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Showing content with the highest reputation on 26/08/25 in all areas

  1. So I’ve been looking at vintage fender basses as I’m hankering after one and this which isn’t vintage came up and was too good to pass up. Its a 2013 Fender American Jazz Bass in beautiful nick, lovely weight and sounds brilliant. I wasn’t looking for a Jazz but oh well 😂 The serial number amused me too, it ends in 6666. Had to include it in a photo with my AV60 Precision too!
    14 points
  2. Think it's my first post of a gig, so here goes! Overview: I was asked to dep Friday afternoon for 2 gigs at the weekend, by a band a mate is in, but I'd never rehearsed with them. 30+ songs in the set, most were familiar too me as a listener, but I'd not played 80% of them before. Charts of a sort** were provided as PDFs. Tablets fine on stage. I'm not a fluent notation reader. Many non-original keys and arrangements. Cue, intensive learning over 24 hours. It was a very challenging couple of gigs, lots of things that could go wrong, did go wrong with songs, gear, tech, etc. Learnt again to hang in there, trust my ears, play for the band and get through it. Overall a great experience. VID20250824205002.mp4 Venue: A big bar in Skegness Band: an 8-piece Soul & Motown covers band Structure: 2 Sets of 15 songs each, plus encores. 9pm start. Pay: not enough 🤣 Gear: 5-string Jazz (Lakland Skyline JO5) wireless to my pedalboard, out to my amp (Ampeg BA-210v2) and DI to the band mixer for IEMs. ** Mostly lyrics with chords, tab or notation snippets of key riffs, a few songs only with full notation, some without any, some with a fingered key (say A), but drop Eb, so output key is really Ab so necessary to transpose on the fly, silent parts not consistently shown, key changes, etc..
    12 points
  3. Air-bass, 1958. Mustang bass, 2025.
    11 points
  4. Price drop - £1100 For sale only, no trades please. This is a superb medium scale, lightweight (7.7lb) take on a jazz from the stable of Mike Walsh/Zoot. Back in around 2018 I was hankering after a more traditional looking bass but being a convert to shorter scales it wasn’t so easy to find exactly what I wanted. Hence this commission, which has been a gorgeous bass to have in the family. Fast forward 7 years and things have changed a little, and I’m finding that the gigs where this was used are either no longer happening or I’m using my new ACG. In excellent condition bar a couple of very tiny marks which I’ve tried to picture. So, what is it? Mike’s Funkmeister body shape has been around a long time, with people speccing a variety of options over the years. This is the second medium scale he made, and it features a slightly slimmed down body vs the full scale model. Full specs: Idigbo body One piece maple neck Ebony board, bound with MOP blocks Nordstrand Big Split pickups Hipshot KickAss bridge Hipshot Ultralite elephant ear tuners Passive Vol / Vol / Tone Gloss black finish BWB scratchplate Dunlop straplocks The neck is ultra slim, so combined with the low weight this makes for a superbly playable instrument. It’s currently strung with some Status rounds, 40-100, and will be supplied with a gig bag. Collection in person from Merton Towers is preferred, so you can come and play it and be 100% happy. I’m about 5-10 minutes off the Gatwick junction of the M23. If you want it delivered, let’s talk and work out a suitable solution.
    9 points
  5. The second gig of the weekend yesterday for Top Deck. At the Great Northern pub, Langley Mill in Derbyshire. A nice old pub overlooking what was an important meeting place of three canals back in the day. The so-called Great Northern Basin. We played outside on a raised wooden stage area. Thankfully with some shade. A jolly Bank Holiday crowd, that included several children. So, we avoided using some of our jokes.
