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Showing content with the highest reputation on 04/02/18 in Posts

  1. Yeah. I've found that keeping your teeth in the glove compartment of the van on those long overnight drives never endears you to the younger members of the band.
    4 points
  2. 3 points
  3. 3 points
  4. Second gig with the ska band last night. Longer set this time. Went really well and i got lots of compliments on my sound, the band in particular loved it (all i did was roll off the passive tone on my Sire V7 fiver about 60% of the way to take the bright snap out of the tone, and boost the active bass a bit). I had a total mare in a couple of songs, Ghost Town in particular was a real car crash. Which is annoying because it was fine at the last gig -- more personal practice needed and less complacence. I'm having a ball playing this stuff. The venue fed us too, absolutely belting pizza.
    3 points
  5. Hi You can buy the EQ01 directly from me or John East. The preamp amp I use in my own basses is the DFM the EQ02 was discontinued a while back. This along with the MC Series pickups are not available outside of the basses. The DFM is the fourth version of the pre-amp and will probably be the last having got it where I want it. The EQ01 was the first version made but has had the spec updated as we have moved through the different versions.
    2 points
  6. Thanks for all the positive responses, the drummer from Band B , messaged me about putting together a band to back a singer he's worked with in the past. So I guess it's a case of one door closes another one opens. Maybe I'm not quite ready for the scrap heap.
    2 points
  7. Hi Guys Thought i should close the loop on this one, and announce I have taken the plunge and bought a CS 62 P bass relic. Having missed out on the Nash that came up on here from Croatia, I then saw a 60's P come up on the Bravewood site and bombarded him with e-mails only to find it was a ghost page that popped up during editing of a bass that had been sold some time ago. So a CS bass seemed the sensible route, but it would be at least June before i had the funds, then this came up at a greatly reduce r.r.p. wrong timing but the right bass so had to go for it, which is why i didn't get the time to take you up on your kind offers of trying your axes first. But Thanks The neck wood and Rosewood board are beautiful, my wife commented "its a bit knocked about isn't it"
    2 points
  8. But there's definitely an argument to be made that the sooner some you old fogeys graduate to pipe and slippers, the more opportunities there'll be for youngsters like me.
    2 points
  9. I’ve had this guitar in parts for about 3 years but it’s finally finished!!!! I’m really happy with the way it’s turned out!! It’s much better plain than chequered!!! 2 down 2 to go!!.......
    2 points
  10. I have not read the whole thread but there is both a lot of good and bad info on this thread so I will put in my 2p. For the record I am an Electronics Engineer and advised on the design of the HPF on passinwind's HPF design. However that was all his work and I take no credit for it. So what is an HPF? High Pass Filter or less commonly called a Low Cut Filter. So why do we need one? Bass guitars and DBs and the whole system between them, and the Loudspeaker, produce very low frequencies that do not add to our sound. These VLFs work the speaker hard and rob us of headroom. How do I know if this is happening to my system? If you can see the speaker moving, that is caused by VLFs. Take you grille off and watch the cones while playing. Your eyes will not see a cone vibrating at 25Hz* so if you can see it move, it is below 25 Hz and well below Low B at 31Hz. Watch the video of the Micro Thumpinator in action on the SFX site to see the effect.Microthumpinator web page My amp has an HPF do I need an external one? It depends, some built in ones are too shallow. 12 dB per octave is too shallow, 24dB is the minimum in my opinion. That rules out the Broughton. It would be better than nothing but imho not much. What if I just turn down the bass? Most bass controls will affect frequencies in the low mids and higher and have a big impact on your tone. Do I need a variable or adjustable HPF? If it works it does not matter. The Thumpinator works well and also the various FDeck versions from the USA, are good. Variable Filters have a bump at the f3 point. No a good design will be flat to all intents and purposes. If a fixed HPF works well, what benefit would a variable HPF bring. Mainly to help tame room resonances/boominess in conjunction with the normal EQ. It can also allow you to experiment for yourself, a variable HPF can start the cut-off higher for a 4 string than a 5 string. Alternatively it allows you to tune the response so as to just remove the unwanted VLF stuff leaving more of you tone intact.
