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Showing content with the highest reputation on 21/06/25 in Posts
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Well, I'm not entirely sure what happened down at the pawn shop. I popped in to look for a passive footswitch but I now have a new (to me) Squier Active Jazz bass. I shouldn't have picked it up "just to see if it's any good". When I realised it was essentially unplayed and felt super comfortable I knew I was in trouble. After minor tweaks to intonation and action, and swapping the gleaming white pickguard for an old off-white one from the cupboard it is just the ticket. Looking forward to taking this along to a jam soon.13 points
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We played a small pub where 3 of us started playing together at the open mic. We were a little concerned that we'd not get anyone there to be honest. The heat, the pub hasn't got an outdoor area or a way of throwing the doors open and getting some air flow, and several bigger events going on. Oh and it was a Friday. However, we had a decent turnout, the crowd were great and we've been asked back. Can't be bad.10 points
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Shit journey to Sheffield - 2 hours on the M25 and then 4 on the M1. Great gig though, lovely crowd again, probably the best we’ve played on this tour. The drummer and I were very much enjoying our groove on many of the tunes. As always we are getting well into the groove as a band and the tour is nearly over! Shoes were Soul Cal & Co Converse lo top rip offs. Cheap and comfy and not too hot in this heat 🤓10 points
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So I simply HAD to pick a 31 degree Centigrade day to strip the front and back of the bass ... doh! I used the shadiest corner of my workshop yard ... but it was still stifling and VERY acetony! It was so hot the acetone was evaporating and solidifying with the lacquer almost as soon as it was tipped on ... but I persevered. Compared to the woodworking part this is a hard, unpleasant and gruelling grind. Front and back done ... only the sides to do. And stripping the back revealed some past repaired damage down at the end pin block ... it's well enough done to be left alone. I gave the front and back a light hand sand - but I think I will have to get an electric sander onto them to take away the last of the sanding sealer and remove the blotchy look prior to staining. The issue is that I don't have a sander in the workshop (hand is usually good enough for what I do day to day) ... so more tool buying required. How much easier it is to work on a bolt on neck bass ... the way forward I think.7 points
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For sale: Epiphone Masterbilt Century semi-acoustic archtop bass guitar. In excellent condition with no marks that I can see. The original piezo pickup installation is still present and a magnetic pickup has been professionally fitted with a separate jack socket. I don't know what make, but looks similar to Artec? Short scale, strung with Labella 940FL flats and includes Tourtech hard case. Acoustically the bass is loud enough for home noodling and might cope with a single acoustic guitar but like most semi-acoustics needs to be plugged in for anything louder. The magnetic pickup gives a balanced woody sound with a bit of thump. I've not succeeded in getting much out of the piezo, but not really needed to. Collection from Ipswich or a meet-up are strongly preferred. In theory it's possible to ship this at cost, if I can find enough cardboard and a courier who will accept a package this big. Price is £550, not really looking for trades. Stand not included.6 points
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I think you’ve hit on something there, Mick. A lot of players, especially guitarists, seem to have a preconceived idea that the structure of a blues song is always the straight 12 bars, using chords I, IV & V. The memorable songs tend to have variations and subtleties that make them stand-out. Born Under A Bad Sign being a good example. Far too many people, in my experience, have the ‘it’s just the blues, innit?’ mentality.5 points
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Great question! Maybe turn that one around - what would make you want to join a band and really commit to it and to work hard at keeping your place in it? It's going to vary for everyone, but I suspect it will include some or all of the following? Regular decently paid gigs (covers band) Love the music that the band is playing / get a say in song choices Talented musicians to work with Fun crew who you enjoy hanging out with Good band atmosphere and minimal drama Feeling valued An opportunity to be creative (maybe more for original bands?) An opportunity to grow and develop as a musician5 points
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Wasn’t in a great place when I arrived but Dr Gig helped to pull me out of the pit. Very hot last night with the windows and doors mainly shut, and a lot of people outside in the front garden of a small country pub, so it was a bit quiet but those that were inside were appreciative. All good with the IEM’s and the new better boundary mic I ordered after the old one wasn’t working last week w a marked improvement. Very tight on space and some of the videos look very static and somewhat disengaged from those in the crowd but I think that was to do with lack of space (at least I hope so)4 points
