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Showing content with the highest reputation on 17/04/25 in all areas
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I only went and bloody did it! After this post in the NAMM ’25 thread, and my reply, I waited, and pondered. Then, once I’d seen that Merchant City Music had the Natural version in stock, I hmm’d and ahh’d a bit more, then sent off an email enquiring about the Silver Burst version. As per this status update of mine, I went ahead with the order. Enough words, here’s the PoiDH … There's more images in this Flickr album … Reverend Triad 5 Mark10 points
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This bass was finished in November 2004 and is in excellent condition. It has the 10/90 neck with the most beautiful flame maple. The neck is the thinnest I have ever played and fretwork is excellent. The body has an ash core with really thick flame maple caps, front and back. Bass is all original with no issues. Kahler bridge, Schaller machine heads and Benedetti single coil pickups, Vigier 18v preamp. It comes in a semi-hard Gear4Music shaped case which is in excellent condition, and really good quality for a budget case. Weight is 3.7kgs10 points
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I'm moving on one of my ACG 6 string basses. The one in, one out rule applies in my house sadly, so as much as I don't want to see it go, needs must. It's a pretty special bass, 6 strings, singlecut bolt-on design, with a 31.5" scale length. Even with the shorter scale, the whole thing is so well designed and made that the low B is solid, as useable and musical as most 34" and 35" basses in my opinion, but I will attach a couple of vids so you can hear it. Here's the lowdown... 6 string, tuned B to C 31.5" scale Bolt-on construction 24 frets 16.5mm string spacing 54mm nut width STUNNING Highly Figured Black Limba Body 3 piece Wenge Neck, with Asymmetrical profile Pau Ferro Fingerboard ACG RFB pickup, humbucker, handmade by Aaron Armstrong with series/single coil/parallel switching, roughly in the MM Stingray location East Uni-pre 4K preamp with passive tone control and active/passive switching Hipshot A Type Bridge Gotoh Resolite Tuners String with Newtone Nickels, 28 40 60 80 100 125TW More pics here on the ACG site >> https://acguitars.co.uk/project/0307-finn-classic-6-31-5/ Video featuring lockdown hairdoo and beard, and the Low B string in use (recorded using a phone and a little Warwick 1x8 Combo) >> Silly video doing some noodling as part of a duel with a good friend, who is a Banjo player (recorded using a phone and a little Warwick 1x8 Combo) >> The bass is absolutely mint, only issue to declare is the 12th fret, on the high C string has a little buzz, which you can hear in the second clip if you're really listening hard, so it could do with a little fret dress on that fret, but bar that, it's all good. Looking for £1650 and it can come with a Hiscox Hardcase for an extra £50, otherwise it'll be in a TGI Extreme Gigbag. More than happy to courier within the UK, with insurance, at buyer's cost. No looking for £1550 with a TGI Extreme Gigbag. Currently no case or bag, but I will purchase a suitable gigbag/case when the bass sells. More than happy to courier within the UK, with insurance, at buyer's cost. Please check my feedback >> I'll leave this up for a couple of weeks, then I will move it to The Bass Gallery for a commission sale, but that will mean the price goes up, so if you're keen but can't quite stretch to it immediately, please get in touch, we might be able to work something out. New, this bass would now cost over £2800, and well worth it at that too. No trades thanks, I have other plans... Any questions, you know where I am Cheers, Eude7 points
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I'd like to see them replace the singer with a guy I saw advertised at a venue (doubtless a tribute) - Rog Adultery.7 points
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I am meeting up with Pete's tech in the next few days. I'll report anything exciting.6 points
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Well I'm just back from the Wakefield area and a battle through the maelstrom known as the M1, where I picked up this bitsa Jazz. It consists of a roasted Mexican Fender neck, a 'Guitar & Bass Build' high polished body, Schaller tuners, Hipshot bridge and active EMG pickups. I'll report more on the sound tomorrow when I've put some decent strings on it and set it up properly...5 points
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Thought I'd post a photo of my trio. weight wise.. TT 3.6KG VS SL 2.7KG And the monster TM 4.9 KG. Which is loaded with a SD humbucker! The old style TM is the winner for sound and playability for me, slightly fatter neck than the California ii's , but a bit too heavy for regular gig use. Interestingly it seems the TT is loaded with splitcoils and not singlecoil. Kind of darker sound for a jazz to my ears.5 points
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They annoying bit is that my eldest is at uni doing aerospace engineering and as part of the Avionics bit she's spending a lot of time in their skills lab assembling / soldering circuits using traditional components to test things before using Surface Mount stuff. Over the last few years I have sent her 3 pedal kits that I reckon she could bang out in about 10 mins each and she hasn't done any of them! But when she asks for money apparently I'm supposed to respond within 30 seconds! Bloody kids!5 points
