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Rosie C

⭐Supporting Member⭐
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Everything posted by Rosie C

  1. Especially back in the day making round-backed lutes. I'd love to make something like this, but my woodworking skills extend only about as far as putting up a batten for a curtain rail!
  2. Indeed, by Jarred Cooper!
  3. It was not King of Kings, Lord of Lords. Nor was it King of Kings, the King of Glory Comes. In fact it was King of Kings, Majesty
  4. 'tis indeed! After services, as people are milling for coffee, our band leader has a habit of choosing one of the hymns and playing it again but in a different time signature, or swung, just to keep us on our toes! No jazz today though, we had violin and 'cello instead of cornet.
  5. My own understanding is that in addition to repairs and setup of instruments, a luthier actually makes instruments too. I'm guessing the word comes from 'lute' in the deep and distant past?
  6. Our three core band members (keys, cornet, bass) each have the organ/piano book of "Hymns Old and New" (the green book). The congregation have the book of words to go with so that's 80% of what we play. But there's a printed sheet for each week with the readings and a suggested hymn, and that's when it gets interesting. The three of us also play in a big band together, so we're reasonably good at improvising something together.
  7. Oh Worship the King is the only one I already know. Our version of "Do Not Be Afraid" is in Kevin Mayhew's green "Hymns Old and New: Anglican Version". I'm taking a punt on "King of Kings" being King of Kings (Lord of Lords) from Kevin Mayhew's orange "Complete Anglican Hymns: Old and New". But there's a version in Graham Kendrick's "The Source" too.
  8. I've just finished preparing for tomorrow's service. Of the 5 hymns, 4 are new, so it should be particularly good experience. O Worship the King O Let the Son of God Enfold you Do Not Be Afraid King of Kings O Worship the Lord
  9. I have the same one! Excellent value for what they cost.
  10. My favourite bass line is from "Bare Necessities" - one of the first big band bass lines I learned on double bass. It's kind of iconic in its way.
  11. We have a kind of Blackmore's Night band doing folk rock-and renaissance music. We have a keyboard player who joins us for larger gigs, but for practice and smaller gigs I've been chasing this idea of harpsichord on a backing track. We're lucky to have a Kawai electric piano in our practice space with a USB slot for loading MIDI It's a bit heavy to take gigging though, unless we have roadies and a Luton with a tail lift 😉
  12. I wanted to use it as an alternative to backing tracks in our performances. It apparently has a feature to do live beat matching so we could give it a harpsichord MIDI file and it could play out to trigger signal from our drummer. Too steep a learning curve for me though, easier to persuade the drummer to play to a click track 😉
  13. Reaper is good. Logic is good. Ableton Live was the one which defeated me - utterly incomprehensible to me!
  14. That's a fair point. I bought mine during lockdown from Amazon USA and yes it was almost as much as my Squier had cost from my local guitar shop.
  15. I've nothing to compare with as I've only bought a Fender neck. But I liked it - I got a Fender pau ferro fretless jazz neck to convert my fretted Squier jazz bass. It wasn't just bolt on - the fretboard wood was somewhat unfinished, and the fret markings were slightly proud, so I had to spend some time sanding it smooth. Also the holes for the tuning machines were a size larger than the original, so there was some work there too. Overall though, once the work was done I'm very pleased with it.
  16. Thanks Simon! I might need friends to help lift it into my practice space, but once it's there it can stay there. I've always fancied a Marshall stack, but lately Trace Elliot has the edge for me I think.
  17. Every time I see a photo of Trace Elliot kit I inch inevitably towards buying some myself...
  18. It must be, and yet it seems there's very little around.
  19. I have a power pack, but I quite like my battery Orange amp with its internal battery - apart from not having to carry extra things, I like that there's no 240v if I'm playing outdoors.
  20. Thanks Bill!
  21. My current bass guitar / double bass amp is an Orange Crush 25B. Enough for practice and playing in church. I also have an Orange Acoustic 30 which is battery powered and I use for octave-mandolin. I very much like it being cordless, very handy for playing outdoors, or just not having to find a mains socket and run an extension lead at church. Battery bass amps seem a bit thin on the ground and quite expensive. I'm wondering whether a battery powered active speaker could do the job? Particularly it only has to be as loud/bassy as my 25W practice amp.
  22. A Zoom recorder, all the better to record my bass with and best of all, my sister bought me a "folk singers almanac" with songs for each month and for each festival in the year - this is bass related as I'll end up recording them with multi-tracked bass guitar.
  23. Surely the photo should be ageing horribly, while you retain a youthful countenance?
  24. I've played in orchestra, brass band, big band. When I first started playing folk-rock in pubs, I was conscious of using a music stand, but I've just accepted I am the sort of musician who uses a music stand. I do memorise the lyrics and guitar chords, but for the other stuff - the band use written music. Even the drummer sometimes! 😉
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