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Showing content with the highest reputation on 27/09/25 in Posts

  1. Small venue tonight so I went DI with one of the 'baby' devices. Struggled all first set until nearly done when I realised the PA on my side had the top turned down. Used it to Bluetooth music to the pa in the interval... then struggled for two songs until I realised it had reset and was on a preset, then I got my sound back. All this combined with gigging flats gor the first time, I couldn't relax and felt awkward. Ironically a bass player in the audisaid I had a really good sound... I just wish I could have heard it better. Conclusion... if I go ampless again, I will need IEMs. But it took me decades to find earplugs I like so... Took me a few minutes to pack away, then 50 minutes helping the others...
    10 points
  2. Up for sale is one of Japanese finest and almost never seen in Europe, a Sugi NB5 handmade by Sugi Guitars/Nick Sugimoto. You might have heard of them as they also build the bloody expensive Ibanez custom shop guitars and basses like the Adam Nitti, Gary Willis or Geral Veasley signature models. The craftsmanship and level of detail is as good as it gets. Neck Material: Hard Rock Maple x Walnut x Aqua Timber Maple x Walnut x Hard Rock Maple Fingerboard: Indian Rosewood Scale Length・Radius: 889mm (35") 500R Fretwire: SANKO SBB-207 Body Top Material: Flamed Maple Body Back Material: Swamp Ash Tuning key: Gotoh GB350S (Sugi Original) Bridge: Gotoh 304SBO-5(18mm saddle pitch) Sugi Original, Gold Pickups: Sugi Original Single coil WJ5/N, Wooden Casings Wiring: Volume x2 , Master Tone x1 , Side Jack, Wooden Knobs Color: Stained Seethrough blue Weight: ≈ 4.1 Kilogramms Strings: Original Fodera Nickels .130-.045 Case: Sugi Original Semi-Hard Case included The condition is like new, I am the first owner. It has been one of my main basses for the last two years but I do take obsessively good care of my instruments. Everything works flawlessly, truss rod, pick ups etc. and the fretwork is perfect. Love this bass but there some other priorities at the moment. Price is 2750 Euros. Shipping throughout Europe is no problem. If you have any questions, just PM me.
    9 points
  3. Did a fund raiser for the local tennis club last night, it was interesting….id originally volunteered to play bass in a 70s covers set but ended up playing in a Lizzy tribute, Dr Feelgood tribute, and a 70s glam thing as well. But of a work out but thoroughly enjoyable. It was a pleasure to meet Alan Jones, Shadows bass player who played on a Shadows tribute - really nice guy and awesome talent. He used my MarkBass set up and he had loads of stories from his time in the industry. A more normal night out in Sheffield with Glam Viva! tonight.
    9 points
  4. The Blossoms, Stockport. Great little venue. Leaf is the promoter, not the new name of the band. Our smallest setup due to the size of the place, so just the ABM500 combo, but it sounded pretty good, although I could’ve done with raising it up a bit. The P bass was great, a bit zingy with new strings, but very happy with it. Cool little gig.
    9 points
  5. No. Being in a band is like being married. You have to treat each other with respect or it won’t work. You’ve been fair and honest. Turn off your phone and have an amazing holiday.
    7 points
  6. A bit too up close and personal. A local place in the next village that we hadn't played before so didn't really know much about it. Seemed to be a lot of space when we started but there was a pinch point between the door and the bar and my microphone stand! So in the first half, the first hour there wasn't that much interaction, a few dancers, mostly of people we knew who came out because we were there, and applause from them, and a few other intersted crowd that just watched. The last 15 minutes of the first half we tailed off the rock stuff and the crowd got more interested and interactive, as is generally the way. The second half was pretty well flat out the whole time and we had to retreat back a bit closer towards the wall as space became trickier. The guitarist put some small stools in front of his pedalboard to stop people from jumping on it! There was a security woman who thankfully kept pushing them back a bit when they were bashing into my microphone - the joys of pubs huh? Still they all seemed to enjoy it and the barstaff seemed happy at the end of the day so its nice to open up new venues. Usual problems, took a while to work out why no sound when I started, transmitter and receiver the wrong way round! Drummers drum lights burned out half way through, forgot to charge my page turner. On the plus side, sax player got a new wireless (nux sax thing instead of shure) and no longer got clicks and pops from it - a bit of feedback but probably at the moment it is still set for the shure so needs some adjustments. It is a lot easier to setup.
