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The Saint

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  1. I bought this keyboard from Andertons in October 2020 for a project that didn't happen. https://www.andertons.co.uk/alesis-q49-49-key-usb-midi-keyboard-controller I took it out of the box, checked it was working and put it back again. It came out again yesterday for the photographs so it's in 'as new' condition. It comes with the original packaging and documentation. I'd prefer collection in person or by your courier but could deliver, subject to COVID restrictions. I have several dental appointments in Southampton over the next few weeks so maybe that would work for you.
  2. Selling my Firehawk unit. It's in superb condition and I really cant find any blemishes at all. It works exactly as it should and includes the power supply. I'll also include the printed Pilot's Guide. I've loved using it but now playing more acoustic and I have all the toys I need on my mixer. Collection preferred but willing to drive a reasonable distance. Graham
  3. I'm selling my very rare Washburn Electro-Acoustic Guitar. I'm currently near Southampton and willing to travel a reasonable distance to deliver. It has a solid cedar top and the most fantastic Birdseye Maple back and sides. I have an idea that the back and sides are also solid, but I can't confirm this. The reason it's very rare is because I've never seen another one like it (despite extensive searching) and Washburn have not been able to explain why it has this combination of tonewoods. All others in the range have Rosewood back and sides. Here is a link to their original publicity and on page 10, you can see the technical specifications. https://www.washburn.com/wp-content/uploads/2018/08/Washburn1993Acoutics.pdf Washburn are unable to date it precisely but looking at the serial number, I think it was built in 1994. I bought it around 1995 so that would probably confirm the date. It's in fantastic condition, with just extremely small blemishes which in no way affects the playability or sound of the instrument. If you look very closely at the photo you can just see a very small area where the lacquer has worn between the 12th and 14th fret. There is also a very small area between the pickguard and the cutaway where the lacquer has worn. There is a tiny dent on the top, near the lower bout. It's so small it doesn't show up on a photo...! It is an unusual guitar for several reasons, not least is because it come with a 1/4" output jack, which is post EQ, and an XLR out if you want to go straight to the desk and bypass the Equis ll built in preamp. It comes with a dedicated hard case.
  4. Thanks to Stingray64, I have now solved this problem...
  5. Hi Stingray Thanks very much, if it looks like the one in my photo I'm sure it will be ok. I'll contact you in the morning.. Graham
  6. I have a Line 6 Firehawk FX with the plug adapter for the UK. But as I live in France, it's a pain..! I'd like to swap the adapter part for the European two pin version. I think all Line 6 units ship with both. Would any of you kind BC'ers care to swap...? Thanks in advance Graham
  7. Hi Stewblack.. Where did you find the manual...?
  8. The first multi FX unit from Harley Benton, available from Thomann.... https://www.thomann.de/gb/harley_benton_dnafx_git.htm It seems to be their take on the Mooer GE150. It appears to have all the usual stuff we have come to expect from these type of pedals that have become so popular in recent years. This one also comes at a very attractive price. We all know how the HB brand operates and this unit seems to follow the trend It's only just been announced, so I can't find much info about it on the web, not even an owners manual. I've been eying up the Line 6 Pod GO, but this might change my thinking. Anyone have any further info to share...?
  9. Now also £399 at Andertons. That makes the HX Stomp, the HXFX and the Pod Go all around the same price. I've been hankering after the Stomp for a while, but the Pod might be more suited for me...
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  11. In a previous life, I worked as a sound engineer at a venue in the UK. It would have been mid 90's when a band turned up with four keyboards and a drummer with an electronic kit. As usual, I gave them time to set their stage and then wandered over to cable up. I remember thinking to myself, they're just sat around here relaxed and they haven't even bothered to bring their amps on stage..! This was my first real introduction to IEM. They did their own mix on stage and required only one mic for chatting to the audience, no vocals for the songs. It was one of the easiest gigs I've ever done. I went on stage during the soundcheck (having turned off FOH) and the only noise was the drummer hitting the pads. Quite surreal... And no mike bleed from coughs, sneezes and farts...! Getting back to the thread, I've been using an amp and vocal processor for a couple of years now. I haven't used an amp onstage for years. I recently bought a Line 6 module for amp sim and use it with either my Bose array pa or an RCF powered cab, the ART 310a. I can easily switch from acoustic to electric guitar. OK, time to fess up, I dont play bass.!! It's been a revelation to me, much easier to pack in the car and much more consistency at the gig. It's a million miles from you guys with Kemplers and Helix, but it works for me. Great thread by the way..!
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