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Showing content with the highest reputation on 24/05/19 in Posts
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A man never truly covets a drill, what he really seeks is a hole.9 points
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Maybe rock has nothing more to say for Bobby Gillespie - as a jaded, millionaire rock 'star' whose band (who I have dearly loved) haven't produced anything interesting for quite a while. His statement might have more to do with his lack of relevance than the real state of music. I seem to remember hearing that someone from Decca Records told the Beatles that guitar music was 'on the way out' in the 1960's; that rock had become jaded just before Nirvana and grunge hit the airwaves; that guitar bands were passé, then along came The Arctic Monkeys et al. New types of music will come along, and this is a good thing, but that doesn't mean that styles of the past (jazz, rock, country, classical, disco etc...) die out - they continue to evolve. RAWK RULEZ!6 points
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In my day, we had to listen to good old acoustic hand drills, and it goes without saying that this ::waves finger about:: was all fields. 😛5 points
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I’m still holding out for two band names featuring new town graffiti from my home town. One was a car park sign with the word ‘slagbonce’ sprayed across hence... Slagbonce Car Park ...and the other just two words sprayed on the wall of an underpass... President Youslags ...one day I’ll be in one of those bands.4 points
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I have a Makita. Very good for metal. And wood and plastic4 points
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The Napalm Death collaborative album with George Michael had it's place in history but made for difficult listening especially as George did the music and the Napalm's provided the vocal harmonies4 points
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Sunbury’s not a million miles away from me... If you can make it to Surrey this eve (near Gatwick airport) you’re welcome to borrow my Ashdown ABM500 and/or Barefaced Super Compact4 points
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Reluctantly up for sale: JPBasses Lucii 6 String Chambered Fretless This is an original JPBasses 6 String that was made by Jean-Philippe Ferreira and his colleague from Paris, France in the early 2000s. JP and his friend built unique high end custom basses and his designs influenced many other young builders. Pete Skjold obtained the rights to his designs and still occasionally builds them under the name “Denoncourt Series” today. JP Ferreira has since moved on to design wooden houses, bikes etc. These basses have become very rare and are hard to find, especially in this condition. Some Specs: - JPBasses Lucii 6 String Fretless - Chambered White Limba Body with figured Koa top and back - 34 inch scale Wenge Neck with double action truss rod - Stabilized Black Palm Fingerboard covering more than two octaves (side dots) - Hipshot Ultralight Hardware in chrome and 19mm spacing - Kent Armstrong custom JP Pick Ups - Graphtec Piezos - John East 9V Pre Amp (Vol-Magnetic, Balance, Vol-Piezos, Lows, Highs, Active/Passive, Bright-mode Switch) - wooden (Koa) knobs and backplate cover Some Info: https://www.notreble.com/buzz/2011/09/10/skjold-design-to-revive-jp-basses-this-fall/ http://www.jpferreira.fr/pics/JPBasses Museum/ The bass in very good condition and sounds amazing. Asking Price is 2100 Euros. Unfortunately I just dont play enough 6 string fretless and I feel someone who does will be able to treasure this bass accordingly. Its one of the most beautiful pieces of wood and instrument craftsmanship I have seen (of course this is subjective) built by a passionate luthier. The Bass is located in Germany but can be shipped throughout Europe in a sturdy hardcase. If you have any questions, please pm me thanks.3 points
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This bass has been a fantastic companion over the years. Mike Tobias has rightfully built up a huge reputation and this bass is testament to it, however it's not getting used as much these days and I'd like to fund some other things (both bass and life stuff need cash and bass direct have pretty much the exact bass I'm looking for on order). I bought it brand new from the Grooveshoppe in 2009, made to order (the build diary will be around here somewhere!), and have been the only owner. This is a wonderfully constructed bass, and plays brilliantly. This wood combinations can generate a fabulous growl, but I think this bass really shines in a lower gain setting - the brightness of the wood combo and rich mids really glow when playing with others. It is a great "all round" bass and can do a great job in pretty much all situations. It hasn't seen too many gigs in all honesty - I was always worried about taking it out of the house - and has been carefully owned and kept in the official leather hard case. It is in as new conditions and I can't find any dings on it. Specs: 2009 build (USA) 35" scale 19mm spacing Ash body Burled walnut top Ash neck Birdseye maple fingerboard (21 fret) Buzz Feiten tuning system with zero fret Bartolini PUs Bartolini preamp Hipshot hardware Matching truss rod cover and pug head Original paperwork etc included. Would be happy to supply any more photos as requested. As I said, this is an amazing bass and I'm not in a huge rush to part ways with it - I'm happy to wait for the right offer, though all will be considered. In terms of trades I'm looking to fund a 6 string Dingwall so any trades for these/6 strings in general will be considered. Also looking for an Origin Effects Cali76 (original large one) and an Axe Fx II (XL/XL+) so would consider a trade + cash for them. Happy to answer any questions as best as I can, would much prefer to do a meet rather than trusting this to a courier though can arrange that if desired. Cheers! Ash3 points
