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Showing content with the highest reputation since 17/12/25 in Posts

  1. Hexham Abbey last night - last gig of the year for my Eagles trib, and our first 'Unplugged and candlelit' show. As you can imagine, it's a spectacular location with 'acoustic challenges'. We're lucky to have an amazing engineer - we kept the volume down, had speakers all around the audience with delays, and apparently it sounded spot-on. Lots of new arrangements, and I'm continuing to wean myself on to IEMs, so it took me a couple of songs to fully settle into it. I used my usual Handbox head, my 66RI Jazz, and my little TKS cab, just to move a bit of air around the back of my legs. It's been a great year for this band. They're an absolutely champion bunch of lads. Looking forward to a mix of electric and acoustic shows in 2026. \
    25 points
  2. I missed my second-ever gig on Saturday for reasons explained a couple of weeks ago. Some of you asked to be updated, so today is as good as any. I had a CT Prep scan on Friday to map out the affected area for radiotherapy and give you a few pretty tattoo dots (my first ever tats - not that I wanted any) so they can line you up in the machinery consistently every time they blast you with radiation. Radiotherapy and oral chemo start on Monday, 5th Jan, so at least we get to have a relatively normal Christmas with the family. In the meantime, I need to make a few new habits in preperation of a 5-week, near-daily slog of hospital visits. I need to hydrate more, and turn up to sessions with a full bladder - so I'm trying to drink a pint of water first thing in the morning (easier said than done) and keep a water log with an app. Using hand cream daily, which I've never had to before, to mitigate the chances of neuropathy. And my diet has to change again to low fibre and low gas (to avoid trapped wind), which will make for a boring few weeks of food, certainly a challenge for a couple of food lovers such as me and my chef wife. Good news is we have a gig next week that I fully intend to do. I just need to be sensible when it comes to mixing with people. The last thing I need is to catch a cold the week before starting treatment.
    24 points
  3. That’s right that’s right that’s right that’s right …🙂
    24 points
  4. Last nights gig with BLOCKBUSTARZ Glam covers band in Cambusnethan Miners Club. Was sold out with 200+ tickets sold. Not an empty seat in the hall. It was crammed full. Mostly women in the audience and a mixed age group too. Looked like a few Xmas party groups in. Dancing from the first song all thru the full show. One pair of dancers dressed for the occasion were literally dancing every song of a 2.5hr show. They were on their feet more than us. 🤩 The atmosphere was literally electric and it makes you feel better and put more into the show. The singer was on top form with his audience participation. Not bad considering he drove there straight from work. We had so many people chapping our dressing room door to have a chat and thank us for a fantastic night. Was quite over-whelming but still nice to hear. Sound was incredible from our Sound Engineer And PA guy who is now our new permanent 6th band member. People that saw us there 2 yrs ago said the sound was much more full this time around and you could hear the difference between backline and full PA use. Feed back was sensational with many requests for contact details with the venue wanting to book for next Xmas too. Another woman that asked if we would play the club she manages as she was so impressed by the band and the show. This was a club i played back in early 80's. Similar sized Club too. She's adamant she'll have us booked for 2026 and was so complimentary. And she made a point of telling me she was teetotal and sober so that sounds promising. Will see what else comes out of it all. Tonight at The Dreadnought so hopefully will see the same reaction from the audience tonight. We're already booked in for next Xmas so no worries there. Think this is 4yrs in a row so far we've played the Sat before Xmas. My usual gear Sandberg MarloweDK - Shure GLXD wireless - Bassist Comp - Handbox WB-100 - BF 212 cab. Dave
    24 points
  5. May your days be merry and bright.
    23 points
  6. I'm going to try to do gear abstinence next year, so I thought I'd have one final swatch at FB marketplace. I was instantly reminded how dangerous it is when this bad boy appeared for a very keen price (complete with a Hiscox Liteflite hard case) and on the right side of England for my purposes. I decided to carpe that diem. 9 hour round trip, but it was definitely worth it. Basically unusued, the only issues were that it was a bit dusty in places, and there was some goop on the headstock where a clearly disintegrating stand had been cradling. Managed to get that cleaned off - it hadn't stained the finish, yay! Gave it a fret polish and oiled the fingerboard and gave it a good old setup. So, how is the "Stingray killer"? Good, as far as I can tell in headphones. My favourite finish for these basses would be Soda Blue, but this natural one is growing on me in its elegant simplicity, and the black pickguard suits it very well. But that's it! No more! I will be striving to make 2026 a fallow year in the gear acquisition stakes, so I guess I was getting one final hit in before the lockdown. FYI - no Stingrays were harmed in the making of this. Merry Christmas to me (and everyone else!)
