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Showing content with the highest reputation on 11/03/18 in Posts

  1. Andy is a top guy and I never expected to see the bass again after 2 years - to say it made my week would be an understatement! My lesson learned is always unload the car post practice and gig regardless of whether you're knackered and it's chucking it down and get insured..... the other guitar, an ACG, was returned in similar circumstances a year ago by a great guy in Hebden Bridge As Andy says bass players are a fantastic community of like minded souls - my faith in human nature is reaffirmed! Cheers Justin
    14 points
  2. Hi everyone, I'm posting this story because it reinforces what a close-nit community that we musicians, and in particular, bass players are. Some of you might have noticed recently I advertised on basschat a lovely Paul Everson Caiman bass for sale. I acquired the bass through a trade about a year ago with a guy who advertised it on Facebook. We met in a service station. I swapped a very nice 4 string Shuker bass for the Everson, had a nice chat with the fella who bought it and returned home. Whilst we were talking the lad confessed to me that he had found the Everson Bass in one of those second hand chain stores that have 'cash' in the title. He knew next to nothing about basses but had liked the look of it and bought it. He then tracked down Paul Everson on Facebook to get some info about the bass. I loved the bass. It appeared to have been treated quite badly. The electrics were shot and it was covered in a weird thick dust. I had it cleaned, sorted and set up and quickly picked up another Everson that appeared on Facebook. That was around a year ago. I recently decided to sell the caiman. Id always had a little niggle in the back of my head about 'Cash _________' and wondered if I'd been a little naieve in my trust. So to put my mind at ease I contacted Paul (Everson) who told me he had sold the bass through the great British bass lounge. I then contacted Drew who was running the lounge and asked them both if any Everson basses had been reported stolen. They both did some digging and came back with a resounding no. Drew had a record of a sale to a lad called 'Justin' who lived near Bradford (I'm in Macclesfield). So back to present day. After advertising said bass on Facebook and BC I received a message from a lad called Justin who explained to me that this was his bass and that he'd had it stolen in early 2016. I immediately phoned him and we discussed at length what to do. Now the dilemma. Justin hadn't been insured and had lost the bass along with a whole heap of equipment. He had been scouring the Facebook sites to try and recover the bass for the last 2 years. I had essentially swapped a 900 quid Shuker with it. The lad who had bought the bass oringally had moved the Shuker on. We were all victims of crime and it was a difficult puzzle to unravel. Justin had contacted Yorkshire police for advice and they had said it was a civil matter. Anyway the final result is that we met the following week and Justin got his bass back. It was a great end to a saga and needless to say Justin was chuffed! Just a big shout out to Paul Everson and Drew for caring enough about this story to help me with my clumsy detective work and a big shout out to Matthew who contacted me on behalf of (current) BBL. The photo below is of Justin (on the left) recieving his beloved bass back! Moral of the story. Cash ___________ are a store I like even less now and Bass players are awesome folk. Andy
    12 points
  3. The OP made a comment in reference to politics, but it does bring up some interesting parallels. On one hand you have uninformed opinion based on 'belief' and a lack of ability to comprehend simple facts (about compression), and proudly shouting about it. Meanwhile on the other you have a rational explanation (of compression) from people who know what they're talking about, which gets completely ignored. It's an interesting reflection of divisions that exist elsewhere.
    4 points
  4. 3 to 5 coats in and things are looking satiny
    3 points
  5. I think from a legal perspective you’re okay with that statement unless it’s leopard print
    2 points
  6. Only just received this 92 thumb.
    2 points
  7. I can only see your fingers
    2 points
  8. Sure it's overkill if you only play at home, but if said 800 watt amp is still cool to the touch at bedroom levels, then there's no reason why the cooling system couldn't be designed to be as silent as possible up to a certain temperature threshold, only kicking in the loud fan when it's really needed. I need to store my amp and cab in my room regardless, so I use it for low volume practice instead of having to buy a separate practice amp that takes up more room and doesn't sound as good!
    2 points
  9. Oh man I laughed so hard at that, a worthy choice for quote of the week methinks!
    2 points
  10. Saw this one for sale in Chichester on Gumtree. Under @Elfrasho's budget and looks like a lot of bass for the money but more importantly has a slimline neck...
    2 points
  11. Please lay off the politics and religion, folks. Ta. 👍
    2 points
  12. I thought of adding some inlayed swifts instead of the dots but then figured life is too short...
    2 points
  13. well, I changed my mind. I'm keeping it. It's just too nice to play. The Yamahas have an interesting look and sound good but they've never felt "right" when I tried them.