    9 points
  6. Late 1980s outside party (when I could get away with just a vest) and a couple weeks ago at a funky little brewery in Newburyport Massachusetts USA
    8 points
  7. Lovely bass, very reluctant sale £1400 plus postage or collection is fine spec below Year – 2024 Colour – Black Body Finish – Gloss Body Wood – Ash Neck Finish – Satin Neck Wood – Maple Fretboard – Rosewood Frets – 22 Scale Length – 34″ Weight – around 9lbs Electronics – Active – Controls – Master Volume, Pan Pot (Pickup Selector), Treble Boost/Cut, Midrange Boost/Cut, Bass Boost/Cut, Passive Tone, Active/Passive Mini Toggle Switching – (Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge/Middle Pickup with Push/Pull Coil Select Feature) Pickups – Fender Ultra Noiseless™ Vintage Jazz Bass® What Fender say about this bass – ‘The “Deluxe Jazz Bass® V Kazuki Arai Edition,” which was produced in limited quantities in 2021 as a signature model of Kazuki Arai, bassist for King Gnu and millennium parade, has now been made into a more accessible model and added to the regular product lineup. The guitar features an original neck shape and Dinky-shaped body that the artist was particularly particular about, and the electric section is equipped with an Ultra Noiseless™ Vintage Jazz Bass® pickup and the latest preamp, inheriting the playability and sound quality of the previous model. In addition, a new feature not available in the previous model is the inclusion of a thin pickguard of approximately 1.0 mm sandwiched under the gold anodized pickguard of approximately 1.2 mm, which gives the same playing feel as a 3-ply pickguard while maintaining the same appearance.’ One of my Feedback links. https://www.basschat.co.uk/topic/137382-feedback-for-harry/#comment-1241408
    7 points
  8. I’m reducing my number of instruments and this one may be of interest to someone. The history of this one has been documented here . In a nutshell I acquired it in 1979 and used it throughout the 1980’s. I stopped playing and got a ‘proper’ job in 1988 and left it at a guitarist’s house. He had it until 2022. He’d moved 5 times with it. I picked it up and thought I’d have a project. I’m not really interested in doing anything with it now so it’s up for sale. I recently took it to a luthier who set it up and sorted out the electronics inside. It’s a neck through to bridge which should be removable but he couldn’t get it off even after removing the brass plate. It has its battle scars from the working men’s clubs of the north. It now plays great and has a set of rounds on it. The two P pickups give it a lot of power. I’ve pictured a close up of the truss rod adjustment, there is a bit of silver showing with is some masking on the electronics. There’s not a huge amount of adjustment left in the rod. Specs: Body is Walnut with maple inserts, neck is maple with walnut. pickups are Di Marzio, passive. Controls are Volume for each pickup and Tone with pickup selector. It's a 32" scale. It has a brass nut and Grover tuners. Currently strung with rounds. It weighs 9.8lbs. Let’s face it, the wood is so nice you could probably strip it, sell the hardware and make it into an attractive coffee table. Wafer thin gig bag included. I’ll even sling in a VOHALO double guitar stand with it. Price includes insured delivery although if you want to collect/meet up within 50 miles of Hull I can knock the delivery price off.
    7 points
  9. On the cusp of retiring but now have the possibility of a little project so, the ideal situation would be to exchange these three instruments for one. I'm after a 5 or 6 string (as I need a low B) First up, old faithful, Warick Streamer STD. 2001. Made in Germany. Passive, gigged, everything works as it should and has always felt like an old friend. All the age related marks that tell a great story of a lot of gigs. This is simplicity at it's best. One MEC with coil tap, one volume, one tone. Stays in tune, sounds fab, easy to play. Adjust-a-nut 38mm, spacing at saddles 19mm. 3.6kgs, Straplocks. Next, a Squier P bass that the previous owner has put a Fender logo on, or another neck. Bottom line is, no damage, all works perfectly, sounds like and plays, exactly like a P bass and doesn't sound any different to the USA one I had. Not sure of make of P/U but huge output. Last up. my Dean Pace EUB 5 string. Only one French cocktail gig sound-check pic at present but will add more if any interest. All works, sound great with the current La Bella white nylons on. Ideal to get into EUB as 35" scale. Has the proper case and the all directions ball-joint tripod stand. For me, I'm fine with passive or active instruments, not a huge fan of Ibanez. I've priced this collectively as a trade value in the hope of doing a trade as space is also an issue but happy to talk if there's no interest in the job lot. Not averse to also adding a little to the deal for something I really like. Dean EUB Gone, P Bass pending
    5 points
  10. Five string basses are a completely different instrument. Musically they offer very little more at the expense of being considerably awkward to play in a way that's kind to your joints. They are fun to use and useful in lmited situations, but most people who 'need one as it's better playing across the neck' would be better off with a short scale or a baritone bass.
