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As you can see from the bobbly lines, I still have the final sanding of the neck to do and will finish off the volute at the same time - but this is pretty much where I want it to be in general terms: Not quite as butt-ugly as its creator

Bob Dylan, his songs always seem to sound better when someone else sings them

Last 20 days to go on the Crowdfunding page, if anyone would like to donate to the cause get in now as this will be coming to an end shortly, thanks again to all you lovely peeps on here who made a donation to help us out , as we have said before you are all legends. It really will help soften the blow for both of us. Our appreciation of what you have all done is beyond words Stve and Funkshui

I do understand some of the frustration about other events being affected by this, but at the same time I am astonished almost every year at the short-sightedness of various venues and organisations - have they never heard of the World Cup, the European Championships, the Olympics? As soon as I open my new diary for the following year, the first entries are the major sporting events that I really do not want to compete with. I won't accept evening gigs if they're scheduled against, say, the Champions League final, or afternoon gigs if they're up against the British GP at Silverstone or the Men's Singles Final at Wimbledon. I mean, come on guys, this is hardly rocket science.

This ticks all the boxes...

I only went in for a strap for a new bass, an Ibanez SR100B-NT (that has yet to be delivered) and ended up walking out with a 5-er, an Ibanez SR1405E-GWH.

Without wishing to state the obvious, why not get an Orange?

probably just me, but producers messing about with the drum sound seems to age records, in the 80's it was the fashion to have enormous sounding snare drums high in the mix, sounds awful to me, now it seems to be clicky sounding kick drums, why can't they just record the drums how they're supposed to sound? some albums sound good because they do sound dated (mainly because they're recorded almost live) Elvis's sun sessions and the Beatles Please Please Me (mono) spring to mind

or my favourite cover version, ever

That poor piece of wood looks terrified. S.P.

I once went out to buy the Robocop trilogy on DVD and ended up buying a new car

Another one off the list - and one of my least favourite ones. Fitting the tuners. And fitting tuners shouldn't be as fiddly as it often seems to be. Also - a bit of a repetitive gripe - hmmm, I do like Schaller but... They make some REALLY nice products Their customer service, in my experience, is FIRST CLASS BUT they often don't seem to check how difficult it is to fit their own products. And they often don't provide the basics to allow the fitting to be done successfully and/or easily. The worst case of this was this piezo Hannes bridge. Flagship product. Total nightmare to fit. And I pretty much know what I'm doing! And I've got lots of standard and obscure tools. And I still needed to buy another specialist drill bit. Yes - a drill bit!!!! : Looks nice. Until you see the back: ..and then read the instructions of how to bolt it, and the instructions of how to string it, and the complete lack of any reference, whatsoever, of what you do with all the piezo wires and collector block - important in the context of the 10 or so precision drill holes (tenth mm precise at the guitar top and tenth mm precise at the guitar back after drilling through 30mm of wood or, trust me, it isn't going to fit) you've already drilled perilously close to each other and very perilously close to where the piezo wires are going to have to be. Anyway...I've taken a few more pills and calmed down a bit. And compared with a Hannes bridge, fitting a Schaller pegged tuner is, I suppose, a doddle. But is it asking too much - and surely it wouldn't be too much trouble - to pop a little piece of paper in the box with a full size drawing of the centres of the bush and two pegs to use as a template? Anyway, for what it's worth, this is what I do nowadays with pegged tuners if I don't have a template or the exact dimensional drawing to hand (and trust me - you can't measure the actual item accurately enough): I drill a hole for the bush in a thin piece of hardwood. I pop a drop of paint, or snowpake or wet sharpie ink on the pegs, pop the bush on, tighten until the pegs touch : I drill the peg holes on a drill press to ensure they are vertical and test fit the tuner. I then use this, with a bush pressed through the template and headstock hole, as the drill guide: Then, if everything is flat, square and vertical, the tuners should fit without having to 'ease' out the peg holes at all: Anyway, that's how I do it. And maybe it's just me that finds pegged tuners a PITA... Next job is carving that slightly ugly volute

Unless you were really going for that brittle, crunchy sound. Who needs pedals? Just chuck a glass guitar down the stairs (with the guitarist if you want to flesh out that tone with some warmer notes).

Guns n Roses Use your Illusions 1 and 2 Its all the Honky Tonk Piano Axl added. It has really dated those albums. Also Metallica justice for all that guitar sound with no bass, a lot of bands came after copying that awful caterwauling whiny guitar sound, just pitiful.

Been there. Wandered into Sound Control Preston years ago whilst visiting a girlfriend, because I was bored and had nothing better to do. Ended up buying a Spector Reboot DLX - a truly stunning bass. It was so good I then sold my Status Stealth I 6 string.

