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Showing content with the highest reputation on 24/02/18 in Posts
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4 points
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I'm basically a fretless player : sixers for the ego, one of them having 31 positions ("frets") for even greater ego. I'm also playing a 6 strings 3/4 EUB : ego, I told you. They all are unlined and my intonation is always good as I play with ears not eyes as everyone is telling it. In fact, I hate side dots at the fretted position as they are just confusing me when I take a look at the fretboard. The problem with the lines is that, in the beginning, you'll have a tendency to play right on it which will make you sound sharp. You'll also notice that your fretting fingers will not have the same hardness from day to day so you'll have to correct it by ear. There are four tricks for the beginners and others : 1. Use opened strings to check your intonation as they must be perfectly tuned. 2. Play chords from time to time, again to check your intonation : this is unforgiving. 3. Use a very good tuner like the TC Electronic Polytune in strobe mode to check if you are perfectly in tune. 4. When playing a fretted bass, play on the frets to develop your muscle memory. Use your ears, then lined or unlined won't make any difference. And don't forget to have your fretless bass perfectly set up by a real luthier as it's the key to perfect intonation. I would also add to play as often as possible in the higher positions to develop your ear precision.3 points
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Any excuse to post a pic of my beloved 250 SMX. It doesn’t matter which class D heads I try (and some of them are pretty good), none of them come close to classic TE 😎3 points
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Here's what I did with my Jake last weekend...3 points
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Please gentlemen, let us not resort to violins.3 points
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No, really? The point is there is no need for lines. Do what violinists do and use your ears. Jaco had lines because he took the frets off a standard Jazz, not because he needed them2 points
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Hi , i started working with Adrian about 2 years ago and the lead time for a custom bass was around 8/10 weeks (roughly). Its now up to 16/20 I guess (if you keep in mind those are made to order only , so delays can happen i suppose. That's just the way it goes....). And prices have gone up to kinda control demand (even if Adrian is not about money, he told me he would never build a 5k JB). Factory has recently expanded to be able to use all machines at all times (in previous place while X was using machin Z, Y couldn't use machine B) and keep up with orders. 1st time i went to Public peace (about 2 years ago too i suppose) it was literally FILLED UP with basses. My DREAM place to be ....probably about 500... not sure. Well its now getting emptier and emptier. Every time we go there's less ... (im about 90 minutes away i guess) ... starting from 4 instruments in 2005.... proof with patience ... anything can be done. 4 instruments , 3 luthiers , a Factory about to go under... 13/15 years later there's around 450 custom bass per year (600 total , around that) and about 14 luthiers full time... Amazing success story and i got so much respect for the boss for that....2 points
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And Lord Percy discovered Green. The original Trace Elliot design team.2 points
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Basically, how big is your ego? Si2 points
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Your favourites.? For all those that dig Soul and Funk and Groove. I can only hope it lasts as long as Pete's thread. Post your favourite soul and funk right here. This will do for now. Early Maceo Parker and the Macks.One of the best funk records I've ever heard. His sax, the drums, the bass, and the absolutely amazing horn section, never get old. Just to say this was always a follow on from Pete's old thread. I spoke to him when he was really ill. He said,.. Keep the funk going.1 point
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. Time to clear some stuff again as I really don't use my fivers !!! So for sale or trade for a 6 stings bass ONLY : STANFORD B 61 CM 5 FL OP (lined fretless) with brand new Thomann Jumbo Acoustic Bass Hard Case, brand new Thomastik Acoustic Bass Set AB344 + AB34035 C-String (tuned from E to C) and an used (but still good sounding) set of D'Addario EPBB170-5 (so it can be tuned to B to G) ! A really good sounding acoustic lined fretless bass which sounds also very good plugged : you won't believe it's the "low cost" version of the FURCH... Shipping included to your place in these European countries : Andorra, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxemburg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland and United Kingdom. Parcel shipped in ultra well protected box will be fully insured with tracking number. Asking price for a straight sale : £665 GBP or €750 Euros !!! Asking value in case of trade : £760 GBP or €850 Euros !!! This bass will cost you around £1.020 GBP or €1.150 Euros, with all that is included so grab this opportunity. PayPal payment (Friend payment or fee covered), bank transfer (IBAN and BIC codes provided, so no fee) or cash on collection. In fully working condition, with some very light use. Here are the specifications tuned from E to C (the action could vary slightly when tuned from B to G) : Scale : 34 inches. Strings spacing at nut : 9 mm Strings spacing at bridge : 18 mm Action : 2,5 mm under the E string at 12th fret (very low for an acoustic bass) Strings : Thomastik Acoustic Bass Set AB344 + AB34035 C-String Tuners : Stanford (Gotoh type) Bridge : Rosewood Pickup : Nautilus Spectral Electronics : Volume Neck : 1 piece mahogany set neck Fretboard : rosewood lined fretless (original) Dots : abalone on the side at the exact fret position Nut : plastic Trussrod : one Body : big jumbo mahogany with cutaway + very nice grain solid cedar top with faux tortoise binding on front and back Headstock : 3 + 2 Land of craftsmanship : Europe Weight : 2.5 kilograms (very light) Very well balanced, and really great sounding acoustic fretless bass with a nice mwah which could be more pronounced with non bronze strings. Will come with a brand new hard case with its two keys. Non smoking environment as usual. The bass has been fully set up professionally by Christophe LEDUC (the nut can accomodate E to C as well as B to G tuning without any modification), the trussrod is fully working and the bass has a new battery as well as a new Thomastik strings. What you see is what you get ! Look at the pictures to see the real condition. Absolutely no damage, only very light wear of time and playing (one tiny mark on the top as pictured). Don't hesitate to ask for more. Link : http://stanford-guitars.com/guitars/lo-freak/stanford-b-61-cm-5-string-fretless/ Here a video of the FURCH 4 fretless which is very similar in sound (mine sounds even better because of the Thomastik's) : Here the FURCH 5 fretted to give you an idea of how it sounds acoustically : Dust is offered. Now the real pictures : look at the woods !1 point -
I continue to be impressed at how close the 'Obsidian 7000' cops a B7K, including its knack of making any other dirt pedal going into it sound awesome. Obsidian 7000 with a (real) Alpha Omega switched on half way through: https://1drv.ms/u/s!ApKsVfvGwYkOiqVRHNPDvmbDsfumow1 point
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The blue one is long gone. As is the Sigma. Just another pair in a long line - I should add that they went to fund the return of a very special bass so I don’t mourn their loss.1 point
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Bought a musicman Sterling from Peter. Good guy, great communication, knowledgable and cares for his equipment. I would not hesitate to deal with again, recommended.1 point
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Ive played a Precision once. It was a JV Squire. Sounded fantastic with a drummer. But like an SR5, which I adore. it isn't very versatile. Maybe I don't need versatile.1 point
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Instagram tease1 point
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Put your ear to the floor and you'll probably be able to hear/feel the bass.1 point
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https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.co.uk%2Fulk%2Fitm%2F3325621403491 point
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This is an example of how we live in a golden age of bass. It's virtually impossible to buy a totally rubbish bass. This will sound and play great for really not a lot of money. I had two of its five string cousins and they were fab. I mean really fab. i recently had a £600 bass which wasn't as nice.1 point -
Lozz, I sold my identical twin (even had the same case) for your asking price on Facebook last week, only on there a couple of days. Decent guy bought it, definitely bought it to play. Might be worth a try if it's not getting much attention here.1 point -
Sold...thanks for asking though..1 point -
The same for me but the song was Footloose. Once we changed drummers and started playing it at the correct speed it was a hell of a lot easier to play and more enjoyable1 point
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P's are peculiar in a way, and that simplicity can be deceptively difficult to make right. Try this, you might just be amazed..I know I was. Get some old well used dead flats off evil bay or somewhere...cheap. Then take ur practise rig outside where there's a bit of background noise, ie traffic, noisy neighbours..planes going overhead etc, now play it with a light touch and eh voila!..you will suddenly notice that flat sounding mid range come alive with a dry low punch....1 point
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Stevie Meatloaf Ziggy U2 Hits Police Hits Seger Motown Prog Kind of Blue Jaco (self titled) please!1 point
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Well that looks nice. If you don't get on with it, you probably won't lose a lot if you decide to move it on. Having tried both, I'm firmly in the unlined camp - you need to use your ears anyway, and I think it looks better. Side dots on the fre positions help if you get disoriented.1 point
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Even worse when the perp is the drummer! At least singers can be jollied along a bit by the rest of the band, whereas it's usually just down to the bassist to try and sort the tempos out if the drummer is at fault. I speak from bitter experience....1 point
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Never heard of fakes ? The first well known being the one owned by Slash... At that time Gibson had a strict serial system, so the quote is correct, the rest is only because it's the more sought after model and that they are very easy to fake. Money, money, money...1 point
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Thank you for your reply, here’s the lady. 😄1 point
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It should have been released last year but his pcb fab messed up and he had to reorder 3 years worth of pcb stock again. There is a prototype pictured on that thread I sent you a link to. It's 125B size (roughly boss sized enclosure), north facing jacks, 3 controls (hpf frequency, lpf frequency and gain), 2 face mounted push switches to turn off hpf and lpf individually, footswitch for bypass and xlr output. No idea on price yet, but his other kits of similar complexity are €70 - 80 including a powder coated and screen printed enclosure.1 point