    5 points
  11. I don't know if this is still a live thread, but my LFSys Monaco completely saved my bacon on Sunday night. My usual set-up now is a Barefaced BB3 with a Monaco on top. This particular venue was a bass standing-wave disaster. I was feeding back all over the place. I couldn't hear a note. I turned myself up, and the bar next door complained that glasses were rattling off the shelves. Really, really awful. We stopped the gig. I went down to just the Monaco, sited on the other side of the stage. I graphic EQ'd tons of 100 - 150Hz out, to correct for the room, and flipped the phase of my preamp. Also took every last trace of the bass out of the wedges and FoH PA. So the entire gig I was just using a very thinned-out, heavily driven, single Monaco cab. It worked. I was loud enough for me and everyone else to be able to hear what I was playing. In the crowd phone recordings I have heard I was plenty loud enough, and the tone whilst not perfect (when is it ever?) was perfectly fine. All this from one single, modestly-sized cab. I would now go so far as to say that everyone should own at least one Monaco. To get the sound you want, you will probably dial EQ in. It's not a sumptuous sound in and of itself. But the whole point of a FRFR speaker is that you can dial in a sound. And in this case the ability to dial-out the sound of a terrible room really saved my gig.
    5 points
  12. First day without torrential rain in Sydney for a few weeks, so updates can begin! First coats of primer are on - revealing a few points that need attention. Also, the neck has arrived. I found a great deal on this pretty nice Samick neck, which fits perfectly and feels quite good. Hardware and custom pickguard are on order.
    5 points
  13. I've been a little neglectful of this thread whilst being away this summer... but the project is complete! Here's a few progress shots... Body stripped and prepared: Primed! Looking waaaay too blue! Ready for go faster stripes Stripes done Big chunk out of the fretboard... Seamlessly repaired... i can't even find it in person. New frets whilst we're at it. And here we go... she's done! Here she is with my other recent acquisition... a 1967 Hofner! I couldn't be happier... she sounds stunning and plays so well. The one I've been looking for for a long time! Going out for our first festival outing together tomorrow (Monday), if anyone is at Twinwood this weekend! https://www.eternal-guitars.com/... I can't recommend Dave highly enough. We've had so many geeky chats about the minor details on this, and it's turned out better than i hoped. His own instruments are stunning too.
    5 points
  14. Edit: Now £1850. I need this sold. 4 string Enfield Standard Cannon Bass, custom made for late family member. Birds eye maple neck, with a rosewood fingerboard. The body has a walnut top and a Kingwood Back. Bought on the 01/03/08, this is one of the first made in its batch (according to Martin Sims, the bass builder) but barely played - it's been kept in a case and played a few times to test out amps but due to previous owner's poor health he wasn't able to play it, but didn't want to get rid. Condition is excellent. 25 frets, and has an XLR output so bass can played out of 2 outputs at once. The bass has its own customised Super 8 pickups. These are designed to have 3 different pickups in one, hum bucker, split coil and single coil, the LEDs are telling you what mode they are in. Green LED - single coil, red LED - split coil, and blue LED - Hum bucker. Incredibly versatile sounds. These basses are very collectible as they are no longer being made. The body and neck are in excellent condition with no visible scratches. (See photo) - we found a faint crack in the surface of the wood from above and below the pickups - had this checked over with a local luthier, who said that this was most likely due to wood warping over the years, but due to the multi-layered nature of the body, this was nothing to worry about, and would be of no detriment to the instrument itself. Sims said this could be easily covered with a thin superglue then sanded down, and confirmed the material was an extra strong heavy kingswood - this is something I personally do not feel confident doing myself, as the bass is in good condition and I do not want to mess up the cosmetic side with glue marks. So this is purely a small cosmetic point which I am being upfront about. Includes postage in the UK.
    4 points
  15. Having a bit of a clear out. I almost always play my Sandberg or bitsa basses so everything else is going. This is an Ibanez SRMD200 4 string medium scale bass (New price £299 at Andertons) It's no secret that the stock preamp is a bit crap. This has significant upgrades to: EMG PJ-X set (New £140 ish) EMG BTC 2 band EQ on a stacked pot (New - £90 ish) EMG ABCX Active Balance control (new about £80) It also has a lovely set of Dunlop Medium Scale flatwound strings - that were a whopping £80 on their own. They should have at least another 5 years in them. It's in great condition and sounds amazing. There's a bit of dust on it that I didn't notice when taking the photos. The sticker covers the redundant hole that the original preamp used. No doubt a better sticker that was a colour match could be found! I am of course aware that modified basses can be more difficult to sell especially as the new price of all this would be over £600 (ignoring the strings), so this is up for a bargain: £350.00 PRICE DROP to only £300! PRICE DROP to a pittance of £275 because I've seen something I want to buy! That's like getting a full set of EMG kit with a free bass! Collection from Northants near J16 on the M1. I don't have any suitable shipping boxes and with the closure of the local PMT the nearest place I might be able to get a proper guitar box would need me to travel for a 2 hour round trip. That being said, I might be able to meet you somewhere in true Basschat dodgy service station tradition. Not looking for any trades as I really need to make some room in the house.