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You hold the iron by the handle - that's the fatter part of it, not the thin, pointy, extremely hot part...5 points
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Not last night, rather last month. This place is out in the country up towards Mt. Hood in Oregon, about a twenty minute drive from where I live in Washington State. It serves an old nine hole golf course and when the weather's nice there will usually be at least 40-50 civilians and 10-20 musicians. The host plays mandolin and guitar and is conversant in many styles, so many players choose to use him for backup. Most of the open mics I frequent feature a lot of working pros, many of whom I've known for 20-30 years or more. I tend to sign up for a three song slot and then wait and see who gets shut out of the 10-12 15 minute sets, then grab a few and work out something to play. I also do solo bass sets with vocals sometimes though, or jazz duos with the host where we throw darts at his iPad and wing a few Real Book tunes. I subbed in one of his gypsy/swing/country bands years ago, and still have their book, so I can shed on a few tunes beforehand if the mood strikes too. And then for the last hour we typically turn off the PA, circle the wagons, and go around the room with everyone getting a couple of features and a lot of learning going on. I am allowed to plug in my bass, and really weak singers might get a mic if the host deems it necessary, but it's all acoustic beyond that, and often sublime. Some folks just show up for that last hour, and the staff take a load off and relax a bit, while starting to clean up a bit. We quit around 9PM, which is official closing time. This is the view of Mt Hood from the parking lot: And then this was the last electric set, which I got pulled up for with no notice, just after I finished a set with a singer-songwriter I'd never played with before: I don't own a fretted bass, but I had just finished a preamp install on that one and wanted to see how it sounded in a full mix. No advance notice of the song selection, but at least it was something I had heard 40 years ago...5 points
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All of these bands should have packed it in decades ago. Surely they could pass an Act of Parliament or something. How long can the agony be allowed to continue? It's like watching a geriatric Arthur Askey break his hip trying to disco dance for the amusement of his fellow care home residents. Would be nice if they replaced Zak with Dr David Starkey, right-wing constitutional historian. I don't think he can play the drums ( that would probably Daltrey fine) but he could give the audience some very insightful observations about the cultural context of songs like My Generation and Won't Get Fooled Again while Roger and Pete have their Tena pants changed during the interval.5 points
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4 points
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Cheers all to a long weekend. Sun is shining, rum and ginger is icy cold, reggae is playing (Handsworth Revolution as this thread reminded me I should. Disk 2 with the dub versions ♨️). The cat knows the score:4 points
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I feel a potential lesson in commerce is available here. I should’ve encouraged Wee Ezette to become a painter and decorator, now I come to think about it .4 points
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I have nothing to add for the discussion other than to say when I first read the title it scanned in my head as 'Budget for a sub-par band', and I wondered why anyone would ask that! Sorry, as you were.4 points
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Tier 2 breach incoming. I have some recording to do on guitar and it needs fuzz. My collection of fuzz pedals is very small and is mostly cheap clones / inspired by stuff and I can't get them sounding how I need. So - Walrus Audio Eons 5 State Fuzz should be here on Saturday. I could pretend that I'd never use it on bass but I think we all know I'd at least give it a try, so it looks like I'm out. I lasted longer than I thought!4 points
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4 points
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Crikey!! I hop onto BC to answer a PM, make the mistake of looking at this thread, and see that it's complete chaos in here! It's a good job Easter Monday is a bank holiday, I'll need most of the day just to update the status list. 😄 Well done to everyone still in, and have fun with your new gear the rest of you. Enjoy the Easter weekend.3 points
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Feeler Uncle Acid And The Deadmeats Pear Factory Lear Factory Near Factory Dear Factory Year Factory Wear Factory Rear Factory Ear Factory Tear Factory Sear Factory Gear Factory Hear Factory Bear Factory I am the saddest creature involved in this malarkey and I claim my five pounds.3 points
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I watched it last night. Excellent insight to the legend. Thanks for sharing. If you want to watch it without the ads put a - between the "t" and "u" in the youtube like this yout-ube and you will see the video without the ads. Works on all youtube videos i've tried. Sometimes it gives an error message , but just refresh the browser window and is ok. You can thank me later 🤓😎3 points
