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  2. I saw a brand new red 5-string Vigier Passion II in a shop (this was early nineties). Ran home, sold my piano, came back just few days later - and that red bass was sold! I then decided to buy a 5-string MG Quantum SPi Custom. I never liked it so much, but played it a lot. Now I have a red Passion II, although it is a 4-string.
  3. I once saw Dave Mattacks enter the stage, introduce himself to the other members of Lesley Duncan’s band (handing them his business card), sit down and play a flawless set. An absolute god among drummers!
  4. I've been keeping my basses at a friend's house for the past few months so Ive been going to Guitar Center two or three times a week. Played quite a few P basses, several Squier Sonics, a few of the new Fender Standard Precisions, a couple of Player IIs, and some of the American P basses, too. I'm not talking about just playing a few scales, I'm talking about playing along to my ipod, half a dozen songs or more...really getting a feel for the basses. I currently don't own a P bass, so I was getting familiar with the typical Fender stock...and I was definitely surprised by quite a few. Would've grabbed a Sonic had I found one in Graffiti Yellow. Could've walked away with a Candy Cola Fender Standard, too. The P bass has been getting the job done for over 70 years. However, I just picked up my Jazz bass last week...moved into a new place...and the minute I plugged it in I knew why it was special. Extremely comfortable, it almost plays itself, and the tone palette is truly full spectrum...the Turbo Switch is a big plus. So, in reply to the question "Jazz basses, what's the point?" The answer is simple...it's 𝘮𝘰𝘳𝘦 than a P bass.
  5. In case someone is looking for something special 🙂 https://reverb.com/uk/item/90319243-spector-ns-x-black-1984-05-28
  6. Twas the Basic Legend https://www.spectorbass.com/product/legend-5-standard/ 4 string version of this in tobacco.
  7. Ah, you’re too kind @eude . I’ll try to live up to that kindness. The Monzo I tried was excellent. I didn’t buy then as I couldn’t quite justify having 2 cabs both doing basically the same job for me and I didn’t want to sell my Silverstone. (Serial #1, I am proud of that…) The Goodwood is tempting me though. I wonder if I could use it to busk with if I rig up some kind of battery powered amp solution. I use the Everse EV8 for that presently, but it does compress hard when I push it. It also is a bit shoutier if I push it hard. Very portable though. But a plastic cab never sounds the same as properly braced wooden bass cabinet.
  8. That sounds more like a confidence issues than a competence issue?
  9. Oih, i like that.
  10. Or..... 1. That bloke out of Foo Fighters 2. That bloke out of Nirvana 3. That bloke out of Blink 182 4. That girl out of White Stripes 5. That Muppet
  11. My strings arrived today (well, yesterday, technically - but I got the delivered to the Amazon locker at work, and they arrived after I left work). Happy to report that all are fine, look legit and all the Players Circle codes worked.
  12. Generally I've found that the sound breaks up more as the bias is turned to the right. I need to spend more time with it to see if that's always the case
  13. I bought it here from our honourable @graham1945. The 19 mm string spacing of the 35" neck was the thing, this is a very playable and stable instrument. I also like the sound of bartolini pickups very much.
  14. Just bought a Tascam recorder from @andysg42, aka Andy, who's absolutely brilliant to deal with. Here's what I mean... I sent Andy a PM yesterday morning and after 2 PMs, everything was agreed and sorted out. Next thing I know is that the Tascam arrived safe and sound here at Silverfoxnik Towers this afternoon. Perfect! So, deal with Andy with complete confidence, Folks. 👍 Thanks again Andy, and here's to the next one. 😊 Cheers, Nik
  15. Señor Presidente, Joe Dart is using his Sterling By Music Man signature models for all his live prestations and some recordings too, but his smug face will still remain. Do you think, it really deserves a double ban Señor Presidente? Of course, I'm heading to the firing squad right now. ¡Viva el Señor Presidente!