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Monogamy is for relationships PolyBandry is fine, just be open about it.4 points
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I think changing from the SD to the GZR would be a bit of a sideways move, and not the best use of money in terms of upgrading the overall bass playing experience. The GZR is a superb pickup, but the SD is just as good as the EMG, albeit with a slightly different flavour. My own personal experience has been that changing pickups can be a big upgrade if you have been using a pickup the is genuinely defective or obviously deficient in some way, but swapping one perfectly good high-end pickup for another because of notional sonic differences that you have read about is usually a disappointing waste of money. If someone is getting a custom Fodera I can understand exploring the nuances of choosing the exact right pickup, butI really don't think a Squire Classic Vibe bass warrants spending that amount of money to explore the subtleties of two high quality replacement pickups. If you've got a Seymour Duncan in there that's already a big upgrade. My advice would be experiment with strings and EQ and try and appreciate the character of the sound as it is.4 points
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4 points
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I am in 3 full bands (bass) and 2 duos (guitar in one, bass in other). I learn my stuff and expect others will do likewise; if someone was patently putting in less than me 'with no genuine justifiable reason' I'd be letting them know. Lots of those band members are in other bands but when it comes to gigs, it's dead easy; EVERYONE, regardless of the band they are in, has to honour the gig that goes in first! Regardless of how good the gig is that someone subsequently gets, the first gig in the diary takes precedence.4 points
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Nice one! First of all, really take the time to set it up. True the table, get everything nice and perpendicular, watch videos about how to get the blade tension right (extremely tight is not better - it can lead to wandering when trying to cut a straight line), remember to de-tension the blade after every session (and remember to tension before turning it on the next time!) Dust collection is a necessity. As with any power tool; let the tool do the work. Don't push wood through with any force - let the gullets clear to avoid burning the woods and overheating the blade. Watch this video. The bandsaw was invented for butchers to cut through bone. Bear that in mind. A lot of people who've been maimed by a bandsaw got bit when they were pushing the piece through and, just at the end, an unexpected soft spot in the wood meant that the last centimetre or so happened way quicker than they were expecting, and the thumb followed through... Always use a push stick or sacrificial block for that last bit of the cut when the blade is about to pop out. Never cross-cut through a pipe/cylinder (eg. a log) freehand - make a jig. See YouTube. If cutting curves (like a body blank) make sure you have a blade of the right width for the job. Narrow blades are good for tight bends but less reliable for long, straight cuts - and vice versa. Snapping a bandsaw blade is a real change of underwear moment. The one time I did it, I realised in hindsight that I'd been so focused on the curve I was cutting, I lost track of where "straight" was. That is, the imaginary straight line from the front of the bandsaw, through the blade, and out the back. I had been moving the wood (MDF actually) around the table in a way that was twisting the blade. The great thing about the bandsaw, unlike the table saw, is that it's not trying to suck your fingers in or throw wood at you. If you're making a cut and you don't like how it's going, just stop pushing, leave one hand on the workpiece and turn off the saw with the other. It's a great tool, and it looks like you've got a good one. Enjoy!4 points
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So for all this, I’m gigging this tomorrow. In my defence it would be more complex if the postman knew how to knock on the neighbours door4 points
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I had an old Peavey combo I did that with. I got hold of a plastic milk crate and cut a 90⁰ angle out of it at an appropriate tilted-back angle, and set the combo in it. It was a good solution- it was very stable as it was a one-piece stand, and it lifted the amp up off the stage so it wasn't so well linked to it. You want to tilt it back just enough so its center of gravity is well inside the crate so it doesn't lean back too hard... it worked really well, I found out how really good this old tank sounded! I moved on to something a bit lighter though, of course...4 points
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I have a new purchase and this paired with my Triton router means I can start making my own bodies from slabs and blanks. This opens up the world of new woods and shapes…..any tips or advice from old hands with a bandsaw?3 points
