Leaderboard

In late 2011, Prince Rogers Nelson walked into Capitol Guitars, a modest music store in St. Paul, Minnesota. Dressed in dark shades and an overcoat, he browsed quietly, barely speaking. The staff recognized him instantly but chose to respect his silence. He pointed at a few guitars, asked about the tonal difference between maple and mahogany, and then paused when the owner mentioned a recent conversation with a local teacher. The teacher had said that students at Anwatin Middle School in Minneapolis were losing access to their music program due to severe budget cuts. Prince nodded slightly and left without purchasing anything. Three days later, a delivery truck arrived at Capitol Guitars. Prince had returned but not to shop. Instead, he gave the owner a handwritten list and a simple instruction: “Everything on this list, pack it and deliver it to Anwatin.” The list included guitars, drum sets, violins, keyboards, amps, microphones, and recording equipment. When the owner asked if the instruments should be marked with a donor name or message, Prince replied, “No names. No credit. Just send love.” The delivery created confusion at the school. Teachers and administrators at Anwatin Middle School had no advance notice, and the delivery slip listed only a phone number that led to a private voicemail. Music teacher Kenneth Simms opened the shipment, stunned by the quality and quantity of the instruments. He assumed it was a mistake. It took several days of asking around and comparing handwriting on the note that came with the shipment before a staff member connected it to Prince, who had visited the store days earlier. When a friend later asked him about it, Prince said, “That’s between me and the kids. Not for headlines.” He declined to make any public statement or appear at the school. According to Minneapolis-based journalist Jon Bream from "Star Tribune", even the school district wasn’t formally notified. They only learned about the donor’s identity after teachers pieced the story together. Those close to Prince knew his silent generosity wasn’t a one-time impulse. During his early years growing up on the north side of Minneapolis, he often spoke about the importance of music education. His mother, Mattie Shaw, was a jazz singer and heavily involved in the local music scene. Prince once said in a 1999 interview with "Ebony", “If I hadn’t had access to a piano when I was seven, I don’t know who I would’ve become. Music wasn’t a hobby, it was a lifeline.” Former bandmate Sheila E. recalled in her 2014 memoir "The Beat of My Own Drum" how Prince frequently funded youth centers and music camps without telling anyone. “He believed in giving kids a chance to create,” she wrote. “He didn’t want applause. He wanted them to play.” At Anwatin, the new instruments transformed the energy of the school. Simms recalled how students began coming to class early just to practice. A hallway that once echoed with silence after the final bell now hummed with guitar riffs, drumbeats, and laughter. “We didn’t just get instruments,” Simms told "MinnPost" in 2012, “we got hope.” Store owner Alan Geller, who kept the receipt from Prince’s bulk order tucked in his office drawer, shared later that the musician didn’t even ask for a discount. “He said, ‘Charge full price. They deserve the best.’” For Prince, who had often used his wealth to quietly support causes tied to youth empowerment, the act wasn’t about visibility. His friend Van Jones later commented during an interview with "CNN", “He believed that if you help a kid find their rhythm, they might avoid chaos. He never needed a stage for that.” The donation never became a national headline. There were no photo ops or ceremonies. But in a city where music had once saved a young boy from the streets, it was returned, quietly, to the next generation. Prince gave them music when theirs had been taken away and never asked for anything in return.

Apparently, Pete told Zak he was only researching alternative drummers for a book.

60th birthday party for the sound engineers wife last night, and the Hulla band were asked to play a short acoustic set in the marquee in the garden. Sacrifices were made to the rain and wind gods and it was dry and warm. We played without drums and after a trial run the week before it was obvious that my acoustic bass couldn't cut through in the mix so I went with my Ibanez AGBV200 through a little Vox practice amp. As the MC was our sound man, the mix was good. It was meant to be a surprise so the instruments were hidden away in vans, behind hedges etc until we all gathered in the tent, much to the delight of the birthday girl. We did about 30 minutes and had everyone (around 50 or so) up and dancing from the start. One of the reasons I love playing with this band is that we always enjoy the gigs, and the kinds of audiences we play to are there to enjoy as well, so we rarely get the drunken idiots mentioned elsewhere in this thread. (I've experience them in other bands and 100% sympathise with you). No photos have emerged yet, probably because the party went on way after we'd finished. 😀 Footwear - black Skechers lace-ups. Here's one I took of my kit.

I'm 62. Apparently 60 is the age where bits start to wear out or fall off... We played the Exchange last night, valleys pub very appreciative of the sort of classic rock we play. Virtually empty when we started but a good few people came in when we started playing. Were they lurking outside? It eas never as busy as usual (had people gone to town/events gorcEaster?) But at least they were appreciative. Two new tunes were Uprising and New Sensation. Got a great sound using Joyo XVI (octaver), mojo mojo and 1980s Ibanez Chorus for Uprising. i used the brassmaster for one or two tracks, it sounds ott on its own but when we are all playing it seems to mellow. Big wait for our next gig so we were discussing a strategy for bookings. With us all in two bands, we need to double check the diary then contact all our previous venues ... plus we plan to self promote a ticketed two-band night. Chesp tickets to ensure decent numbers.