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I was just reading (on Facebook) the cheery story of one of our bass playing brothers, John VanZanten of Seattle, who about 14 years ago had his dream bass built by Mike Lull Guitar Works. Two weeks ago the bass was stolen, then the thief contacted Lulls in an attempt to sell it to them; Paul Schuster at Lull got photos, verification of the serial numbers etc and convinced the person who had it to bring it in as they had an interest in buying guitars for cash. The guy took it in and Mike Lull seized the instrument advising the thief that the bass was stolen and the guy fled empty handed. Bass has been reunited with the original owner. Brilliant, eh? I doubt you're going to get that sort or after service from Fender.3 points
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Bang on. That's perfect - slightly out of the ordinary and a nice local reference. There's a group of us on Facebook called the Bow Belles, as we all live in a street with 'Bow' in the name, we're all women and we're all musicians. Even though we're in four different bands.3 points
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In Apocalypse Now doesn't that Army bloke say he loves the smell of Napalm Death in the morning?3 points
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I have read this thread from start to present end, and have no idea who this Gillespie character is. I thought at first it referred to dizzy of that ilk, but obviously not. Rock ain't dead, it's just no longer at the cutting edge of fashion, an industry which by its very nature needs to aways be finding something 'new'.3 points
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That's three terrible calls. That person from Decca Records is clearly an idiot!3 points
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No love for Dewalt? Or is that not fashionable anymore? I'm getting too old 😩3 points
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I have to disagree. Ten years ago I might have reluctantly grumbled and conceded he might have a point, but there's some really good young rock bands coming through at the moment. Grime and drill may be more en vogue at the moment, but the spirit of rock lives on and is constantly being revived by new generations.3 points
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I'd be more inclined to give this statement some credence had it not come from a bloke out of Primal Scream. Hardly an authority on music really.3 points
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Ooft. Worcester sauce and mature cheddar on your Cobalts. That’ll get your tone nice and funky.2 points
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11:30 on a Friday night and we’re all online talking about strings. Awesome 🤘☺️2 points
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I only use Cobalts on my P; my other basses have Elixirs of the same gauge (though I think the E string is 0.100). I can record something if you like, but think nice warm nickel rounds with a great ‘zing’ and top end. A set lasts me over a year.2 points
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Not gig last night, but gig tomorrow...I'm absolutely buzzing for this one...the new rig get it's first proper try out too...2 points
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We’ve just called ourselves The 602. our rehearsal name is next to the m602 in Salford. Always referred to as the 602... https://www.facebook.com/The602band/2 points
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I must admit, if Rawk has matured as a musical form, I don't have a problem with that. Its been around a while after all! It might be fun standing in front of a massive speaker making BWARM BADERR noises and I don't see that going away while it's still fun..! Let's face it though, if your gran liked it, its probably not rebellious any more... At this point I'd insert a gif of that but from star trek beyond where stuff is blowing up because of having the beastie boys played at it and Bones turns to Spock turns and says 'is this classical music?' But I'm on my phone not my computer so you'll have to imagine it...2 points
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For reasons related to geometry, the taper between the front and back depths of the two sides are not linear. You rarely see examples of the shape the sides need to be, but this is a good illustration, with all due acknowledgements to Georgia Luthier Supplies: This is how it will sit in the mould - with the bottom, flat face actually the guitar top: And the two sides cut to approximate shape - they will be sanded to the final shape in the radius dish when I get to that bit: So, all being well. the bending starts in the morning Listen out for the cracking noises...2 points
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@Al Krow looks incredible, but with my lumbago I'd never get my leg up high enough to operate those pedals.2 points
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Makita = Yamaha That''s nice, but my Fodera drill has a fanned chuck! So there!2 points
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Music always evolves, and the music of youth will always kick against whatever went before it. It doesn't much matter what it's labelled as NB: I have Dewalt and Bosch power drills - covers all situations......2 points
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Bloody typical! After all that b*****ks the intonation was fine anyway. The up side was that the method I devised worked really well. It meant that I was able to check it properly this time and if I ever actually have to do it I'll know how. It might come in handy for some of you other smoothies out there, so this is what I did. It's very simple, but it works well. Cut a narrow strip (about 2 mm) of tape and place it as squarely as poss across the neck on the octave as a reference. Instead of holding the string down with your finger, use something narrow and rigid, so that there's far less margin for error. Anything will do, but the Allen key for the truss rod was handy and I used that. Job done. Looks like I answered my own question in the end, but thanks again everyone for your input.2 points
