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Showing content with the highest reputation on 19/04/22 in Posts

  1. I bought this from @walshy a few months back and its a stunner looks wise. I am not so comfortable with the right hand ergonomics though (not supposed to anchor thumb on single coil pickup and I play mainly finger style) as I found out at a gig a couple of weeks back. Plus I need to raise some funds - so no trades, sorry. Weighs about 7.6 pounds, great condition (just a couple of minor indentations in paintwork, done before my ownership), and has Lull soft gig bag. Edit: now wearing brand new La Bella Low Tension Flats, so its super slick and errrrr low tension (!) across the fretboard. Pickup London SW13 or post within UK at cost (about £25-30) via UPS. Has changed hands on BC before. Here is busccini's ad with more pics.
    11 points
  2. 5 points
  3. I played at the Charing Cross Road version 3 times, once supporting Carter the Unstoppables, and twice as headline...
    5 points
  4. Thought some of you guys might like this.
    5 points
  5. 2019 G&L USA JB bass in crimson red, bought from bass direct earlier this year. Unmarked apart a paint scratch/ chip on the top edge of body, not really visible from front when playing. Hands down best put together jazz bass I’ve ever owned, just a little to modern sounding for me. Choice of tort or white scratch plate. Not really looking for trades. One owner before me, not gigged but dropped by previous owner £750 ovno plus postage. Comes with G&L soft case and paperwork
    4 points
  6. Gene Simmons: 'Wowza! That's me, there in the mirror. Rawkanroll! Hey, Gibson guy, you have a look'. Gibson Guy: (Looks) 'Sorry, Gene. The only person I can see is myself.' Gene Simmons: 'No, no. It's me. Look harder'.
    4 points
  7. That’s not uncommon for OEM valves, some manufacturers purchase them unlabeled or labeled with a code only. This is especially true if they have an arrangement to test/screen all parts and return those that don’t part their test criteria.
    4 points
  8. My solution using the IKEA laptop stand. I it modified a bit 🙂 Removed some of the larger plastic lip and trimmed it round the cab corners. Works a treat. The larger lip curves back on itself a little and is perfect for hooking over the front of the cab but I didn't like it covering the grill and speaker, hence the "mod".
    4 points
  9. We’ve just introduced this version of the New Order song into our set and it’s going down a storm at the gigs so far….
    4 points
  10. I can think of many words to describe Gene Simmons but 'Sleek' isn't one of them.
    4 points
  11. I assume it's music you'd want to run away from (or leg it).
    4 points
  12. An amazing player for all you Pino fans! Sounds amazing and plays beautifully but I'm a sucker for battered basses. She has been professionally refinished but was Fiesta Red originally. Mint finish, the blemishes in the pics are light! May consider trade for road worn p bass. I have a Flea Jazz already. Comes with Fender gig bag. I'm in Barry but may post if buyer arranges courier. Cheers, Dave.
    3 points
  13. For a punk band I think I'd favour the 424 over a 1024. I have both and was going to compare the two and sell the 'loser', but at the mo I still have both. The 424 tone is slightly more abnoxious than the politeness of the 1024. The 424 is a snotty teenager, all shouty and needing to be heard, compared to a grown up suave gent that is the 1024, who'd rather let his smooth charm speak for itself.
    3 points
  14. 3 points
  15. Oh my, that's a hard one...
    3 points
  16. I didn't know that either. Even outwith Mesa forum you are a wealth of knowledge to us all @agedhorse. Always appreciated. Dave
    3 points
  17. My solution using the IKEA laptop stand. I modified it a bit 🙂 Removed some of the larger plastic lip and trimmed it round the cab corners. Works a treat. The larger lip curves back on itself a little and is perfect for hooking over the front of the cab but I didn't like it covering the grill and speaker, hence the "mod".
    3 points
  18. Don't think so looks further from the bridge than a std precision pick up position.
    3 points
  19. Most function bands pump out the same old shite every week. Rather than the difference being defined by ability I would suggest it is defined by approach. Most function players are more focused on it being an income provider and for that reason they look harder at efficient earning and squeezing as much income as possible from their musical ability. It doesn't make them better just different in their approach. There are tons of great musicians on the pub scene who have the chops but not the desire for function work and that's all that separates. There are however loads of pub players who would struggle with all the guff that goes with function playing (lots of travelling, early arrivals, hanging around for hours on end, awkward clients, being comfortable and competent to play songs that haven't been rehearsed live, very late nights, bridezilla, endless rigging up and tearing down, venues with appalling acoustics, ridiculous noise limiters and on and on and on). If you're a great player but want some social fun and far less of the crap then pub playing is a great way to tick those boxes.
    3 points
  20. Dug a few more out. These first lot are from the early 90's when I lived in Hong Kong and was involved in quite a few bands. Great fun and memories. Apologies for the mullet content! The last 2 are from the mid 90's when I came back to the UK.