Black Bear Tewkesbury. Large venue, absolutely rammed. Previous sound complaint issues have meant an in-house FBT PA which you ‘plug in to’. Fine in concept, but it’s underpowered for the job it’s trying to do. Result = all the tricks in the book to get sufficient vocal volume over the top of the acoustic drums and the hundreds on people. Just about…phew. IEMs all round took away the feedback problem the support band had wrestled with. The real problem was the arse at 11:15. Pissed, arrogant and obviously thick. We are playing, and you are gesturing that you want to speak to the singer and then me. Mouthing back that we can’t hear you, (IEMs) and that you should just gently bugger off. And what did he want of a band who’d been playing classic rock all night? Wonderwall. I must confess, I told the door staff that he’d been aggressive- he was ejected. Please forgive me. 😘

I had a notification from bandmix in the 'someone looking at your profile', so I looked them up (I have a free account, can't send messages) and they were looking for a bass player. This year with my current band we have managed 1 or 2 practices as the guitarist always has some reason to cancel, and only a few gigs, also a little bored that it takes us an age to learn the simplest of things, so though I would look for a side project, so I looked up this band and found them advertising on JMB. Contacted them and agreed to meet up this thursday (actually last thursday but that was cancelled as there was a legit emergency for someone). Met up at a village hall. A very different way of practicing than I am used to, all have microphones and stereo in ears, no amplifiers at all, all though the mixer, the sound was great. 2 guitarists, drummer wasn't there (played along to the drum recordings), singer. Went through a whole host of songs that I have mostly not played before, heavier stuff with some muse etc thrown in, really enjoyable leaning 10 new songs in a couple of weeks and getting them down not too bad, they seemed happy anyway and asked me back. Going to go back and see how things work out with it - maybe just playing around and getting set lists ready for the moment, but nice to have a break and completely different styles of music to play. The in ear thing made stuff so good as did only having to turn up with a bass and the Boss me90b

I've been on the hunt for a big Acoustic rig for a long time, something like a 360 or 370 head into the matching cabinet with an 18" speaker in the weird, back facing configuration. They seem to be as rare as hen's teeth in Europe, so I've been using an Acoustic 136 combo as my main amp for a while now. Then the successor to those two big Acoustic rigs popped up on this forum. So now I'm the proud owner of a massive, impractical but wonderful sounding Acoustic 320/408 combo thanks to @Skinner. The 408 has four 15" speakers, and it's another of Acoustic's unusual configurations - two conventionally mounted, forward facing speakers, plus two mounted horizontally to face each other in the middle portion of the cab. The beast had it's first full rehearsal this week, and the most interesting thing is how much bottom end the cabinet chucks out. It seems to generate some unusually low frequencies that are audible and sit perfectly under the two lead guitar sounds in our post punk/new wave influenced outfit. Meanwhile, it also puts out the middly clank sound of a Rickenbacker that sits in a tonal gap that the lead guitars also don't occupy. First gig with it at London's Lexington next week - all I have to do is work out how on earth I'm going to transport it to the venue!

I own 2 x J5s from Overwater. Both 35 scale's and an absolute dream to play.

we did a gig last night and during the Kids Are Alright our singer came in too early at one point, our drummer was not amused when I told he was sacked 🤣

I've put up with more annoying bandmates for a lot less money...

I've been in bands for 45 years and just when you reach an age when you think finally everyone is acting as grownups. Something happens to remind you musicians are mainly big kids.

Fitted a BT7 last week. Very slight ream to accommodate the ferrule and drill holes for the mounting screws.

So Ive put this together for the U2 tribute Body was ex Chris Cross Neck from Aliexpress Pickup Tonerider Cts pots, orange drop cap I've literally screwed it together and tuned it up Sounds like a P bass Ive even wired it up myself and it works

I'll be playing two gigs in one day with my band SHREDS. I always thought people were crazy to play two shows in one day, and I'd seen quite a few mates do this! However, we were offered a slot to open for the legendary NYC hardcore band AGNOSTIC FRONT and simply couldn't pass! We'll be playing Sheffield in the late afternoon (at the Phazed Out Festival) on May 3rd, and then hotfooting it up to Leeds to play a second show that same evening!

It's almost like they forget: "What do you want to do when you grow up?" "I wanna play in a rock band!" "You can't do both."

You're forgiven. Whether asking for Wonderwall is....

