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Ten strings sell but who's buying? 💀

All the more headstock to smack mr mustaine with The punishment due? 😂

All of it. The HX software models are (IIRC) 4 to 6 times larger than the old tech. Far more detail in the modelling process. Apparently down to modelling each individual component in the signal path rather than just trying to model what comes out of a speaker.

All finished and back together, just a quick little project 😀

Hi all. I’ve just put together this little home rig and I’m super pleased. I purchased the empty Ampeg mini stack cab first, then picked up two old Trace Elliot speakers on EBay that used to live in a 1048 TE cab. Finally I took the plunge and purchased the Hotone Thunder Bass head. The whole thing sounds amazing with my P basses and the tone is superb and would make a great recording set up too. Super pleased with this rig and the head has a surprising array of tones. Cheers all

I'll be playing a favourite venue on Sunday. It's a festival held in the centre of a local small town between here and Swindon. Faringdon has held its annual 3 day Follyfest for some time, the Wirebirds will be making their sixth consecutive appearance there this Sunday, when we bring the festival to a close. We don't get paid to do it, parking is a pain, but the audience is always great, and there's a good PA and a well organised team to run everything. The summer wouldn't feel quite right without our annual pilgrimage to Faringdon.

These basses, contrary to my initial misgivings, sound very good indeed and the light weight and new contours promise a much more ergonomic Stingray. However, I don't like black hardware on a traditional 4 string Stingray. I'm not keen on ebony fingerboards either. Or sparkle finishes.And the white ones are the wrong shade of white to go with the roasted maple. The overall reaction to how these basses look has been very positive, but i am struggling to find one I could live with, to be honest. I don't like the bridge, either. No Stingray really looks right without the big old-style mute bridge. I will still probably buy one, anyway. And then not be happy with it.

In a previous life, I worked as a sound engineer at a venue in the UK. It would have been mid 90's when a band turned up with four keyboards and a drummer with an electronic kit. As usual, I gave them time to set their stage and then wandered over to cable up. I remember thinking to myself, they're just sat around here relaxed and they haven't even bothered to bring their amps on stage..! This was my first real introduction to IEM. They did their own mix on stage and required only one mic for chatting to the audience, no vocals for the songs. It was one of the easiest gigs I've ever done. I went on stage during the soundcheck (having turned off FOH) and the only noise was the drummer hitting the pads. Quite surreal... And no mike bleed from coughs, sneezes and farts...! Getting back to the thread, I've been using an amp and vocal processor for a couple of years now. I haven't used an amp onstage for years. I recently bought a Line 6 module for amp sim and use it with either my Bose array pa or an RCF powered cab, the ART 310a. I can easily switch from acoustic to electric guitar. OK, time to fess up, I dont play bass.!! It's been a revelation to me, much easier to pack in the car and much more consistency at the gig. It's a million miles from you guys with Kemplers and Helix, but it works for me. Great thread by the way..!

Boards of Canada. loving the moods of it

I got the bass back from Laurence Dixon (The Bass Place, Herne Hill) today. He installed a Realist pickup (at my request, and in addition to the existing one), replaced the bridge with an adjustable (again at my request), shaved & profiled the fingerboard to match the new bridge, sorted out the twin soundposts so that they are correctly positioned and work properly, and did some corrective work on the end-pin structure. His work was every bit as good as Clarky told me it would be, and the bass is instantly far more playable and more comfortable to play. It also sounds noticeably better. I wanted the Realist since the existing pickup arrangement did a great job of picking up the sounds of the strings and of the slapping, but disguised (almost completely) the sound of the oil-drum. The Realist picks up far more of its sound from the resonating body and that means that you can actually hear the aluminium. All I need now is to run the two outputs through a blender and I will be able to control how much oil-drum the audience hears. The adjustable bridge allows me to switch between a rockabilly setup and a blues/jazz setup at will. The rest of the work was, frankly, remedial. As I mentioned before, Dave Gartland is not a professional DB luthier and he doesn't claim to be one. The bass as delivered had a few flaws which were easily fixed (well, "easily" by someone like Laurence), plus one which it is stuck with. As far as I'm concerned, it is now fully giggable and I'm looking forward to doing exactly that. I'm also expecting a fair bit of trepidation from any sound engineers who have to deal with it ...

My offer was accepted. Personalised orange bass on its way for mr orange.......

My favorite place is a small bar called Aribas. Here's why; 1. It's a great sounding room. Low ceilings and carpeted flooring. 2. The bar is right next to the spot we play in, no stage. 3. The crowd is primarily made up of live music lovers. The average age is probably 65. These folks were probably Hippies back in the 60s and love the vintage 70s based blues & rock we play. I love the place. Blue

'Frolicking' comes across more as a triplet, don't you think? I've heard that some people think us bass players are a bit weird. Can't imagine why. Edit: Douglas beat me to it. See, that's two of us think it's a triplet so we must be right.

Voted. I may as well produce certificates for everyone, right..? (... although, to be fair, they'd be merited...)

My work here is done. 🎸🔊🙂

The HD500X is a country mile behind the HX models though.

No. This one.

To be fair, there is a nut.

Thanks everyone. Going to get some D'addario pro steels today and see how it goes...

Arguing over string choices, is this TB?