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Thank you HazBeen. It was a slightly left field query - I have a Mesa M6 Combo but there is very little detail on the cab in the literature, which tends to focus almost entirely on the (albeit rather brilliant) M6 Carbine head, other than it's "loaded with a pair of 12-inch PowerHouse Neo 300 speakers and a horn" which I believe is exactly the set up in this cab? In which case, from my perspective it's kinda helpful to know how much the 'separates' in the combo would come to and in return I can certainly confirm that these speakers provide a lovely rich tone with very good clarity. And at half price of the new, they represent pretty decent value too.1 point
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Yes https://www.woodbrass.com/en-gb/bass-cabinets-other-mesa-boogie-powerhouse-2x12-p22755.html1 point
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To be honest, it was just the absence of hair that did it 😂1 point
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That photo is dangerously close to being accurate, y'know. It somehow captures my smooth suave man-about-town air, my sense of being a Bond villain just out of his lair, and finally my complete and utter absence of hair.1 point
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Seemed to spend a lot of today down the cellar with routers, band saw, scroll saw, etc, etc but relatively little to show for it! Most of the work has been getting the neck ready for adding the oak back wings but it's been more about squaring up and getting things flat and parallel rather than anything special to see. While I was down there, though, I did push my hobby-grade bandsaw to its limit to cut a slice of amboyna offcut for the headstock plate: ...and then get it on the scroll saw to give me the plate ready to glue. Also added the two small wings on the headstock to give me the required width: The other thing I've done is drawn the body section full size to work out the convex / concave curves top and back so tomorrow, should be able to cut the two oak panels....1 point
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And I've just had the sofa pic of mine!!!1 point
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World conspiracy against Trace Elliot... During the 80s the Earth moved from it's orbit ever so slightly raising concerns that the "oomph & kick" from TE was responsible. World Governments insisted on weedy Class D amps knowing that they don't move objects in the same way.1 point
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Just be careful not to mix up your car park assignations. I met a chap in a car park to buy a bass cab and ended up with £200 worth of hash. It's terrible - no low end, undefined mids and a harsh top end. (Also nice to know the bassdoc's still about)1 point
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Avoid this.1 point
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Not a clue, different universe to the one I live in!1 point
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I didn't manage to use my 20% code off the ticket - so I am assuming I can just get 20% off everything I buy on the day instead? ;-)1 point
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This. Which is why I can't stand the concept of "battle of the band's".1 point
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For God's sake, don't tell Discreet!1 point
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You leave my hole career out of this.1 point
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Looks to me like a supreme level of skilled craftsmanship and incredible attention to detail was needed to create that instrument. Shame really then that to me it also looks bleedin orrible! A bit like if you'd gotten Leonardo Davinci to paint you a picture of a Ann Widdecombe in a string bikini.1 point
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I’m a reasonably recent convert to the P Lovers’ Club. I guess I spent years loving bass in general but it’s only recently that I’ve truly started enjoying the distinct characteristics of a P vs a J vs an MM etc. I personally enjoy them all but there’s no shame in realising you only truly love a specific kind of bass. Why force yourself to like an instrument? Life’s too short. We all want a bass to feel great AND sound great but ultimately if we don’t like the basic sound our instrument makes then I don’t think there’s any point in playing it. Music is primarily an aural experience after all. If you’ve found your “voice”, don’t be afraid to stick with it.1 point
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If you're happy with the basses you like to play, why force yourself to play a Precision? Play what feels and sounds right to you. For me, that's a Precision, but I wouldn't lose sleep over it if I preferred something else. The music you play is what matters, the instrument is simply a tool to enable you to produce that.1 point
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1 point
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Where did all the funk go? Juan Nelson stole it all.1 point
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I bought an 80's Washburn b10 on EBay last week for my teenage son to learn on. £64 + £10 postage. What would you get for that in a music shop? The invitation to not let the door hit your arse on the way out springs to mind! I've heard of Fenix guitars but didn't realise how good they were. It's better than the Silver series jap Squier I had of the same period..1 point
