Do you have a signature sound?

[Mickeyboro]

Evaluating my sonic arsenal, I have hereby decided my signature sound for my current blues band is created by combining:

 

Sandberg VM4

Gallien Krueger MB200

Barefaced Two10

 

Theres a warmth and authority that really appeals to me. 

 

Do you have a sound that makes you smile with contentment?

 

 

Edited 6 hours ago by Mickeyboro

[Geek99]

Passive-mode  sire v7 with my zoom b2’s ampeg patch and quite loud. The active patch doesn’t sound as good - lady who runs the OM pulled a face at active mode, confirming what I myself thought 

[Lozz196]

Whatever bass or amp I use I sound like “me”, with me being scooped mids and boosted highs. I set up like this as in general I play rock/punk in bands with humbucking guitars so lower the mids to not congest that area, and add highs to sharpen/tighten the sound and not be flubby on the lows.

[uk_lefty]

I change gear so often that I don't think there's a particular sound apart from whatever it is I play close to the bridge, usually finger style, and there's probably some licks I'm tiring out each time I play. 

[Supernaut]

Yes. Yes, I do. 
 

Edited 4 hours ago by Supernaut

[MacDaddy]

It's all in the fingers 😉

[Steve Browning]

Precision. Flats. Tone control only just on. Valve preamp, gain at 1 o'clock.  Slightly more bass than middle and slightly more mid than treble. Pair of 15s.

 

To my ears, a nice big, fat sound with a good deal of heft but good definition. 

[Jean-Luc Pickguard]

My signature sound is to play everything slightly out of tune and out of time.

[Franticsmurf]

Bridge pick-up on my Sterling 34HH through a Nux Sculpture compressor, Ampeg SCRDI, Sine HPF (40hz) and into the FX return of a Peavey Minimax 600 and thence into a pair of TE 1x10". I've been using the same combination for several dep gigs now as I'm very happy with the sound - punchy with a little bite and enough room to colour the tone with variations in right hand finger (and pick) techniques. I use the same signal path but DI directly from the SCRDI for my main band although I sometimes need a wider range of sounds and will vary the pick up combination and occasionally the Sterling's tone controls. Both set ups have received compliments for the sound from band members and audience members.   

[Rosie C]

Fretless jazz with flatwounds. 100% neck pickup, 0% bridge. Tone knob set right round to the most mellow. GEB7 pedal with the lowest band set very low and the rest in the middle position. A clean amp with the EQ set level across the bands. 
 

[Ed_S]

4 hours ago, Mickeyboro said:

Gallien Krueger MB200

 

Good call. I fondly remember a session when I ran my MB200 with a totally ordinary Precision and a beaten rehearsal room 4x10; with everything at 12 noon on the amp and both knobs on the bass up to 10 it was one of those "damn.. that's the sound in my head" moments. Just a great blues/rock tone with a bit of drive but not overdriven, plenty of mids and presence but not harsh. Had a truly enjoyable few hours playing middle-of-the-road rock at reasonable volumes, but sadly the project went nowhere and with the gain/volume on that amp working as it does, I couldn't get the same sound at the somewhat higher volume I need for the bands I actually play in.

 

So for me, it's the SansAmp BDDI v2. The original was good into the front of an amp (and saved the day direct into the PA a couple of times), but since the v2 came along with its mid controls I can just set my sound up on the pedal and throw it straight at the PA. It might be reaching to call it a signature sound, though. Techs seem to like what I send them, but to quote the guy a week or so ago - "Yup.. that sounds like a bass.. which is good!"