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Thanks for that your reply 👍 Well, it's home, very pleased with it and looking forward to the journey ahead. A setup & strings, as mentioned in the above posts are fairly imminent but I'm getting a decent noise out of it, as is.3 points
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From my experience, the bigger the band then the bigger the problems. If you’re in say a 6 piece and everyone of them are in other bands, then the chances of everyone being able to make all your gigs are significantly reduced - and then you end up with one of more deps which is hardly ideal. With my recent situation with a touring theatre band it was made clear that depping gigs out was not going to happen, and I did every gig with them that they performed in 15 years. I was fine with that to be honest. I had to turn gigs down with my duo as a result, but as my duo mate was a lot busier than me it wasn’t an issue. Since leaving the band, I’m now in a position for the duo to be my first call, and we’re getting plenty of gigs - we can book them further into the future with confidence, knowing we’ll both be there! I’m reminded of that famous Duke Ellington quote - “ There is nothing to keeping a band together - you simply have to have a gimmick, and the gimmick I use is to pay them money! “ 😄3 points
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I'm in lots of bands/dep occasionally and the golden rule (as others have said) is: If you've said yes to a gig and it's in your diary, you do it. I've just had to turn down a well paid wedding gig as I'll be up in Manchester (playing for next to nothing - an old mate's originals band) next weekend. This gig was organised months ago, so I'm doing it. If you start ducking out of gigs for better paid ones, people will quickly stop asking you to gig... you're only as good as your word. Use Google calendar and encourage everyone else to - this makes everyone's life a LOT easier and cuts down the potential for oopsies in my experience. As someone above said - if someone in your band is getting offered stuff like IOW festival.... that'd be a different matter. I'd imagine they've made that pretty clear from the outset! And as someone else said - get a few deps on board! As for people turning up to gigs/rehearsals without having practiced... that's just laziness, surely?!3 points
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I love these threads, guys. Apart from helping me think things through, there’s wisdom everyone can learn from. Keep it coming! Theory: being a blues band, we can attract people who want to do something different from their regular music. But, and I blame blues jams for this, they may think ‘near enough is good enough’ and practice is not as important. Thoughts?3 points
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First and foremost I hope this doesn’t discourage you from moving forward with building basses. I’ve been admiring your daphne blue jazz (but I already have two jazzes 😆). It’s bad luck to have a difficult customer experience out the gate. What I get from your post is that you want the customer to have a nice buying experience but then not have buyers remorse! Maybe you offer one free service, to be redeemed within a year, with each instrument (adjusting selling price accordingly)? Or match whatever statutory obligation for returns/refunds is common? There’s a bit of a reassurance there rather than, for the buyer, this sense of slight anxiety that they’re buying something from a builder who, as yet, is “unproven” - despite what they may feel about the instrument in person on the day. Personally I need a bit of time to warm up to an instrument and decide whether it’s for me. I think this echoes the point about selling a service, which may be far removed from your aim to enjoy building basses and cover your costs. If it were me I’d accept the instrument back irrespective of who’s right and wrong in the situation, offer a full refund, chalk it up to experience, and live to fight another day. Path of least resistance and all that, which may well be better for your heart, if not your wallet.3 points
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I did it the Eich way, screwing strong magnets under the feet and metal washers on the cab to receive the head, works flawlessly.3 points
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There have been so many (very good) covers of this tune I wouldn't know where to start. But Herb's version is the swinging 60's for me. Incidentally, Herb Alpert starts a short tour tonight....at the age of 90!!3 points
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I suspect (with no evidence whatsoever 😁) that as bass players, we might find a moderately high level of consensus as to what constitutes an interesting bassline, whilst disagreeing wildly on the merits of the resulting music. For example, whilst I think that Mark King is a talented and inventive bass player, you couldn't pay me to listen to Level 42 - I'd much rather listen to Dee Dee Ramone go 'dum-dum-dum-dum-dum-dum-dum-dum'! 😆 Though by horrible misfortune, I did once see Level 42 on two successive nights, and only one of them was because I was getting paid...! But I did get a large collection of discarded and largely unused bass strings at the end of the night, as all his basses were being restrung nightly, and the removed strings, used or otherwise, thrown on the floor of the hall. I didn't have to buy any strings for several years, so thanks Mark 🙂3 points
