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I know I'm a late developer, but I've just accidentally discovered playing funk with flats on a J bass. All 3 knobs turned up full, and straight in to my cheapass Behringer 802 USB mixer, using channel #1 for some boost from the mic' pre, and half a turn on the compressor. Playing along to this through a high pass filter. It's so down and dirty, playing it in my Larry Graham (modified) style, I feels like a wild animal, and it sounds... it sounds exactly like the smell of sex. Many thanks to the BCer who recently put me on to Betty Davis. I have the album now on Spotify. 👍

My 414 had been gigged for 3 years weekly in grimey pubs with a classic rock band, now retired for a couple of years from live playing I decided to clean and restring last weekend, wow, what a marvellous bass!!! And what a lot of filth I got off of it. Purchased from a guy called Mojo on here as I remember, I love this bass and it’s the last one I have now....it’s going nowhere....!!

All Jazz has flats, it’s what makes it a Jazz. Something to do with the odd tuning of brass instruments. 🎷

Not my story, but a mate of mine was selling a Boss DD3 pedal and got a trade offer of a broken DD3 plus a bit of cash. 😅

To save putting it in every ad, I'm N. London, 6' 0", and ~160lbs. However, I'm not dating, so not sure why you want to know this when buying an item off me... 😜

I've used my Dremel to route the headstock for the logo - always a time consuming process!! I've glued the logo in and sanded it flat. I've also completed rounding the area on the front between the nut and the headstock. I'm also doing the neck shaping at the moment using my Shinto saw rasp - lovely bit of kit.

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Certainly will help in your quest to have owned all the effects pedals Mind you, as Mooers way of designing effects pedals appears to be stealing them from other people, unless someone else has cracked the problem you want solved, chances are they haven't.

From the Jam were playing last night at a Festival close to mac towers Had the pleasure of listening from my garden. His playing and tone sounded so good. Sounded like a Ric, although I think these days he plays a P bass. Anyway, it was a great sound, every note could be heard perfectly and I could enjoy a cuppa sat in a comfy chair, just the way music should be enjoyed

😂. The D’Addario tapes I’ve got have quite a deep warm sound but still clear, definitely not zingy, absolutely perfect for reggae 🙂

Eeeeewww.

Playing covers I mostly just used the P pickup because that gave a big open but punchy tone with two loud guitars it sat nicely underneath them in the mix, but for some songs I went with both pups and you could really get an awesome Duff McKagan tone which I loved. With some creative eq on the amp you could even get a Geddy Lee-ish tone. 👍

I like a bit of bite from my Jazz so I went for the Ernie Ball Cobalts - perfect mix of thump and bite when I dig in.

Chris Squire wasn't really the caring type

Sounds and spelt like a Kraftwerk tribute band without access to a soldering iron.... I'd go see them

Malfunktion.

Ladies Night!

Or , Happy Hour 😀

That's as confounding as "Free Beer" and my personal fave "All You Can Eat For £3.50".

We were going to call our pub playing, covers band, Quiz Night...

You need to learn your hat etiquette. It is customary for a man to remove his hat when indoors as it is worn as an item of utility. A woman wears a hat as part of her outfit, so may keep it on indoors. However, once performing the hat is part of the stage outfit and may be worn indoors.

Indeed so. Anecdote: One time, me and a pal had a sort-of guitar amp shoot-out evening. A couple of beers, a Les Paul, a Strat, an Orange Tiny Terror, a Marshall JMP Mk2, a 1966 Fender Bassman, a Rivera R55, an SF Princeton, an 80's Pro Reverb and a Mk1 Peavey Bandit. Of course, you can see what's coming a mile off. The Bandit won.

Official Trace Elliot procedure is to turn volume to low, play a loud passage and raise input gain until the overload light comes on, then back off one click. Adjust EQ and repeat. The idea is to get the maximum signal to noise ratio. Unlike the vast majority of amps, it really is a gain control, not a volume control:

It's funny you put that particular vid up because it's the very one where Weller is stood in front of a Marshall half stack but is actually playing through a little Peavey Backstage 30 stood on a flight case off to one side.