    4 points
  16. I've moved a couple of redundant basses over the last month and took a punt on this gorgeous Lakland 44-60. Cracking bass, first outing is rehearsal on Thursday 😊.
    4 points
  17. Private party in Southend on Sunday evening. It was for friends of one of our singers throwing a party before emigrating to Australia, so lots of Australian theme decorations, hats and inflatables in the venue. The venue itself is called ‘The Lounge Club’, a beautiful jazz bar with a decent well equipped stage area (including hidden power outlets), great lighting and green room - we were truly spoiled. The club has a mix of jazz and soul acts usually, with a number of tribute acts, so it quite fun to bring some heavier rock to the place. We brought our own PA, but the club owner said we could go through their house system, so we just run a couple of xlr leads out of our mixer direct to their patch bay and let them control the volume. Said system consisted of two huge subs either side of the stage and a couple of large tops flown from the ceiling. Quite a bit pokier than our megreat 12” tops and single 12” sub. Personally, I feel it needed a centre fill, but apparently it sounded great further away from the stage. I think they were calibrated a bit on the bossier side (as proven when the DJ played music when we took a break and finished - almost painfully loud and you could feel the bass in you stomach), I had to run the hpf on our mixer up to 90hz to stop it overwhelming the mix - it could possibly have gone even higher. As such I was worried that my IEM mix would be lacking, but it sounded fine with the subs filling in the low end. First set was a little lacking in audience participation, but by the time we kicked off the second set set everyone was sufficiently fuelled for a proper party. Really enjoyed this one. Just looking out to see a large club full of dancers throwing balloon and inflatables around was a sight to behold. It reminded my of the good old Top of the Pops days in the 70s and 80s. We had some lovely comments and gave our plenty of business cards, including the couple who booked us who said we were better than the £5k band they booked for their wedding. We really ought to be charging more for these events. Hopefully the venue will be able to recommend us to anyone else who wants to book a rock, pop and party band! Next stop, this Thursday at the Cricketers in Southend. A double header with another local covers band, in aid of the RNLI. Should be an interesting night.
    4 points
  18. OK I've decided on a little demo/shootout for the SW Bash. We've never done a proper blind test before, because we've never managed to totally hide the speakers This time I've realised my band's banner is big enough to hide a good number of speakers so I can re-purpose it and do a properly blind test. I won't say more because then it wouldn't be a fair test
    4 points
  19. Large headstock (but surprisingly little dive), single Bartolini, standard Zon electrics…
    4 points
  20. Don't know if this one is an irrational prejudice or just a part of my evolutionary journey but here goes: 4 string basses. Despite me learning to play on them!
    4 points
  21. I’ve not been ‘feeling it’ when it comes to playing just recently. We have a gig this coming Saturday and are playing in the region of 8 new numbers, so I’ve had to force myself to play. With the impending gig, with new material, we had a rehearsal last night, needless to say that I was less than enthused at the prospect. I decided to take my Maruszczyk Elwood fretless, as it doesn’t get played outside of the house and it’s a great bass, in a Stingray style, so deserves some love. I explained to my band mates my current ennui and that the fretless was just there for funsies and normal service would be resumed on Saturday. Well screw that! The bass roared, almost Ric like (most appropriate for a Mod band) and sat in the mix just so well. I deliberately played it very straight, avoiding the usual fretless cliches (think Boz Burrell in Bad Co), so as not to draw attention to it. My companions were impressed at the tone and had no problems with it being used. That bass is being played straight out of the gate on the gig. Still not really looking forward to the gig (shame, as it’s a venue I really like and ticket sales are up, at last), one good rehearsal doesn’t reverse months of not feeling it, but at least there is one positive to look forward to. BTW, another reason to keep playing when you’re down on your instrument is that it keeps your fingers in tip top condition, mine are little tender this morning 😣.
    4 points
  22. Possibly the best quality gig bag ever. Superb construction, fit, and protection, whilst still being sleek and manageable. A really top notch gig bag/case. But I don't really use it, it's been out of the house only a handful of times, and it's basically as new condition. Price includes postage to mainland UK.