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Hi there I'm Kev, living up in the Granite City and just starting out as a player. I've waited too many years (decades, in fact) to pick up the bass but am enjoying my beginner journey immensely, although progress is slow - aiming for accuracy rather than speed! I've already had a positive forum experience in purchasing from the classifieds (many thanks @rainbowreality ) and look forward to learning much more here. Hello to all!2 points
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Yamaha RBX 6JM John Myung Ruby Red from the 14th of September 1999, now fitted with a way better Glockenklang 3 bands preamp (the original Yamaha preamp will be delivered, but I have no idea if it's working) and a second John Myung signature on the body, which is clear coated, so unremovable! A Dream Theater fan must have bass, but for the others, it's an excellent very heavy bass (5.220 kilos) with a narrower strings spacing at the bridge (16.5 mm) and very very very slightly protruding frets (these 3 facts are well known for this early series alongside the fact that the center of the infinity inlay is at the ... 13th fret, go figure). NO TRADES! NON NEGOTIABLE PRICE! Asking price including fully insured shipping with tracking number, to your home, in these European countries (ask for other countries): Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding overseas territories), Germany, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom: €750 EUR (£645 GBP is an approximation and I will only accept payment in Euros)!!! Shipping to the UK is of course possible and included in my asking price, but with additional customs charges (VAT + other taxes + courier costs), as the UK is now outside the EU, just ask. In perfect working order and in good to to very good condition, with the usual marks at the usual places, but almost no fret wear. Here are the specifications : Body: alder Top: figured maple veneer with a second John Myung signature under the clear coat, so unremovable Neck: bolt-on 3 pieces hard maple Fingerboard: ebony with infinity inlay (radius 23-5/8" or 600 mm) Positions: 24 medium frets with front infinity inlay and side white dots Headstock: 3+3 with John Myung signature Tuners: original Yamaha (Gotoh GB7) Pickups: 2 original Yamaha AlNiCo stacked humbuckers (very Jazz Bass sounding) Controls: volume (active/passive push-pull), blend, bass, mids, treble (tone control in passive mode) Preamp: Glockenklang 3 bands (the original Yamaha preamp will be delivered, but I have no idea if it's working) Bridge: original Yamaha solid brass Strings spacing at bridge: 16.5 mm Nut: bone (50mm width) Strings spacing at nut: 9 mm Knobs: original Yamaha (metal) Scale: 35 inches (889 mm) Hardware colour: gold with Schaller Strap-Locks buttons on the bass Truss rods: two, double action, 100% functional Finish: gloss Ruby Red Country of origin: Taiwan Serial number: PP14025 Year: 14/09/1999 (first generation of the RBX 6JM) Weight: 5.220 kg! Action : from 1.5 mm under the C string to 2.0 mm under the B string at 24th position (can even go lower, but was more than perfect for me and it's already super low with a very straight neck) and yes this is measured at the SECOND OCTAVE!!! Will be delivered in an used unknown brand semi-rigid gig bag (totally adapted to this bass). Non-smoking environment as usual. The bass has been fully set up professionally. It has received a new battery and is fitted with a set of used DR Black Beauties BKB6-30 round wound stainless steel coated strings (30 - 45 - 65 - 85 - 105 - 125), which really serve this bass. What you see is what you get ! Look carefully at the photos taken from different angles and lights to see the real condition, which is good to to very good with the usual marks at the usual places, but almost no fret wear. Here is the link to the 18 photos in high resolution: https://drive.google.com/drive/folders/1Tm5VaOy3sxcU8nnu1CnheOU25VwSio0L?usp=drive_link Due to severe back problems (67% officially disabled because of it) plus left and right shoulders injury, without mentioning a painful tendonitis on the right arm, I'm selling all the basses I'm not using like this one. I've also considerably lowered the price for a quick sale. Don't hesitate to ask for more details, but, please, before asking read my ad first as the answer is certainly already in it! Reminder of the legislation on sales between individuals: Second–hand goods that you buy from private individuals are not covered by EU consumer rules, which means there is no guarantee and no return possible! (https://europa.eu/youreurope/citizens/consumers/shopping/shopping-consumer-rights/index_en.htm#from-private-individual-1)2 points
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Today I finished a good mod, fix and fettle job on my Squier Sonic P. It's now sporting a Lollar P pickup, new wiring harness and a set of Dunlop Super Bright steels. I've honestly just been laughing my head off it sounds so good now. So knarley and expressive. Sorry just had to share. I'm smitten!2 points