    22 points
  7. As I went down the road to the SE Bass Bash in November I stopped off en route to purchase a bass for the hell of it, a Cort Curbow. I had always been really intrigued about them, what with their use of man made materials and I always thought they looked pretty neat in some finishes. I spied one for sale, a sunburst one and figured "what the hell?" So, I like how it looks, and I like how it feels to play. Unfortunately, whilst sounding fine in headphones, it was utter garbage live with the band. Where are my mids? This thing is so scooped by default that they're barely noticeable. I had to crank the mids on the preamp AND crank them on the amp just to be audible, seriously, it just disappeared. Well, I picked it up for a tasty low price so I figured it was worth modding. I procured a Bartolini Classic Bass soapbar of the appropriate size and shape (MK4CBC) (thanks @Bass Direct) and someone on here sold me a Glockenklang 3 band preamp for a decent price (cheers @Fettsman) and got to work on the mods. Fitting the pickup was a piece of cake, the only thing of note I had to do was accomodate 2 screws on one side instead of one. Then I replaced the stupid "slap switch" (which scoops an already inherently scooped bass some more - WHY?) with a much more useful parallel/single/series switch and fed the pickup into that. However, fiting the preamp was another matter. This body is thin, and to compound the issue, the knobs are sunk into the top. There was no effing way that Glock was going to fit in there as supplied. I mean, I was modding it anyway - don't need a blend control on a single pickup bass after all. First problem - the body of the push pull volume control was just too tall, even if the shakeproof washer was eschewed. So out with the drill and the forstner bit to remove some material from the cavity to sink it down enough so the lid will go down... Just made it! Not a lot of material left, but this luthite stuff seems sturdy so I think it'll be OK. Then onto the main board, which was way too tall. So, to scheming. Thankfully, while the control cavity in the Curbow may be shallow, it is thankfully quite wide. Lots of dead space above where the bass pot would go... So to cut a long story short, I turned it through 90 degrees. The pot legs wouldn't bend enough while it was mounted, so I had to desolder the pot, bend little 90 degree nubs on the ends of the terminals then resolder it thus: >>>>> Did a test fit (the small board attached to the mid pot was able to be bent sufficiently with the pot in situ)... Yas, the lid closed. So I soldered up the rest of the wires... Cheeky little single connector block thing for the myriad ground wires I had to connect together... Great success! It now has mids when the preamp is flat! I took it to a subsequent band rehearsal and praise be, I was able to hear myself with the preamp set flat. MIssion accomplished! I hope you enjoyed this shaggy dog story and if you only take away one thing from this, is that it's usually true what they say - where there's a will, there's a way...
    21 points
  8. As a life long John Taylor fan I simply had to get myself one of these Dingwalls. I don't really do more than one pickup and volume, tone knob. This was b stock from Thomann. It had been used in their photos and has a slight ding on the back An amazing set up, action as low as Ive ever played and the pre-amp is amazing too. If only I had some gigs booked that weren't tribute gigs. Fanned frets. My word, just don't look at them. It does sound quite P bass like on the neck pickup I'll bring the Ampeg into my music room over the christmas break and see how it really sounds
    20 points
  9. The Plough in Ashby is a tiny pub so we do it "acoustically" to have a smaller footprint. It's also rather fun playing songs a bit differently on the "Rocket Music by Stagg" EUB. A few random requests, a few Christmas songs and lots of happy people in the crowd drinking & dancing. In fact it was the busiest we've seen it. One more tomorrow, before Xmas Edit to add this photo - AI has turned us into elves 😂
    20 points
  10. As soon as it appeared on the BassBros socials I had to have it. My 2nd birth year Rickenbacker. Fireglo…..but I kinda feel it’s not actually fireglo but maybe Autumnglo?! It’s a lot darker and brownish to what I’d expect a fireglo to be (pictures show it lighter than it actually is) Either way I love it.