If somebody asked me for a video of a bass I was selling I'd have to say no. My phone doesn't take videos. On a general level, if a buyer requires the level of information the OP seems to be demanding then the buyer needs to decide if this kind of sale is right for him. Seems like he needs to see the bass and play it before he hands over his cash. I understand that once bitten twice shy is a valid view point and bad experiences make people wary, but if the OP is so particular or worried then he needs to see that bass. As a seller, I have dealt with a very picky buyer and in the end I decided it wasn't worth the hassle because after I had sent him the bass he was probably going to find a fault and try to back out of the deal. To the OP, there will be another bass along later. Wait until you can try the bass.

Totally agree about not previously noticing it until it was pointed out. Who invited @ped to poop on our party anyway?! 😁😂

So would you sell for £275?

You mean there are people who put rounds on a jazz? Perverts. Mine has worn the same pair of d'addario chromes for the last six years and just sounds better and better.

Not so much a band name as something that dull suburban dads do about once a year. Ahhh. Early PF reference. Nice. Is that a quote from Tubular Bells? The one I like however is:

All my jazzes have flats or tapes, out of 13 basses only 1 has rounds and that’s my P 🙂

TC Classic 450 Barefaced Retro Two10 Musicman Stingray

I'll try and record an example later today and do a non-noisy one for comparison

It’s great isn’t it? I love flats on a Jazz.

It still works if he's called Mal. Or an all girl band of single females playing weddings and parties....

Melfunktion would be great if the band leader was called Mel! Arguably a better name than Graham Central Station. 👍

Just pull phrases from posts in this thread. There are some fine ones 😂 Anyone’s Nose If Not The Pop Years To Regret Seconds Coming Up I Come Upstairs Don’t Do Anything Damned If I Can Small Cards

There's still mileage in buying/selling face-to-face, be that in a shop or having first found something online, going and physically seeing/trying it out before doing the transaction. Especially with things like guitars. Some people just prefer to do trade like this, which is fair enough.

is the OP aware of the feedback system? if not here you go: https://www.basschat.co.uk/forum/23-feedback/ and it will tell you something about the seller, if they are a regular on Basschat. To access the feedback type in their name into the search function on the page. Unlike ebay this feedback cannot be bought and can be corroborated with other buyer/sellers.

I do sort of like the roadworn look but only if its genuine, or at least if its done properly like the limelights which are pretty convincing

A live Bruno Mars thing with some very tasty playing from Jamareo Artis, who's clearly been at the Jamerson again: Bruno Mars - 'Just The Way You Are' (live) bass transcription PDF

I use mine with batteries. There's noise under the notes as it decays, hardly noticeable but once you hear it it's annoying. It's almost like a 'breathing' sound and at first I thought could be noise created by the limiter but it does it when just using one of the pre-amp models. It kicks in about half a second after hitting a string and decays and comes back as the note fades until it breaks up and the note stops, at which point it sounds a bit like an aggressive noise gate would. My 'clean' patch is the Avalon DI model with the tone setting off, a reverb and limiter, but you get the noise with everything turned off. So I don't think it's to do with the effects themselves but the digital processing of the unit as a whole. I doubt it'll be noticeable though an amplifier to be honest, and for the price it's a great little tool but not 'studio' quality; hardly surprising for the price though.

It depends what he means by 'truly live'. I agree to the point that I don't want to see a band who are basically just miming, but I have no problem with those who incorparate samples or additional backing tracks into their show. I was a big fan of Cater USM in the 90s and before they expanded the duo to include other musicians about 70% of their live show was backing tracks and samples with only the guitars and vocals truly being live. They still put on a hell of a show. I suspect another one of my favourite live acts , Nine Inch Nails, despite a stage full of musicians, have also always incorporated a fair amount of pre recorded samples into their set. I see it as just another tool in the kit really. On the other hand I read an interview with Calvin Harris a while back and from what I could tell on the tour he was talking about he basically just pressed play on his laptop then spent the gig miming and waving from behind his turntables. For me that is just taking the pìss out of the punters.

Try giving away a piano on gumtree... "You do realise you will need at least two and probably three people to move it?" "No, it won't fit in a car."

I’ve got a good makita drill , but I wouldn’t say I listen to it much 😀

I have no idea what that is either! But, then, I'm on the wrong side of 50... 😁

I love slap. Especially when it’s used sparingly, like a little pop here and there’s within a fingered line. Perhaps that’s the key - start throwing some slaps into normal bass lines to build up a better, smoother technique. Normally people rush it. Lay back with it and make it groove.