    6 points
  7. Have a good one Daryl. First gig in 5 wks tomorrow night with the Glam band. Leaving the house 3pm for an 8:30pm start and 11pm finish. Two 1hr sets so should be a fun night. Our new PA company is doing the PA so that saves me humphing those blooming large QSC cabs in and out of my car especially at the end of the night. Should be back home for approx 2am. An 11hr day for me but i do miss it when we have these long gaps between gigs plus my wee plucking fingers get soft and will be painful by the end of the gig unless i really take it easy and concentrate on playing lightly. That'll last for approx 3-4 songs then i just get carried away and into the zone. 😂 Dave
    6 points
  8. Find the biggest guy in the band and fight him... Oh wait, that's prison isn't it? ● Constantly play slap bass, regardless of song ● Be at least 4 times louder than guitarist ● Stand directly in front of singers mic ● Break wind ceaselessly ● Wear sandals with white socks ● Tell everyone you're a vegan, then chomp into a whole rotisserie chicken - 2 if possible ● Arrange a group hug, but don't take part Good luck, you shall be great!
    5 points
  9. Fender American FMT/QMT Deluxe Jazz bass 5-string. With original Fender hard case. Alder body, bound maple neck, rosewood fingerboard with mother-of-pearl inlays. Year – 2002 Colour – Tobacco Sunburst Body Finish – Gloss Body Wood – Alder Neck Finish – Satin Neck Wood – Maple Fretboard – Rosewood Frets – 20 Scale Length – 34″ Weight – 4057g (4.06kg) I purchased second-hand from BassBros in 2022 (Reciept for £1,375). Since owning, I had the back of the neck further de-satined, so it's lovely and fast. I also fitted luminlay glow-in-the-dark side dots (although one is just slightly distorted - see pics) and Glockenklang 3-Band preamp. Original electrics available. Original BassBros listing (and better quality pictures) can be found here: https://bassbros.co.uk/sold-basses/2002-fender-american-deluxe-jazz-bass-qmt/
    4 points
  10. New pickup day - is there such a thing? I’m slowly doing up a bitsa P which used to belong to my brother. It’s mostly a pretty ancient Squier Affinity P with a few upgrades and changes over the years. Bit the bullet and bought some Tonerider Classic P pickups for it which i installed today. Wow. Absolutely chalk and cheese compared to the cheap nasty pickups that were in there (somewhere amid the grime and rust.). In fairness I’ve been gigging it with the original pickups over the last few weeks: it’s sounded thumpy and thick but hey it’s a P with flats. But suddenly yeah it’s like a blanket has been taken off it. Suddenly loud, bright, articulate, punchy. All the good things you’d want. And didn’t burn myself on the soldering iron, which itself is progress. Top marks. Best £35 I’ve spent in a while. Gigging it tomorrow so I can’t wait to hear it. Here’s a pic of the finished work, which admittedly just shows a bass with some pickups in it…..
    4 points
  11. Up for grabs is my Moon JJ4. Ebony fretboard, brass nut, the body looks like alder... The preamp is the legendary Bartolini TCT, the original Marcus Miller preamp. Мany scratches and dents on the body. The neck is straight, the frets are polished. 4.240 kg Hard to beat (at any price) in terms of sound, playability and craftmanship.
    4 points
  12. I recently got this in a trade and as lovely as it is, I could do with generating some cash. I'm currently selling a USA P and an ACG at rock bottom prices and they haven't sold, so here we go. USA Musicman Stingray short scale in a gorgeous metallic deep red colour. The bass is very light (3.5kg/7.8lb), is exceptionally well built, feels fantastic and is so easy to play! It comes with La Bella flats fitted and some rounds in the case. It comes with the wonderful scaled-down Musicman hard case that fits the bass perfectly. Collection from Margate, or I can box it up if you'd like to organise a courier.
    4 points
  13. Here we have a lovely late-model (Status stopped graphite production in 2022) 2020 Status-Graphite S2-Classic 5-string through neck bass in A1 condition, finished in Transparent Aqua Blue Sunburst over a two-piece body with flamed maple top and faux binding. This bass has the latest 18v Status Board 303 preamp circuit with the usual cut/boost controls for Treble/Mid/Bass and a three-way micro switch for Mid Cut/Flat/Boost. You are welcome to view and try this bass by appointment either in Derbyshire (10 mins from M1 J25), or in Ashton-under-Lyne in the Manchester area, whichever is most convenient. Price is £3095. Interesting trades towards cost will be considered. Buyer to collect, or can meet half way, up to 100 miles from DE7 (200 miles total distance.)