    4 points
  23. Decent rehearsal tonight. Cut a bit short as drummer is waiting for an mri on a rotator cuff injury. "Did you do it drumming?" "No I fell over when I was pïssed." Six new songs went well. Also jammed Midnight Specialn which I'm not familiar with. Just listened to it, and my line wasn't that far off. My new earplugs worked excellently. Used the Sire P10. Got told I was a bit quiet. Did a lot of subtle fiddling with eq to no great effect - eventually realised I was in passive mode with two songs to go...
    4 points
  24. I’m the same with my U5, not a problem for me. My issue now is that I have two 30” scale basses - the U5 and a Squier Jaguar a mate has recently given me - and only really need one, but which needs to be moved on? Both have their good points, and are almost identical weight wise. Going to take them on gigs over the next few weeks to try and decide.
    4 points
  25. FENDER BASS VI with 1963 Neck So, let's make it clear from the start. This is a parts bass, but surely a high quality one and probably a "unique parts bass", assembled around an original 1963 neck and with mostly original or reissue US-made components chosen to have the most convincing Fender Bass VI replica. Having been in search for a not-so-expensive original Bass VI for years, I happened to find a 1963 neck in truly Excellent condition, probably the only original 60's standalone neck sold during the last 10 years. The price was high, because adding to the asking price the shipping costs and customs taxes (I bought it from the USA, as most of the other parts) it reached a shocking sum, but I saw it as one of those chances that happen once in a lifetime. The neck was sold with its serial number plate, so I bought a set of new period-correct Kluson single line tuners and coupled the neck with a black reissue body (it probably came from a Squier Vintage Modified Bass VI), a WD Music tortoiseshell pickguard, three Fender pickups that I had rewound to the original values and with staggered poles just like the 60's originals, CTS pots and switches with a couple of original 60's knobs. The chrome plates are US-made Fender reissues, with a Staytrem tremolo arm. The bridge that you see in the pictures is also a Staytrem with 7.25" radius, but I also include an original 60's Fender bridge (as used on the Jaguar and Jazzmaster, with threaded height adjustable saddles) with its floating mute. All these parts were bought from US sellers. Furthermore, the bass is housed in an original 60's Italian Fender case (as you may know, Fender guitars and basses were sold with no cases in many European countries and were equipped with locally made Fender-branded cases). The bass also comes with an original Fender Bass VI Owner's Manual, rare as hen's teeth, no need to add. Everything is in exceptional condition, bought in 2018-2019 and mostly played at home. The only defect is a paint chip under the bridge, caused by my attempt to enlarge the hole for the mute plunger and spring. You can see it in the pictures attached. The neck has been played very little and has no marks, with the frets still having a long life left. The back of the headstock has some very nice checking on the nitro finish. The bass weighs exactly 4 Kg and it's perfectly balanced with no neck dive. It's currently strung with roundwound Fender 100-024's, offering a rich, powerful and well balanced sound. The action is medium-low (around 1.8mm on the 6th string at the 12th fret) with no buzz, the truss rod works perfectly. The dark green case has a crack on the top side, but perfectly protects the bass. It's very light, the yellow plush lining is in nice condition and the metal feet, hinges and latches are all present and working. I'm selling this a bit below my purchase cost just to fund essential home expenses, so I'm sorry but the price is not negotiable and I'm not interested in trades. The price is surely high, but please compare it with current prices for 60's Bass VI's (around 6000 USD) and reissues such as Customs Shop's (3500-4000 USD), Japan-made replicas (around 2500 USD), current production Mexican made Pawn Shop and Vintera models (1200-1500 USD). I only accept a bank transfer payment. The bass is in Italy and will be shipped with courier, preferably to EU countries (just to avoid many customs documents, higher costs and longer delivery times). The shipping price is approx. 100 Euros to EU. Price £ 2600 GBP = € 3000
    3 points
  26. This is a double header gig with one of my current bands and a band I used to play in! Doing it for "charidy man" so hope to get as full a house as we can 👍 It takes place at The Blue Lamp, Aberdeen which for a 130 capacity venue way north of most of civilisation punches above its weight. Full Nexo / A&H PA and it won the "Best Venue" award in 2023 from the Parlimentary Jazz Awards for the UK!! Link
    3 points
  27. First “real” bass was a 73 Fender Jazz with Roto66s. That’s what my hero played. Added a fretless P neck in 1976 because I thought it was cool. Realized that the Rotos were digging grooves in the fingerboard. Tried GHS Precision flats, Sound was okay . EMG active pickups, Badass bridge, brass nut. In 2011 bought an MIM Precision. There was my sound. Swapped necks and haven’t looked back. Sold the modified J for peanuts(good riddance) .Turns out I’m a P bass guy
    3 points
  28. Another reunion with our original drummer from our first band. Street parties always fill me with terror but this one was quite good last time, so I hope the Wicker Man reference doesn't upset anyone.