    19 points
  11. Last gig before Xmas for BLOCKBUSTARZ Glam covers band at The Dreadnought in Bathgate was another great night of party fun. 110 advanced ticket sales at £10 a pop and quite a few walk-ins took it up to approx 120. 80/20 split to us on ticket sales so a good nights work if you would even call it that. Its just great fun doing Xmas gigs. Great feedback from the audience at the end as always in this venue. Its our singers home town and her local at weekends when not gigging. Fun stories of the night :- #1. Our singer was in loo at start of the evening and a guy asked if he had seen the band before. He replied yes and that he'd seen them at every gig in this venue. The guy was none the wiser that he was talking to the singer. Wigs, make-up and outfits tends to throw them off the scent a bit. #2. My wife and singer wife were sitting at a table with very few seats remaining when 2 guys asked if they could take the 2 spare stools at the table and they both said yes and they then asked if it would be ok for them to sit at same table as it was quite busy. While sitting there they then asked if the 2 women had seen the band before and just like the previous funny story they both said yes but elaborated that one was singers wife and the other the bass players wife. We are already booked in for next year the Sat before Xmas plus a summer gig too. Fingers a bit tender from Fri nights gig but managed ok without any issues. Tiredness was creeping in during 2nd set but managed to enjoy it all right to the end. 45min drive home and home for 1:15am, coffee and biccy then bed cause i was quite knackered TBH. Next gig for us is Hogmanay which should be another busy one and then on 3rd Jan up to Dundee for what should be another great one. Hope you all have a wonderful Christmas guys. Until next year all the best. Dave 🎅
    19 points
  12. Great first show of two this weekend at the lovely Trading Boundaries venue in East Sussex, fairly local for us. Roy and Rob the sound guys are great and always do us proud. Fantastic sound out the GB Spitfire /puma/LFsys Monza set up. Very receptive audience as always, nice not to have to break everything down, just take my basses home . Looking forward to tonight’s one now . Happy Christmas everyone! Xx😊
    19 points
  13. Well, this was a bit of a change. We had our last gig before christmas today, a short 2 hour one on a sunday afternoon at one of our local pubs, a pub owned by the guy who gives us our free practice space. We were going to get the other christmas song sorted but the guitarist was ill on thursday, so we didn't. I was looking forward to it - short, in the evening and local. The last two gigs hadn't been great, the one before last I had covid (didn't realise at the time, but felt really bad), then the last one my wife had a heart attack while I was away and ended up in A&E until 2 and visiting every day of the next week, still dealing with the fallout from that. So a chance for a gig that didn't have that would be great. 2 hours before we were ready to go and setup for the gig, got a message from the guitarist, who had said yesterday he was good for both christmas songs that he was too ill to come. Quick panic, not enough time to arrange anything. Asked the drummer who is in another group, but they couldn't cover - we really didn't want to let this landlord down at this short notice. The singer contacted the keyboard player who left about a year ago and he agreed to cover, so we quickly packed and headed down there, huddled over an iPad working out what we could play without the guitar. Turns out as it is only a 2 hour gig, we had more than enough songs we thought we could do ok. The pub was heaving, wasn't really expecting that. Set up, the first 2 songs went through fine so got a bit more confidence and after about 5 songs people came to the front dancing. Had a brief 10 minute break and back on. Some of the songs were a bit.. creative and we did moondance and I think he was a fifth out from where i was, but you know, jazz! Some of the songs however went really well, and the last run of 5 (ie, last song and 2 encores) songs was just solid dancing from everywhere and we did nail them. Packing up and the landlord came over, really happy with how it went, and loads of people thanking us for a great evening, so came away happy. And honestly even when things were going wrong in some songs, I enjoyed it just fine. In fact, I haven't enjoyed a gig as much for a while, it was just fun. Although maybe if i am going to play guitar on a song I should run through it at least once beforehand! Oh - I played the bongo 5, the light up acrylic bass, a indie tribal guitar, all through the dwarf and a bam200 to the PA. Shoes provided by solivair, my old pair that are broken, as my feet are still sensitive for how ripped apart they got trying to walk in my new pair!
    18 points
  14. The last gig before XMas at the Hilltop club in Dronfield for Glam Viva! last night. This is a great club and was packed to the rafters with enthusiastic dancers. I said on here last week that the silly season gigs can be a bit hit and miss but fortunately this was a hit. Booked back for next NYE with the promise of a mid year gig also. Next Saturday we’re back to pub land, a nice venue we played mid year in Worksop….they’ve asked for some XMas songs so maybe Xmas isnt over band wise just yet.
    18 points
  15. Our last gig before Christmas was at the Stockingford Allotment Association Pavilion - or the "Piv" for short. We love playing there because it's always a great atmosphere. The place was rammed for our Sunday afternoon 4-6 spot. Stingish bass into GT-6B multi-fx and thence into the trusty Rumble v3 500 combo. Black DMs. I managed to get home in time for an early Christmas dinner in honour of a couple of family members that were passing through - one of them has been working in Australia for ages.