    4 points
  14. A choice between finishing the bass or a six string ? Oh come on Rob , this is BASSchat . 😁
    4 points
  15. https://www.andertons.co.uk/squier-fsr-classic-vibe-60s-mustang-bass-in-antigua/ Just placed an order for this peeps 😅 Anderson's seems to be the only place to have them... Including Fender (Squier)
    4 points
  16. I have a Tonerider Duke in my Fazley Hot Rod (the "ratlet") and I'm very impressed. Between this and the Entwistle PBXN (neodymium) - I don't see any need to spend more on a split P pickup.
    4 points
  17. Played a gig at the Glaven Bistro at Glandford near Holt yesterday evening with Bandwidth (covers and originals). This is our third gig there. Unfortunately our keyboard player had a lurgie and couldn’t make it. TBH I don’t know how we managed to fit all 5 of us into the available space before. It felt cramped last night. Essentially we get the space against the wall half way down a very long converted barn. Hard walls and floor, straight up to the roof. Acoustics are tricky and I wasn’t happy with my sound all evening but apparently the overall band sound was good out front. It is very intimate, with the dinners literally a couple of feet away and I always wonder if we are an appropriate act. Smooth jazz or lounge music might be more appropriate but we always get a great reception. I guess we are people of a certain age, playing music for people of a certain age 😏. We got lots of praise from the punters and another invitation to return early next year, plus the possibility of playing for a Christmas party to celebrate their 2 year anniversary. Lovely people who looked after us as always. Free coffees to start and bowls of chips during our break. Home by 10pm (result)! Sorry no pics yet. Gear: Guild Starfire 1 and Sire U5 fretless, Bass Flyrig 2 into Harley-Benton GPA-100 power amp (and the PA), LFSys Monza sitting on Auralex isolator. Black suede desert boots.
    3 points
  18. My playing style is a mix of John McVie, Duck Dunn and Bob Babbitt. The sound in my head is those guys, with a massive dose of Nathan East and all the guys Keb Mo has used on his albums in the last 30 years, especially Reggie McBride. IMO buy the best gear you can find, especially the cabs, and make sure each part of the signal chain compliments all the other parts. I am terrible when faced with an amp full of sliders. I have no idea what to do with all those frequencies and it all swims before my eyes!! I'm happiest with 3 controls. If I can't get it done with bass, mid and treble I bought the wrong amp. My Aguilar amps are perfect. Whoever designed them had the same sound in his head as me. All the controls are set at 12 o'clock. I rarely change the amp EQ from one gig to the next and never once the gig has started. I don't use pedals. I'll always bring 2 basses, usually a Jazz and a P, and I'll play the one that sounds best on the night. I'm usually sound checked in less than 20 seconds.
    3 points
  19. From left to right M7 35 inch Pasini ( wood& tronics) 34 inch Ramsey di Piazza 34 inch Squire vm70 34 inch Ibanez btb 33 inch And the S Martyn 30 inch The Martyn is the only bass I will keep all the rest will go . It has the most detailed b string ,second best the Ramsey and third the m7. The comfort of playing a 30" six it's something of another level. I don't mind switching in between scale length but since the s Martyn has arrived I don't play any of the other basses
    3 points
  20. Just buy a bigger car. Maybe a horsebox too. Where is the committment these days?!
    3 points
  21. IEMs have a different job than earplugs do. A perfect seal isn't required to hear something, but it is necessary to reliability reduce sound pressure levels. Some brands, like Alpine, have pro shops where they can measure if your protectors are seating properly.
    3 points
  22. I'll get the top box out. @neepheid can ride in that and that's space for at least an amp and five basses saved. I'll put a duvet and empty bottle in the top box so you are comfortable. Bluetooth to the car underneath will work so you can hear my music. If you get too hot, open the lid a bit. Job solved.
    3 points
  23. The Duke is overwound, correct? Anybody compared this with the normal Tonerider P? I’m well impressed with Tonerider pups overall.
