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One of my favourites is ..."You're The One That I Want"...from Grease.

Well, here is the latest family photo. Don't hate me for buying them all... but I think I have a problem... 😉 Top Left to Right TT4 Creme - Masterpiece TM2 Orange - HCA Panther - Bocote Top & H/Stock Bottom Left to Right UMBO Red - HCA 48 Red - HCA Grand Dark San Remo Blue 😀

Guess most of you have seen this, but it's interesting if you haven't

That’s funny - someone took the graphite thing a bit too literally! Leave it as it is - it’s a great conversation piece!

Forgive me Basschat, for I have sinned. On my way home with a matte black BB735a from Wunjo 😬 😈

Artists would often record different versions of the same song, sometimes with different arrangements, sometimes with different musicians. I'm not overly familiar with Jameson's or Kaye's history, but it's quite probable that each would have been called in for different takes/versions of the same song. As time goes by, for some songs, even for the featured artist and producer, knowing exactly whose bass part ended up on the released version would be nigh on impossible to ascertain.

My latest offering to the pedal gods...

I think the binding is going to work well. Once the fingerboard has been scraped and finished and the binding corner rounded off, it should look pretty integral and - more to the point - it should work well from a playing perspective. I think this may well become my preferred method: Next task will be to cut the pickup chambers but that will probably be at the weekend earliest

Color sample time. Gold over pick guard material scrap, both black and white. I use Didspade pigments. Very economical and available in small quantities. Satin gold pearl powder in clear acrylic lacquer. Pearl gray primer/ surfacer is the way to go.Touch up gun for samples. Matching headstock on this one.

Blah blah blah weight blah tone blah blah. Get a grip everyone. Matching black headstock trumps everything.

So the most important head is the only one you can't change? Though filling it with oil seems strangely attractive 🙂

How would it defeat the point? You have an accelerator on your car... you decide how far to push it down. I also don't need to know how much 'power' I'm putting into a cab, it is irrelevant. I turn up the volume, it complains, I turn it down... I've ran a 200 watt cab with a 2000 watt power amp and never once had a problem; because I used the gain/volume controls. Not trying to be awkward but folks are seriously wrapped up in the numbers and seem to forget that the obvious deciding factor in all of this is 'human' and you are in control. Just to throw this in the mix; my present set-up is a 750 watt amp which I use with a 2x10 cab (or two) and have done for some years, I recently trialled a 100 watt amp with the same cab(s) and I managed to continue gigging without killing any piece of equipment or ANY detriment in tone that the audience heard (no trickery with PA back-up).

Whoah! That’s a WHOPPER!! Look at how big it is compared to that house.. Is it 34 foot scale?!

Why is no one discussing that blue LED? Very subtle - less is more.

Father, forgive me for I have sinned. I didst count the strings to four and all was good. And then I didst count yet another string. Five was the number of strings and the number of the strings was five. And yea, did I allow myself to yet pluck the string and the sound was good. I turned aside from the path of righteousness and found within myself that I did yet make music that was pleasing to the Lord God of Bass with sinful lack of effort, and the music didst exceed that which I could yet play when the number of strings was but four. And Lo! The band of disciples - for always shalt the other players of strings follow the Lord God of Bass - did say that it was good and did promise to wreak a plague of locusts upon my soul should I worship at the Temple with but four strings. They spake in tongues and didst proclaim 'thou now hast a decent instrument and we do dig thy grooves, man'.

That looks great! Can you do one in roasted flamed maple?!? Mmm, roasted maple...

I stick to the Holy Scripture, as outlined below: A Reading from the Book of Bass, Chapter 4, Verses 16 to 20: 'First enter thou the purveyors of the Holy Bass. Then thou must count the strings to four. Four shall be the number of the counting and the number of the counting shall be four. Five shalt thou not count, neither shalt thou count three, excepting that thou then proceedeth to four. Six is right out.' 🙂

The Christmas gig offer was lovely “Trav, I need a bass player for a high profile gig in Manchester - I don’t want anyone else, but I appreciate you’re on a break. Would you consider it?” Suppose it’s nice to be wanted 🤔😂

We'll you should see my new Kramer Forum IV !!! .... Purple/Pink animal print body wrap, Spector pickups, Kent Armstrong 2 band active, not sure if that’s original but sounds beefy ... Mr Leopard will be very happy \m/

I bought on of these v for a project Aria Pro II Magna: https://www.amazon.co.uk/MADE-JAPAN-High-Quality-Brass/dp/B00IC9QW1C/ref=sr_1_15?s=musical-instruments&ie=UTF8&qid=1542014383&sr=1-15&keywords=bass+nut+brass Seems to be good quality & works a treat. Was posted from Japan & arrived fairly quickly. I'd replace the nut, add new strings & then set-up. If you've still got dead spots, maybe look at tweaking the truss-rod (if you think it needs it), adjust the bridge. If all else fails, get a quote for a luthier set-up. Good luck!

If you wear a glove to pluck, why not sew a pup into the palm - then you can learn to move up and down the neck to always be on the 'sweet spot', and subtle shifts in intensity will be possible too. Shouldn't be too difficult to master.

Been putting the bass drum through 15" full range tops for years and it works. The bass drum is the first to be lost in the mix so a little lift is what it needs. Now we have a sub and get that extra thump.

