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  2. I can vouch for Glued to Music, I've used them a few times. Very fast delivery and never any problems. They're also on eBay but tend to be more expensive there
  3. Return to this thread every year and add 7-10% of estimates given
  4. Whenever these basses pop up in any context I can't resist to comment on it. My actual name is Attila Balogh and I'm a bass player and I'm not related at all to the builder. Weird little funny coincidence.
  5. These are just exceptional amps. I’ve heard mine for hundreds of gigs and it just sounds fantastic.
  6. A whole set of the Dunlop Fuzz Face Mini pedals up for grabs! Great pedals, great tone, and all in good condition, but just haven’t been used (plus, quite hard to display upright…). The following choices available (prices including UK postage): FFM1 - Silicon Fuzz Face Mini (blue) -£100 FFM2 - Germanium Fuzz Face Mini (red) - £100 FFM3 - Jimi Hendrix Fuzz Face Mini (pale blue) - £110 FFM4 - Joe Bonamassa Fuzz Face Mini (black) - £120 FFM6 - Band of Gypsys Fuzz Face Mini (red with white knobs) - £110 - £110
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  7. let us know how you get on with it
  8. Our other bass player in the punk band uses an Elf - at rehearsal into my large Precision Devices 15" cab and for gigs into a 4x10 with Celestion speakers. * He uses a Sansamp as well, but we constantly have to tell him to turn down - and the rest of us are quite loud... And I use a 1200w Crown power amp into Markbass 2x10 and 4x10 for home practice. It goes loud as well as quiet! *both cabs have a sensitivity of around 100dB/W@1m. So that's 100dB of racket for 1W going in, 103dB for 2W, 106dB for 4W, 109dB for 8W, 112dB for 16W, 115dB for 32W, 118dB for 64W, 121dB for 128W.
  9. wow that is bad. It's almost like it's been done on purpose it really isn't difficult to put a fret in a slot
  10. bubble toes - jack johnson
  11. Given some of the earlier comments I ought to say I'm not being critical at all just that you made an interesting point The theoretical maximum power of an amp is determined by the operating voltage, the power in practice by heatsinking. If you are buiding a 60V amplifier than a lot of your components need to be 60V rated particularly in the power output stage. Running at 30V saves you a lot of money. Most Class D amps are complete amplifiers in a chip though there are also class D driver chips where the processing goes on in a bog standard chip and manufacturers can add the output devices of their choice. Designing and fabricating the first chip is an expensive process but then mass producing them costs pence. Nearly all of the high power chips are manufactured as stereo chips and many as quad amps. Power is proportional to the square of the voltage and you can use a stereo amp module in bridge mode to get four times the power. The same chips are used in domestic hi-fi electronics and things like in car entertainment systems. If you have a car stereo with a sub it's probably running one of the 50W quad amps with two of the amps running each side and two others bridged to drive the sub. It was these chips that stimulated the whole 2.1 phenomenon. So there are a few manufacturers of these chips who make ones of the right voltage to produce 200W into 4 ohms given the limits of their power supplies and heatsinking. Guess what is in the Gnome ,Elf,BAM at their heart they are car stereos with a bit of bass orientated EQ. It's also how they can be so cheap. Bass amps aren't really a big market so a lot of innovation is piggy backed upon what happens elsewhere in the market especially at the bottom end of the market. It also makes sense for amps to go up in 3dB steps which is doubling amplifier power. So, 100,200,400,800 does make sense both for the bassist and the manufacturer.
  12. Pop punk song - Die Spitz Great band, have a listen if you like punk (definitely not pop punk)
  13. I recall an ad with him and Phil Collen in. I don’t recall if it was a sig or if he was endorsing a specific model
  14. Today
  15. China. eBay I bought Jazz and Precision profiled necks last year, blocks, binding. £70-80 shipped.
  16. If it was mine, I would be replacing the nut. 👍
  17. well if you've been running on those supplies without issues then you'll know by now. The supplies are probably manufactured in the 100,000's if not millions and then badged with lots of different brands. China is getting better all the time at quality control but if your failure rate is 0.5% that's still a lot of dud supplies. Even if A&H check every one which I doubt, they wouldn't pick up the fault and I don't suppose Andertons would either. Nobody checks something for the 2 hours plus that your supply needs to manifest the problem. Just bad luck, it's good to hear that A&H are showing an interest it's not good for them either if a batch of these have gone through or there is an under-specced component in the supply.
  18. Super cool, I've only heard great things about these Alusonics
  19. have a mk2 Octabvre for sell instead of trade...if that's worth that much now .
  20. If I didn't have an american P already, I'd have bought this by now. Looks like a player, interesting colour and a good price too. GLWTS.
  21. Ha! I had no idea. The whole time, I thought JJ had done a Dave Davies. The true story is funnier indeed.
  22. Definitely playing Schecter; he has the white one and a black one, both with the Hysteria circuits patterning. They sounded great, probably the best bass tone he’s had for a number of years now. Was a great show, their vocals were bang on and the production was immense.
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