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Two in one day! Funky Puppy from @Higgie. Basically an accurate clone of the Chunk Systems Brown Dog and Agent 00Funk in one box.

Howdy. Not quitting bass, but have just announced to the band that the next gig in September will be my last with them. There’s a lot more behind me knocking it on the head than just being fed up… I just don’t think, after 2 years that I want to be in a band with them anymore. We’ve been recording an album and It’s taken an age and the bickering and differences of opinion are taking their toll. I choose to do this, I’m not earning from it and it’s starting to feel like I should choose to not do it anymore…anyhow. The gear I own is solely down to “need” for the band. So I’m not overly attached to much of it. I’m going to set up sales threads for each part, probably 20 pedals and about 10 basses. I’m starting a project with a fellow basschatter and will just share music online - no plans to gig after September. Doing that “falling out of love with music” thing I seem to do every 4/5 years. Keep your eyes peeled x

A couple of changes to my home/desk practice setup: Dedicated tuner allows me 5x separate effects readily available on the HX Stomp. The Element then acts as my Bluetooth/Headphone interface for practicing and learning tunes, as well as a DI/Cab sim for FOH if I gigged it. Can’t reach the amp out from the Element in this layout (because it’s located in a silly place), but I can just take the amp out from the HX Stomp anyway, so I’m sorted. Pedaltrain Nano and powered by a Cioks Sol. Si

Chris Childs (Bassist for 'Thunder' and busy working session player) has indicated that he would love to attend 👍

Picked this up from Bass Bros end of last week, I did trade in the G&L Trib M-2000 and a few pedals towards it, but will be paying my dear old Dad back the rest. 1992 4001V63, in great condition for its age, I was a bit concerned about the small amount of tail lift but it doesn't cause any issues playing wise. Wanted a Rick for a long long time they have such a distinctive sound and look so cool! This one plays lovely, the neck is nice and slim. Only pic I have so far:

Here's a pic of mine, just because it looks cool 😎

Just make sure you don't end up like I did. I quit my band after 12 years... Now I have a Telecaster and a guitar amp. I feel dirty.

This is mine

Mr Black Gilamondo Throwback Edition Eight stage phaser and damn, it sounds better than I hoped for!

It's been a big week or so for pedals here. Damnation Audio's Big to be more precise. Made in conjunction with Pet Symmetry, it's modelled after the Sanford & Sonny Bluebeard (a brilliant fuzz) and a boost pedal. Like everything of Damnation Audio's I've tried (MBD2, MBD3, Dirtfixer, Spite Box) it works rather well and actually makes me excited to play with a pick. Big-foot-esque blurry photo below.

Sad but when thinking about it it’s almost like he could let go once he’d played that last gig with his old mates.

A prime example of if you’re going to live life, really live it. Proper legend.

Anyone else monitoring the Marketplace forum, while feeling like a vulture circling a corpse?

After a year of gigging it, I still hadn't fallen for the vintera II '50s p bass I'd gotten, so I traded it in and got this Player II - Absolutely delighted with it, ergonomically the neck just works better for me, and the pickups are superb. Put the obligatory leopard print strap on it and the rest of this year has been going great. Might even sell on something else and pick up another one in green 💚

D!ckheads, idiots, narcissists, tw*ts, I've played with them all, and it can become very tiresome, but I've been gigging solidly via word of mouth for the last 20 years. You can't do that sitting at home, so I've learnt to live with the 10% of people I don't like in order to do the things I do like with the other 90%.

…other manufacturers are available 😙

Amazing how the red has faded when not under the scratchplate.

Literally just saw that. Did what he loved right up to the end. RIP.

How can people be so callous? So then @AndyTravis, when's the err... the erm... ya know... the err red Jack Casady being listed? Just curious, no real reason. 😉

Good idea! I might be able to find some BC funds to pay for such an attendance if we are able to agree on someone that fits, who wants to come anyway and doesn't need convincing with cash (which is how I ended up being a chippendale)

I found one for sale at Andertons Ex Demo interest free over 9 months trigger pulled

The reissue V4b and 212av cab is one of the best rigs you can get. Find one, buy it and don't look back.

Sledgehammer is about the only one I regularly play in my band that has a prominent fretless bass line. But it sounds fine on fretted - no complaints so far! PS, I used to love playing "Wherever I lay my hat..." and "Tears in Heaven" at home when the mood took me. Beautiful lines.

I got this MIJ Fender Jazz brand new in 1992, when I was 17. I played it exclusively for 3-4 years, and after that at least 50% of the time. After a few years I mostly played 8-string bass in a metal band, and it got used less and less. I pick it up sporadically these days, it's a good bass but I can't seem to get the sound I want out of it anymore. I've been thinking of selling it and getting another fretless.

brave decision …. Just counting down to the sellers remorse thread …. 🙂

Well worth having!!