    2 points
  11. Bass heaven: Listening to a great bass player Bass hell: Listening to me try and play the bass
    2 points
  12. Heaven- tommy cogbill, duck Dunn, chuck Rainey. Hell- slappity slappity slappity slappity, especially on gear demos.
    2 points
  13. Sorry, but if you don't hear the difference between ebony, rosewood and maple, it's about time to make an ear test as there are huge differences in tone. I know that most the musicians are almost deaf and only hear harmonics, but stop this please : it's not only a cosmetical difference, it's a tone difference. At a time, for some personal reasons, I had two identical Leduc MP 6 strings fretless basses (neckthrough abd bubinga wings), but one had a pau ferro fingerboard and the other a Brazilian rosewood one : there was a BIG difference in tone between the two. Strangely I ended up keeping the pau ferro one that had more bite and high mids, which was what I was looking for at the time. In November, I bought another Leduc MP 6 strings fretless I was hunting for 10 years : quite similar in contruction but the wings (flamed maple top over ash with a mahogany veneer in between) and the fretboard which is Brazilian rosewood. Soundwise you get a more present fundamental, more low mids and less high mids, so a hugely growling and mwahing fretless. I know I'm a bit harsh on this subject, but I'm really fed up with these comments. It's like saying that a carrot tastes the same as a cabbage.
    2 points
  14. Your favourites.? For all those that dig Soul and Funk and Groove. I can only hope it lasts as long as Pete's thread. Post your favourite soul and funk right here. This will do for now. Early Maceo Parker and the Macks.One of the best funk records I've ever heard. His sax, the drums, the bass, and the absolutely amazing horn section, never get old. Just to say this was always a follow on from Pete's old thread. I spoke to him when he was really ill. He said,.. Keep the funk going.
    1 point
  15. ATELIER Z X-44 I'm selling this beautiful Atelier-Z X-44 (a.k.a Xenon Ishikawa signature model) Jazz bass. Imported from Japan 21 frets, 34" It has an ash top over an alder body with a maple neck Colour is a beautiful metallic greenish blue Pickups are Atelier Z JBZ-4 The EQ-XXII Preamp is active with the following configuration: neck vol - bridge vol - treble - bass and adjustable trim pot inside for mids The bridge is Badass II and the tuners are Gotoh GB 528 with an extra Detuner (tuned to low D at the moment) Condition is excellent, only very minor scratches. Pretty light at 4,1kg and is very easy to play with a nice low action. Snappy and strong attack, great for Miller-style slap but also very versatile Includes the original padded Atelier-Z gigbag New price for these (including shipping and import tax) is over £2000. So if you're into the modern "jazz bass on steroids" kind of thing I'd say this is a bargain. More photos on request. Insured shipping possible No trades (I'd only be interested in an Atelier Z DAL-5)
    1 point
  16. Neuser Courage 5 String bass • Neck thru construction • Arctic Birch • Alder Body wings • 7 piece Maple Neck with Bubinga stringers • Ebony Fingerboard • 34" scale • 24 frets • Brass nut • Recessed Neuser bridge • Mike Pope Flex Core 4 Band preamp • Active/Passive Switch • Bartolini pickups • Dunlop recessed straplocks • Weights 9.3lbs (4.2KGs) This is a great playing and sounding bass! Has some wear and marks on it (see pic of back) but generally not bad for its age. These basses are not made anymore so are hard to come by these days. I'm not looking for any trades right now.
    1 point
  17. Here's my beautiful BN5 with a stunning burl maple top. Of the FBasses I have owned so far this is definitely the best one - great sound and playability. The neck is a dream to play. The preamp is not the usual Volume-Volume for each pickup, but Volume-Balance. The bass is in very good condition and comes with the FBass gig bag. If it was a 4-string I would never part with it, but as I play my 4-string basses most of the time this fantastic bass spends most of the time in its gig bag, which is not what it was built for. If you want to see and hear the bass, just go for Rogier van Wegberg FBass on youtube. I might consider trading the bass for a 4-string FBass, Sadowsky or Ken Smith. New Price: 2850GBP or 3200€
    1 point
  18. This is a gorgeous Stingray in transluscent red, bought on this very forum, does everything it should, It comes with it's MM hard case. The bass used but in good condition. It has some damage on including a couple of tiny nicks and a patch of missing paint on the top edge. Nice neck grain. In this colour it looks gorgeous. Plays really well, sounds like a Stingray should and in this colour.....
