Turned up played whatever I was asked and got paid. I think a lot of friction I've seen in bands is down to misleading expectations starting with the recruitment process. That also extends to genre/repertoire If you are an originals band then you need to be sure your new singer is happy to sing what you have written. If your music is mainly Ska you probably don't want to have a singer whose taste is for power ballads. Most of my bands have been covers bands, usually with 10 or so gigs booked at any given time. Any recruit would be expected to get on top of the set within a month so we don't have to cancel gigs and let our regular venues down. That usually means that the incoming musician will have to already know a good proportion of our set or enough of the cover band standards to allow us to keep gigging. We wouldn't be looking to comletely overhaul our set to make way for another musician however good they might be. You need to get together with the rest of the band and decide exactly what you are looking for, what is essential, what is desirable and what is just nice to have. A new singer/front person is the most disruptive thing to recruit. You can't ask a singer to re-tune to drop D or capo them to convert a Tenor into a Soprano They are limited to songs that suit their voice and frankly songs they are happy to sell to an audience. What do you have to sell? If you've been together for a while you are probably quite tight musically and have good relationships within the band. That's the band we all want to join. If you have gigs booked or regular venues then that is a real selling point. There are thousands of start up bands that are going to do 'great things' but a band that played everyother week last year and intends doing the same next year is a much better bet. Is your PA sorted? Do you have rehearsal spaces organised? There is no point in lying, just be clear what you want and what you are prepared to compromise over. Be prepared to walk away from recruiting if you have reservations but be aware that you will have to make compromises too. Check the new persons ego by all means but check your own too. Remember the auditions are just the first date and a blind date too, you don't have to go all the way if it doesn't feel right3 points
-
Dude, I’m stoked for you! I’ve been gigging since I was 19, now I’m 54 and still gigging, and it’s a rush, isn’t it? Nothing better. Enjoy mate.3 points
-
First gig with the Vigier tomorrow night, it's taken me a while to go from my 26 fret Thumb neck to this 21 fret bass. Big difference - particularly as I'm singing too. I also renovated the case that it came in, from this.. .....to this. I've fully fitted it out and padded it both top and bottom sections (with Cloud 9 underlay!) and new fur.3 points
-
Delta Bass 300 Watt Head. 2U Rackmount. FULLY Analogue, studio quality amp. 2 channel (switchable) Front Panel; Ch1: Gain, Bass, Mid Shape, Mid Select Switch, Treble. Ch2: Gain, Bass, Mid Shape, Mid Select Switch, Treble, Anti Feedback Switch, Anti Feedback Frq. Graphic (switchable) Fx Loop Tone, FX Level (switchable), Mute (switchable) Master Volume. Rear: Speakon/Jack speaker out, FX Send (+4db/-10db) FX Return (Full Range/HPF 200hz), DI (Pre/Post Switchable) Footswitch: Channel, Effects, Graphic, Mute. These amps were designed by Overwater Basses in the 90s and are built to an incredibly high quality seen with the features. The transformer is HUGE so the amp remains totally clean with plenty of headroom. The amp has recently been serviced and works perfectly. I am only selling as I have a duplicate head/combo (last picture) otherwise I would happily hold on to it. Collect from Whitley or Byker. You’re more than welcome to try it out at volume at my rehearsal room in Byker. Postage an option, I’ll package it up very well for shipping. Any questions please ask away. Thanks2 points
-
2 points
-
I've been missing my NS5-XL and I found this Euro. It's a peach. I love an oiled Spector and this 20 year old example is really nice. I'll do some better pictures over the weekend to show the amazing figuring on the maple neck. It's light too. I'll weigh it tomorrow. I restrung it 40-60-80-105-145 and it is like death from the sky through the 400+ and the Barefaced cabs. Perfect. It's scheduled for a refit with an LHZ-03 and new EMG 40P5 + 40J pickups 😇2 points
-
I was asked to do mixing for a band with an analogue mixer - it is a lot harder to go back to that way!2 points
-
Getting to grips with the XR18 and loving it. So much control and flexibility. Pretty much on top of scenes, channels and snapshots. What a great bit of kit.2 points
-
You can get a strap that splits into 2 parts, one for each shoulder to help distribute the weight, although I have no idea what they're called. But if you're not keen on wide straps I'm guessing you're not going to be tempted by something that makes you look like you're wearing a bra...2 points
-
Gosh, what a deal, let me see if I can sell one of the children on. Hate to miss this opportunity... Can I check if it's a refin?2 points