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We joined a new church in January this year - our local Anglican Church (or at least one of them) - and been feeling increasingly at home there. It’s not been since the before pandemic that I’ve played in a service but I’ll be playing bass at the the church for the first time tomorrow, so this should be fun. It’s at the more relaxed evening service. The tone and approach to the music is a bit more mellow than I’ve previously been used to at previous churches, though it’s all the same sort of range of writers… Bethel, Brooke Ligertwood, Elevation, Rend Collective etc. Will be keys/piano leading plus bass, acoustic guitar, drums and vocals. Will be interesting to see how it goes. Very much looking forward to it. I’ll try to report back afterwards!2 points
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In theory it should sound very like an Epiphone Embassy played fingerstyle.2 points
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When I was young, you had your band and that was it. Getting into my 30s, I realised a lot of people had a few different projects on the go. I wound up doing the same and would regularly be in 3 bands at once. It peaked around 2019 where I was in six bands. However, being in a band means you put the work in. You show up on time, learn your parts and commit. I operated first come first served with bookings and actually having clashes was rarely an issue. Equally, you have to be gracious about people depping for you, if you are playing in a few groups. I've just gone the other way and currently have my duo that is pretty regular and just one band that is more of a recording project that do a few gigs a year at most. I was definitely becoming guilty of not saying no to things but I actually think if you aren't learning the songs, it's quite rude. Rehearsal is to learn to play as a band, not for the ones who are thinly stretched to be taught the songs, especially if they then forget them for next time. People have different levels of enthusiasm and offer different levels of commitment. However, there has to be a common minimum standard and if players are not meeting this, something needs to give.2 points
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All you have to do is avoid the high st in season. Go north of the Co-Op and it’s always quiet (we’re much closer to Moulin). As to the rain, I have a water butt that says that it really does rain. After the 3 weeks of constant sun, it was bone dry, once the wet returned, it was back to full up in 2 days or less.2 points
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Mate, firstly glad this has helped Second, if I were able to get up your way to see you lay down that funk, I'd be there in a flash Third, love this f***ing forum and the people who hang here, and @AndyTravis, like @Clarky earlier this year, respect and thanks guys 🙏2 points
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Makes you work for your money on the night. 😂 I used to play in a "Friends of DP" tribute and we covered any band that was directly linked to DP which allowed us Rainbow, Whitesnake, DP and even Sabbath thru Dio. Loved playing Stargazer, that was one of my all time favs. So much energy and emotion in that song for a bassist. IMO of course. Dave2 points
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Then how do you satisfy a desire to both play covers and be in an originals band? You're entitled to your opinion, but this is not a "one size fits all" type situation.2 points
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There has to be a degree of respect, and synchronisation of calendars. Whichever band books the date first, that's it - none of this "my other band got a better offer" BS. I'm in two bands, drummer's in two and a bit, singer's in two - communication is the key. So far there has only been one oopsie, and I sorted it with a gig swap with another band - but made it plain that it was a huge pain in the rear end and don't do it again2 points
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Mine too, well thought out bass lines that really add to the songs and are really interesting to play.2 points
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Thank you for all the views and comments and this is going to be part of life’s journey of lessons and experiences. I always endeavour to be completely open and transparent with my adverts for anything I sell including any issues etc (Daphne blue one being a fine example) and I always treat people how I or a member of my family would expect to be treated. I am absolutely transparent in my adverts that these basses are my first efforts in bass building and again why I insist on collection so that the buyer meet me and do their due diligence. I do believe that for THIS bass for THIS issue at THIS price point at THIS stage of the dispute, my at least trying to resolve the offending fret is proportionate and fair prior to discussing a refund. From what I can research, as this was a collection on FB Marketplace then it is very much buyer beware if I wanted to be an arse (which I am not). There is a 14 day return from date of sale under Consumer Regulations for businesses for delivered items (this wasn’t) but this is outside that window anyway (again if I wanted to be an arse, I’m not Andertons lol). I have only sold 2 self built basses at this point……one buyer has messaged me numerous times saying what I fantastic bass I had made and how much they love it and then this one with both the build processes being no different in terms of the QC I did prior to sale/collection. It could be that I am doing my own legs for the basses I currently have for sale in this forum by even posting about this topic but quite frankly being open, fair and honest in my dealings with others is more important to me than any potential lost sales and part of this process is to canvass the opinions and views of others as a check and balance. If you can’t honestly reflect on things when they go well or not so well then you can never learn from them. Anyway, I’m make sure it gets resolved.2 points