I use an ampeg SCR DI in that exact way. Gig Bass -> Ampeg SCR-DI -> Crown 402 power amp -> any of my cabs.... Home Bass -> Ampeg SCR-DI -> Headphones Bass -> Ampeg SCR-DI -> Studio Spares 60w digital power amp (60 watts/£45) -> TL806 cab Studio spares power amp :- https://www.studiospares.com/B-Stock/bstock/B-STOCK-Studiospares-Aktivate-85-Power-Amp-Unit_B-249180.htm?gclid=CjwKCAiAiarfBRASEiwAw1tYv0H-XSHw_I2D8oI8IZiZvpK3-NGbyANQASmToGpS96dVqTAlnNMFDhoCOAcQAvD_BwE&gclsrc=aw.ds

Just sold a Peavey MiniMAX to Dan in what was a very straightforward and easy transaction. As said above - Dan's a pleasure to deal with from start to finish so deal with him in absolute confidence Folks... Thanks Dan - hope you enjoy the amp! 😊 Nik

Yes, but like anything it’s about context - there’s so much going on in a band scenario that you probably wouldn’t notice 1ms latency in a decent tight band. You’ll be listening more to the drummer than your own playing - and of course their latency will increase with distance just the same (speed of sound innit) Like I said, it only really makes a difference when you have some really accurate timing to hold down, or if you are recording, as your DAW chain will often have built in latency already.

The Reincarnate bass it is!! 'The neck pocket insert looks deliberate and tasteful' Yeah that's what I'm going with!! I didn't try to cover up the fact I made a mistake or anything!! 😁

I'm using a BH250 into a One10. Both fit neatly into a Tiger cajon bag. I chose the head for convenience with the built in tuner and spectracomp loaded. I paid £222 but they're now down to £181. Alternatives - the Elf and MB-200 seem popular and also the Peavey Minimax.

Good choice

What some folk have done, to do this, is get a cheap bass and rout out the body for almost the whole of the space under the strings. You can then move the pups anywhere and find what you like. ( @Dad3353, already knows this, but it's useful to quote it so you know what I'm on about)

It’s constant and not variable - and it’s noticeable at 8ms - a bit like the difference between standing right next to your bass amp and standing 15m away from it

Sorry to say it, but I’d keep the pf500 so you have enough oomph to drive the One10 (300w @8ohm, and the cab can probably take them).

On the whole 1024/5 versus 2024/5 thing... I questioned the price difference, though I have to say I can recall the 2024/5 being available, new, at around the £1200 mark with the 1024/5 at the £650/700 range. Anyway, I went back and fore a few times buying/selling 1024x basses and always loved the tone but also always felt something intangible was missing. As much as I really wanted a 2024, I couldn't justify the new price and the rare occasions they came up as second hand, were always priced using the "These originally retailed at £250,000,000 so my secondhand price of £50 less than you can buy a new one for..." method stayed my hand. Fast forward to a few months back where I picked up yet another 1024x and I finally was convinced enough that I really liked the PJ combination, the neck and body shape etc. so I decided to take the plunge on a BB P34 I know it's not like for like, but it is the replacement for the 2024 series with the same refinements. Worth every penny. The hardware is flawless, the finish spot on, great weight, smashing set up and the bass absolutely sings, before even being plugged in. It is unbelievably resonant. My one and only criticism would be lack of colour choice. Otherwise, better than any Fender, Lakland, FBass, Warwick, Status I have owned and I've had numerous of each!

Lo, verily I crave that thou dost save me a seat; for I too have been cast down from the path of righteousness by the temptation of BEADG.

she did Last Train to Clarksville apparently, to me her bass lines seem to stand out more than others, probably because she used a pick, now where's that tin hat?

Future owner must have a big belly...

Do you have an endorsement deal with L’Oréal? Fab basses btw!

Hello All Longtime, 50-years, bassist and still at it. At the moment I do mostly small local jazz gigs in the Hamilton ON area. (home of F Bass)... Started on electric, 66 P-bass, still got it's neck, now fretless, and bridge. I've been playing upright 25-years. ... My two main electrics are both Fender, an all original 74-Jazz and a parts, neck and pickups 64-P bass, I add D-tuners to all my basses. And a 60-year old carved upright with Spirocores and a Wilson pickup. ... I have another upright, a German laminate, I leave in Florida as my winter beater. ... Amps, I've had them all but now I'm playing Aguilar 350 with a GS12" cab, but run first through a Radial Bassbone pre set on notch. ... After all these years I'm confinced that necks are it, then pickups and all the other parts can be swapped out and changed. ... I also sing, play piano and write, songs and stories. ... I believe we're on this planet to create.

I don't need to

No, you will be enhancing an already beautiful thing. The only time I ever comissioned an instrument I had promised myself not to have LEDs. I caved within 5 seconds of having the option put to me. Side dots. They were superb. I still miss them. If I had a fingerboard off any of my basses I would be LEDing faster than you could say knife.

Yep, only downside is that this way the DI signal is your bass only, no eq/gain etc from amp. So if your specific sound is an integral part of the band, this way the audience don`t hear it.

Only reason I asked is I’m NE based now, if you’re up this way for any reason you’re welcome to try.

Looks like I'm going to Hell then. 😈

The trick about writing good lyrics Is to just use your sense of empirics When you come to use 'Orange' You'll just have to write 'Sporange' You'll have everyone in hysterics.

That doesn't look the slightest bit stable.

Someone on Facebook was wondering if Frippertronics could be done with the Line 6 Helix. Curious, I had a look at the delays and sure enough there are a few with 4 second delays, just right for the job. Played on my Status S2 fretless with an Ebow.