    3 points
  21. Rickenbacker 4001 Azureglo Cool vintage Rick in a scarce Azureglo. The serial number dates it back to 1974. It seems that 2 tuners have been replaced, as they have less patina than the other two. Otherwise they look the same to me. The neck has had the infamous cracks which a lot of 4001s have suffered, due to incorrect truss rod adjustment. This has been repaired many years ago and stable since (though it could be finished better with a matching color lacquer). The neck is straight and allows a lovely low action. The truss rods are functional too. Otherwise the bass has a lot of cosmetic damages and lacquer checking. The playability is just great. Like said the neck is straight and allows a nice low action. The sound is like you expect from a good Rick. Weight is 4,18kg on my kitchen scale. Asking €2.750 I'm located in the Netherlands, but I am happy to ship at buyers risk and expense. I am also interested in trading for a 1965 or older jazz bas(max 4kg, Brazil fretboard & clay dots). Refinish or some minor parts exchange aren't a dealbreaker.
    2 points
  22. Just saw this on GG's website: "The Gibson Gene Simmons G2 Thunderbird Ebony Mirror is a stunning bass that reflects the legendary Gene Simmons perfectly. It sports a sleek, modern design, and has a number of great appointments such as a bound ebony fingerboard embedded with Pearloid reverse split diamond inlays, Hipshot Mini Clover tuners, a Hipshot Bass Bridge and is powered by a set of T-Bird pickups." Not sure the new features (mirror plex pickguard with Gene's custom logo, new truss rod cover, bound ebony fingerboard with split diamond inlays, and the hipshot hardware) are worth the hefty markup over a regular Tbird (£2,499 instead of £1,999). Probably only of interest to die-hard KISS fans. What do you think?
    2 points
  23. Hi all here is my USA Fender Jazz Elite, recently bought from Bass Direct its new, really, not a mark on it and hardly been played. bought it to have a Jazz in the line up but its not for me tbh. tried to price fairly, and delivery would add some money. I will charge you what i get charged or deliver it a reasonable distance myself. no trades thanks, unless you have a Dingwall Combustion 4/2 you want to swap. Cheers, Mike
    2 points
  24. I bought this off eBay recently as a "rawk" replacement for my Rick but have decided to stick with the latter. So for sale is this amazingly good condition 2015 Gibson SG Standard Bass in Heritage Cherry. Usual 30.5" short scale and weighs a super light, shoulder friendly 7.5 pounds. Note: 2015 was a special one for the SG bass as it came with a number of upgrades which have since been dropped, presumably for cost cutting reasons. These included a Babicz full contact bridge, thicker rosewood fretboard, limited edition gold case and pearl inlays. Pickup from SW13 London (south of Hammersmith Bridge) or post at cost (UK only) via UPS (probably about £30). Comes with case and case candy (certificate of authenticity, case key, truss rod wrench, factory photo, warranty card etc.) Currently wearing Dunlop flats but I can swap out for the stock nickel rounds if you prefer. Firm price of £850, which is what it owes me, and no trades, sorry.
    2 points
  25. Selling my PRS to fund something else. This is an S2 - not to be confused with the cheaper SE range. I am the first owner - I bought it from Peach in November 2020 with a view to doing a load of recording. Then in December 2020 I ruptured a tendon in my right hand that only healed this Christmas so it hasn't had a lot of use and has never been out of the house. It was tuned B standard but is now back to E standard. The little brass thing in the trem cavity is called a FU Trem Stopper. It's a simple device that is just a brass bracket with a screw and a nut to stop the screw from moving upwards. These are a frankly stupid £25! (also from Peach). It only stops up bends. I found it very useful for re-tuning to dropped tunings without needing to retune every other string or adjust the springs. It is easily removable as it's held on with 2 screws. It has 2 humbuckers with coil taps with a push/pull tone control. The cavity cover and screws will be refitted before it is sold. The neck is the Pattern Regular profile (the 2022 models are now Pattern Thin). It's very comfy indeed. It comes with the gig bag that came with it, and the trem arm. It's as well built as expected for a PRS. The fretwork is excellent and it stays in tune the way a Gibson can only dream about! It's currently strung with Elixir Optiwebs. I'm only selling because I'm a bassist and now that everyone is back at work I'm not really playing much guitar and when I do I've got a strat I've had for nearly 20 years. I'm not looking for any trades unless you've got a Sandberg Lionel that is under 7.5lb I'm looking for £675 or near offer. Collection from Northants please. I don't have a guitar amp anymore so if you want to try it out plugged in, the best I can offer is a Roland Bass Cube on the "Bassman" setting for an almost Fender type tone. Or you can bring your own. Or bring a modeller to plug into the aux socket. Whatever is easiest for you. thanks.