    16 points
  16. Our carol gig last Friday - this is our biggest gig of the year, with maybe 120-130 people. That's me in the top hat. Sorry, I'm not playing bass, but that was covered admirably my friend and former bass teacher. It went very well, everyone is keen to have us back next year which may be tricky, but not impossible!
    16 points
  17. I think I've been fairly lucky with my '25 gigs and had almost forgotten the common reality of being in an originals band; putting in a lot of time, effort and distance only to end up playing to a very select crowd rattling around in quite a big room. Well, 'Mad Friday' was spent 70 miles away doing just that. We were very much reliant on the two home bands bringing a home crowd, but possibly due to the time of year, specific day, general level of circulating illnesses, £7adv/£10door ticket price etc. it just didn't happen. We nipped into another pub on the same stretch of road and that was dead as well, so it wasn't like everyone was just camping out next door. Ho-hum. I've injured my back so the whole thing was a literal pain, but it was fun to slim back the gear to an absolute minimum and see (with a provided house cab) what I could get away with. In the end, it all went in two Mono Vertigos and one Tick bag. Ear protection worked better for being a size larger in the new material they've started making Doc Pro's out of. Footwear was a pair of the wonderfully named Skechers 'Wascana Benen' tac boots. They're refusing to break in and are absolutely eating me alive. RB Vampyre 5 (Streamer LX 5 on the K&M Heli 2 this time) -> Joyo 5GHz bugs -> T21 FlyRig v2 {DI -> PA} -> TC BAM200 -> Hartke 4x10 Have to hand it to the TC BAM - it's a great little amp and I'm just glad that I didn't let my dislike of the TE Elf stop me giving it a try.
    16 points
  18. [Let’s try this in the right place this time] Good gig last night at a new venue. Drummer won the reconstituted Cannon Trophy, awarded in the past for the person that had the biggest ‘mare on the night. Local gig for me, he lives 45 minutes away, and forgot his cymbals so had a mad dash home and back to get them…he made it back with 10 minutes to spare, at which point we admitted the potential for a late start was averted 🤣 FrankenJazz -> Darkglass Anagram -> Darkglass Microtubes -> BigBaby2. Started off with the pad switched in, but it was all a bit lost so turned it off and the whole thing came alive. Had one guitarist (both the other side of the kit) look over and say I was a bit loud but from where I was it sounded fine so left it. 😁 Went to a blues jam this afternoon. I’ve been threatening to go for ages but never have before, however I needed to go to get tyres sorted at Kwik Fit, which gave me an excuse to sneak a bass into the car and go down after. Only the house band bass player other than me there so I got called up a few times. Took the Tokai Hard Puncher which sounded nice from a clip I’ve seen on FB. Had someone come up to ask if I was looking for a band, so I may have dropped myself in the c@rp with ‘er indoors by saying maybe 🤦‍♂️
    15 points
  19. Looking forward to 2 sold out gigs this weekend. 1st at Cambusnethan Club in Wishaw area with 200+ tickets sold. This was actually where i had my wedding reception back in 95. Wife's Aunt was Bar Manageress so we got a great deal. 2nd at our Fav venue the famous Rock Club, The Dreadnought in Bathgate that have been booking us every year for past 4 yrs and already booked for next years. Always a great night and always a total party night. Both within 45mins from me so that's a bonus. Got our PA guy doing the hard work at Camby Club and PA is supplied at Dreadnought so no heavy lifting this weekend. Life doesn't get much better than this. I tell a lie - i pick up my new car on Sat morning 11am. A lovely Subaru Outback that has more loading space than my Volvo V90. The dealer suggested i take the demonstrator home and load my gear in to make sure 100% that they fit rather than relying on measuring it at the dealers. This is one seriously exciting weekend. Dave
    13 points
  20. Our male singer couldn’t make the gig on Friday so Laurie our other vocalist sang like a bird for 90 minutes straight. Wish I could do that! cbf49fb4-bd9f-4bfb-be3e-57ae883ac503.mov
    12 points
  21. Hi folks I've always loved the Stingray fretless sound, but they are quite a few quid especially his sig bass, so I set myself a task to see what could be done for not too many £s to get the look and as much of the tone as possible. Here's what happened next... I picked up a preloved DiMavery MM501 fretless as a starting point. Actually a lot nicer that I thought it might be, well put together (even with quite a weird passive set up). Nice Rosewood board, lovely satin finish to the D profile neck and acceptable hardware. Brucie bonus, it weighs less than 8lbs. I acquired a Retrovibe Stinger '77 with the Retrovide AlNiCo MM pickup (wired in parallel for this project) and put it all together. Finally I decided just to spray the midly unpleasant tort pickguard black to save a few quid. I also swapped the original fit rounds for some LaBella LT flats. Here's how it came out. To my ears, and despite my huge talent deficit, I think it sounds pretty good and I am really pleased with the results. If were to do any further upgrades, I think I'd go for a proper new pickguard, some better knobs to cover the nuts on the pots and maybe a nice metal or bone nut. As ever my timing is appalling as my arthritis means I'm not playing much now, but if anyone is interested please PM me.