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I met Boz Burrell in the 90s, in pub in Edinburgh, when he was in Tam White's band. He was real geezer. He was in a happy frame of mind as he'd just got off a 6 week reunion tour with Bad Company and was $600,000 richer. (nice work if you can get it).3 points
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These are on clearance at Anderton's currently - £149 ! Metallic Black - https://www.andertons.co.uk/soloking-mj1-classic-4-string-bass-in-metallic-black/ Lake Placid Blue - https://www.andertons.co.uk/soloking-mj1-classic-4-string-bass-in-lake-placid-blue/3 points
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That had been what had prompted my investigation, but the memorial page is from MacMillan and so there may have been another explanation. No age to go, but it would have been all the more tragic had she had a hand in it hertself.3 points
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One of Mick's fine library just came my way ..a pleasure to deal with , many thanks mate 👍3 points
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As a Kiwi Johnny Cash tribute act might sing… 🎵 “…made my home on a burnin’ ‘Ring of Fire’…”3 points
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3 points
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I've resisted removing the chrome surround for years, but it was affecting the playability. I'm surprised by how much I like the look of the new bezel to be honest. Next up: Tomastik flats3 points
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Hi folks, for sale is my OLP bass in black with a BWB pickguard, a nice looking Rosewood board and black hardware (honourable exceptions being the jack socket nut and washer and the jack plate on the bottom of the bass; see below). I think these were mostly made around 2006 in China under licence by Ernie Ball and were the forerunners of the SBMM bases. My research would suggest that this is one of the 3rd series basses characterised by: Small bridge plate as on modern Stingrays, with studs flanking the saddles, as on Stingrays. The body edges have a smaller radius. Many black, silver and metallic blue finishes. Lots of rosewood fingerboards. Basswood body. No natural finishes to speak of, but quilt and flame top veneers appeared. The usual passive VVT controls. Necks stayed wide but relatively shallow profile (the nut width is 42mm) The bass is in good condition as I hope you can see from the photos. Black basses are a bit of a ‘mare for me to capture properly (so any tips welcome) and I’d be happy to produce more pics as required. As is often the case, this bass has been modded or upgraded (depending upon your POV) as follows: The almost standard upgrade to fit a Retrovibe Stinger ’77 preamp. This is one of the newer ones with smaller pots to allow more space for board and battery. Warman MM4 AlNiCo; there is plenty of info on the Warman website. It’s a really nice sounding pickup imho and currently wired in parllel. I have hollowed out the control cavity a bit more to allow the battery and preamp PCB to fit more comfortably flat on the bottom of the cavity. The knobs are now Spector knobs. Sorry I don’t have the originals, but I think these look way nicer. Again YMMV The previous owner has created a hole for a jack socket on the bottom of the bass (please see the pics). The bottom jack socket is not currently in use, but I was thinking about adding in the Artec QDD onboard overdrive unit (also for sale on here) and moving the jack there again. Please check out the Low-End Lobster mod video for creating a budget version of the SBMM Dark Ray. The bass comes fitted with D’Addario EXL170BT strings that are maybe 4 months old now and will come with a decent gig bag. As with many of these basses, it weighs just over 4.3kgs according to my scales. It’s a lovely instrument and only for sale as arthritis is starting to badly impact my playing so slowly (and painfully) getting rid of my gear that I have accumulated over the years. Collection or meet up would be preferred, but I have suitable packaging so I can post this at cost; probably around £15 to £20. Here are some pics:3 points
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3 points
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A few observations … The pickups have this odd (to me) looking lip on the top of them. This is neither good nor bad, just something I never expected. The volume level from the bridge pickup (soloed) is pants. Very different to either the middle or neck pickups. ^^ Ignore the above, stupid person alert ^^ This isn’t really a big deal to me as I’d never be soloing that pickup anyway - I never run bridge pickups solo - but may be useful information for someone else reading this. I’d be much happier if, instead of solo bridge pickup, I could have all three pickups instead. The neck/middle pickups sound great though, and the bridge with middle pickup works very well too, so there’s absolutely zero complaints about the voicing of pickups in the available combinations. Da fuq is up with the fretboard overhang?!? I just don’t get it. It looks, I want to say vulnerable, or fragile, but I guess I just don’t understand why it was left like that and they didn’t have the neck go all the way under the fretboard. Speaking of the neck, it’s absolutely gorgeous to play this bass. It’s effortless to travel up and down the neck whilst playing. I was almost able to play it straight out of the box, there were very minor tuning adjustments needed, no issue with neck relief though, just tuner tweaks. For the people wanting numbers, it’s a 34” scale, 19mm string spacing and 47mm nut. Mark3 points