-
2 points
-
Phil's advice above is good. Do you have anything to show prospective recruits - recordings, etc - of previous incarnations of the band? Are there gigs in the book, or are you re-grouping and on a hiatus? I agree that painting too rosy a picture is not the best policy. No point in getting someone on board, only for them to move on swiftly because it wasn't what they envisaged. As Phil points out, do you want someone who will be a drop-in replacement for their predecessor, or will they be able to stamp their own character/style on things? Covers or original material? How flexible are you willing to be to accommodate a new singer? Whilst Myke is correct that you cannot base your offer entirely on what went before, bands and musicians do have a style they are known for/good at, which, whilst it can be modified, is usually not possible to change completely. Beware the Spinal Tap moment "We hope you like our new direction". The only way really is to get together with a few people to see how things go. Kissing frogs and all that.2 points
-
Geezer Butler used these in the “Dio years “🤟 I believe?..always wanted one because of that fact ..2 points
-
Would this aforesaid Austin Allegro be the ultra-rare light brown or sand colour? If so, I'd double your estimate...2 points
-
I was given this the other day for 'evaluation purposes' by a fellow bass player. Never seen or heard the like of it before. I suspect it has been a custom made pedal and possibly a take on an old Tonebender distortion pedal. Sounds very nasty, and makes the user want to play evil riffs. Apparently🙄2 points
-
(Take the) Piss Alive I Featuring: Calling Dr Mug, God gave Rock n roll 2 you for $12.5k, God of Plunder ... and many more2 points
-
2 points
-
2 points
-
This Trace Hexa head, I bought from Chimike on here a few months ago. Went down to his on a day trip to buy an Aguilar head, and ended up buying both. I’ve gigged it about 3/4 times, but the Aguilar gets most of the action. It seems a waste to have an amp like this sitting around, so putting it up for sale for what I paid- £1000. I’ve bought a 4U Gator moulded case, that I’ll chuck in, and this has only done the 3/4 gigs. Too heavy/fragile to courier, so will be pick up or meet up only I’m afraid. If it doesn’t go, I’ll just keep it, as it’s lovely. ps, for some reason I’m not able to link a picture, as saying over 1mb- no idea. So I’ll add pictures after if I can. Thanks2 points
-
This collection reflects what a guitar dealer told me about the state of the guitar market. It's people with huge collections of average gear trying to sell it for shop prices. They kid themselves that these things keep their value, but he'll struggle to shift any of this at these prices. I'm sure the guy is a lovely fella and best of luck with it all.2 points
-
I was assuming it was a shop so please excuse that comment 🙂2 points
-
Different people I think. Tony Iles isn't a Director of those guys. I sold him something which he collected from my house. He's a nice guy and said he's just a bit of a collector, plays them for a bit for fun and then flips them when he's ready. Does a road trip every now and then round the country collecting basses and amps. My item is still listed and he's not making much on it tbh. He plays in a band and is a good bass player too.2 points
-
The Spector Ian Hill he has FS was sold last year as B stock by Bass Direct (I was following it and clocked the s/n) at about the same price, from memory. His pics don't clearly show the small dings/scrapes like BD's pics did. Not implying anything untoward here .. its still a very nice bass ...but, if I was buying a resold B stock bass, I would be after more of a discount.2 points
-
Nice one. I'm not jealous at all. Have fun at your gig tomorrow and let us all know how things go. Got my first gig of the year tomorrow. Looking forward to getting back out again. Try and get some vid clips, that would be great. Dave2 points
-
"If you sent me a bass with a low action I’d be over the moon" Me too, talk about living the dream...2 points
-
If you sent me a bass with a low action I’d be over the moon, even if they wanted it higher all they needed to do is raise it a touch, sounds to me like they just wanted an excuse to return it2 points
-
I have mixed feelings about this store. I did business with them a few times. Before Brexit. Trade basses and bought another ones. The last purchase I did didn’t go well. The bass I bought had frets almost down to the fretboard, had to change them. Electronics were buzzing, had to re-solder. And the neck pocket had a huge gap that wasn’t visible in the photos. Also the bridge was misaligned. Had to buy new bridge rails to make align a little better with the pickups. I sent them an e-mail raising all these questions. The answer was, “a little fretwear is normal, but it’s still playable”. They ignored all the other issues. So yeah, you can get a good treatment, but you also can be left hanging. Beware.2 points