    12 points
  22. Hi, I've tried my hardest but just can't get on with 5 strings (many would argue that I'm struggling with 4....me included). I bought this lovely Sandberg over the summer and have finally decided to sell it. I had it set up professionally by Jeremy at Garland Guitars with flats (I have the rounds it came with if you want them). There's one slight mark to the rear that I can see. Happy for anyone to come along and inspect and have a coffee/tea and chat basses! Rory
    11 points
  23. I've been very quiet on here recently, for various reasons, but the main one is that I've been building, and learning to run a music venue! I run a recording studio, and my mate runs rehearsal rooms, all from one building in Stoke. We've built up a decent reputation over the years. There was one bit of the building we didn't have, and that was a garage, but last year the mechanic upped and left, and the landlord offered it to us. We spent countless hours turning a dirty old garage into a spanking new venue and I'm super proud of it. Please check it out if you're looking for live music in Stoke or The Midlands, and obviously get in touch if you'd like to play! www.rifffactory.co.uk https://www.instagram.com/rifffactoryuk/ The bar: Opening week: The garage:
    11 points
  24. Probably not the best time of year to list gear 😂 but here we go… I’m putting two Bitsa P‑basses up for sale. Both play great, both sound great — I just don’t reach for them anymore as I’ve moved to ultralight sub‑7lb basses and prefer a 38mm neck. Bitsa 1 – The Blue One – £500 A really lovely build with quality parts throughout: • Fender USA 1998 Precision neck – stunning feel, super low action • Hipshot lightweight tuners • Squier California blue body • EMG Geezer Butler pickups + electrics for proper vintage punch • Gotoh bridge • Weight: 7.9lbs (accurate) A very tidy, great‑sounding bass with a premium neck. Bitsa 2 – The White One – £350 Solid, lightweight P with loads of character: • Mexican Maple P neck – low action, plays well • Small drill‑through mark on the board (purely cosmetic, never bothered me) • EMG Geezer pickups • Wilkinson bridge • Squier Classic Vibe white body with a few honest marks • Weight: 7.10lbs (accurate) Another great player, especially for the money. Both are cracking instruments and a bit of a bargain for what’s in them. Happy to answer questions or provide more pics. Collection Plymouth or happy to discuss couriers.
    11 points
  25. ** This bass, upon being delivered to Manchester, has now been withdrawn from sale - the current owner is utterly smitten with it and has decided to keep it. Thanks for all your interest! <<HB>> 2018 Status-Graphite S2-Classic "Black Beauty" Unique Custom Order in metallic black (yep, you guessed it!) with faux vintage white binding and red wrap-around LEDs.) You may remember that the Status 'Black Beauty' editions were all KingBasses, launched after Mark King's gorgeous black KingBass debuted - Well, this S2-Classic was a unique Custom Order with the same Black Beauty scheme, as well as Mark King's signature 16.5mm string spacing. This bass, [which was ordered by the one original owner who ordered a Black Beauty KingBass at the same time] is as a result, seriously fast to play and sounds utterly amazing. It has that Graphite 'Shimmer' In spades! It has been set up on fresh 30-90 gauge DBE Strings for the full Mark King effect. Uniquely, it doesn't have the usual Board 30(X) Mid Cut/Flat/Boost selector switch. Instead, there's an extra rotary control for Mid Frequency, giving the player even more tonal variations than the standard S2-Classic. There is one very tiny defect in the finish, to the right of the battery covers on the back, but not a chip or gouge. You might spot a small white dot in the pictures. That's it! Otherwise, there are a couple of very small scratches on the lower 'bout, but too small to be picked up by an iPhone camera. All in all, this Bass is in lovely condition for an eight year old Status. Potential buyers are welcome to come and try the bass by appointment. This Status Bass can be viewed and played at either Ashton-under-Lyne (Manchester area), or Derbyshire (10 mins from M1 J25.) Either location is good, and coffee/biscuits are available at no extra cost. We will happily move it between either location. Delivery available for fuel cost, or happy to meet you half way at a distance of roughly up to 140 miles. Interesting trades are welcome towards the cost of this unique instrument.