    3 points
  29. Thanks for the comment. I'm glad it sounds OK. Better to be consistently wrong than all over the place - as you say, perhaps it's partly the bridge intonation. The strings are really light gauge so I can't quite get enough relief on the neck with them as things are - once I have the new bridge installed I'll do a proper setup with my usual strings. Currently with the truss rod slackened off, there's a verrrry slight back bow giving some rattle around the first few frets. The parts are all arriving over the next few days - the bridge and decal are here, the pickup surround and loom are in the post - so we're nearly there.
    3 points
  30. IMO the vast "data set" that AI uses to make something is part of its downfall. A bit like the musician who says they are open to everything but because they have no focus doesn't really get most of it and as a result what they come up with never really fits properly. And if you were to get AI generation to restrict it's data set to a particular genre then it doesn't know when or how to borrow from outside of that genre, to make something just a little bit different and maybe more interesting. But where do you draw the line? If I type some prompts into one of the AI music generators, it might come up with some interesting ideas, none of them will be perfect but there might be something that can be developed, in the same way that when my band writes a song the original idea that one of us come up will go through many changes and mutations as each of us adds their take to end up with something that has moved on quite a bit from the first musical themes. If you start with an AI generated piece of music and develop it, how can anyone tell that the original was AI generated?
    3 points
  31. For the duo stuff I can highly recommend the RCF Jmix 8. We also use a J8 alongside it but the Jmix8 has done the job on its own plenty of times too 👍
    3 points
  32. This isn't right or OK. Something electrical is going wrong and needs fixing. It isn't static which will discharge once and go away and doesn't ususally build up on properly earthed equipment. The most common cause is a floating earth. We all trust the central pin on our plugs but it is connected to earth by many metres of cable in the walls and under the floor via loads of connections which may have been wired by the apprentice last thing on a Friday 30 years ago. You'll have some resistance between earth at the entrance to the building and this will be greater with any corroded or poorly made connections. A voltage will devlop between the earth on the plug and if the supply in the room is on spurs or two different ring mains then there may well be a voltage dfference between the earths on the two circuits. You can often measure a difference between two earthed appliances as they are both 'floating'. I run all our electrical gear off a single socket whenever I can, much easier nowadays with LED lighting and more efficient amps and speakers. That means the earth may be floating but if every earth is at the same potential you won't get shocked. The highest difference I've measured is 47V between earths in the same room. Mostly it's less than 10V which gives only a tingle. There can be other problems with the mains wiring. I've had cables shorting within walls and problems with buildings with circuits within rooms on different phases. Not every electrician is a genius unfortunately. Obviously the floating earth is a problem with the room so it should only happen in certain venues or practice rooms It could however be that something is shorting within a faulty bit of gear and that needs checking if you can find what it is
    3 points
  33. Two gigs again for me this week. Wednesday as usual at the rock n roll club. Plenty of dancers in, but very hot though - think the club have stopped using the air con till next year! I did ‘ Memphis Tennessee’ in my now regular Chuck Berry spot, and went down well. Always a bit knackered next day after playing mainly fast songs for nearly two hours, fingers / hands in particular a bit achy. Sunday afternoon saw our duo performing at our favourite pub in Beverley, The Sun Inn. With it being a bank holiday weekend it turned out to be almost ridiculously busy, all seats & tables taken and little standing room before we even started playing. We had the usual wide range of requests, ranging from ‘Guantanamera’ and ‘He’ll have to go’ ( Ry Cooder style) to ‘Dead Flowers’ ( Stones ) and even some Coldplay ( following their recent Hull gigs!). I used a Squier Jaguar shortie into my Rumble 500, leaving the PA for vocals and acoustic guitar. Our PA only just coped with things TBH, so we will be needing to address updating it soon I think, especially as whilst packing down the landlord offered us a series of monthly gigs for all of 2026.
