GuyR

Love that. Tell us (much) more.

There seems to be a consensus. This forum remains, thank goodness, a haven of relative common sense and almost exclusive good will. Long may it continue.

did you go and see them all? Do I win the prize?

This might sound ok through it

I’m enjoying my recently acquired CS stack knob and long owned Godin A5.....

He's right. I bought the backup Stingray via the gallery, about 2013, also a 79 and in very good condition. I resold it via the gallery last year. It was still on their website when I last looked recently. According to Martin Petersen, when Pino was there recently, he tried my 62 Fretless jazz bass, currently for sale. I doubt he would have asked for a letter of provenance like I did.

I recently bought a CS Jazz Bass from Andy. He was a pleasure to meet and do business with and I could not recommend him more highly. Thanks Andy, I'm loving the bass. Best wishes, Guy

Good call. The price of airline tickets may well be significantly lower in a few weeks.

I have recently acquired a CS stack knob which I am really enjoying. I haven't played a better modern jazz bass. I have 7 other vvt jazz basses, from 80s tokai to 4 pre cbs examples. In my opinion, there is much more variation in the basic tone of a random sample of similar instruments than there would be by swapping from stack to vvt. Stack is great. As is vvt.

How can you not like the lived-in look? Thanks for posting these, nice start to the day

Most of my basses are old and battered, some with large areas of finish missing. I much prefer the comfort to play and freedom from concern over damage. And they look great in my opinion.

Another A5 vote here. More than once, mine has been described as " the best sounding bass I have ever heard". Coincidentally, that has never happened when I have been playing it. Rick turner Renaissance basses also sound great, but rare in UK

Used Godin A5. Mine is strung with a low B, but I don't see why it wouldn't work E-C. Lovely tone and very easy to play.

I have a 62 jazz bass which has been drilled through just above the nut, probably for just this purpose.

I wasn't aware I had a nephew in Birmingham

Is that a euphemism? (Sorry, just read later posts)

It's surprising that only the 100% unmodified original-finish ones seem to come up for sale.

+1 for this. It's first-class. My wife bought m one for Christmas a couple of years ago. I subsequently came to regret pointing out that she had created abundant spare capacity with all the empty individual stands. Apparently, that wasn't the point.

Speaking as a past, present and future buyer of pre cbs fender basses, I have no issue with refrets whatsoever. Same for defective pots. The idea of buying a bass I couldn't use, in order to preserve originality, does not appeal. There are, I'm sure, buyers who will reject a refretted bass, but not a sufficient proportion to seriously affect the value

Not on here

That is very appealing indeed. The solid rosewood neck gives a completely different look, irrespective of the scratchplate ( I like the white ) is there a separate fingerboard or is it a 1-piece neck? very nice score- I'm quite envious.......

As the Tokai is missing out so far, it certainly gets my vote. Is the neck quite chunky for a Jazz? Mine of a similar vintage is - interested to know if yours is the same. 3 very good buys!!

Thanks for explaining that so clearly. I'm such a tool! I'm probably a bit touchy due to my inferiority complex.