I hit 50 a few years ago and realised I don't have to take this sh!t anymore It's liberating Well done Andy you'll feel so much better. Just doing the stuff you love with great people around you Get your groove on sir

Luminay side dots now added as a free upgrade.

I put up with it for a long time in the 80's. Then one day, on the counter of a music shop in Leeds city centre, there was a sweet jar with hand written label "strap locks". It was full of these curious looking things. Have been using the same pair ever since. I recently took them apart and cleaned them for the first time as they were getting stiff. They must be 40 years old. How wonderful.

Kerchinnnnng !! Fretted with dual MECs and Fretless with single homeland

After picking up the excellent MB102Energy cab from a fellow basschatter my LM4 arrived from Thomann ( considerably lower in price to U.K. stores ) Sat it on top of cab and played my PBass through it 1: Wow this is a loud amp considering I’m going into a single 8ohm cab 2: Quiet ( I’ve read noisy fan complaints but this 2025 model is very quiet. 3: EQ is excellent and the 4 band works very well. 4: Mute Function 5: Selector for flat or scooped EQ works well, footswitchable too 6: Old School control rolls off the top end and makes it sound more like an old Ashdown amp warm and slightly woolly ! 7: Light ( preferred the LM4 as it’s a metal case, 58R is plastic ) 8: Sound is very good, clear punchy and makes a good match with a PBass Very pleased with this rig and not out of place at home or jam sessions, rehearsals and gigs I used a rubber mat under the amp ( light heads I normally do ) and stops feet indentation marks in the fur covering !

More rain. After I'd cleaned all the glue and torn fragments of wood out of the neck pocket (not a process I took any pictures of), the first order of business was to reattach the various pieces that meet at the neck block (by that I mean the solid piece of timber inside the body that the neck is glued to, not sure if it has a proper name). The top was still securely attached to this block, as was the right-hand side piece. The back was completely detached from it (along with having parted from the top 15–20-cm of the sides) and the left side piece was detached as well. I think these splits had their origins in one of the historic neck-smashy incidents. Like, they were violently snapped off the block then, and either no glued back into position or not glued back well. The steam might have separated an earlier repair, but I don't think those repairs were more than surface-level. I used a long thin scraper to clean the surfaces inside these splits and then lashings of titebond (injected deep into the joints with a syringe). I considered hide glue, but I was doing this indoors during the winter, and really didn't want my house smelling of boiled hoof. I know titebond's not traditional for proper luthierie, but I figured there should be some leeway if you're working on a plywood bass that looks like it was dragged behind a car. Here's a picture of the clamping arrangment for glueing up the side piece. It also shows the cleaned up inside of the neck pocket, with no more manky glue. I held off on glueing the veneers and patches into the pocket until after I'd closed everything up and got it secure. This second picture was taken while glueing up the back. You can never have too many clamps. I have at least twice as many now, but there's always room for more. I also noticed while moving it around that about a 30-cm-long section of the top had come away from the sides at the bottom of the bass. I again used scrapers to clean this out before injecting glue into the gap and clamping. Some of the more knowledgeable readers might be wondering how I kept the sound-post in place through all of this. The answer is that I honestly don't know. I forgot that it wasn't glued into position. Kindly it obliged by not falling out despite all the bashing and squeezing and shifting around. I didn't remember it was there until I was stringing the bass up weeks later.

First time at Matchbox in Warrington. Absolutely huge room. Sharpening up the short set for our appearance at Ellesmere Port Summer Jam on 3rd August and messing about with phone cameras to try and get some clips for the band socials. https://youtube.com/shorts/3K7Fehhf_To?feature=shared

Absolute legend!

No-one was complaining because it was a six string - merely commenting on how said six string was used.

Because you get far more for your money by avoiding it. I think the Rumble series amps are great though.

I can confirm this. The Enzo X was a missed opportunity for them to actually take some of the bass market; which is admittedly minuscule compared to the guitar market but…

I am proud of this one. The complete Anthony Jackson performance on the tune '11:49 p.m.' from the 2012 Hiromi Trio Project album, 'Move'. One to read before you try to play! it has a long section in 5:8 that is not something you see very often, certain not for prolonged sections of improvisation, so it will test you, especially as the note groupings AJ uses are not consistent. There is also a unison section (also in 5:8) that will break a few bones! https://bilbosbassbites.co.uk/11-49-p-m-hiromi-uehara-trio-project/

Back to the forum after a long while, I give you my current minimalist pedalboard after refurbishing the board itself with new Velcro and stuff, and putting the ever-faulty Polish Love and Polish Hate aside. Very doomy, but can also go quite funky, but that envelope filter will be replaced because it annoys me.