    3 points
  24. I think DI is the way to go for small venues. I use a pretty basic DI. I wonder if I should shop some of the high end bass DI/ pre-amps with all the bells and whistles. Daryl
    3 points
  25. Toneriders make PUPs that should make us all realise we’re being fed a load of shit by some of the better known and more expensive manufacturers 😡
    3 points
  26. They really are good pickups, imo very similar to Fender Custom Shop 62s which are pretty much £100 more.
    3 points
  27. It's been a minute, sorry. I dug up a transcription I did years ago of John Patitucci demonstrating walking bass on Stella by Starlight and synced it with the clip. Some very useful vocabulary in there that can be stolen for your own purposes: You can download the transcription PDF here: John Patitucci - Stella by Starlight
    2 points
  28. Finally time to move on my Squier 40th Anniversary Precision in Lake Placid Blue. The bass is stock with gold hardwear and anodised pickguard, and in excellent condition. Hex Keys will be included as well. I bought this a couple of years ago as I was gigging more and wanted a solid backup to my Stingray at gigs, rather than take my old Harley Benton Jazz. I never needed it at a single gig and didn't even take it out of the case and put it on a stand (not enough room at gigs). I periodically take it out of the case to make sure it is in tune and working and then it goes away again, and the D'Addario strings are still in great shape. It really is a great bass, better QC than a lot of more expensive basses I have owned. I also think it is the prettiest bass I have owned, which has been verified by my wife and kids. One of the best things for me though, is that it is a really comfortable weight at 8.2lbs (according to my scales) which is an absolute joy for my ageing back. lt sounds and plays like a Precision should, but therein lies the issue for me. This is my third Precision now, I keep convincing myself I need one, and then realise I just don't get on with them. After so many years of playing Stingrays, I am just used to a certain hand position and sound, and I just need to give in an accept they are not for me. It is also such a shame to have it sitting doing nothing and I am not gigging much. I am located close to Tewkesbury, in Gloucestershire for collection. I am reluctant to ship it as I don't have many packing materials to hand and I don't really want to risk couriers. I think there is a chap on here who will pick up and deliver and I do have have an old Hiscox case which would be suitable for transportation if you want to go down that route. Please send me a message if you have nay questions.
    2 points
  29. musicians for you.
    2 points
  30. Sounds good! Nothing currently online featuring a bass, so if you're able to record a couple of clips for us that would be awesome!
    2 points
  31. 2015 Fender American Standard Precision Bass in the classic Olympic white/tort finish. In my opinion these play/sound/feel superior to the current USA professional basses. The custom shop pickups are really sweet. This one is in gigged condition with the odd nick on the body, and the paintwork has mellowed to a creamy tone (hence picture with random white thing for comparison). It weighs just 8.5lb and comes with a padded Fender gig bag. Collection from Margate or i can box it up if you'd like to arrange your own courier.
    2 points
  32. There's a very nice one at a decent price right now on Reverb: Ibanez LA Custom Shop SDGR 5-String Fretless Bass - Natural https://reverb.com/item/92379215
    2 points
  33. No, you want to have a good holiday, metaphorically put your feet up and relax, not have a load of stuff from back home to deal with whilst away.
    2 points
  34. selling my incredible 1975 Musicman HD130 amp. Bought this back in 2021 and had a flight case made it for it straight away. Was serviced just before I bought it as well. Sounds amazing.
    2 points
  35. I'm not into Fiesta Red... but damn.
    2 points
  36. Trying to rationalise only having two P Basses I assume 🙂
    2 points
  37. +1 for Tonerider pickups. I have one in my Adam Clayton bitsa P bass. Sounds absolutely as it should
    2 points
  38. It's already a large estate... the car, not the house... To be fair I could borrow a sheep trailer. Might need a little cleaning out but then any bass will be genuinely "road worn". There's a bit of worry about the smell but I'm sure the sheep won't mind...
    2 points
  39. It's like choosing only some of your children to go to Disneyland though...
    2 points
  40. It's a fantastic pedal - the okto side is my personal favourite octaver, the tracking is excellent, and it sounds awesome. I do love the fuzz side for low-gain synthy sounds, but don't have much call for it with gigs at the moment. Like you, it's been on the board for ages.