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Yes, I currently work for Mesa Boogie, I'm the principle engineer behind all of the Subway bass products but also handle various aspects of the guitar amp world as well. I work(ed) hand in hand with Randy, John, Jim and Doug, spent a lot of time with them, in addition to all the other folks. While I'm the "new guy", I've been designing Mesa for about 12 years, and prior to that I designed for Genz Benz/Fender for about 30 years, plus all my pro audio designs, so I've been around the block more than a few times. I've spent quite a bit of time quantifying guitar amp distortion characteristics (not surprising given our experience in the hard rock and metal world) and in general the desired distortion tones (especially lead) run between say 25% and 40%, but there are a whole family of tones that go beyond this too. Of course the amp is ~1/2 the instrument, the texture and tone of overdrive and distortion are a big part of the creative elements of "guitar tone", specifically how it sits in a mix. Randy's a very cleaver, creative guy, he quickly recognized what players were desiring and through a lot of work (including trial and error since there weren't many if any to copy from) developed the driven tones through cascading gain stages, then voicing these gain stages to be more and more useful for particular genres. If you were to study his products and their progression, you would see that he was constantly learning and evolving his designs as the music styles and player demand evolved. John has taken over the guitar amp design work now that Randy retired. At 80 years old, he had earned the opportunity for some new adventures that didn't involve day to day obligations. I have designed several solid state guitar amps as well, mostly with tube preamps, and I haven't run into any limitations of solid state power amps, especially when they were designed with guitar amplification in mind. Some of these turned into commercial products, some are just stepping stones to other implementations of technology. Hope this helps explain my perspective.3 points
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3 points
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3 points
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He doesn't seem too devastated He put this up on his social wotsits a few days before the official announcement3 points
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Thanks for the message. I have got pictures of quite a lot of them and I did think of doing a (very) mini personal version of Geddy Lee's Big Beautiful Book of Bass, but I am wondering what She Who Must Be Feared And Obeyed would do if it was ever discovered. Most likely something injurious to my health and wellbeing.2 points
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For sale is this absolute monster of a bass - the very rare 5 string US Fender Precision Deluxe. This is the one with the Precision pickup at the neck and the ‘Double Jazz’ Humbucker pickup at the bridge & active 3B preamp, it’s a hugely versatile bass and is a proper tone machine! I’m not here to try to sell this particular model of bass to you - I’m sure you probably know what they are, so I’ll just tell you about this specific one. (If you’re looking online for it the bass is sometimes known as the “Fender ADPV” on TalkBass etc. If you are wanting where there is a lot of info/player reviews - they’re very well thought of, worth a looking there if you’re considering it as there’s a lot of discussion on there about them) These are extremely sought after due to the versatility of them & amazing build quality - l really don’t want to let it go and tried to sell my Mayones Jabba 5 instead first but there’s no takers, so unfortunately this is on the chopping block It has an Ash body, maple neck and is finished in a really nice transparent teal green (so you can see the grain of the ash underneath) and a 3 ply mint pickguard Sound-wise the bass can do it all - it’s a fantastic sounding bass, it has the Precision pickup at the front and the double jazz humbucker at the bridge. In my opinion the blend centred is one of the best fingerstyle sounds there is. Depending on the gig/genre I usually have the blend 10-20% either side of centre, front gives you a huge precision sound or rear gives you a bridge pickup style sound whilst retaining all the low end and not just sounding thin and ‘middy’, then give the Mid knob on the preamp a turn to taste - cut makes the bass sound more passive and boost gives a really nice mid boost that seems to cut through the mix (that’s just how I liked to use it anyway!) It’s an active bass and the 4 knob setup is Vol/Blend/Bass & Treble stacked/Mid - the mids are definitely the secret sauce of this preamp, also for some reason the mids turn the other way to the bass & treble, so forward is cut and backwards is boost - it’s always been this way, no idea why 🤷♂️ Condition wise, it’s in reality good nick, there is a couple of bits of buckle rash to the back, not much at all but enough to mention. It looks like someone before me playing with a pick and so there’s some dulling of the gloss and marks where someone has clearly been giving it some welly with a pick at some point, it’s not bad but it’s there. There is odd marks and stuff here and