Augh, I finally managed to decrease the action by almost 0.5mm, while keeping the intonation correct. The bridge config is fussy but not terrible once one understands which of the many screws does what exactly. I feel like a true Sandberg owner now 😁

Bit of Stevie Wonder, the arrangement from the film “Sing” Moises app to remove the original bass. Tone by Line 6 HX Stomp

Happy Easter everyone. Had our pro drummer return for a visit at the service this morning. Neither of us could make the practice on Friday so we rocked up and just played - much easier to do when the drummer knows what he's doing! Finished with "Happy Day" which is quite a rocking song.

Is Vicks There? - Subway Sect

Ishibashi are excellent but having imported from Japan it almost works out at an extra 1/3 on top of the bass price.

While my Catarrh Gently Weeps - Jimi Hendrix

I got 18 years from a set of Chromes on my Precision

That’s just too f***in’ cool for school 🤘

I think it's why many ( not all ) guys my age wear slip ons or the footwear where you have a velcro closure. I wonder if I'm pissing off punters. Are they offended because an old guy can't tie up his shoes? Lol 71 wearing Van's. Who do I think I'm fooling? Lol Daryl

It would have worked in the early 1980s, I think: "...that's after the news with Jan Leeming. Over on BBC2, continuing coverage of snooker from Sheffield and updates from the continuing embassy siege. But now on BBC1, Rog and Pete get ahead of themselves and agree to a charity gig that isn't quite what it seems. It's Ronnie Barker and Graham Chapman in Who's Out Of Tune?"

I'm a Van's guy. Lol Daryl

This an interesting interview with the most under appreciated member of Pantera. If you're not aware of his work, have a listen to this. The bass behind the guitar solo is absolutely brilliant. He does such a good job of backing up Dime's guitar wizardry

I have a Skyline hollowbody but with Bartolinis. It's a 2005 Korean build

Variations on a theme, I like it. Cracking post. 😊 Mark

There is a happy ending to this tale. The manky 45-year-old Ibanez responded very well to the surgery. It now has a new hand-carved rosewood bridge and saddle, new nut and nice new jumbo frets. It's comfortable to play and has a lovely sound. It still whiffs a little, but that will probably fade with time. The tuners are the right colour now as well. (The bridge is on straight by the way. There's a funny optical illusion created by the two dark lines in the grain, which don't quite run parallel to the centreline.)

I never measure when I do a set up. Every bass needs something different so I always do it by feel alone.

That will be you at bottom left by midnight...

Did you try other basses, to make sure it's not the amp?

The TI's on my PJ5 are nearly 10 years old. Still sound fantastic. They'll see me out. I also have a Jazz with 12 year old GHS flats, still going strong. I also put a lump of foam under the strings, of each bass, to take off some of that top end!

Earth wind and dire

And all thanks to our Rob. Dave

Yeah I looked into his P bass, it’s a 73 with Bartolini pickups and a badass bridge, he talks a bit about it at 7.15, great video to watch and such a great player

TGI Extreme cost me £50 and has been my gig bag for a few years now. Holding up very nicely. https://www.gear4music.com/Guitar-and-Bass/TGI-4836-Extreme-Series-Bass-Guitar-Gig-Bag/2WP4?utm_campaign=surfaces_across_google&srsltid=AfmBOorsJBjGgNs-F_xx_L78M5XzXpcxJpvLgmTyb2LDj7KN4hsJByhwAno

I've started to increase the collection with natural finish shortscale basses - they take up a lot less space and blend in nicely 😉👍

Brilliant. I usually just try to blend them in, though I discovered Sea Foam Green wasn't such a good idea. Never forget my husband's double take when he saw that.

Dave, I can't bend over that far. Lol Daryl

Phrases such as: 1. Always had it. 2. You must have forgotten the colour, its always been bright silver. No it was never, ever black. 3. it was so cheap, it would have cost money not to buy it. 4. I sold some other stuff so its actually cost nothing Are useful sentences to remember . rob

OK mine turned up today ! Superbly finished, the colour is much nicer than the photos on Andertons website. Setup was a bit shonky, it needed the saddles lowering considerably (truss rod was spot on) as well as pickups actually screwed in properly, other than that - good. Couple of fret edges needed a little tiny sand, but overall - this is a fantastic bass. The switches are single coil (bridge coil for each pickup), and series. Weighs in at 9lb 4oz, so definitely not a light weight but nothing crazy. Sounds great - bargain. May end up saving me money as it could very well replace something I have far more expensive.

I was suffering hand cramps at one stage when doing 2.5-3hr sets and decided to follow the "experts" guidance and use the thumb on the back of the neck as much as possible and i very rarely get any probs now. I do occasionally get lost in the moment and forget but i soon get back to it. Also tried keeping my hand in the 1st finger 1st fret, 2nd finger 2nd fret kind of thing mainly when i'm playing around the 5th fret areas as i struggle to do it nearer the nut having small hands. Dave