  16. If that is anywhere near as good as the Hils guitar I have it will be a fantastic instrument. GLWTS
  17. Sending a load of stuff out tomorrow so feel free to make me an offer if you fancy getting this delivered Friday 👍
  18. The excellent FEA OptiFET Bass Compressor. In excellent condition. Now discontinued and becoming super collectible and rightly so! This is an excellent compressor and deserves some love, price includes UK postage. The Info/bumpf The FEA Opti-FET Compressor is designed with both audiophile and studio quality features that many musicians enjoy. The new audio path has been redesigned with the FEA 3S output amplifier circuit for warm tone and excellent noise rejection that features a “class A” FET output driver. The 3S amplifier utilizes an audiophile grade Texas Instruments™ (formerly Burr-Brown™) SoundPlus™ operational amplifier and a class-A Fairfield™ FET driver for outstanding performance. The operational and FET driver amplifiers are integrated in a unique way to take advantage of the favorable qualities of both types of amplification. This 3S amplifier has selectable modes of operation for a clean or warm tone. The warm tone mode was modeled to match the tone of the original OPTI-FET circuit. The input stage is a high impedance CMOS, hi-fi amplifier buffer with internal RFI protection. The input amplifier has been designed to have minimal signal distortion and noise, with maximum headroom for all input signal levels. Another feature in the FEA OPTI-FET Compressor is the extensive side-chain control which is not commonly found in most pedal type compressors today. Like many quality studio rack compressors, the OPTI-FET compressor has all of the common controls available to the user to accurately shape his or her tone. Along with the full feature set of side-chain controls, a three band equalizer is available. This EQ only affects the amplitude of frequencies of the signal in the compressor control circuits. This EQ allows the user to modify the threshold setting by frequency band. The OPTI-FET compressor also has a side-chain loop feature, similar to many rack compressors. This allows the user to be more creative with the use of other outboard pedals. Multi-band EQ, or buffered volume pedals are a few that can make this pedal even more versatile when used in the side-chain loop. FEATURES: Small footprint – 4 1/2 inches by 3 1/2 inches THRESHOLD, RATIO, ATTACK, RELEASE and GAIN controls. The control ranges for the ATTACK and RELEASE have been optimized for use on both bass and guitar. The compressor exhibits soft-knee compression at lower RATIO settings and hard-knee at maximum RATIO settings. The COMP LED indicates when the THRESHOLD has been reached. This LED does not indicate the RELEASE response. The compressor side-chain utilizes precision full-wave rectification of the audio signals in the THRESHOLD circuit for accurate envelope tracking. This also reduces the possibility of “pumping” with very low frequencies. ACTIVATE foot switch places the compressor unit in the signal chain or in Direct Bypass mode. In Direct Bypass mode the signal at the input is directly connected to the output and does not pass through any electronics. EQUALIZER foot switch enables the three band equalizer controls for the side-chain control circuit. The three band EQ only affects the amplitude of frequencies of the signal in the side-chain control circuit to modify threshold sensitivity by frequency band. LOOP SEND/RETURN jacks are for placing external processors or EQ’s in the compressor side-chain control circuit. These jacks are only active when the EQUALIZER foot switch is enabled. Internal DIP switches to select the output amplifier mode of operation. The three modes are clean (SW 1&2 off), warm 1 (SW 1 on) and warm 2 (SW 2 on). The warm 2 mode adds a subtle amount more of the dynamic harmonics of mode 1. Internal DIP switch for a 12KHz filter for an ‘old school’ tone or to reduce the hiss from pedals proceeding the compressor. The audio signal compression is accomplished with only a resistive component (Light Dependent Resistor or Photocell). All resistors in the circuit are low noise metal film type. The audio signal coupling capacitors are tight tolerance, quiet, multi-layer and metallized polyester film type. The transistors utilized in the audio signal path are popular low noise audiophile grade devices. The power supplies onboard voltage charge pump allows the circuitry to operate at 18volts (+9 and –9 volt rails) from a single 9-volt battery or DC power adapter. This allows the audio signal plenty of headroom from active electronic guitars and aggressive playing techniques (i.e. pop and slap). The “switch on” power supply current is less than 1µA (micro amp) on the signal ground at the INPUT jack. This is approximately 45,000 times (-93dB) less than the commonly used method of connecting the battery’s negative terminal to ground via the sleeve of the plug inserted into the INPUT jack. The “switch on” sensing method used in the FEA OPTI-FET Compressor keeps nearly all of the circuit’s generated white noise and transient currents out of the INPUT stage signal ground. Extreme measures have been taken to keep the power and signal paths as clean as possible.
  19. Reduced to £385 collected from Bristol, or £400 with UK postage.
  20. When I'm El Presidente it will be law that all musicians with signature gear must use it for all performances and recording. That'll get rid of at least 3/4 of them. I'll also ban Joe Dart for his smug expression while playing so this bass will be double banned. Viva El Presidente
  21. So things haven't improved since I gave up with it then....
  22. Today
  23. If only I lived in South Shields or within a few hundred miles. Great cabs!
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