    11 points
  26. Finally pulled the trigger on a BB last weekend (BB 5000)!
    11 points
  27. Females don't suffer from male weakness. She's had two kids. Don't know about you but I was 9lb 3oz at birth; that's "too heavy" for most fellas on here 😀
    11 points
  28. Finally put all the bits together (minus the top coat) and plugged it all in. By some miracle, the dammed thing works, not only does it work, but it sounds really good and it's really loud, at least in my dining room The corners are held on with double sided tape as they are supposed to come off later The rest of it is screwed together properly. The Warwick is held on by my "patent pending" mounting system. As can be seen, my "roadie", the CFO, has demonstrated that the Warwick is indeed securely held. I actually tried it in all orientations and it's rock solid. It can also be mounted on the back, but those rails aren't on the cabinet yet. No fears whatsoever it's going to fall off at all. I plugged a Strat in first and it sounds fine, I'm sure a purist might argue it's not a full range speaker (and it's not), but it sounded fine to me. Next up was my headless bass and that sounded fine as well. I did wind the volume up a little bit then and it's bloody loud. No way could I play this at any volume in a small room. I'd certainly gig with both bass and guitar with this. At small volumes it's also fine. The Warwick needs to be setup for guitar or bass with the tone controls. but I have to say the speaker sounds really good. Far better than the Ampeg Rocket 108 to be honest, though it's got significantly more invested into it than the practise amp has. The little rack to the side is a home made one with a Behringher Centaur overdrive, a Mooer compressor and a EHX tuner. The overdrive is not for the bass though. I sill need to get the Armacab on it but not this side of Xmas now Now to build the second one for a little more volume. Rob
    11 points
  29. Talk about getting everywhere - this was from BBC sports personality of the year last night!
    11 points
  30. Hohner should buy it... save me typing in the wrong name all of the time!
    11 points
  31. NBD was actually Sunday, but I won't tell if you don't. I've been a dyed-in-the-wool Precision devotee for quite a few years, having found that they just work for me. But slowly the worm has turned... My Dingwall journey led me along the path Super P > D-Roc > NG-2, which obviously opened up non-P possibilities. I tried a friend's Jazz (American Standard?) and thought, 'I like this!' Then I found a 2001 MIM J at an auction, loved it, but was outbid. I was pretty disappointed. Finally I came across this Flea Jazz being sold by our own @Mickeyboro, tried it, loved it, brought it home, loved it even more. If I'd been a good boy I'd have shifted my D-Roc first, but clearly I'm not - no presents for me, but that's fine, I'll just sit and play this. It does what I hoped a Jazz would do - a different and spankier voice but still with authority behind the notes, a comfortable playing experience, and a sound that makes you think, 'Ooh, that's like a record I've heard'. Going between this and my original '73 Precision, the Flea Jazz feels old like the '73, not least because it has nicely rolled fingerboard edges. I've spent some time tweaking it to my preferences - neck relief, action, Monty's Instrument Food, and a replaced intonation screw (disclosed prior to purchase) and have been having altogether too much fun going through my Steely Dan transcriptions. I'm not sure when I'll get the chance to gig it, but there may well be a 70s covers rehearsal in January, for which this would work a treat!
    9 points
  32. Thanks everyone! The opening week was wild. We're limited to 70 capacity but the first night was probably slightly over that. We had Static Dress play as their drummer is our best mate. There was only one unforeseen problem. The condensation and spilled beer made a mockery of our consumer grade garage floor paint. People were slip-sliding all over the place. The first job the next day was to mix balsam in with a new tin of paint, and get that down in time for the gig the following night. It did the trick! We had 5 gigs on the opening week, staffed by mates, played by mates, and attended by all and sundry. Loads of people travelled in to Stoke for these gigs and it really felt like the centre of a scene for a moment. And we made money! Then we realised we'd not booked any more gigs, and we have overheads to pay, and big bills to pay, and loads of debt... So now we start the long slog of learning how to make money out of a venue. At 70 capacity it's difficult to appeal to bigger touring bands. The other side of that is an other-worldly PA system that out-classes any venue of this size (that I've seen). Proper lighting, green room, potential for live recording etc. so we hope to tempt some names in for "secret" or "super intimate" shows. Otherwise we're perfectly suited to local multi-band line-ups, and the "toilet circuit" in general. Any advice on promoting gigs would be gratefully received, and if any of you are promoters that would like to put on a gig at Riff Factory, please get in touch
    9 points
  33. Our last one before Christmas was at The Jubilee Club in Ashton in Makerfield. A good friendly and appreciative crowd, lots of dancing, mainly in the second half. They filmed us and have put one song up...