    2 points
  14. Why would you say such a thing!!!!! The example looks nice......
    2 points
  15. One Control pedals are built by magic elves. I don't know how else to explain how they can cram in so much into a 1590A enclosure and still have room for a 9V battery!
    2 points
  16. Ive said it for years - change the names of these pedals from 'compressors' to something like 'sound balancer' and people would get it more and know what theyre aiming for. Ps i know sound balancer is a terrible name, but you know what i mean. The name compressor immediately gives the image of squashing and squeezing the tone, which it doesnt need to be used for.
    2 points
  17. Just teamed up with a great vocalist who is also a voice coach. She proudly claimed she could teach anyone to sing and I couldn't resist. No band I've ever been in would let me near a microphone unless there was a fire and we needed to clear the room. I sing like a cow with a throat infection giving birth to a tumble dryer. However she has taken up the challenge. All of the work so far has been around understanding my body, breathing properly, hissing and humming. Not a word has passed my lips in three lessons and I am amazed to find the process fascinating. I'm actually excited to continue and while I still doubt her chances of getting a noise from me which wouldn't startle passers by and cause the dogs to hide, I am enjoying finding out just how a real singer goes about their business. Turns out that they actually practice every bit as hard as we do. The voice really is an instrument which requires work. Who knew? My respect for vocalists will of course never be more than marginally higher than that with which I esteem guitarists, but I do feel slightly less contempt for them.
    2 points
  18. You should probably just think that
    2 points
  19. same way that a flirty new girl at work makes you horny for your wife again wait, what?
    2 points
  20. To this... The new board is already full, so I think (hope?) that should mean this is now going to be a pretty 'final' incarnation. For a little while anyway! (I suspect @Skol303 may be surprised to see a particular type of pedal on both boards; a direct consequence of too much tilting at windmills )
    2 points
  21. 2 points
  22. This vintage & rare bass cab has been carefully relic'd to look like the Barefaced cab of your dreams. The finish has been delicately scuffed to make it look as if it has been extensively gigged, the grille features the very-desirable grazes and streaks which come with only the highest-quality bass playing, one of the corner protectors has been elegantly tweaked to simulate the damage which sometimes occurs when roadies for big-name rock bands get too enthusiastic at the load-out, and - of course - ALL the feet have been lovingly removed in homage to some of the really great Basschat topics of yesteryear. This is, quite simply, the very epitome of a Barefaced Compact. My one concession to practicality is that I haven't removed the handle, which stubbornly refuses to fall off. As with all the very best relic'ing, naturally none of this has any effect at all on the cab's tone, volume or reliability. This is a truly excellent sounding cab which has been fully run-in. I can't imagine that you would need more photos than this, but there's plenty more if you want them. The cab is for collection only from Harrow HA1.
    1 point
  23. ...my brother still lives there so I borrow his residents parking permit
    1 point
  24. This came up on my FB feed for some reason. Doesn't quite look the same as the pic to me (control knobs, neck pick up) can't quite manage the reserve... https://www.invaluable.com/auction-lot/frank-zappa-s-customised-1952-53-gibson-les-paul-10-c-08748eda8c?utm_source=facebook&utm_medium=display&utm_campaign=retargeting&utm_content=dpa&gdffi=dca0399140a148a7a30f2232feaa5a73&gdfms=3071FE75C02143D0A901C14816B369D3
    1 point
  25. Nice shot of my thumb from the gig last night
    1 point
  26. Leave it long enough and conversations always end up being about men and their knobs.....
    1 point
  27. I'd favour option one too, option two puts the lower set of knobs too close to the bottom of the body for me. TBH I've no idea why you'd want to mess with it. Buy a pre-amp pedal instead.
    1 point
  28. Ah cheers. Food for thought there. On GAK at the moment, you can pre-oder a Yamaha BB734a for about £630.. That made me twitch a bit but I'm waiting for some overtime to come through at the end of the month so im holding my nerve, plus its ordering from GAK which can be...eventful. Its also very tempting to just order a Sire based on Feedback. I'd get the Natural Ash P7. 150 for that Cort sounds like a bit of a steal. Im seduced by the wood grain and clear scratch plate, but again reviews are very good. I'm using one of the new Rockbasses at the moment. Im trying to force myself to love it but can't, but am making a little headway and am currently on 'quite like it' so its taking the heat off. Just have to avoid alcohol and arguments with the wife..the two things that make me click 'add to basket' quickest.
    1 point
  29. Knob on! (As they say locally) With an oil finish they are going to be like little jewels against the Amboyna top. Would you accept a post as Basschat's full-time knob consultant?