I don’t listen to much classical music, mainly due to my own lack of knowledge. I like what I like, but it’s such a broad umbrella covering so many genres and sub-genres it’s difficult to know where to start. I feel the same about jazz to some extent too. So I’ve been exploring and last week I came across Vaughn Williams’ ‘The Lark Ascending’, which I think must be one of the most beautiful things I’ve ever heard. Hearing it led me back to Górecki’s Symphony No.3, which I am familiar with and is similarly enthralling.

It’s the drums that make you tap your feet, the bass that makes you swing your hips. To my knowledge it’s only Penguins that tap their feet as a come-on.

Yes, I remember the endless debates about Geddy Lee switching between his 4001 and his Jazz, and how he clearly unmistakably used the 4001 recording tom sawyer, as it sounded so much like it and he used it in the video. Until he came out and said it was recorded using the jazz.

Get In! 😂 The jokes not the bass. Though I loved Dave was I was a young metal head so if he's happy then good for him.

I have a Helix LT and I can’t / don’t have the patience to get it to sound anything like as good as my old Sansamp BDDI. The helix is sat in its flightcase unloved at the moment. Everyone’s sound preference is different of course but I find just about all the amps, preamps, compressors and distortions pretty uninspiring on the Helix. I’ve also got a B3 and would go for a B3n if they hadn’t removed the balanced DI.

Such modesty. You're more than just a 'maybe', Shirley..?

Fair point. Make that one and a 'maybe'.

No, that's 4/4...

I’m a huge electronica fan, always have been. Just yesterday I was listening to the first two Human League albums, they’ve never been topped imho. Metamatic by John Foxx today.

I'm in. Live nearby and can provide a small PA if needed.

Here's my recently refinished Jazz kit build @BrunoBass I decided against the White and went for the Orange instead 😀

Now that is a shocking thing to say!

@only4 We had a further look last night. Very interesting if you find that sort of thing interesting! The casting with the hole in that you pointed out screws onto the end of the quill. If you take the depth-stop off you can remove it completely. What it reveals is the underside of the lower spindle ball race, fortunately semi caged otherwise we'd have been cleaning and regreasing the bearing after finding all the balls that had dropped out! The No1 Morse taper is part of the spindle, there's a collar on it that loads the internal face of the bearing but it's, as far as we could see, all one piece. Certainly it was going to get messy taking any more bits off. It's a shame, the extra 100mm would have been useful, but it's a solid machine with no runout even at full extension, so for £150 I'm happy with it.

Sounds like the local Rotary club.

It's actually a radius at infinity (distance) that is flat, not zero degrees if you consider it for a moment. Radius is a distance from the centre point, not an angle.

I’d probably say the work involved is more than worth it, just buy a 33” scale bass Si

I have this album on vinyl! I found it as a teen and, well.. I keep it very safe, all wrapped up! A prized album for me.

Clearly given the shape of the case, the guitar is a Mustang.

IMO Dave Ellefson can do whatever he likes.

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Well hello chaps, I thought I'd better say hello and explain Bridgehouse's pickup as I'm the person who designed and wound it :-) My business involves a hell of a lot of pickup rewinds (as well as building new pickups), and the most common bass pickup to need my ministrations is that 'certain classic California-made' bass we are discussing. It's always had me thinking that it's kinda an object lesson in how to break the mould in bass pickup design ... because it's actually built pretty much the opposite way to the way you'd expect to produce bass tones. It's thin bobbin and super fine wire combined with relatively low output is really poles apart from the tall bobbin, thicker wired P Bass and J Bass. There are plenty of guitar pickups that use the squat bobbin approach: the P90 and the Jazzmaster are two notable ones, and they instantly sound different to taller bobbin pickups like Strat ones. My instant thought was to replicate the tones Bridgehouse was looking for (without tons of extra EQ) a 51 P Bass bobbin was too tall and would accentuate too much treble over mids. So I fired up the laser cutter and produced a custom bobbin of exactly the same winding area as the ... um ... Californian bass, and sat it atop a ceramic magnet ... filling it to 14k with 44awg wire. As a finishing touch I added adjustable dome head steel poles. Now does it sound exactly like the original? I popped it briefly into my bass pickup test guitar (a P Bass partscaster with a dirty big central rout) and gave it a little go ... I ended up with a big smile. Not an exact ringer, but a lot closer than I've ever got with a Precision and no EQ. I'll leave it to Bridgehouse to do some sound samples ... but I'm pleased I proved a bit of a concept, at least to myself.

To be honest, part of my excitement is the idea of a different tonal platform for a bass I'm familiar with. We have a lot of basses out there that proscribe to a specific formula: Split P pickup on P body 2x Jazz Singles on a J body 1xMM Humbucker on a MM body And so the list goes on. Now, I did a PJ partscaster last year and I have to say, I found the combination of the two to offer some tonal difference, but for me, it wasn't huge. I'm interested in the idea of a bass with something out of the ordinary. Ric pickups use ceramic bar magnets and oversize slugs with 44awg wire in a specific wind shape - it does make them different to a Jazz or a 51P single coil. I really like the idea of getting that different formula and sticking it in a 51P body made of swamp ash or the hollow variant I have just done to see what it sounds like. Will it sound exactly like a Ric? Don't care frankly. For me the experiment is "how different will it sound to a normal 51P single coil?" Ultimately, it will sound like me playing that bass - but I hope to do a compare and contrast for the interested amongst you

Great Basschatter. Highly recommended. Would deal with again no problem. Cheers!