    8 points
  34. He’s always been there hasn’t he, calmly doing his thing. If I was gonna be a rock star, I’d want to be the Chris Rea type of rock star. RIP Chris 🙏
    8 points
  35. Folded my band of 15 years up last December for a variety of reasons - here's a few.... The death of my Dad meant that i couldn't put the backroom time in whilst i sorted his house and estate out, nobody offered to step in and do the bookings or promo work whilst i spent 3 months of weekends finalising everything. The singer/guitarist was inacapable of learning any new songs on his own and coming to rehearsals with them semi prepared, that was driving me nuts. You know when you've all agreed to learn a song, everyone does their homework and then someone shows up at a rehearsal and asks what key its in or what version is it? Playing the same 40 odd songs at the same 12 venues for years (and no hope of improvement mainly because of the above) was getting a bit boring even though they weere the best local venues and the band was very good. Finding any free family time at weekends was hard as we were doing 50 odd gigs a year and I was conscious of getting older and wanting to travel around a bit with my wife before we couldn't manage to any more. I was the peacemaker in the band that stopped the drummer killing the lead guitarist because he was totally incapable of turning up at the correct time to unload the gear from the van. The singer travelled with the guitarist so he was always late as well. Me and the drummer frequently unloaded the whole van before the other 2 herberts showed up. Along with the grieving process it was getting me down. So i packed up in December 2024 with the intention of taking at least 6 months off and just noodling at home. Maybe learn to play a 5 string. But have a total break from the band thing. Sold my gig cabs. Put my gigging amps up for sale. Bought a 5 string. Bought a boutique amp and cab for at home. Learnt to play a few guilty pleasure songs on the 5er just for fun. Started getting a bit itchy around April. Maybe if i found something that was just about 10 or 15 gigs a year..... Auditioned for a band that looked mildly interesting. Couldn't play with the drummer, he was very average and i was used to something a bit more solid. Got the gig but turned it down. Realised i didn't like the boutique amp/cab for live work so sold them and bought an LfSys Monaco. Love it. Answered an ad in May from a local drummer putting a one off band together for a festival gig locally in June doing some Americana/new country stuff. Did 2 rehearsals and then the gig. Really enjoyed playing (my new 5 string) again. Gig went well and got invited back to headline next year. Started to feel like gigging again as a result. Answered an ad in October for a local rock covers band just starting out but with 10 gigs booked for 2026 at the best venues locally. Auditioned. Got the gig. Drummer left the following week (was it something i said?). Grabbed the drummer from my old band to help. Now we have 5 people all learning everything at home, doing their homework and just turning up and nailing the songs. No issues. Bliss. Had 3 rehearsals. Learned 28 songs in a month ready for 1st gig on Jan 3rd. Looking forward to it. (Figured out that trying to play songs that you already know on a 4 string on a 5 string is difficult. But learning completely new songs on my 5er is a whole lot easier) Went to my first ever jam night last month. That was fun. Did 2 songs with the singer and guitarists from the new band and then 2 songs with the old bands guitarist. Nice to be on a stage again. Just been offered a gig with someone i depped with at a festival with a few years back. Always fancied doing that one again so we're going to see how it goes. Laid back sort of soul and 80's classics with a gritty rocky touch. John Mayer meets Chaka Khan/James Brown. Maybe 10 gigs a year tops. Need a drummer though. I'm enjoying playing again and feel like i have my mojo back. I've learned about 60 new songs of various styles but all ones i like, figured out a 5 string and made some new friends. Oh and also been travelling around a bit with the missus and son 🙂 The balance is good.
    8 points
  36. And there you have it folks! She lives! The bridge is actually really easy to operate and set up. Even fitting was a breeze as the furthest mounting hole lines up perfectly with a standard 5 screw bridge. Used some old witch hats I had in my box o junk and I think I will leave them on inkeeping with the occult theme Just got to wait 7 weeks to actually play it after dislocating 2 fingers in my right hand. Peace out!
    8 points
  37. - I was getting into #4 - slapper thinking yeh that's me... then #5 *fell off chair laughing* 🤣
    7 points
  38. We have 50 in stock and they FLEW out the doors... More coming in the new year! This must be the product of the decade (or longer) for MXR Merry Christmas everyone!