    3 points
  34. Three (!) gigs this weekend Friday was the Cantina Band at the Vaults in Knowle for guitarist Steve's 50th. A good laugh, a decent turnout, Steve insisted nobody drive so we could all have a few drinks and who am I to argue? One of his daughters (14? or 15?) joined us on drums for 5 or 6 songs, she's really good! She made the mistake of knowing the songs and playing them properly, which really threw the rest of us. His other daugter (11? or 12?) joined us to sing A-P-T, which was great, she gave it loads! We also had a friend of the band on additional guitar so Steve could go and have a few (more) drinks. Mrs StingRayBoy came, she loved it which is always nice... I joined her on the "dancefloor" for the last song, first time I've ever smooched someone while playing. Played the Sterling -> small board -> Amp board -> Mark CMD 121p, Silver/Gold glittery Converse. Saturday was Azura (3 piece) at O'Neill's Leicester. Dep drummer (Little Nige) who's been gigging since I was a glint in the Milkman's eye, lovely bloke, great drummer. Good gig, bit seat of the pants, usual drunken rabble... one bloke thought we were Grandad, Father and Son (The ages are about right, to be fair), we played Happy Birthday to three people (all at the same time (Alison and two others whose names escape me)), we did 'I'm a hog for you baby' which Little Nige sang - great song and a ton of fun to play. First outing for my (Basschat purchased) LD IEMs which worked flawlessly - happily, the band use the same system so I didn't even have to set up the transmitter. Went for a wireless wander for the encore (Don't look back in anger (Don't judge me, it's a Saturday night pub gig)) which was an absolute hoot. Same setup (and footwear) as Friday. A good night, except I didn't get home until gone 3 o'clock. Sunday Afternoon was the Sax Pistols at the King's Arms in Cleeve Prior. How the BL finds these gigs, I'll never know... tiny little village with about four houses (and the King's Arms) It was a 'reopening under new ownership' type affair, a good few people there, we went down well, we played OK, we sounded pretty good. The whole band (apart from the drummer) use wireless mics, so there was plenty of strolling about, especially for 'Tequila' and 'Minnie the Moocher' which is always fun and goes down well. There was a Delorean there! (Weirdly, Mrs StingRayBoy had seen a different Delorean on the M5 about two weeks ago) Oh, and two blokes dressed as Spiderman (He's a web designer... he sorts out the bugs) and Superman for some reason. I went off charts for the first time, not entirely unsuccessfully. Played the Sousaphone, wore the same Converse. A good weekend!
    3 points
  35. QUOTE FROM IG: "I've had a handful of messages already asking about this, so I guess I can come right out and talk about it. Mike Watt has been using a couple of my pedals for a while now, and earlier this year he asked if it would be possible to smash everything together into one box for a convenient all-in-one box for gigging and touring. After considerable back-and -forth and several prototypes, The Watt was born. The Watt essentially combines the Single Slice compressor with the Finally v3 preamp/D.I., giving you a tube preamp, variable HPF, and compressor, all in a conveniently sized package. Currently there are only two of these in existence, one for Mike and one for me, but I have parts on order to build more. I wasn't planning on even announcing this yet, but part of Mike's testing of the pedal meant using it at a gig, and I guess the word got out. I expect to have these ready to go by the end of September 2025." Wild guess - not going to be cheap!
    2 points
  36. My band played The Great British Rhythm & Blues Festival yesterday. We travelled down in a van together, with all our gear in the back. The gig went well, great crowd, but changeovers were tight. We had 30 minutes to get the band before us off, and for us to set up and start. After the gig, I had the least to do, just put my basses away and rush to help out on merch. Anyway, stuff got piled up in the corridor at the back of the venue ready to be loaded into the van. It seems Keira had arrived to play with the band on after us, and put her stuff down in the same corridor. Our rather enthusiastic singer/harmonica player had been diligently carrying gear out to the van, including hers, and some of it was already inside when Keira came out looking rather panicked and then annoyed. There was a Mono bag with her bass, a pedaltrain board (already in the van) and a Markbass TTE amp in a bag. Thankfully, we didn't drive off with it all ! Rob
    2 points
  37. A great fretless bass with a neck through body construction with double-cutaway mahogany body wings attached to a maple and bubinga neck with a fretless rosewood fingerboard with no inlays. Components include a pair of Bartolini MK-1 split coil passive pickups with independent volume controls channelled through an Ibanez custom preamp with a two-band EQ, a custom bridge with AeroSilk piezo pickups and 19mm string spacing, a plastic nut and Ibanez tuning machines. In addition to the controls on the front of the bass, there are a set of four trimpots on the rear cavity cover which allow you to dial in the piezo volume for each string individually. Strung with Chrome Flats. Weight 7.2lbs I’ve recently had a problem with the electronics (see my postings) but after a trip to a luthier in Leeds (BJ’s) it has been sorted with a new jack socket and overhaul of the electronics inside. It’s only been gigged once since I bought it in 2019. I can’t see any dings on it and I will supply this with a gig bag Price includes insured delivery although if you want to collect/meet up within 50 miles of Hull I can knock the delivery price off.
