gjones

Years ago I played in a duo with my brother in law. We were booked to play a gig in a small bar. When we arrived it was empty, except for the landlord and a little guy, obviously drunk, sitting at the bar. We sat and played, for about 30 mins, to an almost empty bar. This was bad enough, but suddenly the guy at the bar starting howling along to the music like a dog. Eventually I got so whizzed off, with the drunken leprechaun, that I put my bass down, walked over to him, picked him up bodily and threw him out the door. Of course it wasn't long before he scuttled back in and went back to his pint at the bar (but with no howling this time). We finished the gig and, although astoundingly the landlord asked us to play again the next week, we never went back.

Doesn't the guy in Royal Blood play something similar?

About 15 years ago I had a year's break from playing. When I eventually joined a band, I found my plucking hand regularly cramped up. I bought one of those hand strenthener gizmos, from a sports shop, which i used to build up the muscles in my hands. That did the trick and I've not had any cramps since (although I did end up with carpal tunnel but that's another story).

My philosophy is, when in doubt..........play nowt.

I like the neck on a Jazz and the clarity of tone. The ideal bass sound, that I hear in my head, is the sound of a Jazz. So when I play in my Blues/Rock band, I play a Jazz. But I also play in a country band and the Precision sound fits that genre very well. So when I play in the county band, I take my Precision. But saying that, I saw a video of my Blues/Rock band the other day, and in it, I was playing my Precision. It sounded pretty ballsy.

Edinburgh twice!!!!!

Watching the videos, I've noticed, that Gail Ann Dorsey didn't always play the exact basslines of many of the songs she played live with Bowie. He didn't seem to care.

Like throwing pearls to swine, pearls to swine 😱

I bought a USA, 75 reissue, FSR, from Bass Direct. They really know how to set a bass up! It had the lowest action I've ever seen on a bass. I have the feeling they could make an Argos own brand play like a Custom Shop.

Wellllll.........I walked into a crappy bar in New York where a band were playing. I sat down with a pint and listened to them playing pretty good Jazz Rock. I said to myself, that guitarist is obviously a big fan of Jeff Beck. I later found out that the girl on drums was Kim Thompson (Beyonce's drummer), The bassist was the one and only anthony Jackson, (steely Dan, Madonna, Buddy Rich) and the guitarist was Mike Stern (Miles Davis). They would have probably have gone down like cold sick in the Dog & Duck (can you not play any Oasis?).

I'd check what other bands they are playing with. Nothing worse than having a great drummer in the band who can never commit to gigs because they're too busy with other outfits. Let the other guys down easy, because you may need their services in the future.

If those prices are in £, then I can see why I bought a Yamaha back in 1992, rather than a USA Fender Jazz. It set me back about £400. Edit : The other price lists on that page are in $. So I suspect this one is too. In 1992 you could get, almost, two $ to the £. Which means an American Jazz would have been about £400. I wonder why I didn't buy one?

I dislike seeing lumps and bumps on a new bass. It gives the impression that it hasn't been looked after or that the owner is accident prone. I wouldn't personally buy a bass like that unless it was seriously cheap, because if I needed to sell it at a future date it would be difficult. An older bass will probably have some signs of use and it wouldn't bother me if it looked a bit roadworn.

If it actual had been in a fire and retrieved from the ashes, it could be seen as cool. On the other hand, if somebody just had a go at it with a blowtorch......then nah.

I found out my lovely, shiny, new, Elite Precision, sounds just like my Squier bitsa, once it's DI'd into the sound desk and EQ'd by some random sound engineer. And my old Squier has a nicer neck and is lighter too. You lives and learns I suppose

You need to form your own band. You can do that by advertising for musicians online, or you can do it by putting yourself about (playing in bands and attending open mic nights) and picking up like minded musicians. Or you can do what I did, join a Prog Rock band and turn them into a funk band! I wouldn't recommend it though, as it took four years to wean them off their Genesis fixation and persuade them that Chic and James Brown was the new direction. You're not going to make any friends by turning up to an audition, without learning any of the songs, and saying 'Hey, let's jam!'.

It doesn't show a serial number at all in the photos. Assuming that, if there is one and it actually is a fender, it must be at the body end of the neck , which would mean its a MIJ or CIJ bass. The ones made for export had smaller back plates on the machineheads, and some had the truss access at the headstock. Maybe worth £500. Edit - I do notice the bass player who previously owned this bass, playing a cheapo Precision, on The Lena Lovich tour, with a purposely obscured headstock logo (touring with a decent bass can be a risky thing to do).

My first gig was on the 8th of December 1980, aged 17. It was at my school 'Rock Nite'. My band was called Peach Melba (named after a flavour of yoghurt) and we chose the lead singer, because he was the best looking guy in the school. Unfortunately he was also the worst singer in the school. We got booed off. This is my second gig, at the sister of the guitarist's 21st birthday party. That bass cost me £50 (We were a bit better at this one, we'd been practising). Oh and we'd got a decent singer by then. Yoshi was Japanese and she had a Led Zep obsession.

My Barefaced Compact is the loudest cab, with the lightest weight (27lbs), I've ever owned. I can drown out a loud drummer, pairing it with my GK MB500 amp (I never do, of course, but I could if I wanted to). I also own a Barefaced Super Compact, which is light(23.5 lbs), and sounds excellent, but can't compete, as far as loudness is concerned, with the Compact.

I have a Super Compact and an older style Compact. I played a loud gig with the Super Compact and my GK MB500 amp, and it just about managed the gig with gain and master as high as they could go. My old Compact is definitely a louder cab, with the same amp. So I bought a secondhand GK MB800 and, hopefully, more power will allow me to get significantly more grunt out of the Super Compact. It was either that or buy another Super Compact, which defeats the point of my buying one in the first place (ie downsizing).

Looks like an ABM 500 in an ABM 900 case?

I always tune G,D,A,E. Except on a Wednesday, when I tune E,A,D,G.

One of the reasons I have a John East Pre amp fitted on my Jazzes, is for this very reason. I boost the low mid, significantly, and it means the bass cuts through really well when it's through the FOH PA. It makes it easier for the sound engineer to provide a decent clear bass sound out front, rather than subsonic mush.

The only reason I can see for a 'Best female bassist' list, is to encourage women and girls to take up the instrument.