    7 points
  39. A little video, not much good but it gives a good idea of what the bass might sound like in better hands!
    7 points
  40. I've cut the grill to size and used Gorilla tape on the outside of the frame just to keep it clean tidy. I've printed some riser blocks for the outside of the grill that fit in the corners of the cabinet. The ones in the picture are far too large, but they're to check things out and I'll print some better ones shortly. These will be glued to the front of the baffle (NoNails) and will have a M3 nut embedded in them. The hole for the nut is aligned to the holes in the grille. On top of the riser block will be some adhesive rubber, 1mm thick), to stop vibrations. More riser blocks may be needed, but the principle is set now. I have the "advantage" of not gigging at the moment, as there's only me and the drummer, so little chance or marauding fans rushing the stage sadly. It's very, very likely that I'll design some M3 handbolts to screw into the riser block. These will probably have the felt washers that are on the guitar strap buttons to further reduce vibration (or may not). I designed a lot of hand bolts for astrophotography, you can check them out here (https://starclamps.com/), these are all parameterised so I have lots of options. I also have some nice brass ones somewhere which might look nice. The red corner pieces have been redesigned so that they don't protrude as far into the baffle area as before, to give the grill some some space. The hand bolts should allow the grille to be taken off easily, Once I've painted the baffle board matt black, most of the riser elements will simply disappear, well that's the idea. Lets see how it works. but I'm off from tomorrow to London so nothing will be progressing. Have a good Xmas all Rob
    7 points
  41. Well it would seem I've answered my own question... I ordered a Precision today - the American Professional Classic in faded Sherwood Green Metallic. There's been one in the Gallery in Camden that I've looked at several times, and today I pulled the trigger, so it'll be here in a few days - probably after Xmas. I went for the new model, as [from what I've heard] the new 'Coastline' pickup (apparently derived from the 'Pure Vintage' series pickups) sounds very warm at the bottom, but has clear highs without the nasty nasal honk. Basically quite similar sounding to my previous Am.Professional I. We'll see how it plays after I've set it up...
    7 points
  42. My Thumb NT cost £900 in 1988, which apparently is the equivalent of £2750 in today's money. The equivalent would be a Masterbuilt, €8900 plus shipping. That's wildly outstripping inflation, and shoots past "too f*cking expensive" into "you've got to be f*cking kidding" territory.
    7 points
  43. I've put the original bridge back on just to see the difference. I actually prefer it - somehow the D and G strings in particular are warmer and fuller, whereas the Albridge is more treble and more even. Whilst this might be more desirable on fretted bass, for fretless I think the original sounds better - there's more 'cross talk' between strings and overall the whole bass feels more alive, less clinical. Trills, for example, are much more pronounced and there's a thicker more midrangey 'mwah' to the notes, despite the bridge not going as low in terms of action as the Albridge. I really was quite surprised by the difference, it was really clear from the first note. As a result, I might sell the Albridge if anyone in the UK is after one (I'll list it later) There's something about the shonkiness of the original that I like, too. Whilst the D and Gi intonate very well (more by luck than judgement) the E and A are fairly close up to the 9th, close enough for fretless... The Osmo oil finish on the fretboard is holding up perfectly, I am pleased to report. Amazing stuff!
    7 points
  44. Next Sunday (28th Dec) at 7-15pm. Jah Wobble talks about bass, bass and bass. Sounds good to me. BBC Radio 4 - Illuminated, Bass Notes https://share.google/mAXXaQY45g9XE5spg
    7 points
  45. I found a broken paving slab in the back garden and used that. Lo and behold, 15 mins later, it looks a lot better. Lesson here is don't use a softwood base (cut bad puns) to hammer against. Masked the area off and cut it with a Dremel and new cutting discs and the cutting is almost done. I forgot to take into account the rubber edges which hide the raw metal so it's possibly one row of holes too large in each direction. The blue tape is just to hold things together as the rubber edge really wants to curl off I'm still thinking about how to fix it to the speaker cab OR to the red corner pieces. Magnets might be the answer here. I have a lot of the strong ones and a simple addition to the red corner pieces might work well. A little bit of velcro through a few holes would allow it to be pulled off easily. With a black baffle board, it might look quite good for me. Rob
    7 points
  46. A wise man once didn't bother to say "An expensive bass is one that is bought, but never played."
    7 points
  47. This pic I took captures the colour better. also…my perfect 3 bass setup 😍
    7 points
  48. Personally I’d just pay the return postage, mark it down to experience and get looking for another bass
    7 points
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