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Fair enough, i suspect that if we're talking chart music only you're on the money in arguing that the music 50 years back had more interesting bass parts. But as someone who encourages my daughters to listen to whole albums by artists whose singles they like, I'm often impressed and encouraged by how interesting the bass parts can be, even in songs or artists I really don't like (Kanye being a great example of the latter) 👍2 points
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The threat of shoving the carrot where it will block the sun might be an option? I think the “carrot” should come from pride of being the best you can be. Not sure how easy it is to provide carrots to lazy people, unless you pay them? Bands can be a pain in the @rse,… or maybe that’s the last carrot still stuck there 🤣2 points
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I have been in two bands simultaneously because I wanted to gig more than the first band did. I made it clear to both bands the situation and that when it came to gigs, the first gig in the diary got priority. Practicing was never an issue and rehearsals with either band were arranged so far in advance that they never clashed. In terms of motivation - for me it was gigs. Both bands had great people in them and playing with them was enjoyable and fulfilling but the main reason I play is to be on stage. I don't think failing to prepare or practice is a direct result of being in several bands. If I was struggling to manage the workload the first thing I'd do is prioritise based on upcoming gigs but I would also be talking to all the bands involved to explain. I would have to think carefully about whether this was a one-off or likely to happen again and if the latter, I'd have to make a decision about leaving a band to reduce the workload. As with most things, communication is key and the earlier you talk it through the less heated it will be.2 points
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I’ve been in bands where it’s been other members only band and they still haven’t practiced between rehearsals. It’s not always about the number of bands that distracts people from preparing and rehearsing, it’s just laziness and poor attitude. It’s your time and money they're wasting Mickey. Maybe you and your guitarist should seek other opportunities with like minded musicians? Good luck.2 points
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Phenomenal work Basschat. love to you all! Just chatting with Lee now - I’ll update him x2 points
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Well for starters we’re instrumental Dave, but we do the below, a few modernish songs in there: AnimalDef Leppard Devils Bleeding CrownVolbeat This CorrosionMaryslim Holy DiverDio Out in the FieldsThin Lizzy Live and Let DieGuns n Roses RunawayBon Jovi It's my lifeBon Jovi Wayward SonKansas Highway StarDeep Purple Tarot WomanRainbow Dazed and ConfusedLed Zepplin It's so easyGuns n Roses The Gates of BabylonVolbeat Next to YouThe Police JailbreakThin Lizzy Hazy Shade of WinterThe Bangles From out of NowhereFaith No More Pump it UpElvis Costello StargazerRainbow Black NiightDeep Purple CarsNine Inch Nails Fool for your lovinWhitesnake2 points
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Sorry for late reply , been busy. I recently took the amp off and serviced it. I took an old Halfords bike carrier apart. Cut it to the desired length, swapped the locking mechanism around so it works as a stand. I put some prosecco cork stops in the tubes to protect the carpet. It hold the old school Peavey bass combo, about 31 kg. It's not a pretty stand but the combo conceals it.2 points
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Paul Carrack and his band at Scarborough Spa theatre last night. Capacity crowd in this old venue on a balmy evening. Paul was fabulous, and despite having maybe a cold (or hay fever?) his voice was still as amazing as ever. A superb band too, including his son Jack on drums and wonderful bassist Jeremy Meek playing a sunburst Precision with what sounded like flats. We were at the rear of the stalls in front of the sound engineer and apart from maybe being a touch on the quiet side the sound was spot on with the bass sounding exactly like a Precision should. They played all the songs associated with Paul from his long career, including ‘How long’, ’Over my shoulder’ ‘Tempted’ ‘Love will keep us alive’ and the inevitable ‘The living years’, along with some good covers - Springsteen’s ‘If I should fall behind’ being the standout for me. A great evening with one of my favourite singers.2 points
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No, shoving a plectrum into the scratchplate like that is bound to stress it around the neck end screw and may break it.2 points