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Thanks. Good to know. I checked the photos and the one on ebay was a 34'' (bridge pickup not aligned with balance and treble pots).

No, we're not. As someone who has stated above that reworking entire songs = artistic freedom, etc, you should know that. That one semitone started the discussion, but it's broadened a lot more since.

Sold a rather lovely Jazz to Tony, a very straight forward and trouble-free deal as would be expected given his feedback here. Enjoy the bass mate 👍 I've no doubt this is far from our last transaction

Yes, and the Fender Rumble 500 is also much loved by BC'ers too!

Per definition they are 34", but I came across at least two or three Ian Hills that were 35" Throughout the years Spector produced a few 35" Euro 4s, sometimes called Euro435 with the same PJ setup and all the other specs being exactly the same and from the outside it is almost impossible to tell a 34" from the 35" except for one telltale sign. So if you know what to look for you can spot the 35" Euros pretty easily. My Euro 4 35" pictured below and if you look at the bridge pickup it almost lines up with the balance and the treble pot, whereas on standard Euro 4s the pickups are in different locations (and relative to the pots, too. ) I had another 435, same layout and the latest 35" Ian Hill I've seen (seller confirmed the scale lenght and the IH model sign on the back of the headstock

Loose Fit - The Happy Mondays

I have mentioned before that our singer and band leader is a massive Bruce Springsteen fan. Our gigs tend to follow 'the Boss' in length with 3+hour sets not uncommon. On Saturday we had the dreaded WhatsAppp message from him - 'I'm at a Springsteen gig' - which can often mean last minute set changes as new songs appear following an epiphany during The Boss' performances. Yesterday, with the BL yet to appear at the rehearsal, the sound guy and I were taking bets on which Springsteen songs would be added and, as Sir Paul was also present with Bruce in Liverpool, which Beatles tracks would also make an appearance. We both lost as the BL was very restrained and chose not to alter the set at all. Instead we ran through the first 6 songs, which run together as a solid 20 minute section kicking the set off. It's a new concept to most of the band so we've been working on the transitions and they're finally beginning to gel. The sound guy kept telling me my bass was sounding 'muddy' and I couldn't figure out why as nothing had changed from the previous rehearsal. Right at the end, as we were talking about it, his description 'all the top end disappeared from your sound' made me realise that the 'Ultra HI' button on my Ampeg SCR-DI pre-amp pedal had probably not been engaged and sure enough, that was the issue. I love that pedal but I wish it had indicator lights on the push buttons. Ibanez GSR205, Broughton HPF (set at 40hz) Zoom MS60 (for noise reduction, compressor, tuner/mute and a couple of one-off spot effects), Ampeg SCR-DI into the desk. Skechers. 😀

We're discussing one semitone 🤣

We generally have a mixed age group. Lot of younger ones think the Glam band is just a great fun night and we've had hen nights, women's birthday parties etc at our gigs but always dancing. Think its the style of music. Glam is a dancing kind of music whereas blues tends to have people that enjoy the musicianship more than a dance if that makes sense, until the drink hits, then folks will dance to anything 😂 Dave

"I'm sticking it to The Man/making a stand for artistic freedom by playing a load of wrong notes". Cool.

If you don’t want it going through your personal account, set up a separate account for the band with someone like Starling and make all payments in/out of that. 10 minute job to get one up and running.

Just donated. Best wishes and hope Lee holds onto his bass.

I don't know Lee but more than happy to help

Top bloke. - what @walshy just said. More than happy to help. 😘

I'm sure this has been covered many times but I can't find a relevant thread. I've never had anything to do with payment side regarding gigs, the band leader has always sorted it. In a new band and there isn't a band leader as such so we're a bit in the dark on some things. We've got a gig coming up where the pub pays by bank transfer (on the day). This seems to be the way a lot of pubs etc are going. If it's a regular payment method for the places we're going to be playing, what's a good way of organising it for a band? To be honest I wouldn't want regular transfers going into my account and the 3 transfers going out... Cheers

Swinging the Chain - Black Sabbath

I get that. I suppose it’s because the only fretless basses I’ve had have had no dots or lines. If I try and look at the double bass neck when shifting it can put it all out of whack causing intonation issues. (To be fair, it sounds awful whatever I do.)

I've never heard this said before about Sadowskys 🤔 Interestingly I've had passive Fender Jazz basses that disappeared into the mix with both pickups on full.

A good comparison: the Markbass CMD 121P is a very good benchmark in my view

Amp placement is also a factor. Having it projecting at the back of the instrument can be an issue. Not always, but can. If you stand to the side of it, that might alleviate immediate problems.