    2 points
  26. You can always tell "legit music" by the size of the audient. (singular).
    2 points
  27. I think it's a really nice looking instrument, spoilt somewhat by the logo on the pickguard, although I imagine that pickguard could be swapped out fairly easily
    2 points
  28. Yamaha Super Bass SB800 Great vintage Yamaha Super Bass. It's made in Japan, and the serial decoder says it's made in 1977. It's a really great playing and sounding alternative to a standard Jazz Bass. The neck is quite chunky, more like a P bass. Soundwise it's s in the jazz bass family of course, though I'd say it has a little more meat in the mids than most jazzes. It has a full warm and punchy sound with both pickups active, but also does a great job on funky burping on the bridge pickup solood with the tone closed. The strings fitted are Thomastik flats. The bass is in good condition for it's age. It has its usermarks, small damages and bucklerash, but nothing major. One height adjustment screw has been replaced. All electronics and hardware work like they should. The weight is 3,96kg on my kitchen scale. Asking €850 I am located in the Netherlands, but happy to ship at buyers risk and expense.
    2 points
  29. That is one hideous looking bass. I'm not surprised they had to find a passing hobo to pose with it, anyone else would have been to embarrased to be seen with it.
    2 points
  30. It's a cool looking bird, but Gibson's decision to move their logo from the truss rod cover onto the headstock itself is ill-advised. Although Gene did briefly use a modified Thunderbird back in the day, I agree that a Ripper would make much more sense. Edit: those tiny cloverleaf tuners look daft as well.
    2 points
  31. “Reflects Gene Simmons perfectly.” Apart from the fact he’s never really been known as a T-Bird user. A Gibson Simmons sig should be a Ripper.
    2 points
  32. It’s totally not the rule. Rule is n+1 and not (n+1)-1. How do you define n in your rule?
    2 points
  33. I did have the circuit diagram, sketched out by a local luthier. I'll try to find it later
    2 points
  34. 2 points
  35. So that photo was yesterday... A mere 4 hours into today and the garden is a very different place! 6 workers, generators, underground moles, chop saws, six 5ft holes, etc.
    2 points
  36. Sometimes ya need both... Foam to hold the pup inside the cover... Springs for a firmer feel and adjust...
    2 points
  37. I remember a number of years ago I was asked to join a hastily put together band to do a one-off improv jazz gig with the guidance of a local trumpeter... We got there, set up for the gig and she handed round a sort of colour wheel - she explained that she'd point to an area of colour, she'd start and we'd all join in as appropriate. There were some good bits, some awful bits and a whole lot of crazy noise! In contrast, another improv jazz band I played with always started with a groove from the drummer and I (we'd been playing in a punkfunk band together for years), keys and guitar would join in and the horn section (who used to play with Lol Coxhill) would do mad stuff; sometimes the keys player would signal an actual chord change, but more often we'd all go chromatically in many different directions. We weren't beholden to any bourgeois notions of key, and our creativity wasn't stiffled by notated edicts from the Capitalist Overlords! 😎😁
    2 points
  38. Bands who deliberately choose not to have a bass player - sometimes it works OK (so OK then) sometimes it just sounds like there is something missing (not OK). Having bass on a backing track..... no thanks, I wouldn't attend a gig like that. The whole sub-sonic bass mush thing? Not sure why this has become a thing in recent years, but no thanks. It seems to be a modern incarnation of the old 'bass should be felt and not heard' attitude.
    2 points
  39. I think you'll find that's Sleepy (Al Cisneros, plays in the band Sleep)
    2 points
  40. Big update just gone onto http://tomreadbass.co.uk Bass Transcriptions section. 31 new charts added, and now up to 964 charts in standard notation! All sorts of things added - 90s dance music, 70s rock, 60s rock & roll, 80s pop, classic soul - something for everyone! As usual, some of these have resulted from my own personal preparation for my gigs, while others have been customers' orders from the website for bespoke transcriptions where they have agreed to have the finished chart published for everyone's benefit. This resource - the biggest (by far) collection of bass notation in existence - remains completely FREE for all users. No membership or log-in required either. Just browse the site, find the charts you want, help yourself and download!
    2 points
  41. The 10m x 4m steel base is now down, got a delivery of 200 odd meters of timber coming tomorrow... For a size reference, you can see my wife in the bottom corner of the base, it's is quite large!
    2 points
  42. Had a bit of a break with this due to life in general/family/work/uni, but got the rasps and files out this afternoon for a spot of neck carving.
    2 points
  43. But I am an amateur, pumping out the same old shite every week! Is there more? Should I be doing more?
    2 points
  44. I’d recommend a £200 Squier VM Jazz fretless or a Sire fretless. You can play it and enjoy learning safe in the knowledge that if it doesn’t work out you’d get every penny of your money back.
    2 points
  45. Finally got down to order one of these yesterday from Thomann. I am a bit surprised there haven't actually been more talk about this pedal. I at least look very much forward to trying it out. This demo of it on bass sounds very promising (even if I wish he would have demonstrated a bit more cleanish/lightly overdriven mids heavy settings, since that Is what I count on be using it for) : What are people who actually got this pedal already's experience with and verdict over it? Does anyone use it as a cleanish/lightly overdriven preamp? I've gathered from people on the internet that the Voice knob allegedly is supposed to work a little differently from how it works on the other pedals in this series, is there anything to that, and in what way exactly?
    2 points
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