there as it’s a 23+ year old bass, but you wouldn’t know that - it looks great, no big dings on it, the chrome hardware still looks new - obviously it’s not perfect but there’s nothing worth noting. I’ve tried to do as many different pics as possible so you can see for yourself I’ve included screenshots of the info from the Fender serial number website in the photos but I’ll quickly list the important stuff: - Ash body/Maple neck & fingerboard - Satin neck finish - String through body or through bridge - 22 medium jumbo frets - 34” Scale - 9.5” (241mm) Fretboard Radius - Modern C shaped neck - Nut width - 1.875” (47.6mm) - Bone Nut - Abalone dot inlays - Deluxe lite bass tuners - Rolled fingerboard edges - Contoured neck heel This is an absolute top drawer US Fender, there’s not much else I can say, but it’s definitely one of the models that makes you realise why Fender has the name it does! These were made in a real golden era for modern Fender’s, these basses and the electronics were John Suhr designed and both the Jazz and the Precision deluxe’s from this era (mid 90’s - early 00’s) have almost mythical status and you can see why This comes with the original Fender moulded hard case, and includes the original case candy including manual, lifetime guarantee, stamped QC inspection card and all that, as well as the Fender branded truss rod tool & Allen key Price Reduced- £1,250. Shipping/delivery can be arranged (Trades - May take cheaper trade + cash my way but it depends what it is, I already have a bass on hold and I need som) Loads of pics below 👇 Sorry for the essay, congratulations/commiserations if you managed read it all!2 points
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2 points
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Mike’s still here, doing mostly legacy repairs and touring support of legacy products. There are lots of things being done with solid state that can address most of the feel issues, your example of the MOSValve amps is one approach that was originally designed by BK Butler, we acquired the brand after it fell on very hard times (we built cabinets for TubeWorks for a while, before they shut down) and developed some new products, but the brand reputation was just too damaged to overcome the legacy issues. The work on solid state power amps for guitar continues on under the radar, Pat Quilter’s efforts are probably some of the most successful but then there’s also the Tonemaster series that’s gaining ground and popularity. It’s a very complicated balancing exercise to develop new technology that convincingly emulates both the tone/voicing and the feel of the older technology. Of course you already know this with your products, specially the SansAmp.2 points
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Whatever you guys are up to in bass direct it’s working. There’s been some glorious bucket list gear pass through your website recently and I’m gutted I’ve not been in a position to click buy!2 points
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I don't think Oasis have announced their line up for the reunion dates yet, but Mr Starkey has to be a leading contender for the drums.2 points
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He makes some amazing instruments. Mainly makes guitars, based on the strat you mention, and Robben Ford's '61 tele (he was guitar tech for both). He recently made his first Les Paul and it's stunning.2 points
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Send it back! I can make you a ZVEX Mastotron clone for parts prices. That MUST be a smaller breach! 😁2 points
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I love Pino's playing but he wasn't the right fit for The Who, both in terms of playing and his tone. What has since become apparent with Jon Button is that no one can really replace Entwistle. Button is also a square peg in a round hole IMO.2 points
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A slight aside, but I saw Zak when he was playing in the Moody Marsden band and he was really rather good. In fact, with Jaz Lochrie on bass that band was really very good.2 points
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2 points
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If they were going to get rid of one member you'd think it'd have been the noncey one.2 points
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2 points
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That’s so unfair, awful to hear. She had some cool ideas and great humour. If i recall correctly, didn’t her cat meet an untimely end in the flat fire? If so, I hope they’re both making cool music up there together now.2 points
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Too much boom boom drums, we’ll sack the monitor/IEM engineer. Too much overplaying, Rog, it’s The Who, you used to have Moon The Loon on the sticks!2 points
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He was a properly good bloke and really down to earth when he came to the last SE Bass Bash - and absolutely hilarious. How many players of his stature would leave his original Betsy and the Spector he used to record Like a Prayer sitting on stage after his talk and say, “I’ll just leave those there if anyone wants to have a go on them…”? Barry Moorhouse brought a range of his Bass Collection basses to try out and I can confirm that the Betsy copies are really, really nice. Properly tempted. Enjoy it! I’m not the slightest bit jealous, honest!2 points