-
Nice powerful compact combo from MarkBass. Amp is rated at 600w (at 4 ohms i think). With an extension cab it runs at 500w. Everything works as it should, speaker is very clear and articulate and doesn't fart or pop. I have owned this for something like 3 years, gigged it a number of times, but that said case in is near perfect condition (if little fluffy, i have cats, ill get the vacuum out). These days it sits in my office at home for practice only. Real overkill!!. Will post at buyers expense, or meetup for coffee money within range of the m25. Or of course you can come here to Rochester, drink coffee, try it out and anorak all things bass.2 points
-
Now £250. The recent acquisition of a Markbass 210 cab now renders this brilliant combo excess to my needs. In excellent condition. Capable of delivering its full 250 watts into the Turbosound drivers, I have used this combo in pubs and even outdoors to really good effect. Comes with TC Helicon Switch 3 which selects mute and the two onboard programmable Toneprint effects. I am not a fan of "tech" when it comes to my bass rig, but using the Toneprint App on my Android phone to access the dozens of dedicted bass effects is really easy, including various useful chorus, compressors and octavers. This combo is cooled via natural convection, so no noisy fan to disturb quiet playing or studio environments. It took me ages to find such a pristine example, but I really have run out space so it has to go unfortunately. User manual, sticker, mains and pedal connection cables included. Price is based on sale only by cash/bank transfer collected or localish delivery from Bury St Edmunds, Suffolk. Many thanks for looking. Link below to full technical details and a video of Roger Glover having a play through one:- https://www.tcelectronic.com/product.html?modelCode=0707-ABY1 point
-
1 point
-
That’s good! They are all set up as orchestral. Some are very nice. There’s a Scarampella in there somewhere, but I guess that would need verification.1 point
-
Lightweight, medium scale, soundgear shape, thin Ibanez neck, good balance on a strap, sounds great. I am selling because I am not playing bass anymore. I have clinged to it for a while but I have now figured I can buy a new bass if I get back into playing. I went through more than dozen basses in the past few years but I have sold them all. This was the last one standing, a perfect balance of great comfort, great sound, versatility and budget. A previous owner had done a lot of work on the bass, which is now fully shielded and has a Wilkinson pickup at the bridge. However, the installation of the Wilkinson pickup (which was part of a wider upgrade with different preamp and pickups, although the bass has largely been brought back to the original state) was a bit rough and has left marks (please have a good look at the pictures if you are OK with it) That being said, the bass is great, no issues whatsoever beyond the aesthetics. It's pickup from Bromley or I could meet in central London. I do not have a suitable box but if you are up for it I could post with the neck off Thanks Paolo1 point
-
Thank you Nik. As regards Neal, I'm honestly not sure . The website (nealmoserguitars.com) is still active so I would guess so.1 point
-
Would it be fair to say that are few brands of bass as under appreciated (this thread being the honourable exception) as Washburn? The Japanese ones are exceptional instruments, beautifully built and a joy to play. Still avaiable (in spite of relative scarcity in the UK) for very reasonable money. Here are my two. The Scavenger came to me for £110 in a fantastic hair metal black and white zebra stripe. The neck plate is marked 'reject' apparently becasuse of bleed in the paint job. I stripped it, to reveal this beautiful ash & mahogany body. I was intending to paint it a solid colur but seeing the quality of the wood, I oiled it. If this is Washburns idea of a reject, I'll take them all. My other Washburn- an even more hair metal black B20 which I can't find a decent picture of at present- I found on ebay in a pretty sorry state. My old mate Graham Parker (Lewisham luthier) undertook the daunting task of routing out the skunk stripe (the old one had sort of erupted from the neck, the truss rod having been over cranked), and replacing said truss rod and skunk stripe. The operation went very well and was a testament to Grahams skill and patience. The bass is now a joy to play and such a great shape. You have to love a bass with prongs...1 point
-
A message on Facebook from Nick's sister, Ally: https://www.facebook.com/share/p/18qydtbPRH/ There are a couple of us who have agreed to step up and help with valuation, etc. Anybody else who can help with areas of expertise would be appreciated.1 point
-
1994 LPB-2 Deluxe Got some Gibson Speed Knobs on the way, wearing some lovely black dome ones now - I’m not 100% convinced they’re original. Every other LPB-2 I’ve seen has speed knobs.1 point
-
1 point