Jump to content

GuyR

Members
  • Content Count

    432
  • Joined

  • Last visited

Everything posted by GuyR

  1. Bass Gallery. As you say, 15% (inc vat) sold four basses in the last 2 years, for a total of £10k. Mainly took a couple of weeks, one a couple of months. One sold for considerably more than I expected. Zero hassle, comms good, funds immediate. 10/10.
  2. You are right. When the ghastly spectre of logic raises its ugly head in relation to a bass purchase, all chance of a favourable outcome is lost. I bought an all original 62 custom colour jazz bass around 2000/2001 for £3.4k. I have had 20 years wonderful use out of it. I spent an hour playing it this evening. I'd probably not lose money in the unlikely event of selling, although that was absolutely irrelevant to me when I bought and still is. I never think of it as a collectible.
  3. G As time goes by, it is inevitable that the proportion of vintage instruments with replaced electrical components and frets will increase and that those changes will become more acceptable, as the stock of completely original instruments decreases. There are few Italian vintage violins that have not been substantially repaired, re-necked, fingeboarded, refinished etc. The inevitable repairs are completely acceptable and do not seem to significantly deter buyers. It seems logical to me to anticipate the market for vintage guitars/basses will follow, but who has a crystal ball. Maybe electric guitars/basses will completely fall out of favour. Authentic original instruments have been trading at premium prices since the early 1980s, so the market is well established. On another subject, it does seem a shame to denigrate the choices of others, or assume the motivation of others in making their choices as unsavoury. We are all just bass players making our choices, enjoying our instruments. I'm pleased for anyone, anytime they acquire a bass they enjoy. For me, the very best basses I have played have been vintage.
  4. Lovely looking bass. Godins are excellent value. I have an A5 which has the perfect neck profile for me and a flat ish fingerboard. What is the neck profile like on this?
  5. Certificate or not, a lovely looking bass and a sensible price. CS prices seem to have risen strongly in the last year.
  6. Have never dealt with BD but it is always good to hear about positive experiences.
  7. I have only skimmed this thread after the first page. I don't understand why you would have an opinion or make judgements about about other people or their motivation based on their choice of instrument.
  8. I thought all the options for phrases to downplay "refin" had been exhausted.
  9. That's a lovely bass. ACGs shapes are a little "out there" perhaps, but they are original, which is not easy 70 years into the evolution of electric basses. The blue against the burl is reminiscent of of natural opal. Overall, a thing of beauty and I expect it will be not too shabby to play. Thanks for sharing.
  10. Have sold two relatively high value basses recently via bassgallery. Both sold quickly for a decent retail value, so 15% commission was excellent value and zero hassle factor.
  11. You would be most welcome Jon. I could probably get a box of some description from bass gallery, which is near my work. There is someone at home 24/7 currently for collection so I'll PM you my address.
  12. It's certainly got the look of that era. I'm sure whoever wants it will appreciate the offer. As an update, I've plugged it in and it is in full working order, all pots crackle free. It sounded OK.
  13. I have been given what looks like a 70s No name Jazz type Bass by a friend who does house clearances. It’s fairly horrible. One of the tuners doesn’t work- spins on its shaft, but the neck is playable and overall it seems in ok condition. It is fully functioning, pickups and electrics all good. There is no case. On the basis it won’t immediately appear on gumtree/eBay, anyone who is able to collect it from either Barnet or Kentish Town is very welcome to it.
  14. That does look like a Status type neck. The back up recently sold, also a '79, was bought in the early 90s for use when his no1 was in for repair. Although it is a great bass, it didn't appear to have been used much. The bass in the video is not the backup.
  15. in common with every category of instrument, Vintage Fenders are not all created equal.
  16. Thankfully, we will now recognise it next time it is advertised for sale.
  17. Thank goodness they don't, otherwise the prices would be even more painful. And give me a worn looking bass every time. There are usually two reasons for a pre cbs Fender to be pristine; either it has a sad story, or it is a dog, of which there are plenty.
  18. That looks as good as any l series I have seen, and the price does not seem excessive, but I’m sure the condition would put me off using it. My crop of pre cbs basses and guitars never see the inside of a case, often being left randomly around the house. That 65 is too clean for serious action.
  19. Excellent work. You’re not that Mick Mason bloke, are you?
  20. A decent looking '64 Oly White, tort and white headstock Jazz at ATB currently. Been in stock for a while, I think on commission IIRC from my visit there. Possibly worth a look and perhaps open to offers.
  21. I have bought well from ATB and found them straightforward. I understand guitaravenue are reputable too, although that is not from personal experience. If you have confidence in your own judgement, Gardiner Houlgate have four auctions per year. I have also got excellent value there.
  22. I'm putting every available £ into used Sansamps. Seems you can get 10x your money back.
  23. I don't understand why you are still engaging in this person's game, @Prowla. In my opinion, you would be best served to put it in the hands of the police today.
  24. The first run JVs have some minor differences in detail - for instance on the Jazz bass, the Fender logo tortoise scratch plate has one fewer layers of ply than the later version. Not sure if the same is true for other tort plate JVs. I can't see any difference in fit and finish on my examples. The 84 is noticeably lighter than the Sen ash 82. I'm not sure what th body wood is on the 84 as it is Oly White. When I bought it I tried every JV Jazz in Denmark St. The one I bought was special, so unsurprisingly it is better than the 82. I have an 84 JV Strat which is also fabulous and extremely light. It so outshone the Fender logo 82 Strat I formerly had (which had a serial numbe about 100 away from my 82 Jazz and was an identical piece of wood) that I sold the early example. In my opinion, the pickups of JVs in general are the weak point. All mine are unchanged, but I don't think they quite do justice to the potential contained in he unamplifed tone.
  25. Shows you where the real value was........possibly still is?
×
×
  • Create New...