    2 points
  38. Yep, madness mate
    2 points
  39. I think they are. They demand a distinct right and left hand technique, especially with regard to muting, and a different mindset with regard to the scale patterns you use. No. There's an optimal number related to the size of a typical human hand. A typical five is too wide to allow thumb muting and left hand fingers access to all strings without a lot more wrist flexion.
    2 points
  40. Have just arrived - that was quick. Externally identical to the Lekato WS-90, just charging them up now. Will report further in a bit.
    2 points
  41. Or a bit more obscure, Prince Charles and the City Beat Band.
    2 points
  42. Clover basses. I don't think they are made anymore but some of the models looked quite cool. I was tempted by the Xpression models back in the day when Bass Direct carried them. Don't think they go for much when they do come up. I don't actually know the history of the basses but before they stopped the general electronics and pickups seemed very familiar with Sandberg models and bore no resemblance to the earlier models.
    2 points
  43. Adjust your intonation using your normal fingering at the octave, using a tuner to compare the harmonic with the fretted note. Get it right for your normal finger placement and this will help across the neck. As you get your ear in, you will start to rely on the lines less... but with the long neck on an electric bass it's much harder to hit the right spot when jumping to a note without some yardstick to guide you). It can help to aim slightly flat, as it's easier and sounds better to roll your fingertip up to the correct pitch than to drop down. EDIT: Whoops sorry if that's egg-sucking stuff, I thought this was another thread...
    2 points
  44. As ever - context is everything. I saw a band on Friday night Papa Shango. Adult rock (Limp Bizkit?) pantomime on steroids is how I'd describe it. Female and male lead singers, 4 backing singers and a lead guitarist wandering around the floor. Rhythm, bass and drums occasionally joining them. Walking round the audience with squirty cream, biscuits, water pistols, it was a full on audience participation. If they're playing local go and watch it, even if the music isn't your cup of brandy. I'm all for that kind of ridiculousness. We have a tendency to take ourselves far too seriously.
    2 points
  45. Three gigs with three different bands Fri, Sat & Sun for me. i think I played over one hundred different songs over the three days, surprisingly there were only a couple that were in all three bands setlists. on Saturday, someone spilled a drink over an extension lead which took out the power!
    2 points
  46. Phoenix Rising! I had another full-gig dep with my old band at a nice pub in Gillingham (Dorset) on Sunday afternoon. I don’t think the pub's name (‘The Phoenix’) was inspired by my gently-reviving bass career, but who knows? Mrs G came a long as it was a 4-7pm daylight gig in the pub garden, on a very pleasant sunny day, with free drinks for the band all afternoon and a good crowd – whoopee! I took the H-B Mustang-alike along with my usual AG700 and Darkglass 2x12 through an Aguilar boost pedal. It’s nice how my set-memory sprang to mind after months of not playing bass, even down to those unfortunate (but thankfully occasional) bum notes. I unwittingly added a little street-theatre to the second set – the KB player uses a bespoke drink-glass holder screwed to his mic-stand. This works fine with normal beer glasses, but the pub was (for some reason) using stemmed glasses with a C of G was a lot higher than normal, and his drink-holder had a gap in its circumference neatly judged to allow the stem of a glass to fall through. During an enthusiastic bout of pogo-ing I managed to swipe the glass with the head of the bass, the glass fell through the holder and upended a good ¾ pint of beer all over and into the KB - cue some interesting electronic noises and a mild ‘bang’. The KB-ist started laughing, removed the KB from its stand then stood in the street pouring beer out of a vent in the side of it, left it to dry in the sun, drove home (nearby) and got a replacement KB – back on the stand after we had done 20 minutes as a four-piece to cover – what a trouper! Here’s hoping it dried out and just needed a fuse… I did my usual sax-set, we finished at 7.15, Ms G and I were back nursing a cup of tea and an upset cat (‘What time do you call this?!’) by 9.15, then we slept like whacked haddocks. ‘Yes’, I thought just before starting to snore, ‘this gigging is as exciting (and tiring) just as I remember it! ‘ ZZzzz…
    2 points
  47. You have a singer who helps with the load out? Hold onto them!
    2 points
  48. In case a certain customiser should decide to add two more tuners at jaunty angles, add two bridge saddles, and ram a couple of Strat pickups into the pickup routs.
    2 points
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