Rosie C

Going back a LOT of years, we always finished our rock DJ set with Freebird. Happy days!

I note that @solo4652 doesn't want to alter the bass, but for anyone else who doesn't mind a bit of engineering and modification, this is how I did my EUB. The stand was off-the-shelf and has a lot of adjustment.

My favourite is WSM Radio, home of 'Grand Ole Opry'. Live isn't so good with the time zone differences, but there's an on-demand archive on their website https://wsmradio.com Closer to home, Absolute Country on DAB is always guaranteed to cheer me up when doing cooking, housework, etc.

Sound advice! I got into a rut, sold all but one bass, and my big amps. But kept my favourite jazz bass and a half-decent practice amp. A year on I'm playing regularly again.

It's similar at our local high school - great teachers and very good facilities. Very different to my own experience in the 1980s!

Oh, I'd forgotten that. While high school music lessons were a waste of time for me, we played recorder at junior school age 8 or 9. They must have worked as I still play recorder now - though admittedly now I play it through a rack-mount chorus unit and a PA muhahahahaha!

I use a Boss VE-8, though I'm not sure I'd recommend it. It works really well for acoustic guitar-type instruments with chorus and acoustic enhancement. The looper is useful and it provides phantom power for my condenser mic. The vocal enhance (apparently a compressor and EQ) works well with my voice. But the vocal accompaniment are all a bit robotic - although the doubling and octave are better than the others. It draws a fair amount of power - I use it with a 4Ah lithium drill battery which lasts about 24 hours. Edit: this matches with a couple of reviews I read - that the TC Helicon is better for vocal, the VE-8 better for guitar.

I'm with you on burgers and pizza! 😉

Ah, but that is my favourite shape! I have an SG-shaped mandocello being built right now, and a Hagstrom H8 is top of my list of must-have basses!

Pentangle is my band of choice this week...

Although my 1980s music lessons weren't up to much, what I've seen of my local high school's provision is very much better. They have a big band, show choir, practice rooms, recording studio, and help with loan instruments and free instruments lessons for kids who couldn't otherwise afford it.

We did music in the first and second year at school, with a horrible teacher and it was all just classical. In the third year we had to choose either music or art, and I took art. Meanwhile I was playing bass in a high school band. One day I was at school and was given a message to go to see the head of music. He explained he needed a bassist for the end of year musical, that I wasn't good enough (!!) but I was the best he had and would I like 1:1 lessons with him to get up to scratch. The rest is history 😎

We didn't quite go that far, but the next step was to have been cut the headstock down and move the 'A' tuning machine onto the underside, like a MusicMan.

I developed neck/back pain playing bass during lockdown - playing all day when I was suddenly home a lot. Initially I bought a Hofner violin bass which was super light. But I yearned for my jazz bass and different straps didn't help. In the end I sat down with my friendly local guitar technician to look at the weight. We identified: the steel clover leaf style tuners were really heavy, but could be replaced with alloy/nylon units the sexy high-mass bridge really wasn't helping and could be replaced with a bent plate type wood could be machined from underneath the fingerboard We removed around 1.5lbs in weight - with a lot of that coming off the end of the neck so it helped weight distribution. Of course this is just a cheap Squier whose value is more emotional to me than financial. I maybe wouldn't do it to a valuable instrument, but it completely changed this instrument.

No, no, no... until our band can afford a 7.5 tonne truck with tail lift and staff I'm not even considering anything like that!

Ah, my back hurts just thinking about anything bigger than 6U !

We're currently going down the rack route - our last couple of gigs have had way too many cables cluttering up the stage. Our first finished cabinet gathers together two phantom power units, a mic pre-amp and a chorus unit. 4U is probably out limit, keeping things down to 5 or 6kg max.

Not quite a gig, but last night I performed two songs at our local folk club - the first time I've sung publicly since 'ambulance day' in December after I had trouble breathing, needed an ambulance, and lost my voice for a month. I think I sang well and it felt so good to be 'back' !

Likewise, sciatica stops me standing for a full set, so I have a K&M double bass stool, but sit on it for playing bass, mandocello and vocals. But having seen this... that looks so perfectly natural, I'll have to have a think about a speaker-cab-seat !

My WL-20 has dropped out a couple of times - once when I pressed the Bluetooth button on our PA to pair with my phone and WL20 stopped working. That's sown doubt in my mind, so I've not used it at a gig.

I had this strap made for my Lego bass. Annoyingly the maker isn't on Amazon anymore, otherwise there's another couple of designs I'd have them make up 😡

Just an Orange Crush 25B on a stand.

We could have done. I thought to leave it in place, connected as an experiment to see how a 6-string pickup under 7 strings worked. I also thought of putting a jazz bass pickup there. But there's going to be a new fingerboard to accommodate the new neck pickup so I thought we may as well remove it.

They do vary a lot. I've attached photos of my current two, and @Owen has likely seen my build thread for one built from an Gibson SG style guitar.

Mmm, that looks a sweet instrument. My first one will be much more of an economy model, but if it plays well I might look at getting another made to a higher spec.