    1 point
  19. This is an ad showing on Join my Band at the moment (Hampshire) I feel sorry for the guy if this really is the case. But I'm glad to see he still shows the usual bass players natural sense of stoicism and humour.
    1 point
  20. You very brave to take on a scratch build at the age of 14 (I take my hat off to you!!) I probably wouldn’t make the body out of ply as I had a ply bodied p bass and it was really heavy and the sustain wasn’t very good (but that’s just my opinion...) some of the seasoned luthiers on here have probably got more experience on the subject so hopefully they will give some advice As for a the neck some people have had some good luck with the necks on eBay but it depends how much you want to spend?? Check out the for sale part on this forum for pickups you might be able to pick yourself up a bargain It might be an idea to consider starting off with a kit build ie a Jazz bass kit and reshape the body to the Jaguar shape and reconfigure the pickups and make a custom pickguard....... just a thought??
    1 point
  21. "Karl in Wigan just bought these shoes "
    1 point
  22. We don't, lol. Digital desk set either to the right venue if we've played there before or pick something similar, marques are your friend with a digital desk. Away you go
    1 point
  23. Nice. Like the S/B but wd go for Candy-apple red 'under the radar' approach.
    1 point
  24. Thats mighty nice. Love the colour. Id like my old J acg to come up for sale again. Id be tempted to buy it back but seeing this one makes me hover over the buy button. GLWTS
    1 point
  25. 1 point
  26. There’s an old saying for us older guys. We have learnt, played and forgotten more songs than you young guys have yet to play. 😁😁
    1 point
  27. I hate Sunburst... (joke...but still, not for me)
    1 point
  28. I have a Spider case which is a good fit for my Mustang and Musicmaster basses http://www.spider-engineering.co.uk/industry/product.asp?item=spider-bass-hard-guitar-case-11579-3980
    1 point
  29. You`re gonna have fun with those, I had the same set-up a few years back and it was very nice indeed.
    1 point
  30. It's finally done!?!? I'm looking forward to seeing that 👍🏻
    1 point
  31. I've not built a bass yet, but I will bring along the completed Nozcaster if you don't mind such blasphemy.
    1 point
  32. I see. The 308 models do have a bit more 'mojo' about them, so good luck !
    1 point
  33. Used Yamaha basses can be had for peanuts, and to my mind represent almost unbeatable VFM.
    1 point
  34. Anyone wanting to start playing in the Anglian region, I also offer basses for sale as well as a range of amps too! [email protected]
    1 point
  35. It was New Year’s Eve 1999/2000 for me probably. Local town put on a free outdoor event for the millennium and we played the night on a stage in the square. The police thought there were 4500+ people there and it looked like it from the raised stage. It was a pretty incredible sight and sadly I have not played to a crowd that big since. We played covers so it was easy to get people singing along, and as much as I loathe the song now, having 4500 people sing Angels with you is pretty mind blowing and I won’t forget that volume, power and sound of that many people singing.
    1 point
  36. Bass Heaven - Finally bringing home from the shop the bass you've been dreaming of for months and plugging it in for the first time Bass Hell- The following day when you're bored of it and already looking for something else.
    1 point
  37. Weird they became extinct, now I think of it. I mean, ivory nuts are famously less prone to hypothermia or cold shock than regular nuts are.
    1 point
  38. Just to get back on track, I'm thinking of ordering another Mike Lull with a bradypus pygmaeus body, a brachylophus top and a honey badger fingerboard.
    1 point
  39. In my case that was about....10 seconds 😀
    1 point
  40. I have a Thumpinator. I can't say I can tell any difference in tone apart from less cone movement but it makes me less afraid to crank my amp up! You already mentioned the amp aspect but worth noting that plenty of amps such as Genz Benz already feature a fixed HPF so a separate one would be unnecessary. If you typically push your amp/cab to its limits to get enough volume then you may find one beneficial. Plus it gives you an excuse to get a pedal board and find more pedals to connect to that power supply!
    1 point
  41. Playing in a funk band this is right up my street, my favourite funk is by Phat Fred, we cover this one, took us a year to get the feel just right......
    1 point
  42. Norman Watt-Roy from the Blockheads........just awesome. Now the awful.................Peter Hook. Boring same old riffs , terrible style which makes him look a total pratt while playing on stage.
    1 point
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