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Nah! If Fodera made drills, they'd have 47,000 settings - none of them useful for anything practical; would be made from rare materials that are not resistant to dust & have 'fanned' directional drilling!2 points
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Go on then - I'm sure your definition is going to be as good as anyone's!2 points
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Indeed! Surely there's a whole massive new thread right there! That'll keep BCers arguing for evermore!2 points
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I think we need to decide on a comprehensive definition of 'rock music' before we declare whether or not it's truly dropped of it's perch.2 points
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All music gets thrown in the electric juicer of time, and the great bits (of which there are relatively few, even from great bands / artists), float to the top... If I may spam this: Love that bit of sampled bassline from an otherwise crappy rock song.2 points
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Do you mean 'good, but awkward'? "What you want there, mate ( ) ya gots ta get yerself a Makita - the propa working man's drill" (bass equivalent = Yamaha.) *Your mileage may vary; the author has no affiliation with brand/s mentioned; your home is at risk if you start drilling stuff willy-nilly)2 points
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Rock is the zombie of the music world: it's dead but it doesn't know it, its rotting corpse teeters onward still, arms outstretched, reaching hopelessly for the recognition and adulation that it had in life.2 points
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And the back and sides set has arrived from Germany. Black Limba - beautifully presented and reasonable delivery by Schroter Edelholz. Not expensive either The outside faces are good enough to use directly, so just a case of bringing the thickness down from the supplied 3.5mm to the finish thickness which can all be done from the back faces (out of sight! ) Should be able to start that this weekend2 points
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it's a great feeling to gig again isn't it? I too retired in 1995, had my first gigs end of 2017. I'm enjoying gigging immensely this time around, and am playing for the pure love of it, originals with my bandmate throughout my career beside me again., and the kid brother of our other bandmate who is no longer with us, feels right2 points
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The thief was... lulled into a false sense of security. I’m so sorry.2 points
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It was a whole tenner dearer than the SH, which I'd only have spent on chocolate raisins and vimto. I never had any drop-outs or latency problems with the SH and was happy with the sound of it, the only things I ever had a gripe with it were; The receiver unit being lighter than the average moth meant I had to wedge it under my amp handle to stop the 1/4" jack cable throwing it round all over the place. Yeah - I'm actually complaining it's too light! The power supply being the correct way round for everything but music use, (as some joker decided that the polarity had to be bass-ackwards on FX pedals) so it always needed it's own plug. What with no two wall-warts being the same way round or shape to fit in extension leads together, it took a fair bit of electrical tetris to run it with the setup I had, (SH, tuner pedal, drive pedal, DI box to PA/combo amp) the pedals were on their own 9v wart, the SH on one and the DI box on another (12v!!) transformer, and a plug for the combo all added up to taking forever to find an extension lead that they'd all fit in. The SH is also not what you'd call 'road ready'. I rather embarrassingly proved it, too! All of which is actually pretty minor and the simple thing to do is to stop moaning and use a great-performing lil unit. Certainly couldn't moan about the battery life on the Hound, the only annoyance on that front was the dead battery warning on mine was never any more than 30 seconds til it expired. The G75 base unit weighs about the same as a full pint in one of those old faceted glasses with a handle on. It's going nowhere, even with a bunch of cables in it, and it can have a lot - it works as a DI box with XLR out (with ground lift), 2 seperate 1/4" outputs and a dedicated tuner out, even with a built-in tuner. It even has a 1/4" aux input that I haven't used yet. So that's the DI box, tuner and 2 warts left in the case, leaving me with a signal chain of a G75 and a drive pedal. The screen counts down in hours and minutes the remaining battery life, and I got 43 minutes of use while deliberately ignoring the flashing dead battery lightshow. The fuel gauge starts at 8 hours on alkalines, and after 2 pairs used I've no reason to doubt it. It won't even switch on with NiMHs in, though. I've no intention of finding out, but I genuinely believe the transmitter would have a good chance of surviving a small car driving over it. She's got some gravity on her! It can take any 1/4" guitar lead, but the supplied one even screws in to the top of the unit. That leads me to the only fault with the whole show, the tranny clip! Seriously, it looks like some one cobbled one up from some bent fusewire. Stuck a fingertip under it to get it over a strap end and it pinged off into the corner of the room. Then straight back in the box. I'll have to invest in one of those holster thingies, but until then it can live in a pocket. I'm still a fan of the Smooth Hound, if I ever feel the need for a home-use-only wireless I'll probably get another one. You know that feeling of owning a perfectly capable 1.4 hatchback that'll serve you well? That's the Smooth Hound. The G75 is like being handed the keys to a dirty big V6 that someone else filled up. TLDR - try a G75.2 points
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The tooth, the whole tooth, nothing but the tooth..2 points
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