Not anything to do with the thread at all, but just a bit of info' - the 80's JBS (PJ-555) actually had a jazz neck. However the one that Duff McKagan ended up with as his career exploded interestingly had a Precision profile neck. It was this bass that lent it's specifications to the currently available MiM Duff McKagan Jazz Bass Special. I agree that this is way more of a Precision Bass Special.. or, you know.. a standard PJ without a pick guard lol...

pm'd and working up prototypes with mr jebroad

The cab that won the Essex cab shootout was a Bergantino with two Faital Pro PR300 drivers in it. Same as the Genz nxt Ebeneezer mentioned. So I'd expect it to sound very similar. £300 is a good deal. At the bash the votes (out of 25 in total) were: Bergantino CN212 - 9 Schroeder 212 - 8 EAD 2x12 - 5 (no longer manufactured) EBS Neo 212 - 2 Barefaced Super12T - 1

Also a good move to put the least photogenic member of the band out of camera shot. Give Andy my regards when you see him, we go way back.

Trace was always “my” tone, back in the day. Years after getting rid of my Trace gear due to back problems, I went through pretty much every amp in The Gallery trying to find something I liked. The last thing I plugged into was a Trace combo and there it was. Sadly my back was even worse by then so I couldn’t buy it. I keep thinking if I come across one of the original 11 band Trace AH150s (like my old one) in decent working order I’ll buy it, as much as I like my Tech 21 VT500. Unfortunately the matching early un-ported painted-wood-only 200w 4x10 - easily the best cab I’ve ever used - is out of the question. They recently had a slightly later centre-ported red stripe version at a local cash converters for £45, but the missus kept reminding me of my back issues and wouldn’t let me buy it.

For many years when I heard people talking about Donald Fagan I genuinely thought they were referring to this guy. I just assumed that he had a vast back catalogue of stuff that I'd never heard. it's only quite recently that I realised my error.

Making Movies is my all time favorite album. Music? Subjective?

+1

Well... when a Fender sets you back close to 1.5k and doesn't have half the QC, Fit&Finish and attention to detail i can't say that Musicman is an expensive brand. They're absolutely flawless basses. well worth the 2k price tag in comparisson with the competition. It's still too rich for my pocket though.

Spoilsport.

Yep, same year, 1987. Both big albums for me when I was in my teens. Agreed, ‘Kick’ still sounds fresh and punchy. I too bought the remastered ‘Hysteria’ when it came out recently and like you I thought it sounded very dated, or just very much of it’s time. Luckily the songs are so strong I can kind of live with the dense production. Interestingly the other big rock album from that year was ‘Appetite For Destruction’ which still sounds remarkably fresh and current to me. Guns n’ Roses’ organic, live sound has travelled far better than Def Leppard’s Fairlight overload.

I have been watching the latest build with interest, a true craftsman :-) My current bass weighs in at 12lb so hopefully I can get something lighter in the future without having to shell out on custom, for now I sit down a lot 😄

Oh dear. Was she saving herself for marriage?

I'm pretty sure that 190cm is the correct measurement for a 3/4-size DB. Certainly that's what both of mine come out at. In fairness, they're a tight fit in my Tom & Will soft case. Maybe the listings you're looking at assume that you want a more 'generous' size?

What about playing bass while pole dancing.👍

Bought sone strings from Tomas. Very easy buy and excellent communicator. Buy with confidence! Thanks Tomas.

Not a single album, but Bjork generally. I bought the first Sugarcubes record when it came out. I was into all that weird anarcho hippy stuff that she was involved with early on, via Crass and Throbbing Gristle. I generally like very distinctive female singers and wild voices. I like pretty much all her collaborators too and have albums by LFO, Leila, Forest Swords, Haxan Cloak, Matmos - all people she's worked with, but I just can't make any of her solo records stick.

That's a tone model I'd really like to see offered on DAWs. (I spent many happy years on a farm.)

Yep, and I'll raise you a anything by Rush after Signals ('82).

Club Tropicana by Wham???

...or a £1.6k starting price for a completely hand-built Shuker...

And another one off the list. And I remembered that it's best to install the luminlay dots before the final sanding of the neck! Some folks make their own, but with the material coming in stick form, it is SO easy to install: ...and looks SO good once it has been, especially the black bound version. Makes great daylight and low light visibility even if you don't charge them up for the glow:

Quick pic to show a nice and simple active install for a P type bass.. Extra switch (so I now have Series/Parallel and Active/Passive) and two stacked knobs..

What's the quote about the Lost Sheep?? Welcome back to the fold..

Pink Floyd have never appealed to me generally to be honest, save for the odd song.

I have the genzbenz nx2 212, great cab, only 47lbs, loaded with faital pro 12 pr 300 drivers and compression horn 4 ohm and vertically aligned!.....oh and built-in wheels.......there is one for sale at the moment at £300 think

Well I did it last night and it wasn't too tricky at all. The white one is slightly too big down by the control panel but hopefully that can be sanded down if I decide to stick with the switch. I think they look great. Thanks for the tips.