    1 point
  30. Our first gig for a few weeks last night, it went well right from the start , the sound check got a round of applause so we dived straight in . We blooded 3 new tunes all went down well, so a good night. A busy March for us as the next 4 weekends are all booked 👍
    1 point
  31. I don't know of any D class amps currently on the market that are unreliable or less than well designed. My minimum is 500 watts and my current go-to amp is 700 watts. Lots of headroom is always a good thing. I've used Aguilar TH500 and AG700 amps for a few years now and would replace them if they were stolen. I know a player who uses a Markbass 800 watt amp with an EBS Valve Drive. Sounds as warm as a warm thing!
    1 point
  32. Oo-er, missus. I found that when I used a Zoom B1on as an always-on preamp, I gravitated towards one sound that I liked (consisting of a combination of amp sims, cab sims, SansAmp sim, compression and noise gate) and I used that for everything as it sounded truly great. Do you think the Stage will likely be used in the same way or will people bother to select and change sounds for different songs, or what? If the former, it would seem a bit crazy to have all that capability, find one sound you like, then use that sound exclusively. When this happens with a £40 stomp box it's not an issue, but when you're obviously buying into the Fender modelling-amp thing..? Edit: Re the modelling list, above: I can see myself using one or two of the amp and cab models, but as for Effects, Stompbox, Modulation, Reverb and Delay models? They would remain unused. Which begs the question, would it not be better (in my case) to go for a V3 Combo and (if necessary) use another B1on for anything else I wanted? I really like the baked-in 'tone' of the V3 combos... to buy a Fender modelling combo then select the 'Fender V3 Combo' sim would seem a bit silly. But then if you want the convenience of a light(ish) combo but the sound of a (for example) Ampeg SVT, then I can see the attracton - IF the Ampeg SVT model is convincing enough for the job. I await sound clips with bated trousers...
    1 point
  33. Great basses,are you based in the Netherlands though right? Would have loved to try it out
    1 point
  34. I use a Tecamp Puma 900 which has a "Taste" knob (who comes up with these names??) which allows you to dial in either a more old school or hi-fi tone. Or a Demeter HBP-1 800D but these are now direct from the USA (I think?)
    1 point
  35. Who suggested that you need a flatter fretboard for these techniques? I've seen all these techniques performed on every kind of bass, so I'd question that advice. I'd only change if I found that I actually had a physical problem with my bass.
    1 point
  36. Vocal abuse is the misuse or overuse of the voice in an unhealthy fashion Well there's your problem straight away. Vocal abuse is swearing at someone. Vocal misuse is using your voice in an improper fashion. On-line stuff is all very well, and some of it is really very good ... if you can find the good stuff and recognise it. But if you're an absolute beginner, then there is no substitute for a couple of one-on-one sessions with an actual voice coach, who can identify what you're doing wrong and show you how to do it right. No on-line voice coach is going to see that your posture is all wrong, you're not breathing properly, and you're straining too hard for that note. Ultimately, you get what you pay for. And on-line coaches cost nothing. Just saying ...
    1 point
  37. A feel good story indeed. A very well done to you 👍
    1 point
  38. What sort of music do you play? It might help narrow the options a bit.
    1 point
  39. Certainly does, the pub is run by a committee, no one on the committee has ever run a pub before
    1 point
  40. 1 point
  41. My R8 single cut spec attached...note the weight! 1426.pdf
    1 point
  42. Just use it more? The more you listen to your preferred music, the more accurate the algorithm will get.
    1 point
  43. I'm wondering how 4 x 4-inch drivers can possibly generate 126dB.
    1 point
  44. This sort of mismanagement isn't confined to younger bands. Some of the oldies I play with are as poor in their organisational and communication skills as this. I find throwing the toys out even when perfectly entitled to do so rarely get any results, never makes a good impression and never makes me feel any better. I usually put it down to experience, moan like hell to the wife and move on. IMO never leave on bad terms, always be the professional one and leave a positive vibe behind you. Sometimes people will remember this and it could be you who gets the phone call when an ex band member is looking for a bass player. Edit. . .. hey Cat, we're on the same page.
    1 point
  45. Nothing like this ever happens in my band. We're all crap and we know it.
    1 point
  46. Reflections from a Clothes Horse would make a great album title. GLWTS!
    1 point
  47. Surely with packing up all that kit it was the longest storming out it could possibly be. Did noone say anything during the packing up? I'm imagining 5 minutes of angry packing while the band looks on in awkward silence...
    1 point
  48. But can you get mwah out of a whoopee cushion??
    1 point
  49. Hi, I'd listen to some of that before you buy. I love this music but the singles don't always represent the album tracks.
    1 point
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