    2 points
  41. When I went DI it took a few sessions to get used to not having the sound behind me, and not having instant access to change that sound. It took a while longer to tune the pre-amp I was using to work through the PA speakers. At about the same time I went to a rudimentary IEM system using a Behringer P1 wired to the desk and £10 Sony earbuds (I wanted to get a feel before investing in wireless). Although it was the cheap end of the market, I could see the potential and I liked the control over the volume in my ears - if nothing else the earbuds gave me some protection from the onstage volume. The big difference came when I was singing BVs - even with the cheap set up I could hear my voice much clearer than when using floor monitors and it gave me more confidence to harmonise. With IEM it took a while to get used to the isolation, and since our singer often talks to the band off mic between songs, I usually have one earpiece more loosely fitted so I can hear him.
    2 points
  42. I listed this for sale a few months back, got cold feet and withdrew it, but having not used it for almost 6-months I could use both the cash and the space As I said in the previous thread, describing this monster as a combo is like describing Live at Leeds as a gig, but both are technically correct! This to me is the dream unit for a studio where a classic but powerful all tube bass amp is needed, for a gigging player who doesn't mind humping around what is a pretty heavy unit (I keep the head in a separate case to reduce the weight), or for the home music room assuming you don't have neighbours...... Tone is glorious as you'd expect. Trade-wise hit me, I like Precisions and FLs 👍
    2 points
  43. The physics of bass notes being an octave lower than guitar means they are more difficult to track and I've not yet found a dedicated pitch shift pedal that works really well on bass, particularly moving more than a couple of semitones. And multifx have, in my experience, been significantly less good than dedicated pedals - certainly the ones I've used. As you say, the drop tuning seems to be excellent for guitar! If it gets comparably close on bass, colour me super interested - having singers who have different vocal registers means that this could be ideal for use with my crew! Although £195 for the XS-1 is going to be a decent chunk of change to part with.
    2 points
  44. I had a one of these on my Precision and throughly agree with the comments. I swapped them out for a fender vintage ‘63, which I picked up on here for a good price. The Tonerider IMHO, is in the same league, although I prefer the Fender pickup by a smidge. Price wise, however, the Tonerider wins hands down and I’d gladly fit it on another bass should circumstance arise.
    2 points
  45. Pickups! Bought the bobbins and cases from AliExpress - dirt cheap, arrived in about 5 days so not bad time wise. Originally wound to 6500 turns per coil, reduced to 4250 as they were a bit on the dark side. Mild steel flat bar from eBay, cut to length with the angle grinder, ceramic bar magnet between the bars. I think they sound great
    2 points
  46. Hello, I'm selling this excellent Aleš Vychodil AV Basses AVP5 Precision Bass. The bass sounds great in near mint condition. Built in 2020 Hipshot 19mm bridge Maple board Alder body Nordstrand NP5 pickup I think it's a rare pre-owned item. In very good condition. New it costs 2350 euros + VAT + shipping You can also see a very near model on Scott's Bass Lessons youtube channel and the Bass The World 4 strings model The bass is also on reverb platform
    2 points
  47. This is why I have completely given up on the traditional bass rig. Fine if you can guarantee to always be using your rig, but at multi-band gigs with backline sharing this is hardly ever possible. Using multi-effects I had got to the point where my rig was simply there to make my sound loud enough for me and the audience to hear, and for any gig where the bass was going through the PA what most of the audience heard was very much down to the sound engineer. Even if I bypassed the pre-amp of whatever bass rig was at the venue my sound was still being shaped by the cabs, so I've stopped using other peoples bass rigs and now go straight into the PA from my effects - currently a Line6 Helix Floor. That way I have eliminated as many uncontrollable variables for my sound as possible. For the very few gigs where there is no PA support for the bass I have an FRFR cab, that has the dual advantage of not only being far more neutral sounding that an typical bass rig, but will also fit in places on stage where there is no room for an amp and cabs. On stage so long as I can hear that I am in time and in tune with the rest of the band I am happy. I've stopped obsessing about getting a perfect sound on stage, because for the majority of gigs I do, it's simply not going to happen. Maybe if my band starts playing 1000+ venues on a regular basis I can be a bit more diva-ish! FoH I'll have a quick listen to check that my sound is in the ballp[ark of what I'm expecting and it usually is, mainly due to the sorts of gigs we play the sound engineers know what sort of bass sound I'm aiming for. And if they don't I'll play them some of my "guitar" patches and soon sorts them out! TLDR: my sound comes from the Helix. On stage I just need to be able to hear myself and the rest of the band. FoH I trust the PA to do the right job.
    2 points
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